Kate Lyle is a headstrong young woman desperate to escape a sexually predatory household. Both are Anglo-Indians, members of a race that helped turn the wheels of Empire for years. But Empire days are numbered, and as India sheds its colonial skin, the young lovers must face their own tryst with destiny.In twenty-first-century England, Owen Monroe is writing this story of his parents' lives in an effort to avoid the problems in his own: lost love, relentless libido, dreams of death, and a world full of headlines he can't understand and doesn't want to. But keeping past and present apart isn't as easy as it seems, and before long Owen is deep in the one story he never wanted to tell....Epic in its scope yet never losing sight of the telling, gorgeous detail, The Bloodstone Papers is an extraordinarily rich and beautiful read that manages to ask the big questions without fuss and to accept that the big answers aren't always what we want to hear.

    He sheds light on Diana Ross’s relationship with Berry Gordy and her cutthroat rise to top billing in the group, as well as Florence Ballard’s corresponding decline. He also takes us inside the studio, examining how timeless classics were conceived and recorded on the Motown “assembly line,” and considers the place of Motown in an era of cultural upheaval, when not being “black enough” became a fierce denunciation within the black music industry.Deftly combining personal testimony, history, and expert analysis, Ribowsky not only tells the full, heartbreaking story of the Supremes, but shows why Gordy’s revolutionary concept of “blacks singing white” was essential to the modern evolution of music.

    His groundbreaking work explores India's sexual fantasies and ideals, the "unlit stage of desire where so much of our inner theater takes place."Kakar's sources are primarily textual, celebrating the primacy of the story in Indian life. He practices a cultural psychology that distills the psyches of individuals from the literary products and social institutions of Indian culture. These include examples of lurid contemporary Hindi novels; folktales; Sanskrit, Tamil, and Hindi proverbs; hits of the Indian cinema; Gandhi's autobiography; interviews with women from the slums of Delhi; and case studies from his own psychoanalytic practice. His attentive readings of these varied narratives from a vivid portrait of sexual fantasies and realities, reflecting the universality of sexuality as well as cultural nuances specific to India.Moving from genre to genre, Kakar offers a brilliant reading of verses from the Laws of Manu, the original source of Hindu religious laws, to uncover their psychological foundations—male terror of the female sexual appetite that shields itself by idealizing women's maternal role. Kakar also examines the psychosexual history of Gandhi at length, though his near-lifelong celibacy makes him an atypical subject. Gandhi's story is universal, Kakar says, because "we all wage war on our wants."In India's lore and tradition, complex symbols abound—snakes that take the shape of sensual women or handsome men, celibates sleep with naked women, gods rape their daughters, and a goddess fries a king in oil. With the analyst's "third ear," Kakar listens, decodes, and translates the psychological longings that find expression in Indian sexual relations.

    In many ways, it paved the way for India to become the high seat of Mughal power, and the grand throne on which the British Empire seated itself for nearly four centuries thereafter. Hindu culture mixed with Islam, ceding way to something that was a not-too-sublime version of everything. A version which has no other word for it, except perhaps to be called Indian. Architecture, literature, music, food, clothing and religion interspersed freely, and this led to the India we all know and love. However, it was not without price. Many were massacred, and many more oppressed in the name of religion and in the war for power. India emerged, but only to fall into the hands of an invading Timur the Lame, also called Tamerlane. The high seat of Mughal power was ready, and the Mughals ascended it. Abraham Eraly's book sings the story of an India unsung, the India of the Tughlaks, and the India which was called the mythic jewel of the east.

    This uncompromising fighter for an end of "exploitation of man by man and nations by nations" remains a revered hero of oppressed people around the world today.

    The events of the novel unfold against the backdrop of a campaign for parliamentary elections in the bustling roadside town of Khaireni Tar. At its heart the book is about four main characters: Giridhar Adhikari, the chairman of the People's Party's district committee, who suffers from a serious alcohol addiction and strange, violent manias; Rishi Parajuli, a lonely, under-employed bachelor and disillusioned communist who gives private tuitions in history to disinterested middle-class boys; Om Gurung, a former British Gurkha determined to bring love into every life in his hometown; and Binita Dahal, a reclusive young widow who runs a small tea shop and is careful not to demand of life more than the meagre pleasures it brings her. As the election campaign reaches its peak, the crisis in each character's life mounts, and the eventual rigging of the elections becomes a metaphor for the flawed, imperfect choices that ordinary people must make to get by in a world beyond their control. significant new voice from the Subcontinent. The first major novel in English to emerge from Nepal.

    In the tradition of the best travel narratives, he recounts his experiences in such places as Calcutta, Sikkim's Valley of Bliss, Darjeeling, and the Indian wilderness.

    In a Southern Indian village, Asha doesn’t have much—raising two children in a tiny hut, she and her husband can barely keep a tin roof over their heads—but she wants a better education for her gifted son. Pressured by her family, Asha reluctantly checks into the Happy Mothers House: a baby farm where she can rent her only asset—her womb—to a childless couple overseas. To the dismay of friends and family, Priya places her faith in a woman she’s never met to make her dreams of motherhood come true.Together, the two women discover the best and the worst that India’s rising surrogacy industry has to offer, bridging continents and cultures to bring a new life into the world—and renewed hope to each other.

    Aged 17, she came to England for the first time. This book describes that exotic upbringing in India and explains what an unusual effect it has had on the rest of her life.

    Pilgrimage complete, Hsuan Tsang wrote an account of his trek that is still considered one of the classics of Chinese literature.In 1998, Richard Bernstein, venerated journalist and Time magazine’s first Beijing bureau chief, retraced the steps of Hsuan Tsang’s long and sinuous route, comparing present and past. Aided by modern technology but hampered by language barriers, harried border crossings, hostile Islamic regimes, and the accidental U.S. bombing of the Chinese embassy in Belgrade, Bernstein follows the monk’s path not only in physical but in contemplative ways. Juxtaposing his own experiences with those of Hsuan Tsang, Bernstein has crafted a vivid account of two stirring adventures in pursuit of illumination. Inspiring and profoundly felt, Ultimate Journey is a marvelous amalgamation of travelogue and history, cultural critique and spiritual meditation.

    Rock & Roll Jihad is the story of his incredible journey. Facing down angry mullahs and oppressive dictators who wanted all music to be banned from the Islamic Republic of Pakistan, Salman Ahmad rocketed to the top of the music charts, bringing Westernstyle rock and pop to Pakistani teenagers for the first time. His band Junoon became the U2 of Asia, a sufi - rock group that broke boundaries and sold a record number of albums. But Salman's story began in New York, where he spent his teen years learning to play guitar, listening to Led Zeppelin, hanging out at rock clubs and Beatles Fests, making American friends, and dreaming of rock-star fame. That dream seemed destined to die when his family returned to Pakistan and Salman was forced to follow the strictures of a newly religious -- and stratified -- society. He finished medical school, met his soul mate, and watched his beloved funkytown of Lahore transform with the rest of Pakistan under the rule of Zia into a fundamentalist dictatorship: morality police arrested couples holding hands in public, Little House on the Prairie and Live Aid were banned from television broadcasts, and Kalashnikovs and rocket launchers proliferated on college campuses via the Afghani resistance to Soviet occupation in the north. Undeterred, the teenage Salman created his own underground jihad: his mission was to bring his beloved rock music to an enthusiastic new audience in South Asia and beyond. He started a traveling guitar club that met in private Lahore spaces, mixing Urdu love poems with Casio synthesizers, tablas with Fender Stratocasters, and ragas with power chords, eventually joining his first pop band, Vital Signs. Later, he founded Junoon, South Asia's biggest rock band, which was followed to every corner of the world by a loyal legion of fans called Junoonis. As his music climbed the charts, Salman found himself the target of religious fanatics and power-mad politicians desperate to take him and his band down. But in the center of a new generation of young Pakistanis who go to mosques as well as McDonald's, whose religion gives them compassion for and not fear of the West, and who see modern music as a "rainbow bridge" that links their lives to the rest of the world, nothing could stop Salman's star from rising. Today, Salman continues to play music and is also a UNAIDS Goodwill Ambassador, traveling the world as a spokesperson and using the lessons he learned as a musical pioneer to help heal the wounds between East and West -- lessons he shares in this illuminating memoir.

    

    To this day, it remains the bestselling jazz album of all time, embraced by fans of all music genres. The album represented a true watershed moment in jazz history, and helped to usher in the first great jazz revolution since bebop.The Making of Kind of Blue is an exhaustively researched examination of how this masterpiece was born. Recorded with pianist Bill Evans; tenor saxophonist John Coltrane; composer/theorist George Russell; and Miles himself, the album represented a fortuitous conflation of some of the real giants of the jazz world, at a time when they were at the top of their musical game. The end result was a recording that would forever change the face of American music.Through extensive interview and access to rare recordings, Eric Nisenson pieced together the whole story of this miraculous session, laying bare the genius of Miles Davis, other musicians, and the heart of jazz itself.

    Divorced and alone he headed to Bangkok in search of something, anything. Ting, shy and innocent caught his eye. She smiled at him. For the first time in his life Marshall left his inhibitions to one side and dived in to an exciting new life. But was the delectable Ting all that she seemed? On his journey he meets the affable but hopeless Bob Lowe; economically trapped in Thailand and addicted to the sex and booze so readily available on the streets of the Big Mango. With equal amounts of joy, despair and even at times hope Zach J Brodsky takes us on a tour of an array of absurd characters all milling around a small area of Bangkok. Laugh out loud humour interspersed with tragedy.

    It is the late 1960s and the family enjoy an idyllic life in the Vale of Kashmir, despite the area being riddled with conflict and poverty. But after a devastating earthquake wipes out her entire family, Jaya is taken into the care of relatives in Delhi, who attempt to marry her off and keep secret from her the possibility that Tahir, her younger brother, has survived the earthquake. After escaping from the arranged marriage Jaya is put through medical training in Scotland, as she had always dreamed, and where she develops feelings for her foster family’s eldest son, Alastair, who is engaged to someone else. In the meantime, Tahir has been abducted by a band of Kashmiri freedom fighters, who have made him one of their own. Jaya finally returns to her troubled homeland to find him and come to terms with the loss of her family. Alastair, who arrives in Kashmir to announce his love for Jaya, is kidnapped by the freedom fighters, forcing her to risk everything to get him back.