Volume 1 volume reprints the first six complete issues (24 stories) of the comic book Two-Fisted Tales, originally published in 1950 and 1951.

    Widely considered to be some of his best work ever. Weirdo was a magazine-sized comics anthology created by Robert Crumb in 1981, which ran for 28 issues. It served as a "low art" counterpoint to its contemporary highbrow Raw. Early issues of Weirdo reflect Crumb's interests at the time: outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." The incredibly varied stories include TV Blues, Life of Boswell, People Make me Nervous, The Old Songs are the Best Songs, Uncle Bob's Mid-Life Crisis, Kraft Ebbing's' Psycopathia Sexualis, Goldilocks, The Life of Philip K Dick, and many more. Also within are several photo strip stories featuring Crumb himself and various of his trademark well-built women including his wife Aline Kominsky-Crumb in tales such as Get in Shape and Unfaithful Husband.

    Losses have been high and life expectancy is low, but Ken remains undaunted - until he meets his crew, a foulmouthed, battle-hardened bunch with no time for new boys who can't stand the pace. Together, they must take the war to the enemy over the most heavily-defended region of the Third Reich- the industrial heartland of the Ruhr, known to the men who face the flak and nightfighters as Happy Valley. Battlefields: Firefly & His Majesty - The Tankies' Sergeant Stiles returns, recently promoted and angrier than ever He's got a new crew and a new tank - a Sherman Firefly with a high-velocity gun capable of taking out even the fearsome German Tiger. Too bad the enemy have a new tank of their own - the mighty King Tiger, with twice the armor and firepower of the original Battlefields: Motherland - Lieutenant Anna Kharkova is posted to single-seat fighter aircraft and sent straight into action. Hardened and embittered by the loss of her comrades, Anna is only too keen to get her teeth into the enemy- but with Russian and German armies about to collide in the titanic battle of Kursk, her first flight with her new squadron may well be her last

    Eerie magazine, like its killer kin Creepy, features work from many of the masters of comics storytelling. For fans of spectacular spookiness, mind-bending sci-fi, and astonishing artwork, the Eerie Archives library is a must have!

    Written and edited by Archie Goodwin, with artwork by such industry notables as Gene Colan, Frank Frazetta, John Severin, Alex Toth, Al Williamson, Russ Heath, Reed Crandall, and Wally Wood, it featured war stories in both contemporary and period settings, unified by a humanistic theme of the personal costs of war, rather than by traditional men's adventure motifs. As one letter-writer in the third issue put it, “Do you seriously expect to make money with a war magazine that publishes nothing but anti-war stories?”While most stories took place during World War II, they ranged in settings from the 18th century to the present-day. Some dealt with historical figures, such as Revolutionary War general Benedict Arnold and his pre-traitorous victory at the battle of Saratoga, while “Foragers” focused on a fictional soldier in General William T. Sherman’s devastating March to the Sea during the American Civil War. “Holding Action,” set on the last day of the Korean War, ended with a gung-ho young soldier, unwilling to quit, being escorted over his protests into a medical vehicle.What proved to be the most controversial were stories set during the then-contemporary Vietnam War, particularly the classic short “Landscape,” which follows the thoughts of a Vietnamese peasant rice-farmer devoid of ideology, who nonetheless pays the ultimate price simply for living where he does. While writer Goodwin evenhandedly portrays the North Vietnamese Army’s brutal summary executions of village officials, and a well-meaning U.S. Army fatally bludgeoning its way through the village in a counterattack, the story caused key distributors to stop selling the title.Fantagraphics is proud to present a deluxe, hardcover edition, magnificently printed and bound, of these stories, superbly reproduced from the original printer's film negatives.Nominated for a 2010 Will Eisner Comic Industry Award: (Best Archival Collection/Project: Comic Books).

    But behind the stern demeanor was a society coming apart at the seams. Clashes in class systems and the need for a nation to come together threaten to break up the old ways of warring samurai — these are tales of such struggles. This is the story of Japan’s history and the beginning of the end of the samurai era.

    The lead character in most is Bitchy Bitch, the perma-nently PMS'd and PO'd embodiment of the female id, who also stars in her own series of cartoon shorts on the Oxygen Network's X-Chromosome animated series.The raunchiest collection, focusing on Bitchy's sexual excapades.

    Even though her love life remains as chaotic as ever, Hopey takes her first few steps toward responsible adulthoodwith a real job (as a teacher), while a demoralized, divorced Maggie ends up as the manager of a fleabagapartment building where she continues to wrestlewith the demons of her past most prominently in thestunning centerpiece of the volume, the graphic-novel-length Maggie serial, with its stunning, hallucinatorydream finale.Meanwhile, Ray still carries a major torch for Maggie, butfalls in with the Frogmouth, the volatile bombshell whoseties to local thugs cause him no small amount of grief.Of course, Maggie, Hopey, and Ray s paths continue tointersect in Hernandez s increasingly complex, intricate, and always vitally realized world.This omnibus volume compiles stories originally printed in the pages of the comics Penny Century, the one-shot special Maggie & Hopey Color Fun (presented here in black and white), and Love and Rockets Vol. II, and was formerly collected in the volumes Dicks and Deedees, Locas in Love, Ghost of Hoppers and The Education of Hopey Glass.

    Military bases around the world. Uncensored by commercial editorial restrictions, Wood pulled out all the stops — producing a thrilling and salacious Cold War spy serial run amok with brutal violence and titillating sex, all in an effort to boost morale and support our troops! Initially brainwashed by the terrifying, voluptuous, and always half-naked Madame Toy to be “the perfect assassin” for the Red forces, Cannon was eventually rescued and brainwashed (again) by the CIA until he had no emotions whatsoever. Under the employ of our government’s Central Intelligence Agency, Cannon experiences action like no other agent!

    A satirical and at times shocking story of the fear and anxiety surrounding one man's lack of control over his own destiny in a world where women belong to a secret cult intent on the elimination of the male.

    Trade paperback.

    But when he’s double-crossed and marooned on a desert island, he quickly learns he needs to care about one thing: survival! The origin tale of the Emerald Archer begins here!

    HAW! is not for the young or weak of heart!

    In this volume, Alcibiades the wizard’s giant eye cannot stop crying, flooding the entire dungeon. They must find the Giant who gave his eye to remedy this rather wet situation. We also discover the origin of John-John the Terrible, the monster split into two living halves.

    but then Angina gets a call from the Netherworld. It's her aborted fetus: he's drunk and he's pissed off. So begins Pixy, which Neil Gaiman calls "the best comic I've read this year" — a 65-page journey into a nightmare world unlike any you've ever seen before. The rest of the book follows Alka's attempts to infiltrate the Kingdom of the Dead (where time runs backwards and is sold by the pint to time-addicts), in order to track down the malevolent Pixy and kill him for good. Shedding bodies and identities with some regularity (Pixy himself blows one to smithereens), Alka finds his own sense of reality eroding further and further during his sojourn down under — and it doesn't help at all when Pixy, now his best friend, accompanies him back up to the Land of the Living, where the gun-happy undead sprite wreaks unspeakable havoc. Pixy is the first major work by Swedish cartoonist Max Andersson, and it combines the freewheeling-yet-obsessive graphic and narrative weirdness of such contemporary North American cartoonists as Chester Brown, Julie Doucet, Kaz and Charles Burns with a bizarre yet coherent story that mixes coal black humor, barbed satire, wild surrealism, and stark horror in a totally new way — a feast for the (preferably deranged) mind and the (preferably diseased) eye.