To open this spirited collection, Irving explains how he became a writer. There follow six scintillating stories written over the last twenty years ending with a homage to Charles Dickens. This irresistible collection cannot fail to delight and charm.The first collection of short pieces--two of them previously unpublished--by the author of The World According to Garp includes memoirs, six short stories, and essays on Charles Dickens and Gu+a5nter Grass. Reprint. Tour.This gem, a delightful collection of shorter works, both fiction and nonfiction, written by one of the country's finest--and funniest--writers, includes a living portrait of Irving's grandmother, a new, never-before-published essay, six scintillating short stories--including the O. Henry Award-winning "Interior Space"--and two essays on Irving's favorite 19th-century novelist, Charles Dickens. Trying to Save Piggy Sneed is John Irving at the top of his form.

    Eleven stories by Joshua Ferris, many of which were first published in The New Yorker, on topics such as the modern tribulations of marriage, ambition, and the fear of missing out.The dinner party --The valetudinarian --The pilot --A night out --The breeze --Ghost town choir --More abandon (or whatever happened to Joe Pope?) --Fragments --The stepchild --Life in the heart of the dead --A fair price

    In “Books and Roses” one special key opens a library, a garden, and clues to at least two lovers’ fates. In “Is Your Blood as Red as This?” an unlikely key opens the heart of a student at a puppeteering school. “‘Sorry’ Doesn’t Sweeten Her Tea” involves a “house of locks,” where doors can be closed only with a key—with surprising, unobservable developments. And in “If a Book Is Locked There’s Probably a Good Reason for That Don't You Think,” a key keeps a mystical diary locked (for good reason).  Oyeyemi’s tales span multiple times and landscapes as they tease boundaries between coexisting realities. Is a key a gate, a gift, or an invitation?

    The eight-year-old narrator of "An Ex-Mas Feast" needs only enough money to buy books and pay fees in order to attend school. Even when his twelve-year-old sister takes to the streets to raise these meager funds, his dream can't be granted. Food comes first. His family lives in a street shanty in Nairobi, Kenya, but their way of both loving and taking advantage of each other strikes a universal chord. In the second of his stories published in a New Yorker special fiction issue, Akpan takes us far beyond what we thought we knew about the tribal conflict in Rwanda. The story is told by a young girl, who, with her little brother, witnesses the worst possible scenario between parents. They are asked to do the previously unimaginable in order to protect their children. This singular collection will also take the reader inside Nigeria, Benin, and Ethiopia, revealing in beautiful prose the harsh consequences for children of life in Africa. Akpan's voice is a literary miracle, rendering lives of almost unimaginable deprivation and terror into stories that are nothing short of transcendent.

    This story was first published in THOSE WHO MAKE US: CANADIAN CREATURE, MYTH, AND MONSTER STORIES.

    High-school class reunions, in “The Walk with Elizanne” and “The Road Home,” restore their hero to youth’s commonwealth where, as the narrator of the title story confides, “the self I value is stored, however infrequently I check on its condition.” Exotic locales encountered in the journeys of adulthood include Morocco, Florida, Spain, Italy, and India. The territory of childhood, with its fundamental, formative mysteries, is explored in “The Guardians,” “The Laughter of the Gods,” and “Kinderszenen.” Love’s fumblings among the bourgeoisie yield the tart comedy of “Free,” “Delicate Wives,” “The Apparition,” and “Outage.”In sum, American experience from the Depression to the aftermath of 9/11 finds reflection in these glittering pieces of observation, remembrance, and imagination.

    African American Studies. African American women protagonists lose and find love, confront sanity and craziness, and strive to make sense of their lives in North Carolina. A Jehovah's Witness girl goes door-to-door with an expert field-service partner from up north. At a call center, operator Sheila fields a caller's uncomfortable questions under a ruthless supervisor's eye. Forty-something Aunt Ginny surprises the family by finding a husband, but soon she gives them more to talk about. Pulitzer-Prize winner Edward P. Jones writes "Watts offers an impressive debut that promises only wonderful work to come." Fiction writer Marly Swick agrees: "Each story seems, at the same time, to be a breath of fresh air and an instant classic." Author Alyce Miller notes that "Watts writes with a penetrating eye for the extraordinary moments in the lives of ordinary people. As I read, I found myself holding my breath."

    Subsequent stories have won the Asimov's SF Magazine reader poll, a second Nebula Award, the Theodore Sturgeon Memorial Award, and the Sidewise Award for alternate history. He won the John W. Campbell Award for Best New Writer in 1992. Story for story, he is the most honored young writer in modern SF.Now, collected here for the first time are all seven of this extraordinary writer's stories so far-plus an eighth story written especially for this volume.What if men built a tower from Earth to Heaven-and broke through to Heaven's other side? What if we discovered that the fundamentals of mathematics were arbitrary and inconsistent? What if there were a science of naming things that calls life into being from inanimate matter? What if exposure to an alien language forever changed our perception of time? What if all the beliefs of fundamentalist Christianity were literally true, and the sight of sinners being swallowed into fiery pits were a routine event on city streets? These are the kinds of outrageous questions posed by the stories of Ted Chiang. Stories of your life . . . and others.

    These perspectival, character-driven stories center on the margins and are deeply rooted in New Orleanian culture.In "Beg Borrow Steal," a boy relishes time spent helping his father find work after just coming home from prison; in "Ghetto University," a couple struggling financially turns to crime after hitting rock bottom; in "Before I Let You Go," a woman who's been in NOLA for generations fights to keep her home; in "Fast Hands, Fast Feet," an Army vet and a runaway teen find companionship while sleeping under a bridge; in "Mercury Forges," a flash fiction piece among several in the collection, a group of men hurriedly make their way to a home where an elderly gentleman lives, trying to reach him before the water from Hurricane Katrina does; and in the title story, a young man works the street corners of the French Quarter, trying to achieve a freedom not meant for him.These stories are intimate invitations to hear, witness, and imagine lives at once regional but largely universal, and undeniably New Orleanian.

    In the years since, he’s written a third collection, The Night in Question, as well as a pair of genre-defining memoirs (This Boy’s Life and In Pharaoh’s Army), the novella The Barracks Thief, and, most recently, a novel, Old School.Now he returns with fresh revelations—about biding one’s time, or experiencing first love, or burying one’s mother—that come to a variety of characters in circumstances at once everyday and extraordinary: a retired Marine enrolled in college while her son trains for Iraq, a lawyer taking a difficult deposition, an American in Rome indulging the Gypsy who’s picked his pocket. In these stories, as with his earlier, much-anthologized work, he once again proves himself, according to the Los Angeles Times, “a writer of the highest order: part storyteller, part philosopher, someone deeply engaged in asking hard questions that take a lifetime to resolve.”

    From the lovesick tiger who narrates the unforgettable opener, “The Infamous Bengal Ming” (he mauls his zookeeper out of affection), to the ex-CompUSA employee who masquerades as a doctor; from a railroad manager in a turn-of-the-century Indian village, to an elephant writing her autobiography; from a woman whose Thanksgiving preparations put her husband to eternal rest, to the newlywed executioner of the title, these characters inhabit a marvelous region between desire and death, playfulness and violence. At once glittering and savage, daring and elegant, here are wholly unforgettable tales where reality loops in Borgesian twists and shines with cinematic exuberance, by an author who promises to dazzle the universe of American fiction.

    In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam--and what seems at first a satire of turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise," an aging New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees, where a young woman's bond with a mother and her small son forces both women to a shattering decision. Brilliant, daring, and demonstrating a jaw-dropping versatility of voice and point of view, "The Boat" is an extraordinary work of fiction that takes us to the heart of what it means to be human, and announces a writer of astonishing gifts.

    . . Bradbury?You might see rockets to Mars. Or bizarre circuses where otherworldly acts whirl in the center ring. Perhaps you travel to a dystopian future, where books are set ablaze . . . or to an out-of-the-way sideshow, where animated illustrations crawl across human skin. Or maybe, suddenly, you're returned to a simpler time in small-town America, where summer perfumes the air and life is almost perfect . . . "almost."Ray Bradbury--peerless storyteller, poet of the impossible, and one of America's most beloved authors--is a literary giant whose remarkable career has spanned seven decades. Now twenty-six of today's most diverse and celebrated authors offer new short works in honor of the master; stories of heart, intelligence, and dark wonder from a remarkable range of creative artists.TABLE OF CONTENTSSam Weller and Mort Castle - IntroductionRay Bradbury - Second HomecomingNeil Gaiman - The Man Who Forgot Ray BradburyMargaret Atwood - HeadlifeJay Bonansinga - HeavySam Weller - The Girl In The Funeral ParlorDavid Morrell - The CompanionsThomas F. Monteleone - The ExchangeLee Martin - Cat on a Bad CouchJoe Hill - By The Silver Water Of Lake ChamplainDan Chaon - Little AmericaJohn McNally - The Phone CallJoe Meno - Young PilgrimsRobert McCammon - Children Of The Bedtime MachineRamsey Campbell - The Page Mort Castle - LightAlice Hoffman - ConjureJohn Maclay - MaxJacqueline Mitchard - Two Of A KindGary Braunbeck - Fat Man And Little BoyBonnie Jo Campbell - The TattooAudrey Niffenegger - Backwards In SevilleCharles Yu - Earth: (A Gift Shop)Julia Keller - Hayleigh's DadDave Eggers - Who Knocks?Bayo Ojikutu - Reservation 2020Kelly Link - Two HousesHarlan Ellison - Weariness

    In "Near-Extinct Birds of the Central Cordillera," an ornithologist being held hostage in the Colombian rain forest finds that he respects his captors for their commitment to a cause, until he realizes that the Revolution looks a lot like big business. In "The Good Ones Are Already Taken," the wife of a Special Forces officer battles a Haitian voodoo goddess with whom her husband is carrying on a not-entirely-spiritual relationship. And in "The Lion's Mouth," a disillusioned aid worker makes a Faustian bargain to become a diamond smuggler for the greater good. With masterful pacing and a robust sense of the absurd, each story in Brief Encounters with Che Guevara is a self-contained adventure, steeped in the heady mix of tragedy and danger, excitement and hope, that characterizes countries in transition.

    His characters, almost all of who are first-generation Indian Americans, subvert our expectations that they will sit quietly by. We meet two brothers caught in an elaborate web of envy and loathing; a young gay man who becomes involved with an older man whose secret he could never guess; three women who almost gleefully throw off the pleasant agreeability society asks of them; and, in the final pair of linked stories, a young couple struggling against the devastating force of community gossip. If You See Me, Don't Say Hi examines the collisions of old world and new world, small town and big city, traditional beliefs (like arranged marriage) and modern rituals (like Facebook stalking). The men and women in these stories are full of passion, regret, envy, anger, and yearning. They fall in love with the wrong people and betray one another and deal with the accumulation of years of subtle racism. They are utterly compelling. Ranging across the country, Patel’s stories -- empathetic, provocative, twisting, and wryly funny -- introduce a bold new literary voice, one that feels more timely than ever.