Jacket by Steven Stapleton.Co-produced with Durtro. 500 copies printed.(Out of print).Contents: -a quote from Stenbock-Robert Aickman: An Appreciation, by David Tibet-An Essay by Robert Aickman-Remembering Robert, by Ramsey Campbell-The Trains/ The Insufficient Answer/ The View/ The School Friend/ Ringing the Changes/ Choice of Weapons/ The Waiting Room/ Bind Your Hair/ Your Tiny Hand is Frozen/ My Poor Friend/ The Visiting Star/ Larger Than Oneself/ A Roman Question/ The Wine-Dark Sea/ Ravissante/ The Inner Room/ Never Visit Venice/ The Unsettled Dust/ The Houses of the Russians/ No Stronger Than a Flower/ The Cicerones/ Into the Wood. ..with Volume II, not sold separately.Note: An addendum was produced for the volumes.

    Freud's Todestrieb, his statement that ''libido has the task of making the destroying instinct innocuous, and it fulfils the task by diverting that instinct to a great extent outwards....The instinct is then called the destructive instinct, the instinct for mastery, or the will to power.'' Few authors have spun stories of Thanatos and Eros as skillfully and powerfully as Livia Llewellyn. In his introduction to this volume, Laird Barron writes ''Scant difference exists between exquisite pleasure and pain.'' An orphan girl with a mind for anthracite falls into the hands of a cult worshipping an entombed god. In the Pacific Northwest, evergreens lull prepubescent girls into their trunks to serve as wombs. A suburban housewife troubled by her present encounters the sixteen year-old girl she ached to touch in her dreams. These ten stories promise to indulge a reader's sensibilities, their fears and desires.

    But a computing error quickly destroys Shairp's physical body, leaving his mind stranded in an encoded world. Can the process be reversed?

    Beginning in the seventh century BC with the unusual death of Draco and journeying chronologically to the present day, Ruiz's playfully sinister giftbook illustrates and describes the infamous deaths of these unfortunate souls. From stories of the hot-air balloon duel that claimed a Frenchman's life to the fatal wardrobe malfunction of famed dancer Isadora Duncan, The Book of Extraordinary Deaths is a uniquely clever and gorgeously rendered meditation on life's ironies and mysteries. With Ruiz's witty descriptions and rich, captivating illustrations, her characters come to life on the page even as they shuffle off this mortal coil.

    Before the Eradication.One man had a chance to stop it all, and failed...Captain Dryker is a washed up vet mining on the fringes of the Kuiper belt. He loads rocks into the Folly’s railgun, and fires them back to his corporate overlords on Earth. Boring, just the way he likes it. Until one day it isn’t.An alien signal bursts from Pluto, which as it turns out is neither a planet, nor a planetoid body. It is an ancient defense satellite activated because it detected the return of the Vuka Spectra. The Void Wraith.Dryker is the closest ship on the scene, but not the only one vying for the prize. Hostile aliens have emerged from our sun using something called a Helios Gate. The savage Tigris have come not just for the satellite, but to conquer Earth.Dryker’s only hope is finding something, anything, within the installation to counter the alien’s superior technology and save mankind.The prequel to the Void Wraith Saga. Learn how it all began...

    Essays include discussion of the psychological implications in the novel as well as themes and character analysis.

    A version of the story was published in the magazine Whirlwind in 1890, and Machen revised and extended it for its book publication (together with another story, "The Inmost Light") in 1894. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. Machen’s story was only one of many at the time to focus on Pan as a useful symbol for the power of nature and paganism. The title was taken from the poem "A Musical Instrument" published in 1862 by Elizabeth Barrett Browning, in which the first line of every stanza ends "... the great god Pan.

      At Jodrell Bank Observatory in England, a radio telescope has detected a mysterious signal of extraterrestrial origin—a message that may be the first communication from an interstellar civilization. Has humanity made first contact? Is the signal itself a form of alien life? Could it be a threat? If so, how will the people of Earth respond?             Jack Fenwick, artificial intelligence expert, believes that he and his associates at tech startup Intelligencia can interpret the message a find a way to step into the realm the signal encodes. What they find is a complex alien network beyond anything mankind has imagined.          Drawing on Dada, punk and the modernist movements of the twentieth century, XX is assembled from redacted NASA reports, artwork, magazine articles, secret transcripts and a novel within a novel. Deconstructing layout and language in order to explore how idea propagate, acclaimed designer and artist Rian Hughes's debut novel presents a compelling vision of humanity's unique place in the universe, and a realistic depiction of what might happen in the wake of the biggest scientific discovery in human history.             Propulsive and boldly designed, XX is a gripping, wildly imaginative, utterly original work.

    Using such poems as Theodore Roethke’s "My Papa’s Waltz" and Robert Hayden’s "Those Winter Sundays," the Primer encourages young writers to approach their "thresholds"—those places where disorder meets order, where shaping imagination can turn language into urgent and persuasive poems. It provides the poet with more than a dozen focused writing exercises and explains essential topics such as the personal and cultural threshold; the four forces that animate poetic language (naming, singing, saying, imagining); tactics of revision; ecstasy and engagement as motives for poetry; and how to locate and learn from our personal poetic forebears.

    Contents:The Equatorial Moment (1999)The Negation (1978)Whores (1978)The Cremation (1978)The Miraculous Cairn (1980)The Watched (1978)

    Kiernan, Molly Tanzer, Lois H. Gresh, Nancy Kilpatrick, Elizabeth Bear, Gemma Files and many more fully color illustrated by Daniele Serra, Dreams from the Witch House highlights some of the very best women writers of weird fiction and Lovecraftian horror. The history of the Old World is shrouded in secrecy. Creatures and forces unimaginable inhabited this realm for eons, long before any human navigated the surface of the earth. As the Old Ones have slumbered or observed from afar, humans have assembled civilization upon this fragile planet. Yet the whispers from the elders have been growing stronger, their energy once again seeping into the world. These whispers are being felt throughout the earth; from the roots of our flora to the dreams of our children. They are preparing us for what is to come. In Dreams from the Witch House: Female Voices of Lovecraftian Horror the most intuitive dreamers have been assembled to give us glimpses into these ancient terrors and their whispered warnings. Featuring authors Joyce Carol Oates, Caitlín R. Kiernan, Lois Gresh, Gemma Files, Nancy Kilpatrick, Elizabeth Bear, Storm Constantine and others accompanied by the lavish artwork of Daniele Serra, Dreams from the Witch House: Female Voices of Lovecraftian Horror is a representation of some of the finest cosmic horror and weird fiction from female authors in the field today.

    Some come to get some sleep, because here, you sleep like the dead. Dora arrives seeking solitude and escape from reality. Instead, she finds a place haunted by the drowned and desperate, who speak through the sleeping inhabitants. She fears sleep herself, terrified that the ghosts of her daughters will tell her “it’s all your fault we’re dead.” At the same time, she’d give anything to hear them one more time.

    A space between spaces. When the Mara Corday, an aged freighter, enters the Graveyard of the Atlantic, nightmares become real. The crew finds themselves trapped in a realm where time doesn't exist and unimaginable horrors dwell. Lost in a becalmed sea, in a netherworld where evil manifests itself in hideous forms, the survivors of the Mara Corday have an eternity to find a way out - if they aren't killed first by the creatures stalking them.(Description from back cover of trade paperback)