Wilkins' "The Lost Ghost," Robert Louis Stevenson's "The Body-Snatchers," "Mrs. Zant and the Ghost," by Wilkie Collins, and other gripping works by Charles Dickens, Henry James, J. S. LeFanu, Ralph Cram, Mrs. Henry Wood, Amelia Edwards, Fitz-James O’Brien, and M. R. James.

    Left with his alcoholic and abusive father, Sol lived his life believing the story he'd been told, the story all the people of Varner Creek believed about what happened that summer. But in a plot of twists and family secrets that will leave the reader reaching for their jaw upon the floor, Sol is taken back to his childhood by the spirits he knew in life when he passes away so many years later . . . it is only then he learns what secrets The Ghosts of Varner Creek have been keeping so many years. "Very well written . . . this debut novel is a real page turner with some very interesting characters."-Jani Brooks, Romance Review Today This was a wonderfully woven story about an American family, their secrets, tragedies, love lost and redeemed. - Goodreads 5 Star Review from Robert Stadnik, author of Exodus Of The Phoenix, Phoenix Among The Stars, and Tales Of A Former Child Superhero. Terrific book! This story was haunting and chilled me to the core. I couldn't read fast enough to find out what happened to the characters. I was definitely hooked from the very beginning. I would recommend this book if you are looking for a great mystery. - Nook 5 Star Review Never anything but page-turning . . . I was hooked on this book right from the start. - Dr. Jon P. Bloch, Professor, Author, and Reviewer for The Kindle Book Review, blog website.

    Though known by many for novels like I Am Legend and his sixteen Twilight Zone episodes, Matheson truly shines in his chilling, masterful short stories. Since his first story appeared in 1950, virtually every major writer of science fiction, horror, and fantasy has fallen under his influence, including Stephen King, Neil Gaiman, Peter Straub, and Joe Hill, as well as filmmakers like Stephen Spielberg and J.J. Abrams. Matheson revolutionized horror by taking it out of Gothic castles and strange cosmos and setting it in the darkened streets and suburbs we recognize as our own. He infused tales of the fantastic and supernormal with dark explorations of human nature, delving deep into the universal dread of feeling alone and threatened in a dangerous world. The Best of Richard Matheson brings together his greatest hits as chosen by Victor LaValle, an expert on horror fiction and one of its brightest talents, marking the first major overview of Matheson's legendary career.

    Third highest peak on earth. Greatest killer of them all.Five Englishmen set off from Darjeeling, determined to tackle the sacred summit. But courage can only take them so far - and the mountain is not their only foe.As mountain sickness and the horrors of extreme altitude set in, the past refuses to stay buried. And sometimes, the truth won't set you free. .

    and Saying Goodbye to the Sun. THE LAKE THE SPIDER AND THE FLY EXHIBIT A Plus 14 Horror Microstories! BONUS STORY: One last Dinner Party, by David Dalglish, author of the Half Orc series.

    Only one person knows the truth: Adrienne Beauvier, granddaughter of the Comte de Challembelles and cousin to the man who built the castle.Clairvoyant from the time she could talk, Adrienne’s visions show her the secrets of those around her. When her visions begin to reveal dark mysteries of her own aristocratic French family, Adrienne is confronted by her formidable Aunt Marie, who is determined to keep the young woman silent at any cost. Marie wrenches Adrienne from her home in France and takes her to America, to Miramont Castle, where she keeps the girl isolated and imprisoned. Surrounded by eerie premonitions, Adrienne is locked in a life-or-death struggle to learn the truth and escape her torment.Reminiscent of Daphne du Maurier’s Rebecca, this hauntingly atmospheric tale is inspired by historical research into the real-life Miramont Castle in Manitou Springs, Colorado.

    I had a three-day notice to pay rent or quit. The ad was the answer to my problem. Someone needed a party hostess for 24 hours on a private island. With my catering experience and model looks, I could get the gig. But when I set eyes on the man about to fly me to the island, I realized I might have made a mistake. The tall, older, arrogant stranger didn’t just undress me with his eyes, he used me right there on the pavement. Deviant desires seemed to radiate from him. He pulled a black leather dog collar out of his pocket. “Wait. You have to sign this before we do anything. Read it.” He handed me a contract. The wind swept a bottle down the runway and blew my skirt up. It was hard to read with his dark eyes looking right through my underwear and into my secret places. “This is a mistake. I didn’t know the ad meant —.” “You thought you were going to serve canapes on a tray?” He chuckled. “No, Brittani. You’re the main course.” His eyes worked me over again. “And you’re perfect.” He handed me a pen that probably cost more than my laptop. “Just sign at the bottom of the page. Full disclosure, full consent. That’s the way I do business.” “Can I leave?” “Of course you can leave. If you leave now. But you don’t get paid if you leave. Once we get to the island, you’re ours for 24-hours.” He tapped the contract with his long finger. “When your service is over, I transfer $10,000 to your account and send you home.” “$10,000?” I choked on it. That was more than generous. I scanned the contract again. It had long, dense paragraphs of disclaimers and waivers but not much in the way of details. “I’ll be — okay — when it’s over?” “You’ll be okay.” He smiled. I liked his smile. I needed the money. I signed. He put the collar around my neck and buckled it. If you like dark short erotica, kinky alpha billionaires — and no-entrances-barred hard-and-unprotected group interracial action with a white woman at the center, you'll love Q. Zayne's creamy story about Brittani’s scary-hot visit to The Billionaire’s Club. Click Buy and get the adventure! All characters are 18+ and readers should be, too, due to language and sexual content. If you're over 21, enjoy the dash of interracial BMWW romance sparked amid all the juicy action. :)

    Nine-year-old Alice Fenn communicates only through her music. Jonathan Fenn and his sister Judith guard a terrifying family secret. The servants refuse to discuss the mysterious disappearance of a former governess. A drawing room séance attempts to make contact with the spirit of Elizabeth Blackwood. And when a diabolic madman holds the residents of Blackwood Hall hostage to an insidious reign of terror, governess Claire Ashby finds herself in a living nightmare of drug addiction, pagan rituals, and murder. In the tradition of the great Gothic Romances, The Haunting at Blackwood Hall is a thrilling ghost story brimming with bold new twists on the beloved conventions of a bygone era: drawing room seances, rumors of witchcraft, phantom lights in the abbey ruins, mysterious piano music in the night, and plenty of inclement weather. Perfect reading for chilly autumn nights.

    James to Neil Gaiman, H.H. Munro to Audrey Niffenegger herself, Ghostly reveals the evolution of the ghost story genre with tales going back to the eighteenth century and into the modern era, ranging across styles from Gothic Horror to Victorian, stories about haunting--haunted children, animals, houses. Every story is introduced by Audrey Niffenegger, an acclaimed master of the craft, with some words on its background and why she chose to include it. Audrey's own story is "A Secret Life With Cats."     Perfect for the classic and contemporary ghost story aficionado, this is a delightful volume, beautifully illustrated by Audrey, who is a graphic artist with great vision. Ghostly showcases the best of the best in the field, including Edith Wharton, P.G. Wodehouse, A.S. Byatt, Ray Bradbury, and so many more.

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

     Hit the road with this anthology of trucking horror fiction!

    Alistair Gellis—rich, handsome, scarred by World War I, and obsessed with ghosts—has been summoned to investigate the spirit of nineteen-year-old maid Maddy Clare, who is haunting the barn where she committed suicide. Since Maddy hated men in life, it is Sarah's task to confront her in death. Soon Sarah is caught up in a deperate struggle. For Maddy's ghost is real, she's angry, and she has powers that defy all reason. Can Sarah and Alistair's assistant, the rough, unsettling Matthew Ryder, discover who Maddy was, where she came from, and what is driving her desire for vengeance—before she destroys them all?

    Represented in the anthology are such distinguished spell weavers as Edgar Allen Poe ("The Black Cat"), Wilkie Collins ("A Terribly Strange Bed"), Henry James ("Sir Edmund Orme"), Guy de Maupassant ("Was It a Dream?"), O. Henry ("The Furnished Room"), Rudyard Kipling ("They"), and H.G. Wells ("Pollock and the Porroh Man"). Included as well are such modern masters as Algernon Blackwood ("Ancient Sorceries"), Walter de la Mare ("Out of the Deep"), E.M. Forster ("The Celestial Omnibus"), Isak Dinesen ("The Sailor-Boys Tale"), H.P. Lovecraft ("The Dunwich Horror"), Dorothy L. Sayers ("Suspicion"), and Ernest Hemingway ("The Killers"). "There is not a story in this collection that does not have the breath of life, achieve the full suspension of disbelief that is so particularly important in [this] type of fiction," wrote the Saturday Review. With an introduction and notes by Phyllis Cerf Wagner and Herbert Wise.

    In Prague, working as a translator, she has found a home of sorts—or, at least, refuge. That changes when her friend Karel discovers a mysterious letter in the library, a strange confession and a curious warning that speaks of Melmoth the Witness, a dark legend found in obscure fairy tales and antique village lore. As such superstition has it, Melmoth travels through the ages, dooming those she persuades to join her to a damnation of timeless, itinerant solitude. To Helen it all seems the stuff of unenlightened fantasy.But, unaware, as she wanders the cobblestone streets Helen is being watched. And then Karel disappears. . . .

    Haunted, a collection of sixteen tales that range from classic ghost stories to portrayals of chilling psychological terror, raises the genre to the level of fine literature - complex, multi-layered, and gripping fiction that is very scary indeed. In the title story, "Haunted, " the pubescent Melissa and her best friend, the sexually precocious Mary Lou, ignore "no trespassing" signs to explore forbidden houses. But the deserted Minton farm is one place where they should not have gone, and years later Melissa is tormented by her memories of its malevolence...and the murder of Mary Lou. In the novella, "The Model, " a sexual threat seems to underlie the interaction between young Sybil Blake and "Mr. Starr, " who asks her to be his model, but the truth about her own identity, and his, shows that the danger is lurking in a different part of the heart. The "Accursed Inhabitants of the House of Bly, " a macabre reworking of Henry James's "The Turn of the Screw, " resurrects the evil of Miss Jessel and Quint, who are up to their old tricks with the children, Miles and Flora, but with new, perverse, and brilliant revelations. The tales in this collection plunge the reader into nightmare worlds where violence slips in unexpectedly, where reality turns into a funhouse mirror, and where American culture goes awry in shocking, provocative ways. Joyce Carol Oates is a master storyteller of the dark side. She writes with skillfully controlled prose, tightly woven plots, and deep psychological insight that m her fictional horror worthy to set alongside the stories of Edgar Allan Poe - and far above all the rest.Haunted --The doll --The bingo master --The white cat --The model --Extenuating circumstances --Don't you trust me --The guilty party --The premonition --Phase change --Poor Bibi --Thanksgiving --Blind --The radio astronomer --Accursed inhabitants of the House of Bly --Martyrdom