Miss Kylie "Soon-to-Be-a-Saint" O'Shea teaches at the Gaelic school, helps her neighbors and volunteers for every good cause. No one in Ballymuir can figure out why she keeps the interested lads at bay but they all warn her that she's in danger of fulfilling a local legend: becoming the last bride in Ballymuir. When a stranger named Michael Kilbride comes to the village wild rumors surround his every move. But Kylie, captivated by Michael's intense passions, lets herself go where Michael leads her -- into an awakening of dreams and desires...even if it means exposing her beloved village's and her own darkest secrets.

    Unless Curry rides again, three people will die and one of them is Curry.

    However, their paths cross again and again, and soon, Jena feels certain that she once knew the man who is desperately trying to remind her of something she seems to have forgotten.Their love.

    However, her family’s standing and her minor infractions are looked on with affection. Until she goes too far.Thus, she is banished to the wilds of Cornwall with her brother and cousin in attendance. Like a magnet, trouble follows when she is drawn to the portrait of a man at the heart of a scandal.He is known as the Devil of Montlaine, accused of witchcraft and murder.But these were things that cannot deter, Naughty Lady Ness!

    On impulse, he picks a stranger, offering her security and protection in return for marriage.Helen Norton has few options in life and accepts the proposal, but she quickly comes to realise that everything in Alex's home is not as it seems. When attempts are made on her life, Helen realises that if she is to stand a chance of surviving, she must solve the riddle of his first wife's murder.Is Alex a killer, or is he Helen's devoted husband? Was his first wife an adulteress or simply a loving mother? And if not Alex, then who among this family of aristocrats had the motive to kill?

    But she joined the WAAFs instead, together with a very mixed company of girls - all of whom had joined for very mixed reasons.

    For that is what it is: the story of a young English girl's growth towards maturity in the 1930s. We see Mary at school in Kensington and on holiday in Somerset; her attempt at drama school; her year in Paris learning dressmaking and getting engaged to the wrong man; her time as a secretary and companion; and her romance with Sam. We chose this book because we wanted to publish a novel like Dusty Answer, I Capture the Castle or The Pursuit of Love, about a girl encountering life and love, which is also funny, readable and perceptive; it is a 'hot-water bottle' novel, one to curl up with on the sofa on a wet Sunday afternoon. But it is more than this. As Harriet Lane remarks in her Preface: 'It is Mariana's artlessness, its enthusiasm, its attention to tiny, telling domestic detail that makes it so appealing to modern readers.' And John Sandoe Books in Sloane Square (an early champion of Persephone Books) commented: 'The contemporary detail is superb - Monica Dickens's descriptions of food and clothes are particularly good - and the characters are observed with vitality and humour. Mariana is written with such verve and exuberance that we would defy any but academics and professional cynics not to enjoy it.'

    . . Aila Cordeiro absolutely cannot take on an abandoned pit bull. So why is she suddenly filling food bowls for the wounded stray and opening her seaside home to him? Maybe it's the sadness in the pup's eyes, a sorrow that mirrors her own. But caring for another is not on Aila's agenda anymore. As the sole owner of the general store in a Cape Cod tourist town, she has enough on her hands. Besides Aila can't love anyone ever again. Not since her husband--her heart--boarded a boat with her beloved father two years ago, never to return . . .Of course, life is what happens while you're making other plans. Now instead of solitude and grief, Aila is suddenly at the center of controversy in the small town. And the only person on her side, besides her best friend, is a stranger whose heart might be more battered than her own. Ex-Navy seal Sam Ahmadi has seen his share of misfortune, which is why Aila never expects him to be the one to show her how to live again in the face of shattering loss. How to hope for the happiness you once dreamed of . . ."Page-turning, beautifully written . . ." --Library Journal on In the Shadow of Alabama, STARRED REVIEW

    To escape, she flees for the country, where she meets a handsome, if stubborn, man-and soon finds that when it rains, it pours...

    War has erupted in the Pacific, spelling danger for Gina Capelli Thorpe, an American expat living in Manila. When the Japanese invade and her husband goes missing, Gina flees with her daughter to the Zambales Mountains to avoid capture—or worse.Desperate for money, medicine, and guns, the resistance recruits Gina to join their underground army and smuggles her back to Manila. There, she forges a new identity and opens a nightclub, where seductive beauties sing, dance, and tease secrets out of high-ranking Japanese officers while the wildly successful club and its enemy patrons help fund the resistance.But operating undercover in the spotlight has Gina struggling to stay a step ahead of the Japanese. She’s risked everything to take a stand, but her club is a house of cards in the eye of a storm. Can Gina keep this delicate operation running long enough to outlast the enemy, or is she on a sure path to defeat that will put her family, her freedom, or even her life at risk?

    Elder sister Gloria finds romance with the boy next door, until her wealthy, but snobbish and interfering Aunt Sybil steps in, offering her the opportunity of a lifetime. A trip to New York gives Gloria everything she desires - including a wealthy husband. Meanwhile, Betty chooses a career at sea, which offers challenges, personal danger and romance. But with the Wall Street Crash of 1929 tragedy strikes for one of the sisters and through these trials they come to value the bonds of family more than ever. Will they eventually achieve the happiness they desire?

    Here, in the dizzying heat of August 1939, five cousins have gathered at their aunt's house for their annual ritual of a holiday. For most of them it is the last summer of their youth, with the heady exhilarations and freedoms of lost innocence, as well as the fears of the coming war.The Camomile Lawn moves from Cornwall to London and back again, over the years, telling the stories of the cousins, their family and their friends, united by shared losses and lovers, by family ties and the absurd conditions imposed by war as their paths cross and recross over the years. Mary Wesley presents an extraordinarily vivid and lively picture of wartime London: the rationing, imaginatively circumvented; the fallen houses; the parties, the new-found comforts of sex, the desperate humour of survival - all of it evoked with warmth, clarity and stunning wit. And through it all, the cousins and their friends try to hold on to the part of themselves that laughed and played dangerous games on that camomile lawn.

    surrounded by a big Irish family and a host of friends and neighbours. Older sister Heather has everything that should make her happy - a steady job, good friends and a boyfriend who wants to marry her. Why then does she long to escape her small town and find love and excitement among the bright lights of the city? she works in a local chemist, at nights she sings with a band in church halls and clubs. When a charismatic Irishman, Larry Delaney, spots her singing one evening and offers to become her manager, Heather wonders whether Larry has his sights set on more than just Kirsty's singing talents. dangerous world out there and there are plenty of pitfalls and temptations ahead of two young women in search of adventure...

    Despite his youth and inexperience, Clem is determined to see the farm prosper. When wealthy Dr Carty suggests that Clem marry his daughter Thora, Clem cannot afford to refuse the handsome dowry she will bring. And although he knows that Thora is carrying another man's child, he is enchanted by his beautiful young bride. Yet Thora proves to be flighty and demanding, disappointed that her husband is not as wealthy as she had imagined. Desperate to please her, Clem joins the goldrush to Kalgoorlie to seek his fortune. But his prolonged absence enrages Thora further and, despite Alice's warnings, she travels to Perth to find her husband. Her dramatic reunion with Clem is to have shocking consequences from which those involved might never recover...

     Book One: TESS. From the wild decadence of late nineteenth-century Newport comes the tale of Tess Moran, a beautiful Irish housemaid in one of the grand summer "cottages," who makes a dark bargain with a man of commanding wealth — and falls in love in the bargain. Book Two: AMANDA. Marrying American money to an English title is a tradition of its own; but Amanda Fain, a brash heiress with money to burn, has a fondness for Bolsheviks and bootleg liquor that makes her an unlikely match for the reluctant, ironic, and impoverished English aristocrat Geoffrey Seton, who has been ordered to America to find someone who can pay the bills for the family estate back home. Book Three: LAURA. While the Great Depression grinds relentlessly on, Laura Andersson, a Midwestern farm girl with an improbable love of the sea, embarks on a bold adventure that promises riches but delivers passion, one that threatens all she holds dear. Book Four: THE HEIRS is the dramatic conclusion to the four-book series BY THE SEA. Economic hard times are a distant memory in high-flying, recent-day Newport, home of the oldest and most prestigious trophy in the world, the Holy Grail of sport--the America's Cup. Here, the descendants of Tess, Amanda and Laura play out their destinies, their paths crossing in unforeseen ways: Mavis Moran, Neil Powers, his daughter Quinta, and America's Cup skipper Alan Seton all find themselves caught in a web of mystery, sabotage, and conflicting desires. "A quality novel [that] contains many of those little epiphanies, those moments of recognition. [Part 1, TESS,] is what makes Stockenberg's book stand out from the rash of novels on class conflicts between Irish servants and their Yankee masters." —Providence Journal