Unputdownable.” — Penny Hancock, author of Tideline How many secrets can a family hide? 19-year-old Josh Maitland is at the end of a gap-year trip round the world when the tsunami hits the Canary Islands. His family are devastated at the loss of someone they thought would outlive them all: mother Diana, advertising executive and shatterer of glass ceilings; older siblings Rachel and Jem, each contemplating a serious relationship after years of sidestepped commitment; and stepfather Colin, no stranger to loss, who finds himself frozen out by his wife's grief. It's only with the discovery of the private blog Josh was writing for his friends that the significance of his travels becomes clear. It reveals secrets he knew about everyone in the family — and one about himself that will change the way they think of him forever.

    The lawyer is married to a beautiful, well-to-do girl in the midwest whose family sets the pace in local society and intends to run his marriage and his career as well. He has rebelled, come to New York, and taken up residence with this intriguing young woman. He is lonely and in need of consolation; she is one of those rare women whose only purpose seems to be making others happy. Their briefly fulfilling relationship is unhappily destined to failure: he is a cultured gentile with a wife and painful memories while she is a plain Jewish girl with little education and a horrible Bronx accent. They share happy and humorous moments together, but they both see with sadness the utter hopelessness of the affair."It's a whale of a hit, a bittersweet joy ride." - The New York Mirror ."An absorbing, affectionate, and funny delight." - The New York Daily News

    But at a time when women are second-class citizens, can her charm and spirit protect her from the dangers of the court? And at what cost?

    The first scene of the play is a conversation between two lovers, Tommy and Donna, who broke up some time earlier but who are obviously still attracted to each other. Donna is enraged because Tommy, a would-be artist, is now having an affair with her younger sister, but Tommy, stretched out on his recliner (which, apart from a refrigerator full of beer, comprises the entire furnishings of his spartan apartment), is seemingly unmoved by her harangue. In the second scene Donna visits her father, a once successful artist who stopped painting at the death of his wife, whom he had bullied and betrayed despite his professed love for her. Combative and complex (but also very funny) the father sits and drinks and eventually gives in to his daughter's demand that he force Tommy to marry her or beat him up. Then, in the third and final scene, the father and Tommy confront each other, with results that are sometimes menacing, sometimes antic, with a lively discussion about art and women eventually leading to a sort of tenuous truce—and a grudging recognition of the responsibility that love, in its various guises, imposes.

    . . even more ambitious than Vogel's "How I Learned to Drive" . . . it covers more ground and is bolder in its storytelling. Vogel's language is at its most poetic, eloquent and elegiac. In fact, its vivid imagery rivals the prose style of any great American short story writer. The play sounds like it might have been adapted from a beautiful, undiscovered novella."-"New Haven Register""One of the most absorbing evenings of theatre to come along in some time."-"Variety"Past and present collide on a snowy Christmas Eve for a troubled family of five. Humorous and heart-wrenching, this beautifully written play proves that magic can be found in the simplest breaths of life. Combining the elements of No theatre and Bunraku with contemporary Western sensibilities, Vogel's "Ride" is a mesmerizing homage to the works of Thornton Wilder, including "Our Town." A moving and memorable study of the American family careening near the edge of oblivion.Paula Vogel's plays include "The Baltimore Waltz," "Mineola Twins," "Hot 'n' Throbbing," "Desdemona," "And Baby Makes Seven," among others. Ms. Vogel will be the resident playwright during the Signature Theatre's 2004?05 season dedicated to her works. She has taught at Brown University in the MFA playwriting program since 1985.

    Finding herself pregnant, she runs away and is taken into the care of a group of nuns.Sister Madeline Armstrong and three others have been tasked with setting up a school to help the lost girls of south west Durham, and so Dinah becomes the first student of 'The Foundling School for Girls'.Together, the sisters bring aid to the orphans they take in, but when former street-child Jay returns to Newcastle, Maddy is suddenly torn between the love of her life and her calling to help the children... From the bestselling author of Miss Appleby's Academy and Nobody's Child comes a new series about the lost orphans of Durham and the nuns who take them in...

    A madman, with the audacity to call himself Angel, toys with police. This stealer of children, delusional and misunderstood, reaches out to his own “personal” reporter. He has story to tell.Christopher Lance is a young and ambitious beat writer for a second rate newspaper. A chronic insomniac, Christopher is always available when the stealer calls. Though prone to taking reckless chances, soon it's clear that the young reporter with something to prove is the only one who can save the taken.

    Why did she get acquitted? Why did the jurors see George as a suspect? Why did they think she was a good mother? And how on God's green earth did they miss the suffocation search? There are surprisingly good answers for all of these questions. I argue in this book that not only did the prosecution hide evidence from the jury, but that the evidence points to Casey being factually innocent as well. Regardless of whether you agree with my viewpoint, I guarantee you'll learn something you didn't know before about this infamous case.

    They knew they had struggles of a practical nature ahead of them - trying to build the bankrupt mill into a new and thriving business - but Madeleine felt that, providing everything was right between her and Leon, they could face whatever lay ahead. But trouble and disruption were still to be part of her future - for Leon's family in France bitterly resented the Yorkshire girl who had taken their son away from them. And Hortense Murer, who had thought she would be Leon's wife, resented her even more. And over all hung the shadow of a foolish curse made by her old enemy, Sophia Parkinson - that Madeleine would never bear a son - a curse that, against all the tenets of common sense, seemed to be coming true.

    Certainly jealousy plays a part: Maria believes that young Ryder Tempal would be hers with her pretty daughter out of the way, and throws Carys out of the house to fend for herself. Befriended by Alice, a young woman in domestic service, Carys herself takes a job as a housemaid and is lucky enough to find in the mistress of the house a friend and patron. Maria continues with her vicious scheme until Fate intervenes to punish her wicked ways; but for Carys, the reward of virtue is lasting love.Carys Beddows cannot understand why her mother hates her so much. Certainly jealousy plays a part: Maria believes that young Ryder Tempal would be hers with her pretty daughter out of the way and throws Carys out to fend for herself.Good fortune leads the girl to Ridge House, and a position as housemaid. The mistress there takes a shine to the gentle girl with the tragic past, and recognises her talent for drawing when she sees Carys's sketches of a young man on the heath. This young man is Reuben Fereday, and he is destined to meet Carys again .

    The chief character is so well defined and so likeable. The story was intriguing and had plenty of twists and turns. ” Julia Corbett “Swift is a good character, suitable for people who like PD James, the story is believable and comes together well.” “Absolutely loved this book! Extremely well written with believable characters and lots of twists!” E. Boisvert “Excellent mystery, well drawn characters, and a great storyline.” Suki Anne Perfect for fans of Robert Galbraith, Paula Hawkins, P.D. James, or Ruth Rendell. IN THIS THREE-BOOK BOXSET: BOOK 1: THE LADY VANISHED A missing woman holds the key to a valuable inheritance Florence Davenport hires Swift to find her missing stepmother. There are no leads and no suspects, but if the body is found, Florence will inherit half of a very valuable house. BOOK 2: BLOOD SECRETS Fifteen years ago a teenage boy, Teddy Bartlett, went to a woods on the outskirts of London and was beaten to a pulp and left damaged for life. The police never found who did it or why he was targeted. Now, the boy’s father, recently returned from Australia, wants to find out what really happened to his son. He hires private detective Tyrone Swift to investigate the tragic crime. BOOK 3: TWO LOVERS, SIX DEATHS A man stabs his girlfriend to death. Then hangs himself, leaving a note confessing to the murder. Open and shut case? Not for detective Tyrone Swift Dominic Merrell’s estranged wife Georgie doesn’t believe that he could have done it. Detective Swift discovers that Dominic was a reliable, devoted husband and father for eighteen years until he met the beautiful, charismatic Lisa, who he left his wife for. No one can believe that Dominic was capable of murder. But if it wasn’t him, then who killed the seductive but chaotic Lisa? THE DETECTIVE Tyrone Swift is an ex-police detective who now works privately. He’s survived a stabbing and his fiancée running off with another man. Swift's personal life is complicated. He is still involved with his ex-wife Ruth. THE SETTING The streets of London with their vibrant mix of nationalities, cultures, and rich and poor are beautifully evoked. From the quiet suburbs with their veneer of happy family life, to the bustling centre with refugees struggling to survive, to exclusive penthouses where the rich can have anything they want delivered. THE AUTHOR Gretta is a critically acclaimed author of best-selling detective and literary fiction. 'Mulrooney has a real gift for dialogue, the words and phrases ring true and make her characters wonderfully real . . .

    The youngest son of a landowner offers her marriage but his brother seduces her little sister and then betrays her in the most brutal of ways. Susan faces losing everything.

    Booklet bought for a college class. No internal marking. Looks "like new". Please ask if questions.

    As victims of political action, powerless to initiate change, what can they do? How do they live and survive?Frank McGuinness explores the daily crisis endured by hostages whose strength comes from communication, both subtle and mundane, from humour, wit and faith.Someone Who'll Watch Over Me premiered at the Hampstead Theatre, London, in 1992 before transferring to the West End. On Broadway, it was awarded the New York Drama Critics' Circle Award for Best Foreign Play and nominated for the Tony Award for Best Play in 1993.

    Forcibly sent there by a mother intent on keeping up appearances, Mary has to cope with both the shame and with the dawning realization that she will have to give the baby up for adoption.