The day she will set herself on fire. Wearing her white gown, Nazo walks toward the bathroom. Once inside, she raises the heavy jerry can over her head. The odor of the kerosene fills her shallow breaths. With focused determination, she strikes the matchstick against the box. Before the flames catch her curly hair, she feels something magical—a motion inside her womb. Another life is kicking within her. Would the baby have the blue eyes of Azad Saydo her forbidden lover, or the dark black eyes of the ISIS fighter who had raped her? Nazo is dying to know. Nazo is an eighteen-year old Yazidi girl from Shingal in Iraqi Kurdistan. On a dusty August day, ISIS men drag her out of her village together with Sarah, her little deaf mute sister, to be traded as sex slaves. Nazo must escape slavery to join her lover. She thinks her Azad is trapped by ISIS with thousands of other Yazidi families at the slopes of Mount Shingal. She blows her dreams into the universe like feathers in the whirl wind and struggles with her fate on the roads she took to avoid it.

    Her body lies nameless in a hospital morgue. She had apparently worked as a cleaning woman at a bakery, but there is no record of her employment. When a Jerusalem daily accuses the bakery of "gross negligence and inhumanity toward an employee," the bakery's owner, overwhelmed by guilt, entrusts the task of identifying and burying the victim to a human resources man. This man is at first reluctant to take on the job, but as the facts of the woman's life take shape-she was an engineer from the former Soviet Union, a non-Jew on a religious pilgrimage to Jerusalem, and, judging by an early photograph, beautiful-he yields to feelings of regret, atonement, and even love.At once profoundly serious and highly entertaining, A. B. Yehoshua astonishes us with his masterly, often unexpected turns in the story and with his ability to get under the skin and into the soul of Israel today.

    Two readers. A world of mystery, menace, and desire.A young woman picks up a book left behind by a stranger. Inside it are his margin notes, which reveal a reader entranced by the story and by its mysterious author. She responds with notes of her own, leaving the book for the stranger, and so begins an unlikely conversation that plunges them both into the unknown.THE BOOK: Ship of Theseus, the final novel by a prolific but enigmatic writer named V. M. Straka, in which a man with no past is shanghaied onto a strange ship with a monstrous crew and launched onto a disorienting and perilous journey.THE WRITER: Straka, the incendiary and secretive subject of one of the world’s greatest mysteries, a revolutionary about whom the world knows nothing apart from the words he wrote and the rumours that swirl around him.THE READERS: Jennifer and Eric, a college senior and a disgraced grad student, both facing crucial decisions about who they are, who they might become, and how much they’re willing to trust another person with their passions, hurts, and fears. S. , conceived by filmmaker J. J. Abrams and written by award-winning novelist Doug Dorst, is the chronicle of two readers finding each other in the margins of a book and enmeshing themselves in a deadly struggle between forces they don’t understand. It is also Abrams and Dorst’s love letter to the written word.

    In 1946, Harry Copeland has returned after fighting in the 82nd Airborne from North Africa all the way to the Elbe. Reluctantly assuming the direction of the family fine leather goods manufacture, he finds his life unsatisfactory and on hold – until he is “accidentally” united with Catherine Thomas Hale, the woman for whom he has been waiting all his life, although the forces behind his patience have never been revealed to him. A young actress, singer, and heiress, she has been waiting for him, even if she has known this only in flashes that do not come clear to her until the end of the narrative, and that have not prevented her engagement to a much older man who has been taking advantage of her since childhood.The meeting of Catherine and Harry, their courtship, and their intense love, play out on the stage of New York awakening at mid-century – in the deep worlds of the theater, industry, and high finance, and during the collision of aristocratic New York society with the formidable wave of second-generation, fully assimilated Jews. Though after being broken in the war Harry wants nothing but peace, family, and love, organized crime carries on its extortions as always, even in a city now full of the kind of men who stormed the Point du Hoc and the Siegfried Line. This becomes his moral and physical struggle. While Catherine’s is of a different nature, it is just as consequential, and the courage required of her is perhaps even greater.Of the widest scope – from the air over Sicily to the heat-and-color-saturated Sacramento Valley; the Bay of Biscay to the sea off Maine; the steel mills of Gary, Indiana to the beaches of Amagansett; London in the blitz; the invasion of Normandy; and a single shell gliding across an American lake in August; from the luminous houses of the wealthy to the pounding of the boards beneath a Broadway chorus line – this is yet, first, and foremost a love story, but also a hymn to New York of the period when one great age elided into the other that we call our own. Rich in language and classical allusion, it is true to the mottoes at its outset: the Dantean “Amor mi mosse, che me fa parlare,” “Love moved me, and made me speak,” and to the lines of Lucretius that describe Catherine’s extraordinary representation of the powers, beauties, and graces of womanhood – “Nothing comes forth into the shores of light, or is glad or lovely without you.”

    Showing us the war as we have never seen it before, here is a world not only of soldiers and assassins, hostages and car bombers, refugees and terrorists, but also of madmen and prophets, angels and djinni, sorcerers and spirits. Blending shocking realism with flights of fantasy, The Corpse Exhibition offers us a pageant of horrors, as haunting as the photos of Abu Ghraib and as difficult to look away from, but shot through with a gallows humor that yields an unflinching comedy of the macabre. Gripping and hallucinatory, this is a new kind of storytelling forged in the crucible of war.

    Full of powerful scenes and down-home wisdom, this novel is the story of Rosemary O'Neal and her northern Maine family, including her slightly daft mother, garrulous sister Miriam who wears only green, and gay Uncle Bishop, a 300-pound know-it-all whose current boyfriend has a penchant for ladies' shoes. Add to this confusion a former college roommate, Lizzie, who uses Rosemary's house to hide from her husband and rendezvous with her lover. Rosemary had lived for eight years with William in a big, rambling house in rural Maine. Then William commited suicide on a trip to London, leaving Rosemary with a lot of questions, anger, and no way to say good-bye. Seeking solace from her cat - which seems to better understand human nature than the Homo sapiens - Rosemary retreats from the world, only to be shocked out of her cocoon by an unsettling turn of events. Yet, despite the chaos created by family and friends, Rosemary slowly comes to realize that the anchor that holds them all together is still firmly in place, and that life is but a fleeting, poignant experience to be savored.

    His goal was to claim what is now the Gulf Coast of the United States for the Spanish crown and, in the process, become as wealthy and famous as Hernán Cortés.But from the moment the Narváez expedition landed in Florida, it faced peril—navigational errors, disease, starvation, as well as resistance from indigenous tribes. Within a year there were only four survivors: the expedition’s treasurer, Álvar Núñez Cabeza de Vaca; a Spanish nobleman named Alonso del Castillo Maldonado; a young explorer named Andrés Dorantes de Carranza; and Dorantes’s Moroccan slave, Mustafa al-Zamori, whom the three Spaniards called Estebanico. These four survivors would go on to make a journey across America that would transform them from proud conquistadores to humble servants, from fearful outcasts to faith healers.

    until he gets a call from his missing sister! It takes him on a journey where he meets a young hooker, hillbillies, truckers, and a crazy church. He also meets someone he never knew: himself.

    He also has the tender memories of his grandfather's exaggerated stories of Irish wonder and magic stories of leprechauns and legends and the mysterious power of fate. But he doesnot have the story of why his grandfather left Ireland as a young man.Mesmerized by his romantic vision of Ireland, Cooper begins his search with a charming, down-on- his-luck Irish actor. He is also unprepared for the presence of Kathleen O'Reilly. As Cooper hunts for his grandfather's ghost, the landmarks and the fate of the Irish that Finn Coghlan talked of magically brings Cooper and Kathleen together. Yet, there is a truth between the two of them that not even the enchanting tale of Finn McCool and Sally Cavanaugh can resolve. For that, Cooper must use the one gift bestowed on him as a child by his grandfatherBogmeadow's wish.

    Definition: A U.S. soldier stationed at a Forward Operating Base who avoids combat by remaining at the base, esp. during Operation Iraqi Freedom (2003-2011). Pejorative.In the satirical tradition of Catch-22 and M*A*S*H, Fobbit takes us into the chaotic world of Baghdad’s Forward Operating Base Triumph. The Forward Operating base, or FOB, is like the back-office of the battlefield – where people eat and sleep, and where a lot of soldiers have what looks suspiciously like an office job. Male and female soldiers are trying to find an empty Porta Potty in which to get acquainted, grunts are playing Xbox and watching NASCAR between missions, and a lot of the senior staff are more concerned about getting to the chow hall in time for the Friday night all-you-can-eat seafood special than worrying about little things like military strategy.Darkly humorous and based on the author's own experiences in Iraq, Fobbit is a fantastic debut that shows us a behind-the-scenes portrait of the real Iraq war.

    "Fingernails" quickly became a sensation when it was released and has long been a bibliographic rarity and one of the most read texts on the Russian internet.

    When she is still very small, Mary meets Lanmo, a shining golden snake, who becomes her very best friend.The snake visits Mary many times, he sees her city change, become sadder as bombs drop and war creeps in. He sees Mary and her family leave their home, he sees her grow up and he sees her fall in love. But Lanmo knows that the day will come when he can no longer visit Mary, when his destiny will break them apart, and he wonders whether having a friend can possibly be worth the pain of knowing you will lose them.From one of Britain's most gifted and celebrated writers, The Little Snake is a magical and deeply moving fable about the journey we all take through life, about love and family, about war and resilience, about how we live in this world, and how we leave it.

    A diary is Nao’s only solace—and will touch lives in a ways she can scarcely imagine.Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao’s drama and her unknown fate, and forward into her own future. Full of Ozeki’s signature humour and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.

    A boy waits at a bus stop, mocking businessmen struggling to keep their umbrellas open in a typhoon--until an old man shows him that they hold the secret to flying. A woman working in a clothing boutique waits endlessly on a customer who won't come out of the fitting room--and who may or may not be human. A newlywed notices that her husband's features are beginning to slide around his face--to match her own.In these eleven stories, the individuals who lift the curtains of their orderly homes and workplaces are confronted with the bizarre, the grotesque, the fantastic, the alien--and, through it, find a way to liberation. The English-language debut of one of Japan's most fearlessly inventive young writers.

    Brought in to construct and serve the towering monuments to wealth that punctuate the skylines of Abu Dhabi and Dubai, this labor force is not given the option of citizenship. Some ride their luck to good fortune. Others suffer different fates. Until now, the humanitarian crisis of the so-called “guest workers” of the Gulf has barely been addressed in fiction. With his stunning, mind-altering debut novel Temporary People, Deepak Unnikrishnan delves into their histories, myths, struggles, and triumphs. Combining the linguistic invention of Salman Rushdie and the satirical vision of George Saunders, Unnikrishnan presents twenty-eight linked stories that careen from construction workers who shapeshift into luggage and escape a labor camp, to a woman who stitches back together the bodies of those who’ve fallen from buildings in progress, to a man who grows ideal workers designed to live twelve years and then perish—until they don’t, and found a rebel community in the desert. With this polyphony of voices, Unnikrishnan maps a new, unruly global English and gives personhood back to the anonymous workers of the Gulf.