Semi-autobiographical in nature, the 6 novels offer a fascinating insight into Christie’s relationships with her family. Her daughter Rosalind Hicks describes the books as “bitter-sweet stories about love”.https://www.agathachristie.com/about-...“As early as 1930, my mother wrote her first novel using the name Mary Westmacott. These novels, six in all, were a complete departure from the usual sphere of Agatha Christie Queen of Crime.The name Mary Westmacott was chosen after some thought. Mary was Agatha’s second name and Westmacott the name of some distant relatives. She succeeded in keeping her identity as Mary Westmacott unknown for nearly twenty years and the books, much to her pleasure, were modestly successful. Giant’s Bread was first published in 1930 and was to be the first of six books under this nom de plume. It is a novel about Vernon Deyre, his childhood, his family, the two women he loved and his obsession with music. My mother had some experience of the musical world having been trained as a singer and a concert pianist in Paris when she was young.She was interested in modern music, and tried to express the feelings and ambitions of the singer and the composer. There is a lot about childhood and the First World War taken from her own experiences.Her publishers, Collins, were not very enthusiastic about this change of direction in her work as she was at this time becoming quite well known in the world of detective fiction. They needn’t have worried. In 1930 she also published The Mysterious Mr Quin and, Murder at the Vicarage – Miss Marple’s first book. During the next ten years there followed no less than sixteen full length Poirot stories including such titles as Murder on the Orient Express, The ABC Murders, Death on the Nile, and Appointment with Death.Her second Mary Westmacott book Unfinished Portrait was published in 1934. It also relied a lot on her own experiences and early life. In 1944 she published Absent in the Spring . She wrote in her autobiography:“Shortly after that, I wrote the one book that has satisfied me completely. It was a new Mary Westmacott, the book that I had always wanted to write, that had been clear in my mind. It was the picture of a woman with a complete image of herself, of what she was, but about which she was completely mistaken. Through her own actions, her own feelings and thoughts, this would be revealed to the reader. She would be, as it were, continually meeting herself, not recognising herself, but becoming increasingly uneasy. What brought about this revelation would be the fact that for the first time in her life she was alone – completely alone – for four or five days.“I wrote that book in three days flat…I went straight through…I don’t think I have ever been so tired…I didn’t want to change a word and although I don’t know myself of course what it is really like, it was written as I meant to write it, and that is the proudest joy and author can have.”I think Absent in the Spring combines many talents from Agatha Christie, the detective story writer. It is very well constructed, compulsive reading. You get a wonderfully clear picture of all the family from the thoughts of one woman alone in the desert – really quite a triumph.In 1947 she wrote The Rose and the Yew Tree . This was a great favourite of hers and of mine too. It is a haunting and beautiful story. Strangely enough Collins didn’t like it and as they hadn’t been very kind about any of the Mary Westmacotts, she took it to Heinemann who published this and her last two books – A Daughter’s a Daughter (1952) and The Burden (1956).The Mary Westmacott books have been described as romantic novels but I don’t think that is really a fair assessment. They are not ‘love stories’ in the general sense of the term, and they certainly have no happy endings. They are, I believe, about love in some of its most powerful and destructive forms.The possessive love of a mother for her child, or a child for its mother in both Giant’s Bread and Unfinished Portrait . The battle between the widowed mother and her grown-up daughter in A Daughter’s a Daughter . A girl’s obsession with her younger sister in The Burden and the closeness of love to hate – the Burden in this story being the weight of one person’s love on someone else.Mary Westmacott never enjoyed the same critical acclaim as Agatha Christie, but the books achieved some recognition in a minor way and she was pleased when people enjoyed them – she was able to fulfil her wish to write something different.”Rosalind Hicks

    O’Malley, especially when you have seven children and are forced to live in one of the crowded neighborhoods South of Market. Late one night, as she sat at the window of her crowded flat, sewing and worrying, she noticed something strange going on across the street. Her decision to investigate will have unexpected consequences. Mrs. O’Malley’s Midnight Mystery is a short story in the Victorian San Francisco Mystery series, and it comes right after the short story, Dandy’s Discovery, and before Lethal Remedies, the seventh novel in the series.

    For DCI Malcolm Ford it's like nothing he's ever seen before, the savagery of the crime makes him want to catch the murderer before he strikes again. For reporter Donna Blake it's a shot at the big time, a chance to get her career back on track and prove all the doubters wrong. But for close protection specialist Connor Fraser it's merely a grisly distraction from the day job. But then another bloodied and broken corpse is found, this time in the shadow of the Wallace Monument - and with it, a message. One Connor has received before, during his time as a police officer in Belfast.With Ford facing mounting political and public pressure to make an arrest and quell fears the murders are somehow connected to heightened post-Brexit tensions, Connor is drawn into a race against time to stop another murder. But to do so, he must question old loyalties, confront his past and unravel a mystery that some would sacrifice anything - and anyone - to protect. From Dundee International Book Prize and Bloody Scotland book of the year nominee Neil Broadfoot comes No Man's Land, the first in the white-knuckle Connor Fraser series.

    Three weeks later she turns up at an auction - packed inside one of her own bales of wool and very, very dead…FINAL CURTAINJust as Agatha Troy, the world famous painter, completes her portrait of Sir Henry Ancred, the Grand Old Man of the stage, the old actor dies. The dramatic circumstances of his death are such that Scotland Yard is called in - in the person of Troy's long-absent husband, Chief Detective Inspector Roderick Alleyn…SWING, BROTHER, SWINGThe music rises to a climax: Lord Pastern aims his revolver and fires. The figure in the spotlight falls - and the coup-de-théatre has become murder… Has the eccentric peer let hatred of his future son-in-law go too far? Or will a tangle of jealousies and blackmail reveal to Inspector Alleyn an altogether different murderer?

    Sidney Sheldon s Reckless New York Times Bestselling AuthorTracy Whitney - Sidney Sheldon s most popular and enduring heroine - is back again in the sensational and gripping follow-up to Chasing Tomorrow.

    She thinks that chapter of her life hasended, and starts afresh in Mumbai. But strangely, it seems her past is trying to catch up. Dhruv suddenlycomes back into her life. Even as they try to figure out their relationship, horrible things start happening to people they know. Together, Anuradha and Dhruv need to find out who it is that cannot bear to see them together. Who is carrying out these shocking crimes? Are they really soulmates cursed to stay apart, or is there some karmic debt they have to repay? Taut and thrilling, Only the Good Die Young is unputdownable.

    Your bones he'll keep. Twenty years ago, four teenagers went exploring in the local woods, trying to find to the supposed home of The Bone Keeper. Only three returned. Now, a woman is found wandering the streets of Liverpool, horrifically injured, claiming to have fled the Bone Keeper. Investigating officer DC Louise Henderson must convince skeptical colleagues that this urban myth might be flesh and blood. But when a body is unearthed in the woodland the woman has fled from, the case takes on a much darker tone. The disappeared have been found. And their killer is watching every move the police make.The brilliant new police procedural from Luca Veste, featuring series characters Murphy and Rossi - a guaranteed page-turner.

    

    The doctor names her Kai, the Thai word for fever.Unable to recall what led her to end up at the bottom of a cliff, Kai’s only clue to her identity is a diary. Stuck in a foreign land with no memory, she begins to unpick the truth about her past. And she will discover who she and why she is in danger…This is Kai’s story.

    A failed painter, he is now a failed forger. Awaiting him are two policemen anxious to remind him of his sins, and a letter from a woman with whom he had a passionate affair in his youth. Now dying, she summons him to tell him that he has a daughter, Connie.Sloane agrees to return to New York, a city of potent memories, to look for his daughter. But Connie is locked in a relationship with a man the police believe has killed once and who will not hesitate to kill again. Sloane has to decide whether to walk away or stay and fight for her. And the deeper the police dig into Vincent Delaney's business affairs, uncovering underworld associations, the more Delaney feels cornered, and the more unpredicable and dangerous he becomes.

    The search for Ellen's errant husband leads Elvis into the seamier side of Hollywood. He soon learns that Mort Lang is a down-on-his-luck talent agent who associates with a schlocky movie producer, and the last place he was spotted was at a party thrown by a famous and very well-connected ex-Matador. But no one has seen him since - including his B-movie girlfriend. At the same time the police find Mort in his parked car with four gunshots in his chest - and no kid in sight - Ellen disappears. Now nothing is what it seems, and the heat is on. It's up to Elvis Cole and his partner Joe Pike to find the connection between sleazy Hollywood players and an ex-Matador. FREE FALL Read by James Daniels (Sandra Burr, Jill Sovis) Elvis Cole is just a detective who can't say no, especially to a girl in a terrible fix. And Jennifer Sheridan qualifies: Her fiance, Mark Thurman, is a decorated LA cop with an elite plainclothes unit, but Jennifer's sure he's in trouble - the kind of serious trouble that only Elvis Cole can help him out of. Five minutes after his new client leaves his office, Elvis and his partner, the enigmatic Joe Pike, are hip-deep in a deadly situation as they plummet into a world of South Central gangs, corrupt cops, and conspiracies of silence. And before the case is through, every cop in the LAPD will be gunning for a pair of escaped armed-and-dangerous killers - Elvis Cole and Joe Pike. LULLABY TOWN Read by James Daniels (Joyce Bean, Russell Byers) Hollywood's newest wunderkind is Peter Alan Nelson, the brilliant, erratic director known as the King of Adventure. His films make billions, but his manners make enemies. What the boy king wants, he gets, and what Nelson wants is for Elvis to comb the country for the airhead wife and infant child the film-school flunkout dumped en route to becoming the third biggest filmmaker in America. It's the kind of case Cole can handle in his sleep - until it turns out to be a nightmare. For when Cole finds Nelson's wife in a small Conneticut town, she's nothing like what he expects. The lady has some unwanted - and very nasty - mob connections, which means Elvis could be opening the East Coast branch of his P.I. office . . .at the bottom of the Hudson River.

    Someone is slaughtering every woman, girl and child named Natasha Mehra . . .Which is what Natasha Mehra, the most unpopular girl on campus, discovers. Though she’s always hated her name, she would’ve never imagined that it would be the reason she would be on the run from a gruesome death. But these murders aren’t random acts of madness. Rather, they are part of a conspiracy hatched by the Kul, an all-powerful secret organisation with tentacles everywhere. And the success or failure of this 2000-year-old mission will determine the future of humankind . . .About the AuthorAnand Sivakumaran has been telling stories since he was five. After passing out of IIT Bombay, he did stints in journalism, advertising, event management and youth marketing, before landing up in the entertainment business. His credits include films like Kalyug and Nazar and TV shows like The Buddy Project, Sadda Haq, Miley Jab Hum Tum, Jassi Jaisi Koi Nahin, Rishtey, Adhafull, etc. He has directed two films as well—Detour and Money Devo Bhava (awaiting release).He currently runs CROCTALES, a creative shop that makes and runs web series, films and TV shows.Anand also does live, interactive storytelling which involves making up stories on the spot in front of a live audience using their words. He also has a storytelling podcast—The Croc’s Tales—again telling stories using listener’s prompts.Mumbai is his base in between exploring the world.

    As the mayor's daughter, her kidnapping triggers mounting political pressure and forces the Chief of Police to put two senior detectives on the case. Rob Soliz and Frank Pierce have done the impossible in the past, but their methods are unconventional.The only evidence at the scene is a Bible found in the girl's car and soon Frank and Rob find themselves involved in a disturbing investigation shrouded by Bible prophecy, doomsday cults, and murder.Is Katrina still alive? And what exactly is Wormwood?As the trail leads them into the woods of rural East Texas, Frank must deal with his lingering religious doubts and solve the case. His worst fears will be realised when he must discover the ugly truth about Wormwood. But he and Rob will have to get out alive to tell the story…

    But if she thinks she’s in for peace, she is sadly mistaken, as the countryside itself may be tranquil, but people are the same wherever you go. Lizzie’s daughter Louise works in PR. When she asks Lizzie to attend a perfume launch at Country House Hotel, the grand estate in Stibbington, Lizzie’s main concern is how uncomfortable her high heels will be. She does not want to go, but it is important to Louise. The perfume has been created by Simon Villiers, the son of the owner of Avon Hall, from some of their famous roses. Lizzie notices that Simon is drunk and obnoxious at the launch, especially to his cousin, Jemima Villiers. Jemima, who is working at the event, was raised by her aunt and uncle at Avon Hall after her own parents died. As Lizzie leaves the party she sees Jemima get into a small red car, and thinks nothing of it – until pretty Jemima is found dead the next day. Suddenly Lizzie is caught in the middle of a murder investigation. Once prosperous, Avon Hall has hit hard times. Money is scarce, and family tensions are rife. When Jemima turns up dead, DCI Adam Maguire has his work cut out for him. But Lizzie, who has grown jaded with the medical profession, has taken an interest in police work, and soon finds herself in the middle of the investigation, an investigation that will tear apart the Villiers’ family, and reveal secrets that will change the lives of everyone involved.

    ACP Rathore is investigating the homicide. As the events begin to unleash Rathore digs upon secrets too dark and dangerous. As he proceeds, the question becomes more and more haunting - Who Killed Roger? Michael Rodriques, the Deputy Chief Minister of Goa? Shirley Fernandes, Roger's wife? One or more of the other artists? Or, an individual for whom Roger refused to perform? The Search is the most astonishingly impudent, ingenious and altogether a fast-paced murder mystery ever written by an Indian author.Note: This is an expanded version of the short story Who Killed Roger.