Before she can reveal it to Kate, the Globe is burned to the ground and Roz is found dead--murdered in the strange manner of Hamlet's father.Inside the box, Kate finds the first piece in a Shakespearean puzzle, setting her on a deadly, high-stakes treasure hunt. From London to Harvard to the American West, Kate races to evade a killer and solve a tantalizing string of clues hidden in the words of Shakespeare, which may unlock one of history's greatest secrets. But Kate is not alone in this hunt, and the buried truth threatens to come at the ultimate cost.

    Eleven-year-old Ella McGee sits on a bus bound for her Southern hometown. Behind her in Washington, D.C., lie the broken pieces of her parents’ love story—a black father drafted, an activist mother an activist mother of Scotch-Irish and Cherokee descent confronting racist thugs. But Ella’s journey is just beginning when she reaches Hopewell County, and her disappearance into the Georgia mountains will unfurl a rich tapestry of family secrets spanning a century. Told in five unforgettable voices, Glow reaches back through the generations, from the red-clay dust of the Great Depression to the Blue Ridge frontier of 1836, where slave plantations adjoin the haunted glades of a razed Cherokee Nation. Out of these characters’ lives evolves a drama that is at once intimately human and majestic in its power to call upon the great themes of our time—race, identity, and the bonds of family and community.Lushly conceived, cinematically detailed, and epic in historical scope, Glow announces an extraordinary new voice in Southern fiction.

    Cast your eyes back to the noble and daring achievements of men who preferred death to dishonor, and showed the world how they valued the rights and liberties of their land...Set in Virginia during the volatile period of the Civil War, Shades of Gray chronicles the clash of a Confederatecavalry officer with a Union spy as they defend their beliefs, their country, and their honor.Though laced with historical detail, it is less about the clash of armies on the battlefield, as it is about the clash of loyaly and love with honor and conviction.

    When Pin sees a man enter the Hell Gate ride with a young girl, and leave without her, she knows that something deadly is afoot.The crime will lead her to the iconic outsider artist Henry Darger, a brilliant but seemingly mad man obsessed with his illustrated novel about a group of young girls who triumph over adult oppressors. Together, the two navigate the seedy underbelly of a changing city to uncover a murderer few even know to look for.

    An enchanting new novel from the New York Times bestselling author of The Swans of Fifth Avenue and The Aviator’s Wife.Hollywood, 1914. Frances Marion, a young writer desperate for a break, meets “America’s Sweetheart,” Mary Pickford, already making a name for herself both on and off the screen with her golden curls and lively spirit. Together, these two women will take the movie business by storm.Mary Pickford becomes known as the “Queen of the Movies”—the first actor to have her name on a movie marquee, and the first to become a truly international celebrity. Mary and her husband, Douglas Fairbanks, were America’s first Royal Couple, living in a home more famous that Buckingham Palace. Mary won the first Academy Award for Best Actress in a Talkie and was the first to put her hand and footprints in Grauman’s theater sidewalk. Her annual salary in 1919 was $625,000—at a time when women’s salaries peaked at $10 a week. Frances Marion is widely considered one of the most important female screenwriters of the 20th century, and was the first writer to win multiple Academy Awards. The close personal friendship between the two stars was closely linked to their professional collaboration and success.This is a novel about power: the power of women during the exhilarating early years of Hollywood, and the power of forgiveness. It’s also about the imbalance of power, then and now, and the sacrifices and compromises women must make in order to succeed. And at its heart, it’s a novel about the power of female friendship.

    When a student bearing a striking resemblance to artists' renderings of Jesus Christ is found murdered -- by crucifixion -- in London's Jewish ghetto, 19th-century private detective Barker must hire an assistant to help him solve the sinister case. Out of all who answer an ad for a position with "some danger involved," the eccentric and enigmatic Barker chooses downtrodden Llewelyn, a gutsy young man whose murky past includes recent stints at both an Oxford college and an Oxford prison. As Llewelyn learns the ropes of his position, he is drawn deeper and deeper into Barker's peculiar world of vigilante detective work, as well as the dark heart of London's teeming underworld. Together they pass through chophouses, stables, and clandestine tea rooms, tangling with the early Italian mafia, a mad professor of eugenics, and other shadowy figures, inching ever closer to the shocking truth behind the murder.

    A Burnable Book is an irresistible thriller, reminiscent of classics like An Instance of the Fingerpost, The Name of the Rose and The Crimson Petal and the White. London, 1385. Surrounded by ruthless courtiers—including his powerful uncle, John of Gaunt, and Gaunt’s flamboyant mistress, Katherine Swynford—England’s young, still untested king, Richard II, is in mortal peril, and the danger is only beginning. Songs are heard across London—catchy verses said to originate from an ancient book that prophesies the end of England’s kings—and among the book’s predictions is Richard’s assassination. Only a few powerful men know that the cryptic lines derive from a “burnable book,” a seditious work that threatens the stability of the realm. To find the manuscript, wily bureaucrat Geoffrey Chaucer turns to fellow poet John Gower, a professional trader in information with connections high and low. Gower discovers that the book and incriminating evidence about its author have fallen into the unwitting hands of innocents, who will be drawn into a labyrinthine conspiracy that reaches from the king’s court to London’s slums and stews--and potentially implicates his own son. As the intrigue deepens, it becomes clear that Gower, a man with secrets of his own, may be the last hope to save a king from a terrible fate.Medieval scholar Bruce Holsinger draws on his vast knowledge of the period to add colorful, authentic detail—on everything from poetry and bookbinding to court intrigues and brothels—to this highly entertaining and brilliantly constructed epic literary mystery that brings medieval England gloriously to life.

    In 1966, Baltimore is a city of secrets that everyone seems to know--everyone, that is, except Madeline "Maddie" Schwartz. Last year, she was a happy, even pampered housewife. This year, she's bolted from her marriage of almost twenty years, determined to make good on her youthful ambitions to live a passionate, meaningful life. Maddie wants to matter, to leave her mark on a swiftly changing world. Drawing on her own secrets, she helps Baltimore police find a murdered girl--assistance that leads to a job at the city's afternoon newspaper, the Star. Working at the newspaper offers Maddie the opportunity to make her name, and she has found just the story to do it: a missing woman whose body was discovered in the fountain of a city park lake. Cleo Sherwood was a young African-American woman who liked to have a good time. No one seems to know or care why she was killed except Maddie--and the dead woman herself. Maddie's going to find the truth about Cleo's life and death. Cleo's ghost, privy to Maddie's poking and prying, wants to be left alone. Maddie's investigation brings her into contact with people that used to be on the periphery of her life--a jewelery store clerk, a waitress, a rising star on the Baltimore Orioles, a patrol cop, a hardened female reporter, a lonely man in a movie theater. But for all her ambition and drive, Maddie often fails to see the people right in front of her. Her inability to look beyond her own needs will lead to tragedy and turmoil for all sorts of people--including the man who shares her bed, a black police officer who cares for Maddie more than she knows.'

    The shock of her death dramatically changes the lives of her daughter, troubled sister, and husband. . . . Told in the voices of several of the main characters and skipping back and forth in time, the narrative gradually and tantalizingly reveals the dark family secrets and the unsettling discoveries that lead to the truth of what actually happened the night of the drowning. . . .

    They served together in the war as part of a shadowy unit called the Magic Men.Max is still on the circuit, touring seaside towns in the company of ventriloquists, sword-swallowers and dancing girls. Changing times mean that variety is not what it once was, yet Max is reluctant to leave this world to help Edgar investigate. But when the dead girl turns out to be known to him, Max changes his mind.Another death, another magic trick: Edgar and Max become convinced that the answer to the murders lies in their army days. When Edgar receives a letter warning of another ‘trick’, the Wolf Trap, he knows that they are all in danger…

      Four unique voices; two parallel love stories; one sweeping novel rich in the history of nineteenth-century America. This remarkable debut draws from the great themes of literature—famine, war, love, and family—as it introduces four unforgettable characters. Ethan McOwen is an Irish immigrant whose endurance is tested in Brooklyn and the Five Points at the height of its urban destitution; he is among the first to join the famed Irish Brigade and becomes a celebrated war photographer. Marcella, a society girl from Spain, defies her father to become a passionate abolitionist. Mary and Micah are slaves of varying circumstances, who form an instant connection and embark on a tumultuous path to freedom.      All four lives unfold in two beautiful love stories, which eventually collide. Written in gorgeous language that subtly captures the diverse backgrounds of the characters, and interspersed with letters, journals, and dreams, this unforgettable story, rendered in cinematic detail, is about having faith in life's great meaning amidst its various tangles.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    Dawn’s Early Light is the first novel in the series.            In it, Colonial Williamsburg comes alive. Thane centers her novel around four major characters: the Aristrocratic St. John Sprague, who becomes George Washington’s aide; Regina Greensleeves, a Virginia beauty spoiled by a season in London; Julian Day, a young schoolmaster who arrives from England on the eve of the war and initially thinks of himself as a Tory; and Tibby Mawes, one of his less fortunate pupils, saddled with an alcoholic father and an indigent mother.            But we also see Washington, Jefferson, Lafayette, Greene, Patrick Henry, Francis Marion, and the rest of that brilliant galaxy playing their roles not as historical figures but as men. We see de Kalb’s gallant death under a cavalry charge at Camden. We penetrate to the swamp-encircled camp which was Marion’s stronghold on the Peedee. We watch the cat-and-mouse game between Cornwallis and Lafayette, which ended in Cornwallis’s unlucky stand at Yorktown.            Dawn’s Early Light is the human story behind our first war for liberty, and of the men and women loving and laughing through it to the dawn of a better world.

    But back on firm ground, their vastly different social strata become clear. Cait is a widow who because of her precarious financial situation is forced to chaperone two wealthy Scottish charges. Émile is expected to take on the bourgeois stability of his family's business and choose a suitable wife. As the Eiffel Tower rises, a marvel of steel and air and light, the subject of extreme controversy and a symbol of the future, Cait and Émile must decide what their love is worth. Seamlessly weaving historical detail and vivid invention, Beatrice Colin evokes the revolutionary time in which Cait and Émile live - one of corsets and secret trysts, duels and Bohemian independence, strict tradition and Impressionist experimentation. To Capture What We Cannot Keep, stylish, provocative, and shimmering, raises probing questions about a woman's place in that world, the overarching reach of class distinctions, and the sacrifices love requires of us all.

    It is 1953 and Pearlie, a dutiful housewife, finds herself living in the Sunset district of San Francisco, caring not only for her husband’s fragile health but also for her son, who is afflicted with polio. Then, one Saturday morning, a stranger appears on her doorstep and everything changes. All the certainties by which Pearlie has lived are thrown into doubt. Does she know her husband at all? And what does the stranger want in return for his offer of $100,000? For six months in 1953, young Pearlie Cook struggles to understand the world around her, most especially her husband, Holland. Pearlie’s story is a meditation not only on love but also on the effects of war—with one war just over and another one in Korea coming to a close. Set in a climate of fear and repression—political, sexual, and racial—The Story of a Marriage portrays three people trapped by the confines of their era, and the desperate measures they are prepared to take to escape it. Lyrical and surprising, The Story of a Marriage looks back at a period that we tend to misremember as one of innocence and simplicity.