Fearful of putting down roots anywhere, but armed with her song journal, she moves to her own sound track through a world that bounces her between the school drama crowd, a mysterious loner, and an unlikely boy who will become her first love. But it's the troubling truth she uncovers about her father that forces Calle to face the toughest choice of her young life.

    Sarai is a first-generation Puerto Rican eighth grader who can see with clarity the truth, pain, and beauty of the world both inside and outside her Bushwick apartment. Together with her older sister Estrella, she navigates the strain of family traumas and the systemic pressures of toxic masculinity and housing insecurity in a rapidly gentrifying Brooklyn. Sarai questions the society around her, her Boricua identity, and the life she lives with determination and an open heart, learning to celebrate herself in a way that she has been denied.When We Make It is a love letter to anyone who was taught to believe that they would not make it. To those who feel their emotions before they can name them. To those who still may not have all the language but they have their story. Velasquez’ debut novel is sure to leave an indelible mark on all who read it.

    Always positive. I need to be more positive, so I wake myself up every morning with a song of myself.”Sixteen-year-old James Whitman has been yawping (à la Whitman) at his abusive father ever since he kicked his beloved older sister, Jorie, out of the house. James’s painful struggle with anxiety and depression—along with his ongoing quest to understand what led to his self-destructive sister’s exile—make for a heart-rending read, but his wild, exuberant Whitmanization of the world and keen sense of humor keep this emotionally charged debut novel buoyant.

    Lines you cross, lines you don’t cross. That clear?”New London, Texas. 1937. Naomi Vargas and Wash Fuller know about the lines in East Texas as well as anyone. They know the signs that mark them.“No Negroes, Mexicans, or dogs.”They know the people who enforce them.“They all decided they’d ride out in their sheets and pay Blue a visit.”But sometimes the attraction between two people is so powerful it breaks through even the most entrenched color lines. And the consequences can be explosive.“More than grief, more than anger, there is a need. Someone to blame. Someone to make pay.”Ashley Hope Pérez takes the facts of the 1937 New London school explosion—the worst school disaster in American history—as a backdrop for a riveting novel about segregation, love, family, and the forces that destroy people.

    Chess, the narrator, is sick, but with what exactly, she isn’t sure. And to make matters worse, she must share a hospital room with Shannon, her polar opposite. Where Chess is polite, Shannon is rude. Where Chess tolerates pain silently, Shannon screams bloody murder. Where Chess seems to be getting slowly better, Shannon seems to be getting worse. How these teenagers become friends, helping each other come to terms with their illness, makes for a dramatic and deeply moving read.

    Alcohol, guns, and a dare. Within minutes, as events collide, innocents becomes victims—with tragic outcomes altering lives forever, a grisly and unfortunate scenario all too familiar from current real-life headlines. But victims can also become survivors, and as we come to know each character through his/her own distinctive voice and their interactions with one another, we see how, despite pain and guilt, they can reach out to one another, find a new equilibrium, and survive.Told through multiple points of view in naturalistic free verse and stream of consciousness, this is an unforgettable, haunting tale.

    So when the handsome and popular Derek asks her out, Marisa thinks her long wait for happiness is over. But several bumps in the road—including her parents’ unexpected separation, a fight with her best friend, and a shocking disappointment in her relationship with Derek—test Marisa’s ability to maintain her new outlook. Only the anonymous DJ, whose underground podcasts have the school’s ear, seems to understand what Marisa is going through. But she has no idea who he is—or does she?In Waiting For You, Marisa learns how to “be in the Now” and realises that the love she’s been waiting for has been right in front of her all along.

    The story takes place in a small Vermont town in the year 1924, revealing the devastating impact of the Ku Klux Klan on this pastoral, insular community. At the heart of the tale are two motherless girls who come to the attention of the newly formed Klan: 12-year-old Leanora Sutter, who is black, and 6-year-old Esther Hirsch, who is Jewish. Hesse tells her story, which is based on real events, through the eyes of 11 different characters. Each point of view is expressed in poetic form, but with a stark clarity of difference that makes the voices unique and identifiable. There is a fire-and-brimstone preacher whose sermons reveal him as a zealot and whose actions brand him as a hypocrite. There is a middle-aged farm woman named Sara who takes Esther under her wing despite the warnings of her neighbors, trying to help the child understand why the Klan has marked her and her widowed father as targets for their hatred. Esther's only other friend is Leanora, who is about to learn some harsh lessons on tolerance and hatred herself at the hands of the Klan. And linking them all together is 18-year-old Merlin Van Tornhout, a young man struggling to fit in with the adult world and determine for himself the difference between right and wrong. The remaining characters who circle the periphery of this core group reflect the various mind-sets and biases that were common during this era of fear and persecution, even in a setting as bucolic as the Vermont countryside.Hesse weaves real historic events into her tale, such as the murder trial of the infamous kidnappers Leopold and Loeb, giving the work a definite period flavor. Using prose that is both sparse and powerful, she builds the tension with a slow crescendo of inevitability that ends in violence, but also offers up an unforgettable lesson on the true power of friendship and acceptance. (Beth Amos)

    Eric Gansworth tells the story of his life, of an Onondaga family living among Tuscaroras, and of Native people in America, including the damaging legacy of government boarding schools—and in doing so grapples with the slur common in Native communities, for someone “red on the outside, white on the inside,” and reclaims it.

    His parents are separated, his father is dating his former third-grade teacher, and being 16 isn't easy, especially when it comes to girls. Instead of revenge though, Alex ends up in trouble with the law and is ordered to do community service at a senior center where he is assigned to Solomon Lewis, a "difficult" senior with a lot of gusto, advice for Alex, and a puzzling (yet colorful) Yiddish vocabulary. Eventually, the pair learn to deal with their past and each other in ways that are humorous, entertaining, and life changing.

    But Reha’s parents don’t understand why she’s conflicted—they only notice when Reha doesn’t meet their strict expectations. Reha feels disconnected from her mother, or Amma, although their names are linked—Reha means “star” and Punam means “moon”—but they are a universe apart.Then Reha finds out that her Amma is sick. Really sick.Reha, who dreams of becoming a doctor even though she can’t stomach the sight of blood, is determined to make her Amma well again. She’ll be the perfect daughter, if it means saving her Amma’s life.

    She starts visiting a website for “completers”— www. through-the-light.com.While she’s on the site, Daelyn blogs about her life, uncovering a history of bullying that goes back to kindergarten. When she’s not on the Web, Daelyn’s at her private school, where she’s known as the freak who doesn’t talk.Then, a boy named Santana begins to sit with her after school while she’s waiting to for her parents to pick her up. Even though she’s made it clear that she wants to be left alone, Santana won’t give up. And it’s too late for Daelyn to be letting people into her life... isn't it?National Book Award finalist Julie Anne Peters shines a light on how bullying can push young people to the very edge.

    Carlos knows that when the soldiers arrive with warnings about the Communist rebels, it is time to be a man and defend the village, keep everyone safe. But Mama tells him not yet — he’s still her quiet moonfaced boy. The soldiers laugh at the villagers, and before they move on, a neighbor is found dangling from a tree, a sign on his neck: Communist. Mama tells Carlos to run and hide, then try to find her. . . . Numb and alone, he must join a band of guerillas as they trek to the top of the mountain where Carlos’s abuela lives. Will he be in time, and brave enough, to warn them about the soldiers? What will he do then? A novel in verse inspired by actual events during Guatemala’s civil war, Caminar is the moving story of a boy who loses nearly everything before discovering who he really is.

    With the help of a new community of friends, a mermaid's secrets, and a tattooed love interest with traffic-stopping good looks, the once plain Jane begins to blossom and gains the courage to explore the secrets of her mother's past. Colorful characters, beautiful writing, and a vibrant, embattled beachfront backdrop make this the perfect summer read for anyone who has ever tried to find true love or a place to call home.Watch a Video

    With her reputation in shambles and her life essentially over, she hides out in a back hallway, trying to figure out where everything went wrong. Elijah has spent time in that hallway too. He landed there after taking a whole bottle of sleeping pills. Now he can see ghosts, and he knows what Ally has yet to suspect that she's already half dead, and one choice away from never coming back. Elijah has loved Ally for years and would do anything to save her from the in-between place. But if she's going to live, Ally must face her inner demons and find the will to save herself.Told in interwoven verse narratives, this crushingly honest and poetic exploration of pain and redemption will appeal to fans of Ellen Hopkins.