He is a writer, observes the "Chicago Tribune," who can "convincingly squeeze whole lives into a mere twenty pages or so." Now Chaon marshals his notable talents in his much-anticipated debut novel. "You Remind Me of Me" begins with a series of separate incidents: In 1977, a little boy is savagely attacked by his mother's pet Doberman; in 1997 another little boy disappears from his grandmother's backyard on a sunny summer morning; in 1966, a pregnant teenager admits herself to a maternity home, with the intention of giving her child up for adoption; in 1991, a young man drifts toward a career as a drug dealer, even as he hopes for something better. With penetrating insight and a deep devotion to his characters, Dan Chaon" "explores the secret connections that irrevocably link them. In the process he examines questions of identity, fate, and circumstance: Why do we become the people that we become? How do we end up stuck in lives that we never wanted? And can we change the course of what seems inevitable? In language that is both unflinching and exquisite, Chaon moves deftly between the past and the present in the small-town prairie Midwest and shows us the extraordinary lives of "ordinary" people.

    She's a young woman haunted by the murder of her mother when she was thirteen, and a young bride haunted by the disappearance of her husband, Jimmy, who split after a nasty argument more than a year earlier. Together Jimmy and Rita were slipping into drugs and hard times. Rita is filled with feelings of guilt and failure, and the hope that she will one day and Jimmy. She doesn't know that he is still in the city, still in love with her, waiting tables in an expensive restaurant while trying to get a foothold in the straight life.When Rita witnesses the aftermath of a murder, her own life is endangered. She becomes involved with Gary Shepard, a married criminal investigator drawn to the dark side of this young woman. What unfolds is a story of three flawed people struggling with themselves as much as with their circumstances, as each of them is pulled more deeply and dangerously into the consequences of their decisions. When a drunken night leads Jimmy to jeopardize his second and last chance, it seems unlikely that these sweet, damaged people will ever come to anything, let alone find and -- miracle of miracles -- save one another.But fate, in Addonizio's hands, works in strange and beautiful geometries. And redemption, she tells us, is never impossible.

     Jodi Picoult is one of the most beloved authors of our time. Her many novels, consistently topping both national and international bestseller lists ("Sing You Home," "My Sister’s Keeper," "Nineteen Minutes"), are celebrated for addressing controversial issues with courage, grace, and empathy. In her new Byliner Original, "The Color War," she showcases her versatility and storytelling gifts once again with a moving and revealing portrait of a boy coming of age in an America where the lines between black and white, rich and poor, and insider and outsider too often divide minds and hearts and separate a child from his own sense of promise. All Raymond wants to do is hang out with his best friend, Monroe, but life has other plans. This summer, his mother has decided to send him to Bible camp for inner-city kids. On the bus there, he dreams of the best night of his life, when he and Monroe slipped away from home and jumped the turnstiles to ride the subway to downtown Boston on New Year’s Eve. The elaborate ice sculptures on display thrilled them, especially an angel with outstretched wings that glowed ghostly in the night. Raymond wakes on the bus to what he takes for another angel: Melody, a camp counselor and lifeguard. Like all the staff, she’s white. Pretty, blond, and friendly, she’s the person Raymond most wants to impress during the Color War, the camp’s sports competition, and to whom he confesses his most painful secret, a loss that has made him grow up far too fast and left him wise beyond his mere nine years. Will Raymond manage to connect to Melody—or anyone—when he’s so far from what he’s known and loved? Or will he discover that sometimes the road to hell is paved with good intentions? A searing look at race and what it means to survive our own color wars.

    I Love You and Love, Rosie, Cecelia Ahern, comes an enchanting novel that leads you to wonder if Not Seeing is believing!Readers and critics alike adore Cecelia Ahern for her lighthearted yet insightful stories about modern women and their often unusual situations. In If You Could See Me Now, she takes that theme a step further, offering us a heroine who is entirely believable, and the new man in her life who is, well, slightly less so.Elizabeth Egan's life runs on order: Both her home and her emotions are arranged just so, with little room for spontaneity. It's how she counteracts the chaos of her family—an alcoholic mother who left when she was young, an emotionally distant father, and a free-spirited sister, who seems to be following in their mother's footsteps, leaving her own six-year-old son, Luke, in Elizabeth's care.When Ivan, Luke's mysterious new grown-up friend, enters the picture, Elizabeth doesnt know quite what to make of him. With his penchant for adventure and colorful take on things large and small, Ivan opens Elizabeth's eyes to a whole new way of living. But is it for real? Is Ivan for real?If You Could See Me Now is a love story with heart—and just a touch of magic.

    As the gathered family settle in to their first Christmas together for some years, the grown siblings - Rodney, Johnny and Gwen - are surprised when they are invited to each put stickers on the furniture and items they wish to inherit from their parents.Disputed Land is narrated by Leonard and Rosemary's thirteen-year-old grandson, Theo, who observes how from these innocent beginnings age-old fissures open up in the relationships of those around him. Looking back at this Christmas gathering from his own middle-age - a narrator at once nostalgic and naïve - Theo Cannon remembers his imperious grandmother Rosemary, alpha-male uncle Johnny, abominable twin cousins Xan and Baz; he recalls his love for his grandfather Leonard and the burgeoning feelings for his cousin Holly. And he asks himself the question: if a single family cannot solve the problem of what it bequeaths to future generations, then what chance does a whole society have of leaving the world intact?

    She crafts beautiful, handmade wooden dolls in her workshop in a sleepy seaside town. Every doll is special. Every doll has a name. And every doll has a hidden meaning, from a past Mona has never accepted.Each new doll takes Mona back to a different time entirely - back to Birmingham, in 1972. Back to the thrill of being a young Irish girl in a big city, with a new job and a room of her own in a busy boarding house. Back to her first night out in town, where she meets William, a gentle Irish boy with an easy smile and an open face. Back to their whirlwind marriage, and unexpected pregnancy. And finally, to the tragedy that tore them apart.

    Heiress to the Guinness fortune, Blackwood was celebrated as a great beauty and dazzling raconteur long before she made her name as a strikingly original writer. This macabre, mordantly funny, partly auto-biographical novel reveals the gothic craziness behind the scenes in the great houses of the aristocracy, as witnessed through the unsparing eyes of an orphaned teenage girl. Great Granny Webster herself is a fabulous monster, the chilliest of matriarchs, presiding with steely self-regard over a landscape of ruined lives.

    She's the one growing up in the mad family, in the mad society, who doesn't want to know what's going on. But things are going on: eight-year-olds collecting very peculiar treasure; babies who might be, or might not be, bombs; schoolgirls bringing guns into schoolyards; and, of course, lots of food and bad, bad sex.If Amelia is to live she needs to change. Can she, though, in a place where people don't know how to look after themselves, and so wouldn't know how to look after one another?The shattering and darkly funny debut novel from the author of Milkman, winner of the Man Booker Prize.

    An entire community was destroyed. For many people affected by this tragedy, the psychological scars may never heal.Post-Traumatic Stress Disorder is a condition that affects many people who have endured traumatic events, leaving them unable to move on from life-changing tragedies. In the immediate aftermath of the fire, the focus was rightly placed on providing food, shelter and health care for those left homeless – but it is important that we don’t lose sight of the psychological impact this fire will have had on its survivors.24 Stories is an anthology of short stories, written on themes of community and hope, by a mix of the UK’s best established writers and previously unpublished authors, whose pieces were chosen by Kathy Burke from over 250 entries.Contributors include: Irvine Welsh, A. L. Kennedy, Meera Syal, John Niven, Pauline Melville, Daisy Buchanan, Christopher Brookmyre, Zoe Venditozzi, Nina Stibbe, Mike Gayle, Murray Lachlan Young, Barney Farmer.

    A nobody.But that's all about to change.Because I am starting a project.Here. Now. For myself.And if you want to come along for the ride then you're very welcome.Bree is by no means popular. Most of the time, she hates her life, her school, her never-there-parents. So she writes.But when Bree is told she needs to stop shutting the world out and start living a life worth writing about, The Manifesto on How to Be Interesting is born. A manifesto that will change everything......but the question is, at what cost?

    The isolation is all but unbearable until a mysterious tenant moves into the house at the bottom of the hill. James Dunford has come from America but he won’t say why. He spends his days fixing up the old cottage and walking the beach with a stray dog that showed up on his doorstep.As the weeks pass, Tara tries to get to know James, but he resists her at every turn. And it's not until a local villager recognizes him from the news that she realizes his visit might be about more than just a vacation. On the night of a big storm, Tara finally confronts James about why he is there. But how can she expect him to be honest when she, too, is hiding her own dark secret?Set against the backdrop of the Hunger Strikes in Northern Ireland, Sunsets Never Wait is a story about love, loss, and the risks of hanging on to the past. No matter how much the world has let you down, there’s always a possibility for second chances.

    A college student and aspiring writer, she devotes herself to a life of the mind--and to the beautiful and endlessly self-possessed Bobbi, her best friend and comrade-in-arms. Lovers at school, the two young women now perform spoken-word poetry together in Dublin, where a journalist named Melissa spots their potential. Drawn into Melissa's orbit, Frances is reluctantly impressed by the older woman's sophisticated home and tall, handsome husband. Private property, Frances believes, is a cultural evil--and Nick, a bored actor who never quite lived up to his potential, looks like patriarchy made flesh. But however amusing their flirtation seems at first, it gives way to a strange intimacy neither of them expect. As Frances tries to keep her life in check, her relationships increasingly resist her control: with Nick, with her difficult and unhappy father, and finally even with Bobbi. Desperate to reconcile herself to the desires and vulnerabilities of her body, Frances's intellectual certainties begin to yield to something new: a painful and disorienting way of living from moment to moment.Written with gem-like precision and probing intelligence, Conversations With Friends is wonderfully alive to the pleasures and dangers of youth."

    The story of a lifetime.If you had to pick five people to sum up your life, who would they be? If you were to raise a glass to each of them, what would you say? And what would you learn about yourself, when all is said and done?This is the story of Maurice Hannigan, who, over the course of a Saturday night in June, orders five different drinks at the Rainford House Hotel. With each he toasts a person vital to him: his doomed older brother, his troubled sister-in-law, his daughter of fifteen minutes, his son far off in America, and his late, lamented wife. And through these people, the ones who left him behind, he tells the story of his own life, with all its regrets and feuds, loves and triumphs.Beautifully written, powerfully felt, When All Is Said promises to be the next great Irish novel.

    Now a ghost town where feral cats outnumber the handful of anxious residents. A place of empty pools, long afternoons and unrelenting sunshine.Here, widowed Midlands bus driver Dermot Lynch turns up one bright morning. He's come to visit his son Eammon and his girlfriend, Laura. Except Eammon never opened Dermot's letter announcing his trip. Just like he can't quite get out of bed, or fix anything, or admit Laura has left him.Though neither father nor son knows quite what to make of the other, Lomaverde's Brits - Roger and Cheryl, Becca and Iain - see in Dermot a shot of fresh blood. Someone to enliven their goat-hunting trips, their paranoid speculations, the endless barbecuing and bickering.As Dermot and Eammon gradually reveal to one another the truth about why each left home, both get drawn further into the bizarre rituals of ex-pat life, where they uncover a shocking secret at the community's heart.Mr Lynch's Holiday is about how families fracture and heal themselves and explores how living 'abroad' can feel less like a holiday and more like a life sentence.

    With an obsession for the Guinness Book of Records, a keenly inquisitive mind, and a kind of faith, John remains hopeful despite the unfavorable cards life deals him.This is one year in a boy's life. On the cusp of adolescence, from his changing voice and body, through to his parents’ difficult travails and the near collapse of his sanity, John is like a tuning fork sensitive to the vibrations within himself and the trouble that this creates for he and his family.Carry Me Down is a restrained, emotionally taut, and sometimes outrageously funny portrait whose drama drives toward, but narrowly averts, an unthinkable disaster.