However, being born deep in the African bush in 1948, her desires didn’t really matter. Cursed with an abusive father, Jabonkah was saddled with the plans he had for her. Instead of being a “stupid bush woman” like her mother, she was going to learn to obey. But after repeatedly disappointing and rebelling against her father, he sets forth on a rampage targeting her mother and nearly beats her to death. After stepping in to save her mother and scalding her father with boiling water in the skirmish, Jabonkah’s fate is unfortunately sealed. She is sent to the Society as punishment, where women from her own tribe perform the ritual of female circumcision. Six weeks later, Jabonkah returns home to the continued beatings until she is eventually disowned and sent away to live with a missionary by the name of Mother Stevens. Unfortunately, it’s with Mother Stevens that her real struggle begins. Will Jabonkah escape the oppression and misery that is ruling her life, or will she succumb to her depression? Set against the harsh setting of mid-century Africa, Driving the Birds takes readers on a journey from small villages in Liberia to African missions, and eventually the United States. With this particular backdrop, Jabonkah’s story brings many issues to light that affect countless women around the world. By documenting the horrible genital mutilation that she suffers in detail, Driving the Birds aims to bring about further awareness to an issue that is still prevalent today. Though the subject matter can be intense and discouraging at times, Jabonkah uses her faith and an uncommon personal resiliency to keep the story from setting into a despondent manner. With true personal freedom as her goal, Jabonkah is able to overcome numerous obstacles and a lifetime of hardships in route to achieving her dreams and ensuring her happiness. Driving the Birds by Russell Traughber is the uplifting true story of one woman’s courageous journey from a small village in Liberia to the freedom that America offers. With unmistakable charm, unwavering determination, and a truly unique worldview, Jabonkah enthralls readers with each passing chapter. Her personal journey and repeated injustices are equal parts heartbreaking and infuriating. From repeated abuses at the hands of others and the subjection to female genital mutilation, Jabonkah’s plight provides a window to the sufferings of less fortunate women around the world. However, where parts of her story enrage and discourage, it’s her spirit and determination that ultimately leave readers feeling like they have taken part in Jabonkah’s triumphs as well.

    Alfred Olyontombo barely survived the violence of his desperate childhood in central Africa. Ripped from his village as a young orphan, Alfred persevered through turbulent years of lawlessness and civil war, eventually making his way to a refugee camp as Rwanda's genocide raged behind him. Alone amidst the chaotic conditions at the camp, Alfred's quick mind and gift for languages caught the attention of an idealistic young doctor who opened the door to a whole new life for Alfred. He seized that chance, moving forward with hard work, honor, and a conscious decision to leave the full truth of his past-and the boy he used to be-behind in Africa.Years pass and Alfred becomes a respected physician married to a beautiful lawyer, enjoying a privileged life in Colorado. But then his idyllic existence is shattered by the terminal illness of his young daughter. As he and his wife struggle to come to terms with their unfathomable loss, Alfred is publicly accused of a long-ago war crime in Africa. The mere accusation threatens to destroy everything he has built-including his marriage. But as he struggles to defend himself, Alfred realizes he is culpable and that omitting his sins did not absolve them.His future hanging in the balance, Alfred is forced to face all the misdeeds he'd hoped time and his carefully crafted version of the past had buried forever. But is it too late for the truth to matter?

    He had violent hallucinations based on the Iraq war and the reports of terrorism and violence constantly playing on his hospital TV tuned into CNN. He believed his family to be in danger, but he had no way to communicate with them. For a long time after the whole ordeal, he had trouble knowing what had happened. What was real and what wasn't. If part of the core of who we are is our memory, what does it mean when the memory is still there, but false?

    In apartheid South Africa in 1976, medical student Isaac Muthethe is forced to flee his country after witnessing a friend murdered by white members of the South African Defense Force. He is smuggled into Botswana, where he is hired as a gardener by a young American woman, Alice Mendelssohn, who has abandoned her Ph.D. studies to follow her husband to Africa. When Isaac goes missing and Alice goes searching for him, what she finds will change her life and inextricably bind her to this sunburned, beautiful land. Like the African terrain that Alice loves, Morse’s novel is alternately austere and lush, spare and lyrical. She is a writer of great and wide-ranging gifts.

    In a new novel by one of the premier writers of the ''new'' South Africa, an exile returns from America--where he fled during the apartheid regime--to find his newly democratic country in a shambles.

    She becomes intrigued by a 1908 safari and the British nobleman who died mysteriously. The further she probes, the more deeply she is drawn into past lives and ancient, mysterious forces of violence.

    As an employee for the state radio system, she had long wanted to help improve the lives of Chinese women. But when she was given clearance to host a radio call-in show, she barely anticipated the enthusiasm it would quickly generate. Operating within the constraints imposed by government censors, “Words on the Night Breeze” sparked a tremendous outpouring, and the hours of tape on her answering machines were soon filled every night. Whether angry or muted, posing questions or simply relating experiences, these anonymous women bore witness to decades of civil strife, and of halting attempts at self-understanding in a painfully restrictive society. In this collection, by turns heartrending and inspiring, Xinran brings us the stories that affected her most, and offers a graphically detailed, altogether unprecedented work of oral history.

    They are locked up in his store because of an earthquake and by morning he knows that he can’t let them both go. Elizabeth Donovan can’t believe that her baby is about to be born on Christmas Eve, and in a small alley behind a department store at that. When the owner rescues her and helps her bring her baby into the world, she knows that she has received a Christmas miracle in more ways than one. Christmas Bride - A Very Special Christmas Baby is part of the Brides For All Seasons series - a festive collection of historical holiday romance guaranteed to warm your heart and fill your season with romantic cheer. Buy it today and enjoy the timeless gift of love!

    Decisive, resourceful and independent, Sarah faces challenges in love and friendship from those around her and the wider circumstances of the war as she travels across the cities and countrysides of England and Scotland. Often described as gentle romances, D. E. Stevenson novels are neither overblown nor unduly tragic, populated with characters who quietly make those around them better simply because of their existence. Consistently satisfying, there is a good reason why Stevenson has amassed a devoted following.

    Filmmaker and writer Anungla Zoe Longkumer brings together, for the first time, a remarkable set of stories, poems, first-person narratives, and visuals that showcase the breadth of Naga women’s creative and literary expression. The essays are written in English, a language the Nagas—who had no tradition of written literature—made their own after the arrival of Christianity in the region during the nineteenth century. In The Many That I Am, each writer speaks of the many journeys women undertake to reclaim their pasts and understand their complex present.

    It is the heyday of apartheid. Although not a word is exchanged, a strong erotic bond develops between the two of them, culminating in what is later seen as a rape and for which the narrator gets the death sentence. In an absolute tour de force the narrator, only ever referred to as Mr Sibiya, waiting to be executed, writes down his story - reconstructing bit by bit not only his own and a brief history of his family, but also his obsession with the white girl, the court proceedings, and his encounters with Dr Dufre, a Swiss criminologist who has been granted permission of compile a dossier of the case. One of the most remarkable things about the novel is the narrator's ability to be objective, to view himself and the series of events almost dispassionately.

    It was a "big country needing big men and women to live in it." This volume presents five more of L'Amour's fine short stories about the West, restored according to how they first appeared in their initial publication in magazines. "Riding for the Brand" Jed Asbury was stripped naked by Indians and forced to run the gauntlet. He ran it better than they had expected and escaped with only a few minor wounds. Still on the dodge, Jed encounters a covered wagon in which the horses and humans have been killed, the wagon and its contents left to stand. He is able to outfit himself from clothes and guns he finds in the wagon, and in the process he learns what the intentions were of those who had driven the wagon--and the possible reason they were killed. Jed decides to push forward and accomplish precisely what they had intended to do. "Four Card Draw" Allen Ring drew four cards in a poker game with Ben Taylor, and he won a small ranch. The ranch cabin sits on a low ledge of grass backed up against a cliff of red rock, with a spring not more than fifty feet away. The ranch is all he had ever hoped to have. Only it isn't going to be that simple. Ross Bilton, the town marshal, shows up with two deputies and tells Allen that, whether he has a deed or not, no one is allowed to live on the ranch. A killing had taken place there years before and remains unsolved. But that's not enough to persuade Allen to leave. "His Brother's Debt" Rock Casady is considered a coward. When gunman Ben Kerr issued a challenge, Casady fled rather than stick around to fight. He rode on to new range and got himself a job. He did well at it, but everyone noticed that he avoided going to town, and he avoided people. That was before Sue Landon, niece of the ranch's owner, asked Rock to accompany her to town to make some necessary purchases. Though that might mean a confrontation with rustler and hardcase Pete Vorys, Rock agrees. However, minding his own business proves ineffective when Vorys decides that this stranger has to be cut down to size. "The Turkeyfeather Riders" Jim Sandifer swings down from his buckskin and stands for a long minute, staring across the saddle toward the dark bulk of Bearwallow Mountain. For three years he has been riding for the B Bar, and for two of those years he has been ranch foreman. Now he knows that what he is about to do will bring an end to that, an end to his life here, to his chance to win the girl he loves. He stopped a raid by some B Bar men on the Katrischen spread, and now he has to tell the B Bar's owner what he did--and suffer the consequences. "The Nester and the Paiute" The Paiute is the local bad man. But as bad as his rustling and killing has been, Sheriff Todd had never caught him with real evidence and so could only keep his eye on the Paiute, hope to catch him in the act. That was before the nester rode in, looking for the Paiute. Sheriff Todd is out of town, but that doesn't matter to the nester. He's been following the Paiute's tracks all the way here and now wants to know where he lives. That's easily told, but Sheriff Todd isn't going to like it if there's a shoot-out between the nester and the Paiute. What no one knows is that the sheriff has already run into the Paiute, and that the Paiute has finished him. For the Paiute, this has become the end game.

    In his dispatches he focuses on the human-scale effect of the war, portraying everyone from the guys in a bomber crew to Bob Hope on his USO tour and even fighting alongside soldiers behind enemy lines. Taken together, these writings create an indelible portrait of life in wartime.

    Since an assignment in Cape Town ended in tragedy and regret, Nadine has not returned to South Africa, or opened her heart–until she hears the story of Jason Irving. Jason, an American student, was beaten to death by angry local youths at the height of the apartheid era. Years later, his mother is told that Jason’s killers have applied for amnesty. Jason’s parents pack their bags and fly from Nantucket to Cape Town. Filled with rage, Jason’s mother resolves to fight the murderers’ pleas for forgiveness.As Nadine follows the Irvings to beautiful, ghost-filled South Africa, she is flooded with memories of a time when the pull toward adventure and intrigue left her with a broken heart. Haunted by guilt and a sense of remorse, and hoping to lose herself in her coverage of the murder trial, Nadine grows closer to Jason’s mother as well as to the mother of one of Jason’s killers–with profound consequences. In a country both foreign and familiar, Nadine is forced to face long-buried demons, come to terms with the missing pieces of her own family past, and learn what it means to truly love and to forgive.With her dazzling prose and resonant themes, Amanda Eyre Ward has joined the ranks of such beloved American novelists as Anne Tyler and Ann Patchett. Gripping, darkly humorous, and luminous, Forgive Me is an unforgettable story of dreams and longing, betrayal and redemption.

    From the early days of independence in Ghana to the ongoing ethnic genocide in Rwanda, Kapuscinski has crisscrossed vast distances pursuing the swift, and often violent, events that followed liberation. Kapuscinski hitchhikes with caravans, wanders the Sahara with nomads, and lives in the poverty-stricken slums of Nigeria. He wrestles a king cobra to the death and suffers through a bout of malaria. What emerges is an extraordinary depiction of Africa--not as a group of nations or geographic locations--but as a vibrant and frequently joyous montage of peoples, cultures, and encounters. Kapuscinski's trenchant observations, wry analysis and overwhelming humanity paint a remarkable portrait of the continent and its people. His unorthodox approach and profound respect for the people he meets challenge conventional understandings of the modern problems faced by Africa at the dawn of the twenty-first century.