She's the one growing up in the mad family, in the mad society, who doesn't want to know what's going on. But things are going on: eight-year-olds collecting very peculiar treasure; babies who might be, or might not be, bombs; schoolgirls bringing guns into schoolyards; and, of course, lots of food and bad, bad sex.If Amelia is to live she needs to change. Can she, though, in a place where people don't know how to look after themselves, and so wouldn't know how to look after one another?The shattering and darkly funny debut novel from the author of Milkman, winner of the Man Booker Prize.

    Rose's father finds a suitable husband, Captain Camden Lovell, twenty-seven years her senior. Captain Lovell takes his bride to Charleston, provides her with a beautiful home on the Battery and good standing in Charleston Society.Three years later Rose is a widow. Captain Wyatt, her husband's trusted employee is now in charge of her affairs. Rose senses he does not like her. One day he brings a young woman with child to her - and a secret that must be kept. A little girl is born, and Rose becomes a mother. Captain Wyatt offers to marry her in name only to protect her from Charleston society gossip, but she is determined she will not marry a second time for protection. She will marry for love or live alone.Just three months later, August 31st, 1886 the city of Charleston suffers the worst earthquake of the century. Her beautiful home is in shambles. Rose has no choice but to return to her parents' birthplace in Ireland. The only record she has of her Irish ancestry is in her mother's Bible. She and her infant daughter take the next ship to Ireland. She has begun to hope she has finally found happiness when Captain Wyatt comes with news that shatters her heart.Every person Rose loves is taken away. Her faith in God is shaken. There is a plan for her, but she can't see it. Captain Wyatt breaks her heart, not once but twice.

    This street-level view of Northern Ireland provides the best explanation of the twenty-five-year conflict.

    By experimenting with new concepts of time, integrating Eastern philosophies into Western music, and exploring multiphonics and other new sounds on his saxophone, he opened avenues of expression that influenced musicians and composers from jazz to rock to avant-garde.Bill Cole focuses on two aspects of John Coltrane in this provocative study: Coltrane the musician and Coltrane the religious person. Deeply interrelated, both aspects are bound up with Coltrane's identification as an African- American. Coltrane accepted the traditional African belief in the magical powers of sound and connected his music to its African roots via a devout religiosity. Cole shows how Coltrane's influences extended from tribal tone languages to speeches by Martin Luther King, Jr. -- he even adapted King's rhythmic inflections into a saxophone solo.Bill Cole offers a lengthy musical analysis of Coltrane's career; it also includes a detailed discography with recording data and personnel and over two dozen photographs. Cole draws on quotes from Coltrane himself, transcriptions of his improvisations, analyses of his music, research into West African religion, and his own personal reminiscences of the man, to offer a stimulating perspective on Coltrane's music, life, and thought.

    The novel explores two historical strands, bringing together an abused housewife from the 1970s and a young girl from the early 1940s in a story of love, loss and unexpected consequences.The Letter follows the life of Tina in the 1970s who seeks respite from her abusive marriage by volunteering at a charity shop. One day, while sorting through the pockets of a second-hand suit, she comes across an old letter. It is still firmly sealed and un-franked. Unable to resist the pull of curiosity, Tina opens the letter. It was written on 4th September 1939. She is so moved by the contents and bemused as to why the letter was never delivered, she embarks on a quest to find out what became of the writer and his intended recipient.The mystery of how this love letter ended up in Tina’s hands is also uncovered through Billy’s story from the early 1940s. He writes a letter that will change his life forever, unaware that it will not be read for another 34 years, and then by a complete stranger.With a swift pace, memorable characters and a wonderful conceptual depth, Hughes’ novel is one that simply can’t be put down.

    At the dawn of the sixteenth century, Europe was emerging from an age of ignorance and uncertainty. New lands were being discovered and old ones revitalized. People abandoned the ideals of medieval times to make startling advances in technology, science, and art. Here, award-winning historian Lacey Baldwin Smith vividly brings to life the story of Queen Elizabeth - perhaps the most influential sovereign in England's history - and the age she created. During her reign, Queen Elizabeth, last of the Tudor monarchs, presided over developments that still shape and inform our lives and culture today, including her patronage of William Shakespeare, the formation of the Church of England, victory over the Spanish Armada, even the execution of Mary Queen of Scots. Smith's keen eye for detail and sense of how those details have echoed through the centuries make this book essential reading for anyone who wants to understand how history works.

    McGahern's short stories equal his finest novels, reflecting both the richness of the ordinary, and the extraordinary, in the lives of a variety of individuals: the jilted lover waiting with would-be writers in a Dublin pub on a summer evening; the bitter climax between a father and son as a marriage begins; the fortunes and misfortunes of the Kirkwood family; and many more.For this revised edition, completed shortly before his death, John McGahern edited and deleted a number of stories from the Collected Stories that first appeared in 1992. This is the authorised edition of a modern classic.

    Ireland: a terrible beauty ; the story of Ireland today (1970's during the time of the Troubles) with 388 photographs, including 108 in full color, 213 pages.

    He never went to school but received most of his education in the streets of Dublin, and taught himself to read at the age of fourteen. He was successively a newspaper-seller, docker, stone-breaker, railway-worker and builders' labourer. In 1913 he helped to organise the Irish Citizen Army which fought in the streets of Dublin, and at the same time he was learning his dramatic technique by reading Shakespeare and watching the plays of Dion Boucicault. His early works were performed at the Abbey Theatre, Dublin, and Lady Gregory made him welcome at Coole, but disagreement followed and after visiting America in the late thirties O'Casey settled in Devonshire. He lived there until his death in 1964, though still drawing the themes of many of his plays from the life he knew so well on the banks of the Liffey. Out of the ceaseless dramatic experimenting in his plays O'Casey created a flamboyance and versatility that sustain the impression of bigness of mind that is inseparable from his tragi-comic vision of life.

    Anthony Cronin’s account of life in post-war literary Dublin is as funny and colourful as one would expect from an intimate of Brendan Behan, Patrick Kavanagh and Myles na Gopaleen; but it is also a clear-eyed and bracing antidote to the kitsch that passes for literary history and memory in the Dublin of today. Cronin writes with remarkable subtlety of the frustrations and pathologies of this generation: the excess of drink, the shortage of sex, the insecurity and begrudgery, the painful limitations of cultural life, and the bittersweet pull of exile. We read of a comical sojourn in France with Behan, and of Cronin’s years in London as a literary editor and a friend of the writer Julian Maclaren-Ross and the painters Robert MacBryde and Robert Colquhoun. The generation chronicled by Cronin was one of wasted promise. That waste is redressed through the shimmering prose of Dead as Doornails, earning its place in Irish literary history alongside the best works of Behan, Kavanagh and Myles.

    His is a unique voice in modern lyrical poetry—ferociously independent, by turns ironic, colloquial, lyrical.

    Reviled by its enemies and lionized by its allies, Saint Patrick’s Battalion will fight under an emerald green flag with the fury of the proud and the damned. And as James Alexander Thom’s extraordinary new novel reaches a shattering climax, the reader hurtles into a collision between true loyalty and true betrayal–and between the best and basest reasons for war.Narrated by two soldiers on opposite sides of the Mexican-American War of 1846, Saint Patrick’s Battalion tells the true but little-known story of an Irish immigrant who deserted from the U.S. Army and was joined across enemy lines by hundreds of comrades. Driven by the abuses of Protestant West Point—trained officers and the realization that they were attacking fellow Catholics, John Riley and his San Patricios abandoned their adopted country and took their place proudly alongside the dashing Hidalgo horsemen and stolid native Indians who were being used by the Mexican army as cannon fodder against the foreign invaders. Though hopelessly misled by the vainglorious Santa Ana, and facing such future military legends as a brooding young Ulysses S. Grant and the brilliant captain Robert E. Lee, Riley and his fighters were responsible for an enormous number of American casualties–and would eventually pay a brutal price for their treachery.Its narrative foreshadowing America’s Civil War, Saint Patrick’s Battalion asks haunting questions about American expansionism, racism, and the machinations of a war that began before it was declared. From horrific depictions of cannonade warfare to the quiet corners of doubt, courage, and love in men’s hearts and minds, James Alexander Thom’s novel takes us on an astounding adventure into beautiful, harsh Mexico–and dramatically chronicles a crucial, bloody chapter in the making of America.

    Journalist Marie Heaney skillfully revives the glory of ancient Irish storytelling in this comprehensive volume from the great pre-Christian sequences to the more recent tales of the three patron saints Patrick, Brigid, and Colmcille.

     Theo Aronson's The Kaisers is the story of six people whose bitter differences were a microcosm of, and greatly influenced, a national conflict which echoed all round the world. Kaiser Wilhelm I, born 1797, King of Prussia 1861, proclaimed Emperor of all Germany 1871, died only in 1888 an autocratic, militaristic man of the eighteenth century completely opposed to the liberalizing ideas which swept Europe in his lifetime. In contrast his Empress, Augusta, was progressive in thought, open-minded in outlook, yet with all had a taste for the theatrical and pageantry of her royal status. The best of her was seen in their son, Kaiser Frederick III, who was Crown Prince for all but the last few cancer-torn weeks of his life. He personified the best of European liberalism of the nineteenth century. In this he was supported—many said unduly influenced by his energetic and vivacious English wife Victoria, Queen Victoria's eldest and 'Dearest Child', who brought to the marriage the enlightened ideals and hopes of her shrewd, practical mother and her far-seeing father, the Prince Consort. The tragedy, the tempting speculation of Germany's history, is that this couple reigned for only three months before Frederick III's death brought their son to the throne. Kaiser Wilhelm II, 'Kaiser Bill' of the first World War, was again the antithesis of everything his parents stood for. Queen Victoria's hopes that her grandson might be 'wise, sensible, courageous — liberal-minded — good and pure', could hardly have been more misplaced. The sixth, the dominating figure in the Hohenzollern story, is Prince Otto von Bismarck, the ruthless 'Iron Chancellor', virtual dictator of Germany for nearly thirty years. He served all three Kaisers, claiming with justification that on his shoulders he had carried the first to the Imperial throne—where he manipulated him to his will despite the hatred and manoeuvrings of the Empress Augusta. He feared the reign of the short-lived second Kaiser and feared more perhaps (and never missed an opportunity to disparage) the Empress Victoria and the constant, commonsense influence from England of her mother. (`That', he said ruefully after their one meeting, 'was a woman ! One could do business with her ! ') Their son he flattered, siding with him against his parents, and in so doing brought about his own downfall, when the vainglorious young man he had schooled as Crown Prince came as Kaiser to believe that he could do without his mentor. But for Europe it was too late, and the policies of one and the vanities of the other were already leading Europe helter-skelter into the holocaust of 'the Kaiser's War'. Theo Aronson's gifts as a writer have deservedly brought him high regard as a chronicler of the complex histories of Europe's great ruling Houses. Rarely have his talents been better employed than in this study of the comet-like rise and fall of the House of Hohenzollern, the House of the Kaisers of Germany. It is a story of bitter, almost continual conflict, yet even in what can now be seen as a path to inevitable destruction Mr. Aronson finds passages of light and shade that show the Hohenzollerns not simply as Wagnerian puppets posturing on a vast European stage, but people deserving of our understanding and compassion.

    A convoy of merchantmen with its naval escort ploughs through the Arctic seas towards northern Russia.In the grey seas beneath them lurk the deadly U-boat packs and in the skies above, cloud hides the squadrons of dive-bombing Stukas.Aboard V&W class destroyer Virtue, Ordinary Seaman ‘Lobby’ Ludd is making his first trip in the service of His Majesty … Cockney Lobby Ludd, eighteen, fighting against U-boat ""tinfish"" (torpedoes), arctic gales, and bone-weariness, hears the ribald tales and learns the tricks and techniques of survival from his salty older shipmates. But as the enemy mounts its attack, and the atmosphere intensifies, will the men’s camaraderie be enough to see them through?Or will The Tinfish Run turn out to be their final voyage?Bassett not only captures vividly the fear and boredom of life on a vessel at war--he makes complex tactical questions comprehensible and as taut and engrossing as the more personal aspects of combat at sea.‘Vividly described … the voyage as seen through the sleep-robbed eyes of matelots and officers alike’ - Daily Telegraph Ronald Bassett joined the Navy as a boy. His first ship was the cruiser Norfolk in which he served as a Telegraphist in the Arctic during the Bismarck action, and the North African landings. He served in landing craft during the invasion of Normandy.