But behind closed doors, his wife is cheating on him; his daughter’s relentless screaming deprives them of sleep; and he drinks heavily.Struggling to maintain balance in his life, cracks start to appear. Unable to deal with the mounting pressure, he hires a private investigator to spy on his wife. He is prepared to do anything to maintain the idyll.As the conclusion of Duggan’s trial looms, he must come to terms with what he has done and why he is facing a life behind bars. He is about to learn a valuable lesson: not every fairy tale has a happy ending…Betrayal, revenge, regret and suspense: TELL NO LIES is a heart-breaking thriller, exploring what fathers will do when driven to desperation.(Also considered a standalone novel.)

    Now a coach driver, he is at the most crucial crossroads of his life. His wife has thrown him out. The crisis serves only to deepen his despair over another failed liaison - until he elects to steer his coach on a spectacularly reckless quest for the son he has never seen.

    Suspenseful and mysterious, this romantic suspense series will have you on the edge of your seat. This bundle contains four full-length novels and one novella: Wife Number Seven His Only Wife Mother Before Wife Just Keep Sweet Prophet Takes All Praise for The Compound Series: "The Compound series is a fresh, unique voice in the romance world and I soaked up every single minute of it. I can’t recommend this series enough!"- C, Prisoners of Print "Melissa Brown's talent shines bright in this unforgettable series. Prepare to be sucked in until the very last page." --USA Today Bestselling Author, Tiffany King "Extremely underestimated and brilliantly written, the Compound Series will take you on a journey. Now that this series is out as a whole, you owe it to yourself to read up on Melissa’s Compound world. Jumping in with an open mind and abandoning all thoughts of traditional romance will set you up for a reading adventure."- Pamela, The Book Avenue Synopsis of Wife Number Seven (Book 1 in the series) Lipstick. Bright, red lipstick. Nothing but lipstick. Even though it’s against our faith to wear a color that screams of sexual promiscuity and deviant behavior, I’m not allowed to protest. But, I want to. So badly. You see, there’s more to me than the braid that spills down my back. More to me than the layers of heavy fabric that maintain my modesty. And so much more than the oppressive wedding band that adorns my finger--the same band that each of my sister wives wear. So much more. To protest would be sinful. I must keep sweet, that is my duty. So I’ll wear the lipstick. I’ll do as I’m told. And I’ll do my best to silence the resistance within me, to push him from my mind. If only my heart would do the same.

    In Arden's introductory note to the text, he describes it as "a realistic, but not a naturalistic" play. The work follows three privates in the British Army and their sergeant, all of whom are deserters from a foreign imperialist war. Serjeant Musgrave and his men, Hurst, Sparky and Attercliffe, come to a northern English coal mining town in 1879. The community is in the grip of a coal strike and cut off by winter snow. The one means of reaching the town is by canal barge. They arrive in the company of the Bargee, a foul-mouthed, disrespectful individual who teases and abuses everyone, especially those in authority. In the local inn the soldiers meet Mrs. Hitchcock, who runs the inn, and the barmaid Annie. The soldiers are greeted by the mayor, parson and constable, who ask them to recruit men in hopes of alleviating some of the town's unemployment as a way to rid the town of their economic dead weight. Musgrave pretends that this is indeed his goal, and asks Mrs. Hitchcock about Billy Hicks, a dead fellow soldier from the mining town. It is revealed that Billy was the father of Annie's illegitimate child, but the baby died, and Annie's sanity has suffered from the loss of both Billy and her child.

    

    Includes: As the Water * Becoming a Geisha * The Chairman's Waltz * Going to School * Sayuri's Theme * Sayuri's Theme and End Credits.

    Lily Parnell, his girl, was from London and was used to seasons. Winter was one of her favorites. As famous musicians both were used to living their lives in the limelight. Alfie, a rock legend, and Lily also rock star in her own right, were propelled to 'Rock Royalty' just by being together. Add their close friend, Rick Fars, another 'Rock God' into the equation, and it was easy to see how difficult it was to maintain any kind of friendships without the media tagging along looking for the latest scoop. These days one never seemed to be mentioned without the other. However, a rare window of opportunity in all of their schedules arose and so did Alfie's desire. With Christmas only two weeks away and eight days of downtime, Alfie seized it with both hands. Three rockers, alcohol, a cabin in the snow, and time on their hands, how does that go down?

    . . a story of redemption' Tony ParsonsMichael Maisey was excited the day he was locked up in the notorious Feltham Young Offenders Institute. He was going to be a legend to all his mates. The sixteen year old was in for attempted murder. He was innocent of this particular crime but amongst the violent and dangerous young men on his wing he was about to learn exactly how far he’d go to survive.In Young Offender we see what turned a good kid into a wanted criminal. Abused by his uncle, bullied at school, at the age of twelve he found the safety he craved in the ranks of a local gang in West London. He graduated from shoplifting to armed robbery and for five years Michael was in and out of Feltham, on a downward spiral of crime and drug and alcohol addiction. At rock bottom, he began attending AA meetings. But the road to recovery would mean changing himself in the deepest possible ways. Could Michael finally learn what it meant to be a good man?Honest and inspiring, this is a powerful story of redemption. Today Michael is a successful businessman and a loving father who spends time helping others find their way.

    Combining investigative zeal and theatrical imagination with insider access, Oslo invites you into the chambers where the Oslo Accords between Israel and the Palestinian Liberation Organization were forged during nine fraught months in 1993.” — New York Times“A riveting political thriller. Oslo makes a complex historical event feel intimate and profoundly affecting.”— Associated Press“Gripping, big-boned and remarkably entertaining. Oslo feels excruciatingly necessary and timely.”—New York MagazineWhen the Israeli prime minister and the chairman of the Palestine Liberation Organization shook hands on the White House lawn in 1993, the world watched in awe. Oslo tells the story of the key people who orchestrated this momentous occasion, emphasizing the intricate (and sometimes comical) human journey that led to this historic event. The diplomats and politicians from Israel, Palestine, Norway, and America who participated in the behind-the-scenes discussions come to life in Rogers’ wonderfully complex characters. As much a story about people as politics, Oslo casts a bright light on the humans behind the history.Oslo premiered in the fall of 2016 in a sold-out run at Lincoln Center and opens on Broadway in April 2017.J.T. Rogers’ plays include Blood and Gifts, The Overwhelming, White People, and Madagascar. He was nominated for a 2009 Olivier Award for his work as one of the original playwrights for The Great Game: Afghanistan. He is a 2012 Guggenheim fellow in playwriting. Other recent awards include NEA/TCG and NYFA fellowships, the Pinter Review Prize for Drama, the American Theatre Critics Association’s Osborne Award, and the William Inge Center for the Arts’ New Voices Award.A politically charged drama from acclaimed playwright J.T. Rogers

    He knows exactly why they are there and he knows that the world he has carefully constructed over twenty deliberately uneventful years is about to fall apart. He could lose everything.A story of a toxic love gone wrong, with a setting that moves easily between present day London and 1990s Cambridge, Stronger Than Skin is compulsively readable, combining a gripping narrative with a keen eye for the absurdities of the way we live now.

    Ruby is always hungry, but she will go without if it means her young brothers can eat. 1930s Bermondsey might be called the larder of London, with its pie, pickle and jam factories, but for the poor working classes, starvation is often only a heartbeat away. When Ruby's neighbour suggests she ought to go to the Methodist Mission for free food, Ruby knows her father will be furious, but that she has no other option. It is a decision that will change the course of her life forever, split her family and in the end lead her to face a terrible choice between duty and a great love.

    

    Alternating between their New York City apartment and a smoke-filled music club, Clifford narrates the story of his broken family and the decline of jazz as popular entertainment. Clifford recalls the key moments in his life, such as the day when he, fresh out of college, picked up his first unemployment check and was congratulated by Gene and his band mates. Gene's music career on the big band circuit ultimately crumbles with the advent of Elvis and rock-n-roll. Terry begs him to get a nine-to-five job to support the family, but Gene refuses to enter the "straight world" of regular paychecks, mortgages and security. For Gene, who knows jazz better than his own son, music is not just a job; it's his life. Their marriage slowly dissolves and young Clifford is witness to it all. As things worsen, Clifford assumes the role of parent and throws the hopeless Gene out of his mother's apartment. When an adult Clifford visits Gene in a rundown jazz club after years of separation, he requests that the old man play his mother's favorite song, the old standard "Why was I Born?" Clifford then asks, "Dad, why was I born?" It becomes Clifford's last, heart-breaking plea for his father's love.

    It was first performed at the Royal Court Jerwood Theatre Downstairs, London, on 6 September 2012.

    Scenery: A bare stageThe six teenage characters communicate only via the internet. Conversations range in subject from Britney Spears to Willy Wonka to - suicide: Jim is depressed and talks of ending his life and Eva and William decide to do their utmost to persuade him to carry out his threat. From this chilling premise is forged a funny, compelling and uplifting play that tackles the issues of teenage life head-on and with great understanding.