A young Iraqi girl and her best friend find themselves living in war-torn Baghdad during the first Gulf War. Populated by a host of colourful characters, we share the two girls' dreams, music, school life and first loves as they grow up in a city torn apart by civil war. And as the bombs fall, the international sanctions bite and friends begin to flee the country, the city services collapse while abandoned dogs roam the streets and fortune-tellers thrive amidst the fear and uncertainty. This poignant debut novel will spirit readers away to a world they know only from the television, revealing just what it is like to grow up in a city that is slowly disappearing in front of your eyes, and showing how in the toughest times, children can build up the greatest resilience.

      Filled with kings and peasants, saints and ogres—as well as some quite extraordinary plants and animals—these two hundred tales bring to life Italy’s folklore, sometimes with earthy humor, sometimes with noble mystery, and sometimes with the playfulness of sheer nonsense.   Selected and retold by one of the country’s greatest literary icons, “this collection stands with the finest folktale collections anywhere” (The New York Times Book Review).   “For readers of any age . . . A masterwork.” —The Wall Street Journal   “A magic book, and a classic to boot.” —Time

    Her characters are a strange ensemble—a feral child, a girl raised from the dead, a possible pedophile—who share in vulnerability and heartache, but maintain an unremitting will to survive. Meijer deals in desire and sex, femininity and masculinity, family and girlhood, crafting a landscape of appetites threatening to self-destruct. In beautifully restrained and exacting prose, she sets the marginalized free to roam her pages and burn our assumptions to the ground.

    In each of her stories, Danielle Evans explores the non-white American experience with honesty, wisdom, and humor. They are striking in their emotional immediacy, based in a world where inequality is a reality, but the insecurities of young adulthood and tensions within family are often the more complicating factors. One of the most lauded debuts of the year, Before You Suffocate Your Own Fool Self announces a major new talent in Danielle Evans.

    I cross the Seine, I walk with men and women who are anonymous and yet who are my reflection. We make up a single heart, a single cell. We are alive...'In All Men Naturally Want to Know the author traces her blissful childhood in Algeria, a sun-soaked paradise, recalling long trips across the desert with her mother and sister and hazy summer afternoons spent on the beach with her friend Ali. But Nina's mother is French - moving to Algeria for love at a time when most Europeans were desperate to leave - and as civil war approaches, their sunny idyll gives way to increasingly hostile and violent outbreaks. When something unspeakable happens to her mother, the family flee to Paris.In Paris, Nina lives alone. She is eighteen years old. It's the 1980s. Four nights a week she walks across Paris to a legendary women-only nightclub, the Katmandou. She sits alone at the bar, afraid of her own desires, of her sudden and intoxicating freedom. There she meets the glamorous, deeply troubled Ely, her volatile friends Lizz and Laurence, and the beautiful Julia, with whom she falls desperately in love. And, most importantly, she starts to write.

    In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam--and what seems at first a satire of turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise," an aging New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees, where a young woman's bond with a mother and her small son forces both women to a shattering decision. Brilliant, daring, and demonstrating a jaw-dropping versatility of voice and point of view, "The Boat" is an extraordinary work of fiction that takes us to the heart of what it means to be human, and announces a writer of astonishing gifts.

    But so profound is this evening between them that when Unn inexplicably disappears, Siss's world is shattered. The Ice Palace is written in prose of a lyrical economy that ranks among the most memorable achievements of modern literature.

    In novels such as The Small Backs of Children and The Book of Joan, she has captivated readers with stories of visceral power. Now, in Verge, she offers a shard-sharp mosaic portrait of human resilience on the margins.

    Widowed after the sudden death of her husband, Patience is now wedged between university fees for her grown-up daughters and nursing home costs for her aging mother.Happening upon an especially revealing set of police wiretaps ahead of all other authorities, Patience makes a life-altering decision that sees her intervening in — and infiltrating — the machinations of a massive drug deal. She thus embarks on an entirely new career path: Patience becomes The Godmother.This is not the French idyll of postcards and stock photos. With a gallery of traffickers, dealers, police officers, and politicians, The Godmother casts its sharp and amusing gaze on everyday survival in contemporary France. With an unforgettable woman at its center, Hannelore Cayre’s bestselling novel reveals a European criminal underground that has rarely been seen.

    These three women and their families, their losses and loves, unspool beautifully against a backdrop of a rapidly changing Oman, a country evolving from a traditional, slave-owning society into its complex present. Through the sisters, we glimpse a society in all its degrees, from the very poorest of the local slave families to those making money through the advent of new wealth.

    These stories of escape, war, and violence intermingle with the interpreter’s own reading: a his­tory of an ancient Persian war; letters sent to his son “Nebuchadnezzasaurus,” ruler of a distant, imaginary childhood empire; and the diaries of a Russian singer who lived through Russia’s wars and revolutions in the early part of the twentieth century, and eventually saw the Soviet Union’s dissolution. Mikhail Shishkin’s Maidenhair is an instant classic of Russian literature. It bravely takes on the eternal questions—of truth and fiction, of time and timeless­ness, of love and war, of Death and the Word—and is a movingly luminescent expression of the pain of life and its uncountable joys.

    Henry Prize stories collection has offered an exciting selection of the best stories published in hundreds of literary magazines every year. Such classic works of American literature as Ernest Hemingway’s The Killers (1927); William Faulkner’s Barn Burning (1939); Carson McCuller’s A Tree. A Rock. A Cloud (1943); Shirley Jackson’s The Lottery (1949); J.D. Salinger’s For Esme with Love and Squalor (1963); John Cheever’s The Country Husband (1956) ; and Flannery O’Conner’s Everything that Rises Must Converge (1963) all were O. Henry Prize stories. An accomplished new series editor--novelist and short story writer Laura Furman--has read more than a thousand stories to identify the 20 winners, each one a pleasure to read today, each one a potential classic. The O. Henry Prize Stories 2003 also contains brief essays from each of the three distinguished judges on their favorite story, and comments from the prize-winning writers on what inspired their stories. There is nothing like the ever rich, surprising, and original O. Henry collection for enjoying the contemporary short story.The Thing in the Forest A. S. Byatt The Shell Collector Anthony Doerr Burn Your Maps Robyn Jay Leff Lush Bradford Morrow God’s Goodness Marjorie Kemper Bleed Blue in Indonesia Adam Desnoyers The Story Edith Pearlman Swept Away T. Coraghessan Boyle Meanwhile Ann Harleman Three Days. A Month. More. Douglas Light The High Road Joan Silber Election Eve Evan S. Connell Irish Girl Tim Johnston What Went Wrong Tim O’Brien The American Embassy Chimamanda Ngozi Adichie Kissing William Kittredge Sacred Statues William Trevor Two Words Molly Giles Fathers Alice Munro Train Dreams Denis Johnson

    Examining the borders between one nation and another, between one person and another, Urrea reveals his mastery of the short form. This collection includes the Edgar-award winning "Amapola" and his now-classic "Bid Farewell to Her Many Horses," which had the honor of being chosen for NPR's "Selected Shorts" not once but twice. Suffused with wanderlust, compassion, and no small amount of rock and roll, The Water Museum is a collection that confirms Luis Alberto Urrea as an American master.