Farai has finally persuaded Adam to introduce her to his parents, but the visit to the in-laws turns out to be a horrible experience for Farai. Several situations during the introductory dinner make her feel uneasy and ostracised. When confronted about this experience Adam tries to play down the whole situation and does not show any understanding for his partner's concern. This puts a further strain on their relationship and Farai starts to wonder if she can be with a man who's family does not accept her and who is not willing to face the difficulties related to an interracial relationship. Examining important contemporary issues of race, bigotry and the difficulties that interracial couples face, What We Don't Talk About is the debut graphic novel from a burgeoning new comics talent.

    Hazelton High never has enough tampons. Or pads. Or adults who will listen.Sick of an administration that puts football before female health, the girls confront a world that shrugs―or worse, squirms―at the thought of a menstruation revolution. They band together to make a change. It’s no easy task, especially while grappling with everything from crushes to trig to JV track but they have each other’s backs. That is, until one of the girls goes rogue, testing the limits of their friendship and pushing the friends to question the power of their own voices.Now they must learn to work together to raise each other up. But how to you stand your ground while raising bloody hell?

    It's SEX CRIMINALS in Gilead, Hustlers with a SUNSTONE twist.In a draconian America where sexuality is strictly bureaucratized and policed, a group of queer sex workers keep the magic alive in an underground club called the Dirty Mind. Using their unique talents for bondage and seduction, they resolve to infiltrate the mysterious government Pleasure Center, free their incarcerated friends, and fight the power!Collects SFSX (SAFE SEX) #1-7

    Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

    From rural Japan to international icon – Yayoi Kusama has spent her remarkable life immersed in her art.Follow her incredible journey in this vivid graphic biography which details her bold departure from Japan as a young artist, her embrace of the buzzing New York art scene in the 1960s, and her eventual return home and rise to twenty-first century super-fame.

    The book is over 160 pages long, black and white, and contains 15 original stories blending fantasy, drama, humor, and romance.Cover by Ashe Samuels

    To clear my way, I must be allowed to ask some plain questions, and the answers will probably appear as unequivocal as the axioms on which reasoning is built; though, when entangled with various motives of action, they are formally contradicted, either by the words or conduct of men.In what does man's pre-eminence over the brute creation consist?The answer is as clear as that a half is less than the whole; inReason.

    Within days police, and even those closest to Marie, became suspicious of her story. The police swiftly pivoted and began investigating Marie. Confronted with inconsistencies in her story and the doubts of others, Marie broke down and said her story was a lie--a bid for attention. Police charged Marie with false reporting, and she was branded a liar.More than two years later, Colorado detective Stacy Galbraith was assigned to investigate a case of sexual assault. Describing the crime to her husband that night, Galbraith learned that the case bore an eerie resemblance to a rape that had taken place months earlier in a nearby town. She joined forces with the detective on that case, Edna Hendershot, and the two soon discovered they were dealing with a serial rapist: a man who photographed his victims, threatening to release the images online, and whose calculated steps to erase all physical evidence suggested he might be a soldier or a cop. Through meticulous police work the detectives would eventually connect the rapist to other attacks in Colorado--and beyond.Based on investigative files and extensive interviews with the principals, A False Report/i>is a serpentine tale of doubt, lies, and a hunt for justice, unveiling the disturbing truth of how sexual assault is investigated today - and the long history of skepticism toward rape victims.

    After being denied financial aid to cover her last year of art school, Margaret finds salvation from the straightlaced world of college and the earnestness of both hippies and punks in the wisecracking, fast-talking, drug-taking group she encounters at the Imperial Café, where she makes the transformation from Margaret to Madge. At first she mimics these new and exotic grown-up friends, trying on the guise of adulthood with some awkward but funny stumbles. Gradually she realizes that the adults she looks up to are a mess of contradictions, misplaced artistic ambitions, sexual confusion, dependencies, and addictions.   Over Easy is equal parts time capsule of late 1970s life in California—with its deadheads, punks, disco rollers, casual sex, and drug use—and bildungsroman of a young woman who grows from a naïve, sexually inexperienced art-school dropout into a self-aware, self-confident artist. Mimi Pond’s chatty, slyly observant anecdotes create a compelling portrait of a distinct moment in time. Over Easy is an immediate, limber, and precise semi-memoir narrated with an eye for the humor in every situation.

    They’ve stolen everything that should be hers and now she’s going to get it back. But first, she needs a crew. Share the laughs, action, and adventure as Raven assembles the fearless crew of awesome ladies who will help her get her revenge.

    From confessional, personal accounts to erotic flights of fancy to undersea identity politics, this collection of comics invites the reader to step outside of the categories and explore the wild and wonderful uncharted territory between “gay” and “straight”.

     In 1961, when Lila was five, she and her family emigrated from Buenos Aires, Argentina, to Marion, Alabama, in the heart of Alabama’s Black Belt. As educated, middle-class Latino immigrants in a region that was defined by segregation, the Quinteros occupied a privileged vantage from which to view the racially charged culture they inhabited. Weaver and her family were firsthand witnesses to key moments in the civil rights movement.  But Darkroom is her personal story as well: chronicling what it was like being a Latina girl in the Jim Crow South, struggling to understand both a foreign country and the horrors of our nation’s race relations. Weaver, who was neither black nor white, observed very early on the inequalities in the American culture, with its blonde and blue-eyed feminine ideal. Throughout her life, Lila has struggled to find her place in this society and fought against the discrimination around her.

    The history she’d ignored while growing up became a source of comfort and inspiration, and narrowed the gap separating her—an independent, Chinese-American woman—from her Old World Chinese parents.In Forget Sorrow, Yang makes her debut into the graphic form with the story of her father’s family, reunited under the House of Yang in Manchuria during the Second World War and struggling—both together and individually—to weather poverty, famine, and, later, Communist oppression. The parallels between Belle Yang’s journey of self-discovery and the lives and choices of her grandfather, his brothers, and their father (the Patriarch) speak powerfully of the conflicts between generations—and of possibilities for reconciliation.Forget Sorrow demonstrates the power of storytelling and remembrance, as Belle—in telling this story—finds the strength to honor both her father and herself.

    He attempts to maintain a balancing act between his seizure triggers and his day-to-day schedule, but he finds that nothing—not even his medication—seems to work. The doctors won’t listen, the schoolwork keeps piling up, his family is in denial about his condition, and his social life falls apart as he feels more and more isolated by his illness. Even with an unexpected new friend by his side, so much is up against him that Isaac is starting to think his epilepsy might be unbeatable. Based on the author’s own experiences as an epileptic, Mis(h)adra is a boldly visual depiction of the daily struggles of living with a misunderstood condition in today’s hectic and uninformed world.

    With a new, but familiar crewmember, the search for men continues, but will it be worth it?Jessica Campbell is from Victoria, BC and is an enthusiast of jokes, painting and comics. She completed her MFA at the School of the Art Institute of Chicago where she is a comics instructor. In 2016, she unleashed the art world and chauvinist skewering: Hot or Not: 20th-Century Male Artists.