On the journey, he is presented with an opportunity to begin anew but there’s a catch, this new lease on life requires him to assume a new identity…that of a dead sheriff. Soon afterwards, he’ll discover his burdens aren’t so easily discarded or forgotten.

    

    But the inhabitants are a lively and varied community – and none more so than Nelly Luke, the cheerful Cockney widow who for many years has made the ramshackle cottage on the village outskirts her cosy, if unconventional, home.Although her eccentric lifestyle is the despair of her social-climbing daughter Evie, Nelly’s warmth and wisdom win her many friends. There’s Fay, the young newly-wed whose marriage is haunted by the all-too-substantial ghost of her first love, lost in the war; Amy, the glamorous shopkeeper whose private life is colourful indeed; and her dignified sister Prue, whose family cupboard contains more than a few skeletons.Against the mounting excitement of the Coronation summer, Nelly steers her friends and family through storm and sunshine alike…Painting a lively yet realistic picture of village life in post-war Wales, this is a heartwarming story of ordinary people and their far-from-ordinary lives. A Welcome in the Valley is the first book in Grace Thompson’s Valley sagas, and is sure to engross readers of Maureen Reynolds and Rosie Clarke. The Valley Sagas  A Welcome in the Valley Valley Affairs The Changing Valley Valley in Bloom

    Add a mother who's back on the run from the Federal Government for a murder of a undercover agent that has been her right hand for years, along with the family main henchman Papa Bear who's now her mysterious lover. Amil Walker has set it in stone that she's definitely the head of the throne and will do whatever it takes to keep her family and their multi-million dollar empire secure. Amil has cut all ties with the Colombian Cartel and with a stroke of good luck she bounces back even stronger with a bigger and better plug with the Arabians in Dubai. And with the Feds still hot on the Walker family trail, who knows what will happen next. Will Amil sacrifice herself to save her family or will she pull the ultimate betrayal? Something that she's been known to do in the past.

    His earlier publications have shown how dramatic British innovations in India, including revenue and legal systems, led to fundamental structural changes in Indian social relations. This collection of his writings in the last fifteen years discusses areas in which the colonial impact has generally been overlooked. The essays form a multifaceted exploration of the ways in which the British discovery, collection, and codification of information about Indian society contributed to colonial cultural hegemony and political control.Cohn argues that the British Orientalists' study of Indian languages was important to the colonial project of control and command. He also asserts that an arena of colonial power that seemed most benign and most susceptible to indigenous influences--mostly law--in fact became responsible for the institutional reactivation of peculiarly British notions about how to regulate a colonial society made up of others. He shows how the very Orientalist imagination that led to brilliant antiquarian collections, archaeological finds, and photographic forays were in fact forms of constructing an India that could be better packaged, inferiorized, and ruled. A final essay on cloth suggests how clothes have been part of the history of both colonialism and anticolonialism.

    He demonstrates that the principles the British devised incorporated contradictory visions of India, yet together they made the authority of the Raj lawful. Students of modern India and the British Empire will find this book relevant and accessible.

    Born to a family of artists known for their literary interests, Fairouz, an English Literature student from Syria was well known for her work in Arabic poetry, theatre, short stories, performance and local journalism long before the Syrian war began. As the Arab Spring reaches her town, she realises her life is transforming into a blockbuster movie before her very eyes, and so decides to document it with an unflinching honesty and rawness. Frequently described as the Syrian Anne Frank by pan Arab media, Fairouz Abdalla’s diary Lipsticks and Bullets takes us on an exclusive trip into her politically-charged world, from the hipsters on the historic roads of Hama to the upper class circles in the bourgeoisie private clubs of Damascus. Inspired by revolts in Tunisia and emboldened by Libya’s dissidents, Fairouz and her activist friends dream of a revolution and a Syria free from the rule of the tyrannical Bashar al-Assad and his minions. But revolutions are not so easily achieved, as she soon discovers.The spirited young beauty, the daughter of a Christian and a Muslim only has eyes for a handsome bachelor from the esteemed and well-connected Atassi family. The pastel-eyed engineer and member of the Arab student movement who stole her heart is swiftly torn away from her, seemingly forever. Fairouz faces losing all that she loves – Syria is a dangerous place for an activist ­– and especially for a woman. Fairouz must fight not just for a Syrian revolution, but also for the lives of her loved ones, herself, and against the growing nightmare that are western Jihadists.As the Arab spring turns to winter, Syria’s citizens will learn that nothing—not war, not politics, not even religion—can tear them apart. Together, they remain defiant and insist on keeping humour and hope alive. From Syria to Sweden, Istanbul, and Damascus, Lipsticks and Bullets is an intimate tale of love and adventure, by a celebrated Arab author who is a powerful witness to the terror and horror wrought by Assad, Iran and Russia on the lives and souls of Syrians. It is a vivid exploration of Middle Eastern culture, Romance, Islamic extremism, class conflict, and social activism. Syria's story is her story.

    Today Manto is an acknowledged master of twentieth-century Urdu literature, and his fiction serves as a lens through which the tragedy of partition is brought sharply into focus. In The Pity of Partition, Manto's life and work serve as a prism to capture the human dimension of sectarian conflict in the final decades and immediate aftermath of the British raj.Ayesha Jalal draws on Manto's stories, sketches, and essays, as well as a trove of his private letters, to present an intimate history of partition and its devastating toll. Probing the creative tension between literature and history, she charts a new way of reconnecting the histories of individuals, families, and communities in the throes of cataclysmic change. Jalal brings to life the people, locales, and events that inspired Manto's fiction, which is characterized by an eye for detail, a measure of wit and irreverence, and elements of suspense and surprise. In turn, she mines these writings for fresh insights into everyday cosmopolitanism in Bombay and Lahore, the experience and causes of partition, the postcolonial transition, and the advent of the Cold War in South Asia.The first in-depth look in English at this influential literary figure, The Pity of Partition demonstrates the revelatory power of art in times of great historical rupture.

     It’s up to Eve to crack the code, and enlighten humanity to the greatest lie ever told. But the loss of her beloved grandfather and flood of all her past lives besieging her at once took her to a dark place for six long weeks. She emerges to find herself in Aurora, the vast new society that’s risen from the ashes of North America, where old souls now live separate from new—and her love of lifetimes, Roman, has never left her side. But she quickly realizes there are two opposing forces behind this impressive new world, and one of them wants to keep it teetering on the verge of war. When she begins to decipher clues embedded all around her, it becomes clear that uncovering the truth will be next to impossible, and exposing it may very well cost her life.

    The novel is full of interesting symbolism and intriguing characters, but his intricate web of lives and events can be tricky to follow as Doerr constantly shifts between time periods.   This Sidekick to All the Light We Cannot See is sure to effortlessly guide you through the novel, point out what you might have otherwise missed, and broaden your understanding of the novel!   Inside you’ll find:   Chapter Summaries   Symbolism and Imagery   Individual Character Analysis   Questions to Consider   Important Quotes   Disclaimer: This book serves as an accompaniment to the bestseller "All the Light We Cannot See" by Anthony Doerr. It is meant to broaden the reader's understanding of the book and to offer some insights which can easily be overlooked. You should order a copy of the actual book before reading this.

    Chez knows this but when his wealth, power and woman is taken from him and he finds himself at deaths door, his strength is truly tested. The streets that Chez once reigned over are now at the will of Supreme, Mann and a team of New York wolves that show no mercy to anyone! Supreme is the king of the City and with Chez's demise there is no one left to dispute him as he makes millions. When Chez meets and befriends Monty in prison, their relationship grows to the point of brothers. What Chez doesn't realize is that he has actually met the one man who has the heart and manpower that he needs to take back what the New Yorker's have taken from him. Just when the streets have counted him out and everyone that he ever loved has crossed him, the Legend is reborn... Chez is set out to show that although God may forgive, The Streets Don't!!!

    William Marshal is portrayed as being brave, intelligent - but flawed and human too.” Michael Arnold William Marshal was born in a time of civil war. In a time of bloodshed and honour. As a boy he is used as a pawn, during the conflict between Stephen and Matilda. But as a young man he trains as a knight. Marshal learns his trade in England and Normandy, fighting in tournaments and war-games, gaining friends and enemies alike. But the boy must become a man - and the squire must become a knight. Marshal soon finds himself embroiled in the campaigns of Henry II and the rivalry between French Kings. Where once he fought for fame and riches, the young knight finds himself fighting for his life. The Knight Banneret is the first book in an epic series chronicling the story of William Marshal, “the Greatest Knight”. For fans of Bernard Cornwell, Conn Iggulden and Michael Jecks. Praise for Richard Woodman: “This series could develop into something very special. Richard Woodman knows how to tell a story, but has a healthy respect for history... Compulsive reading.” Saul David “Brings medieval Europe to life. The well-crafted action and historical insights enthral and entertain.” Richard Foreman, author of Band of Brothers. ‘Richard Woodman reminds us of the importance of merchant ships and our debts to the seafarers – men and women – who manned.’ HRH Princess Anne ‘If Neptune’s Trident sets the standard for what is to follow - we can at least rest assured that there is a series that truly does justice to our proud merchant maritime past.’ Nautilus UK Telegraph ‘Richard Woodman tells many a good tale in this first volume and it is fascinating to read. I highly recommend this first volume in the Neptune s Trident for anyone with an interest in the early modern period. If the rest of the series is as good as this one, they should all be on the bookshelves of those studying the history of Britain, from the sixteenth to the twentieth centuries.’ Open History Captain Richard Martin Woodman LVO is an English novelist and naval historian. He is the author of the series ‘A History of the British Merchant Navy’ and the Sword of State trilogy, which recreates the true story of George Monck, a giant of the 17th Century.

    Sketching a new geography of liberation, Dabashi shows how the Arab Spring has altered the geopolitics of the region so radically that we must begin re-imagining the 'the Middle East'. Ultimately, the 'permanent revolutionary mood' Dabashi brilliantly explains has the potential to liberate not only those societies already ignited, but many others through a universal geopolitics of hope.

    In academic and common parlance alike, caste has become a central symbol for India, marking it as fundamentally different from other places while expressing its essence. Nicholas Dirks argues that caste is, in fact, neither an unchanged survival of ancient India nor a single system that reflects a core cultural value. Rather than a basic expression of Indian tradition, caste is a modern phenomenon--the product of a concrete historical encounter between India and British colonial rule. Dirks does not contend that caste was invented by the British. But under British domination caste did become a single term capable of naming and above all subsuming India's diverse forms of social identity and organization.Dirks traces the career of caste from the medieval kingdoms of southern India to the textual traces of early colonial archives; from the commentaries of an eighteenth-century Jesuit to the enumerative obsessions of the late-nineteenth-century census; from the ethnographic writings of colonial administrators to those of twentieth-century Indian scholars seeking to rescue ethnography from its colonial legacy. The book also surveys the rise of caste politics in the twentieth century, focusing in particular on the emergence of caste-based movements that have threatened nationalist consensus. Castes of Mind is an ambitious book, written by an accomplished scholar with a rare mastery of centuries of Indian history and anthropology. It uses the idea of caste as the basis for a magisterial history of modern India. And in making a powerful case that the colonial past continues to haunt the Indian present, it makes an important contribution to current postcolonial theory and scholarship on contemporary Indian politics.

    For more than a century, Algeria had been legally and administratively part of France; after the bloody war that concluded in 1962, it was other--its eight million Algerian residents deprived of French citizenship while hundreds of thousands of French pieds noirs were forced to return to a country that was never home. This rupture violated the universalism that had been the essence of French republican theory since the late eighteenth century. Shepard contends that because the amputation of Algeria from the French body politic was accomplished illegally and without explanation, its repercussions are responsible for many of the racial and religious tensions that confront France today. In portraying decolonization as an essential step in the inexorable tide of history, the French state absolved itself of responsibility for the revolutionary change it was effecting. It thereby turned its back not only on the French of Algeria--Muslims in particular--but also on its own republican principles and the 1958 Constitution. From that point onward, debates over assimilation, identity, and citizenship--once focused on the Algerian province/colony--have troubled France itself. In addition to grappling with questions of race, citizenship, national identity, state institutions, and political debate, Shepard also addresses debates in Jewish history, gender history, and queer theory.