He’s the best.But being the best takes time and training, especially when it comes to having the loudest growl. Then, one morning, disaster strikes—Fred’s GRRRRR is gone! Oh, no! Will Fred find his GRRRRR and realize that there’s more to life than being a winner?

    . . It's time for everyone to say goodnight. From the fox curling up in her den to the turtle dozing off in his shell, Woodland Dreams will send your little one off to sleep with a gentle and loving goodnight.• The lyrical text is perfect for bedtime read-alouds, engaging little readers with beautiful illustrations and a cozy rhyming narrative.• Ideal for children ages 3 to 5 years old•

    How does one discover faeries in one’s backyard or a garden, forest, or meadow? Through insets, hidden messages, magical signs, reflective mirrors, and other paper mechanics, Froud and Matthews reveal how anyone may discover the way to the land of Faerie. All you need is to believe and to own this book!

    Its traditions serve as a record of our past. A ballerina dancing The Sleeping Beauty today is a link in a long chain of dancers stretching back to sixteenth-century Italy and France: Her graceful movements recall a lost world of courts, kings, and aristocracy, but her steps and gestures are also marked by the dramatic changes in dance and culture that followed. Ballet has been shaped by the Renaissance and Classicism, the Enlightenment and Romanticism, Bolshevism, Modernism, and the Cold War. Apollo’s Angels is a groundbreaking work—the first cultural history of ballet ever written, lavishly illustrated and beautifully told.Ballet is unique: It has no written texts or standardized notation. It is a storytelling art passed on from teacher to student. The steps are never just the steps—they are a living, breathing document of a culture and a tradition. And while ballet’s language is shared by dancers everywhere, its artists have developed distinct national styles. French, Italian, Danish, Russian, English, and American traditions each have their own expression, often formed in response to political and societal upheavals.From ballet’s origins in the Renaissance and the codification of its basic steps and positions under France’s Louis XIV (himself an avid dancer), the art form wound its way through the courts of Europe, from Paris and Milan to Vienna and St. Petersburg. It was in Russia that dance developed into the form most familiar to American audiences: The Sleeping Beauty, Swan Lake, and The Nutcracker originated at the Imperial court. In the twentieth century, émigré dancers taught their art to a generation in the United States and in Western Europe, setting off a new and radical transformation of dance. Jennifer Homans is a historian and critic who was also a professional dancer: She brings to Apollo’s Angels a knowledge of dance born of dedicated practice. She traces the evolution of technique, choreography, and performance in clean, clear prose, drawing readers into the intricacies of the art with vivid descriptions of dances and the artists who made them. Her admiration and love for the ballet shines through on every page. Apollo’s Angels is an authoritative work, written with a grace and elegance befitting its subject.

    Born in Chicago, young Fosse began his career tap-dancing as part of the Riff Brothers in sleazy strip joints, where he encountered the erotic style that later became his signature. Best known for his Broadway hits (The Pajama Game, Damn Yankees, Sweet Charity, and Chicago), he was also a successful movie director. Three of his five films were nominated for Academy Awards: Cabaret, Lenny, and the autobiographical All That Jazz. A compulsive womanizer, he had many affairs, even during his three marriages, the last of which was to actress Gwen Verdon, with whom he shared his most fruitful Broadway collaborations. As his fame grew, so too did his insecurities and addictions. He survived two heart attacks and several epileptic seizures, only to die on a street corner in Washington, D.C., in Verdon’s arms. After his death Fosse became a Broadway legend. Based on interviews with friends, family, and colleagues, this eloquent biography provides a vivid connection between Bob Fosse’s life and his work for stage and screen.

    At every turn she is haunted by her close relationship with her younger sister, Gwen, a fellow company dancer whose career quickly surpassed Kate’s, but who has recently suffered a breakdown and returned home.Alone for the first time in her life, Kate is anxious and full of guilt about the role she may have played in her sister’s collapse.  As we follow her on an insider tour of rehearsals, performances, and partners onstage and off, she confronts the tangle of love, jealousy, pride, and obsession that are beginning to fracture her own sanity. Funny, dark, intimate, and unflinchingly honest, The Cranes Dance is a book that pulls back the curtains to reveal the private lives of dancers and explores the complicated bond between sisters.

    Red Knit Cap Girl lives with her animal friends in an enchanted forest. There is so much to see and do, but more than anything Red Knit Cap Girl wishes she could talk to the Moon. Join Red Knit Cap Girl and her forest friends on a journey of curiosity, imagination, and joy as they search for a way to meet the Moon. Gorgeously illustrated on wood grain, Red Knit Cap Girl's curiosity, imagination, and joy will captivate the hearts of readers young and old as her journey offers a gentle reminder to appreciate the beauty of the natural world around us.

    Then a crack. Bluejay spreads the news: “Firefirefire in the forest!” There’s a wildfire on Spruce Mountain! High up in the Evergreen Tower, dispatcher Maria sees it, too. She calls on expert teams of pilots, smokejumpers, and firefighters to battle the blaze. Meanwhile, the animals of the forest, from bears to deer to turtles, take shelter from the smoke and flames. Featuring detailed end matter about forest fires and firefighting techniques and tools, this timely picture book is perfect for anyone interested in firefighting and protecting our natural spaces.

    As soon as the animals notice it, each wants it more than anything else in the world. But in their struggle for it, the leaf is destroyed. Heartbroken, the animals wonder: Will we ever again see such a leaf?After getting an MA in early childhood education, Kirsten Hall taught preschool and elementary school for several years. The Jacket, her debut picture book, was a New York Times Notable Book of 2015. This is her second book.Born in Toronto, Matthew Forsythe grew up in London. After publishing his first books, he moved to LA, where he worked on Adventure Time. He now lives in Montreal, working on animations, picture books, and comics.

    Since each is asleep during the other’s waking hours, the two begin exchanging notes. With these notes, Squirrel does her best to oust her unwelcome guest, but Bat misunderstands and thinks Squirrel is happy to have a new friend. This is a sweet opposites-attract friendship story that gently shows how to find common ground despite outward differences.

    Woodland creatures are concerned for a newborn fawn they believe is lost. Lost in the Woods: The Movie is now available on award-winning DVD.

    When his friend Hedgehog explains that everything comes in its time, Badger is as unconvinced and impatient as ever. But Badger’s friends have a few tricks up their sleeve to try to get the snow’s attention and distract their pal in the meantime. In the end, Badger sees there’s no trick—only waiting—until at last, it’s time.

    So she goes to work drafting plans and gathering all her supplies. But when she gets to the forest, she realizes she needs help. Thankfully, some new friends have just the right skills to make a perfect fort-building team. Will Maya's fort be everything she hopes? Or could it turn into something she never even imagined?Leah Gilbert's story bursts with inspiration and life, celebrating creativity, leadership, perseverance, and the magic of working together to build a dream.

    He's brought: 1. Uncle Nigel, who's an explorer 2. hiking shorts 3. a canteen But what he will need most is a bit of gumption. (Gumption: n. Courage; spunk; fortitude; resourcefulness; good sense.) Oh, wait...there are crocodiles in the river? Then he might need a lot of it!

    No other dancer of our time has generated the same excitement, for both men and women, on or off the stage. With Nureyev: The Life, Julie Kavanagh shows how his intense drive and passion for dance propelled him from a poor, Tatar-peasant background to the most sophisticated circles of London, Paris, and New York. His dramatic defection to the West in l961 created a Cold War crisis and made him an instant celebrity, but this was just the beginning. Nureyev spent the rest of his life breaking barriers: reinventing male technique, “crashing the gates” of modern dance, iconoclastically updating the most hallowed classics, and making dance history by partnering England’ s prima ballerina assoluta, Margot Fonteyn--a woman twice his age. He danced for almost all the major choreographers--Frederick Ashton, George Balanchine, Kenneth MacMillan, Jerome Robbins, Maurice Béjart, Roland Petit--his main motive, he claimed, for having left the Kirov. But Nureyev also made it his mission to stage Russia’s full-length masterpieces in the West. His highly personal productions of Swan Lake, The Nutcracker, Raymonda, Romeo and Juliet, and La Bayadère are the mainstays of the Paris Opéra Ballet repertory to this day. An inspirational director and teacher, Nureyev was a Diaghilev-like mentor to young protégés across the globe--from Karen Kain and Monica Mason (now directors themselves), to Sylvie Guillem, Elisabeth Platel, Laurent Hilaire and Kenneth Greve. Sex, as much as dance, was a driving force for Nureyev. From his first secret liaison in Russia to his tempestuous relationship with the great Danish dancer Erik Bruhn, we see not only Nureyev’s notorious homosexual history unfold, but also learn of his profound effect on women--whether a Sixties wild child or Jackie Kennedy and Lee Radziwill or the aging Marlene Dietrich. Among the first victims of AIDS, Nureyev was diagnosed HIV positive in 1984 but defied the disease for nearly a decade, dancing, directing the Paris Opéra Ballet, choreographing, and even beginning a new career as a conductor. Still making plans for the future, Nureyev finally succumbed and died in January 1993. Drawing on previously undisclosed letters, diaries, home-movie footage, interviews with Nureyev’s inner circle, and her own dance background, Julie Kavanagh gives the most intimate, revealing, and dramatic picture we have ever had of this dazzling, complex figure.