We see her on a visit to Jamaica, startled by the sight of a severed pig’s head in her great aunt’s freezer; in junior high, the victim of a devastating prank by her closest friends; and as a teenager in and out of her grandmother’s house, trying to cope with the ongoing battles between her unyielding grandparents.A rich and unforgettable portrait of growing up between worlds, Frying Plantain shows how, in one charged moment, friendship and love can turn to enmity and hate, well-meaning protection can become control, and teasing play can turn to something much darker. In her brilliantly incisive debut, Zalika Reid-Benta artfully depicts the tensions between mothers and daughters, second-generation Canadians and first-generation cultural expectations, and Black identity and predominately white society.

    Instead, the group is thrown into a detention processing center, with government officials and news headlines speculating that among the "boat people" are members of a separatist militant organization responsible for countless suicide attacks—and that these terrorists now pose a threat to Canada's national security. As the refugees become subject to heavy interrogation, Mahindan begins to fear that a desperate act taken in Sri Lanka to fund their escape may now jeopardize his and his son's chance for asylum. Told through the alternating perspectives of Mahindan; his lawyer, Priya, a second-generation Sri Lankan Canadian who reluctantly represents the refugees; and Grace, a third-generation Japanese Canadian adjudicator who must decide Mahindan's fate as evidence mounts against him, The Boat People is a spellbinding and timely novel that provokes a deeply compassionate lens through which to view the current refugee crisis.

    This extraordinary life meanders through a rich, complicated, bittersweet world. The discoveries of childhood give way to the thousand pangs of adolescence, culminating in the sudden shocking news of an accident abroad. And as adulthood begins, indecisively, boundaries are crossed between countries, languages and people . . .

    She still loves her husband, Neal, and Neal still loves her, deeply — but that almost seems beside the point now.Maybe that was always beside the point.Two days before they’re supposed to visit Neal’s family in Omaha for Christmas, Georgie tells Neal that she can’t go. She’s a TV writer, and something’s come up on her show; she has to stay in Los Angeles. She knows that Neal will be upset with her — Neal is always a little upset with Georgie — but she doesn't expect him to pack up the kids and go home without her.When her husband and the kids leave for the airport, Georgie wonders if she’s finally done it. If she’s ruined everything.That night, Georgie discovers a way to communicate with Neal in the past. It’s not time travel, not exactly, but she feels like she’s been given an opportunity to fix her marriage before it starts...Is that what she’s supposed to do?Or would Georgie and Neal be better off if their marriage never happened?

    In 1968, into the devastating, spare atmosphere of Labrador, Canada, a child is born: a baby who appears to be neither fully boy nor fully girl, but both at once. Only three people are privy to the secret—the baby’s parents, Jacinta and Treadway, and their trusted neighbor and midwife, Thomasina. Though Treadway makes the difficult decision to raise the child as a boy named Wayne, the women continue to quietly nurture the boy’s female side. And as Wayne grows into adulthood within the hypermasculine hunting society of his father, his shadow-self, a girl he thinks of as “Annabel,” is never entirely extinguished. When Wayne finally escapes the confines of his hometown and settles in St. John’s, the anonymity of the city grants him the freedom to confront his dual identity. His ultimate choice will once again call into question the integrity and allegiance of those he loves most. Kathleen Winter has crafted a literary gem about the urge to unveil mysterious truth in a culture that shuns contradiction, and the body’s insistence on coming home. A daringly unusual debut full of unforgettable beauty, Annabel introduces a remarkable new voice to American readers.

    Realizing they’re not as young as they used to be, they devise a plan to kidnap a group of teenagers to take over for them when they retire—after all, how hard can it be to teach a bunch of angsty teens to be evil?Held captive in a remote mansion, five teens train with their mentors and receive superpowers beyond their wildest dreams. Struggling to uncover the motives of the Vindico, the teens have to trust each other to plot their escape. But they quickly learn that the differences between good and evil are not as black and white as they seem, and they are left wondering whose side they should be fighting on after all . . .With fast-paced action, punchy dialogue, and sarcastic humor, this high-stakes adventure from a talented new YA voice pulls you in from the first page.

    They are legendary for their near-perfect service: for every six million lunches sent, only one will fail to reach its intended destination. "The Tiffin" is about that one time in millions when a box goes astray, changing lives forever. When a note placed in a tiffin is lost, a newborn Kunal is separated from his mother. Twelve years later, Kunal lives as a virtual slave under the thumb of his foster father, Seth. With danger and oppression making it impossible to stay where he is, Kunal asks his friend Vinayak, an aging dabbawalla, to help him find his birth mother. Vinayak introduces Kunal to the tiffin carriers, and a plan is hatched. Along the way, Kunal learns what it means to be part of a family.

    Morbidly amused by the decadent decay of his surroundings, he watches the patrons fall into their nightly oblivion, making notes for his novel. In the hope of uncovering their secrets and motives, he establishes tentative friendships with the cast of variously pathological regulars. But as his tenure at the bar continues, he begins to serve himself more often than his customers, and the moments he lives outside the bar become more and more painful: he loses his wife, his way, himself. Trapped by his habits and his loneliness, he realizes he will not survive if he doesn't break free. And so he hatches a terrible, but necessary plan of escape and his only chance for redemption. Step into Ablutions and step behind the bar, below rock bottom, and beyond the everyday take on storytelling for a brilliant, new twist on the classic tale of addiction and its consequences.

    Tam, an English woman in her thirties, has been living in this harshly beautiful region since shortly after the war, in which she served as an auxiliary pilot. She is now leaving her lover, Niall, who, like his father before him, is a meteorologist.The airliner she is travelling on becomes grounded by fog at Gander Airport, Newfoundland. As she waits, she regards an enigmatic mural, and revisits not only the circumstances that brought her to Ireland but her intense relationship with Niall and his growing despondency over his younger brother Kieran’s disappearance years before.We learn of Kieran’s troubled childhood and the tragedy that caused him as a boy to be separated from home and taken in by a widowed countrywoman who lives in the mountains behind the town. He comes to know the local people, among them a tailor, a fisherman-teacher, and a sheep farmer who is a great philosopher. There is also the jeweller’s daughter, a young woman who will come to change the course of several lives.Running parallel is the story of Canadian artist Kenneth Lochhead and how he created the mural that is Tam’s only companion through three long days and nights. An elegiac novel of emotional depth that vividly evokes a time and a place, The Night Stages explores the meaning of separation, the sorrows of fractured families, and the profound effect of home in a world where a way of life is changing. It is Jane Urquhart’s richest, most rewarding novel to date.

    After being involved in an accident that killed her best friend, she doesn't see why anyone would want her around. Sentenced to community service, she is assigned to spend time with Joanie, a severely disabled girl who is trapped in a body she can't control and seemingly unable to communicate. Alex comes to believe that maybe Joanie can be reached, and that together they can find a way to connect with the world around them--Alex from her self-imposed exile, and Joanie for the first time. Joanie has been listening and watching as the world goes on around her for all of her seventeen years. But she is so full of words and thoughts and images that if she ever could figure out a way to let them loose, they would come swirling out in a torrent of syllables. She would fill every room with the colors of her dreams until the whole world became a rainbow of her making. If only she could figure out a way

    Anosh Irani's best novel yet, and his first with Knopf Canada. The Parcel's astonishing heart, soul and unforgettable voice is Madhu--born a boy, but a eunuch by choice--who has spent most of her life in a close-knit clan of transgender sex workers in Kamathipura, the notorious red-light district of Bombay. Madhu identifies herself as a "hijra"--a person belonging to the third sex, neither here nor there, man nor woman. Now, at 40, she has moved away from prostitution, her trade since her teens, and is forced to beg to support the charismatic head of the hijra clan, Gurumai. One day Madhu receives a call from Padma Madam, the most feared brothel owner in the district: a "parcel" has arrived--a young girl from the provinces, betrayed and trafficked by her aunt--and Madhu must prepare it for its fate. Despite Madhu's reluctance, she is forced to take the job by Gurumai. As Madhu's emotions spiral out of control, her past comes back to haunt her, threatening to unravel a lifetime's work and identity. This is a dark, devastating but ultimately redemptive novel that promises to be one of the most talked-about publications of the year.

     Twelve-year-old Iris Sparks lives in Winteridge with her brother; her working-class Welsh mother, Llewelyna; and her blue-blooded father from England, a progressive bohemian who has brought his family to Canada for an adventure.But amid the idyllic, Edwardian setting, there are dangers lurking. A blend of Welsh and Indigenous stories of a predatory lake monster take real shape for young Iris as she begins to unravel the truth behind her mother's dark fairy tales, and watches in horror as her mother increasingly succumbs to seizures.As the First World War reaches its height, Iris must contend with the demands of a deteriorating mother and the harsh realities of a toxic love triangle. All the while, Iris's mind continues to exert its strange and awesome power, and she and her entire community must find a way to survive at the mercy of otherworldly beasts and a hungry darkness.

    His last binge almost killed him, and now he’s a reluctant resident in a treatment centre for alcoholics, surrounded by people he’s sure will never understand him. But Saul wants peace, and he grudgingly comes to see that he’ll find it only through telling his story. With him, readers embark on a journey back through the life he’s led as a northern Ojibway, with all its joys and sorrows.With compassion and insight, author Richard Wagamese traces through his fictional characters the decline of a culture and a cultural way. For Saul, taken forcibly from the land and his family when he’s sent to residential school, salvation comes for a while through his incredible gifts as a hockey player. But in the harsh realities of 1960s Canada, he battles obdurate racism and the spirit-destroying effects of cultural alienation and displacement. Indian Horse unfolds against the bleak loveliness of northern Ontario, all rock, marsh, bog and cedar. Wagamese writes with a spare beauty, penetrating the heart of a remarkable Ojibway man.

    Then he discovers something about himself: he's a fast runner. He joins the running group and is recruited for the school track team. But being on the track team and getting more attention brings Lionel closer to the bullies he's been avoiding and makes him a target.

    Things can't get much worse at home. Her mother works long hours to make the mortgage payments on their tiny farm. Her older brother Justin talks about running away, and her younger brother Chip has a way of getting into trouble when Kate is supposed to be minding him. Now Kate faces a long, hot, boring Florida summer with no friends and nothing to do but chores. The day Kate's goat Sugar runs away, things start to get more interesting - and a lot more complicated. She and her brothers meet the Wilsons, a tight-knit African American family. Kate is drawn to Ruby, the Wilsons' glamorous grown daughter who has returned home from New York City. Ruby hasn't got much time for white trash but the two eventually form an unlikely bond as partners in Ruby's fledgling candy business. And as Kate begins to spend more time with Ruby, she awakens to the undercurrents of prejudice that run through their small town.