Make them listen to it two more times. Get them to explain why they never bothered with it before. Then ask them to review it.What began as a simple whim quickly grew in popularity, and now Ruth and Martin’s Album Club has featured some remarkable guests: Ian Rankin on Madonna’s Madonna. Chris Addison on Marvin Gaye’s What’s Going On. Brian Koppelman on The Smiths’ Meat is Murder. JK Rowling on the Violent Femmes’ Violent Femmes. Bonnie Greer on The Beach Boys’ Pet Sounds. Martin Carr on Paul McCartney’s Ram. Brian Bilston on Neil Young’s Harvest. Anita Rani on The Strokes’ Is This It. Richard Osman on Roxy Music’s For Your Pleasure. And many, many more.Each entry features an introduction to each album by blog creator Martin Fitzgerald. What follows are delightful, humorous and insightful contributions from each guest as they have an album forced upon them and – for better or worse – they discover some of the world’s favourite music.Ruth and Martin’s Album Club is a compilation of some of the blog’s greatest hits as well as some exclusive material that has never appeared anywhere before. Throughout, we get an insight into why some people opt out of some music, and what happens when you force them to opt in.

    For Tansy, however, the choice was never hers. On the eve of her seventeenth birthday, Tansy is caught in a sizzling kiss with Christophe Desmarais. The next night, Tansy’s mother introduces her to the life she has been raised for: as a beautiful quadroon in Old New Orleans, Tansy is meant to be a rich white man’s mistress. She is as she should be, biddable, loyal and submissive. But is this all there is? As Tansy matures, she wearies of telling herself that her narrow life is enough, yet she is terrified to leave behind security and plenty to become a self-reliant, independent woman.Christophe Desmarais was, like Tansy, born to a mixed-race mother and a rich white father, but as a shrewd card-player, a talented violinist, and a respected teacher, he creates his own life. The attraction between him and Tansy has never abated, only been pushed down and unacknowledged. When he sees Tansy discovering there is more to her than being pretty and pleasing, he allows himself to hope that she will become her own woman. Maybe then the two of them will have a chance at a life together.Multiple award-winning author Gretchen Craig returns with an unconventional novel about loyalty, independence, and love.

    Today he is recognized as a highly influential founding father of modern art, who emphasized the use of flat planes and bright, nonnaturalistic color in conjunction with symbolic or primitive subjects. Familiarity with Gauguin the writer is essential for a complete understanding of the artist. The Writings of a Savage collects the very best of his letters, articles, books, and journals, many of which are unavailable elsewhere. In brilliantly lucid discussions of life and art Gauguin paints a triumphant self-portrait of a volcanic artist and the tormented man within.

    Do Angels Need Haircuts? is an extraordinary snapshot of this turning point in Reed’s career. Gathering poems, photographs and ephemera from this era (including previously unreleased audio of the 1971 St. Mark’s Church reading), and featuring a new foreword by Anne Waldman and an afterword by Laurie Anderson, this book provides a window to a little-known chapter in the life of one of the most singular and uncompromising voices in American popular culture.

    . . deeply, intimately, totally violated" by a music community that had fundamentally misinterpreted his work. As a profound admirer of Chopin's "promenade of discoveries," Gide intersperses musical notation throughout the text to illuminate his arguments, but most moving is Gide's own poetic expression for the music he so loved.

    He first came to international prominence in 1979, when he was recruited from the cult metal band Quiet Riot to play with Ozzy Osbourne, who had been fired from Black Sabbath for his drink and drug addictions and was in urgent need of a co-writer to kickstart a solo career. How and why Ozzy and Randy went on to find enormous success is one of the key themes of Crazy Train, named after the first and most famous Osbourne/Rhoads co-composition. It was Randy's pioneering combination of neo-classical soloing, catchy riffage and unforgettable songwriting which propelled Ozzy. The two albums that Randy recorded with Quiet Riot and the two with Ozzy showcase the young guitarist's immense ability, although the full extent of his talent may never have been revealed. In 1982 he died in an air crash. The parallels between Crazy Train and the author's best-selling To Live Is To Die: The Life And Death Of Metallica's Cliff Burton (Jawbone 2009) are intentional and obvious. Both books deal with a musical prodigy who died tragically in his mid-20s; both men have a vast following and a profile which has risen in the years since their deaths; and both men have a large coterie of friends, family and associates prepared to tell their stories for the very first time.

    One night in search of lost time. Paris between the wars teems with artists, writers, and musicians, a glittering crucible of genius. But amidst the dazzling creativity of the city’s most famous citizens, four regular people are each searching for something they’ve lost.Camille was the maid of Marcel Proust, and she has a secret: when she was asked to burn her employer’s notebooks, she saved one for herself. Now she is desperate to find it before her betrayal is revealed. Souren, an Armenian refugee, performs puppet shows for children that are nothing like the fairy tales they expect. Lovesick artist Guillaume is down on his luck and running from a debt he cannot repay—but when Gertrude Stein walks into his studio, he wonders if this is the day everything could change. And Jean-Paul is a journalist who tells other people’s stories, because his own is too painful to tell. When the quartet’s paths finally cross in an unforgettable climax, each discovers if they will find what they are looking for.Told over the course of a single day in 1927, The Paris Hours takes four ordinary people whose stories, told together, are as extraordinary as the glorious city they inhabit.

    Walker's work is a corrective biography, intended to dispel the many myths and legends that continue to surround Chopin. Fryderyk Chopin is an intimate look into a dramatic life; of particular focus are Chopin's childhood and youth in Poland, which are brought into line with the latest scholarly findings, and Chopin's romantic life with George Sand, with whom he lived for nine years.Comprehensive and engaging, and written in highly readable prose, the biography wears its scholarship lightly: this is a book suited as much for the professional pianist as it is for the casual music lover. Just as he did in his definitive biography of Liszt, Walker illuminates Chopin and his music with unprecedented clarity in this magisterial biography, bringing to life one of the nineteenth century's most confounding, beloved, and legendary artists.

    He examines the myths and misconceptions that have grown up around progressive rock and paints a vivid, colourful picture of the Seventies based on hundreds of hours of his own interviews with musicians, music business insiders, journalists and DJs, and from the personal testimonies of those who were fans of the music in that extraordinary decade.

    Also known as "Jet of Blood".

    The sisters nurture Gabrielle’s exceptional sewing skills, a talent that will propel the willful young woman into a life far removed from the drudgery of her childhood.Transforming herself into Coco—a seamstress and sometime torch singer—the petite brunette burns with ambition, an incandescence that draws a wealthy gentleman who will become the love of her life. She immerses herself in his world of money and luxury, discovering a freedom that sparks her creativity. But it is only when her lover takes her to Paris that Coco discovers her destiny.Rejecting the frilly, corseted silhouette of the past, her sleek, minimalist styles reflect the youthful ease and confidence of the 1920s modern woman. As Coco’s reputation spreads, her couturier business explodes, taking her into rarefied society circles and bohemian salons. But her fame and fortune cannot save her from heartbreak as the years pass. And when Paris falls to the Nazis, Coco is forced to make choices that will haunt her.An enthralling novel of an extraordinary woman who created the life she desired, Mademoiselle Chanel explores the inner world of a woman of staggering ambition whose strength, passion and artistic vision would become her trademark.

    About a guy and his punk band. Who start out shitty, but persevere, and eventually become pretty popular. If I mentioned that Ben Foster is better known as Ben Weasel from Screeching Weasel, you'll get a much more nuanced idea about what this book is about, and certainly, what this novel MIGHT be based upon. Regardless, it's a great, rollicking read. Whether or not it's entirely true, or entirely false, anyone with any knowledge of 90s punk in America will recognise large chunks of this. And anyone with any interest in, appreciation of, or experience of being in a band, breaking up with a girl, or punk rock, will thoroughly enjoy. It's that good. Though why he had to kill off his guitarist and best friend at the end I'll leave to his shrink to fathom...

    With it landed Bowie s Stardust alter-ego: A glitter-clad, mascara-eyed, sexually-ambiguous persona who kicked down the boundaries between male and female, straight and gay, fact and fiction into one shifting and sparkling phenomenon of 70s self-expression. Together, Ziggy the album and Ziggy the stage spectacular propelled the softly spoken Londoner into one of the world s biggest stars.A key passenger on this glam trip into the stratosphere was fellow Londoner and photographer Mick Rock. Rock bonded with Bowie artistically and personally, immersed himself in the singer s inner circle, and, between 1972 and 1973, worked as the singer s photographer and videographer.This collection, featuring around 50 percent previously unpublished images, brings together spectacular stage shots, iconic photo shoots, as well as intimate backstage portraits. With a lenticular cover of different headshots, it celebrates Bowie s fearless experimentation and reinvention, while offering privileged access to the many facets of his personality and fame. Through the aloof and approachable, the playful and serious, the candid and the contrived, the result is a passionate tribute to a brilliant and inspirational artist whose creative vision will never be forgotten.

    Having sold over 30 million albums since its triumphant 1991 debut 10, Pearl Jam brought the hard-edged, estranged and oftentimes angry sound of Seattle to the musical forefront. They pioneered a movement in music and culture that quickly became known as grunge. Imitators followed, and the band could have quickly lost touch with its fans and unpretentious ideals and become simply a money-making celebrity group. Instead, Eddie Vedder and the members of Pearl Jam took on the establishment: challenging Ticketmaster's control over concert venues and ticket prices and refusing media any access to the band--even through music videos--during the peak of their success. Pearl Jam's disappearance from media and from traditional touring has intensified the loyalty of its fans and has refocused the band's attention on its original musical center. Despite the lack of advertising and recent shifts in musical trends, Pearl Jam concerts repeatedly sell out within hours for the hundreds of thousands who remain devoted to a group that continues to uphold its musical and political integrity. Allowed access to the concerts, jam sessions, and private moments of Pearl Jam's members, photographers Charles Peterson and Lance Mercer provide a heretofore unseen record of the Pearl Jam experience for new and diehard fans alike.

    The enduring fascination with his works arises not only from his singular fusion of musical innovation and theatrical daring, but also from his largely overlooked engagement with the boldest investigations of modern philosophy. In this radically clarifying book, Bryan Magee traces Wagner's intellectual quests, from his youthful embrace of revolutionary socialism to the near-Buddhist resignation of his final years. Magee shows how abstract thought can permeate music and stimulate creations of great power and beauty. And he unflinchingly confronts the Wagner whose paranoia, egocentricity, and anti-Semitism are as repugnant as his achievements are glorious.At once a biography of the composer, an overview of his times, and an exploration of the intellectual and technical aspects of music, Magee's lucid study offers the best explanation of W. H. Auden's judgment that Wagner, for all his notoriety, was "perhaps the greatest genius that ever lived."