From that single beginning, Ferguson’s life will take four simultaneous and independent fictional paths. Four identical Fergusons made of the same DNA, four boys who are the same boy, go on to lead four parallel and entirely different lives. Family fortunes diverge. Athletic skills and sex lives and friendships and intellectual passions contrast. Each Ferguson falls under the spell of the magnificent Amy Schneiderman, yet each Amy and each Ferguson have a relationship like no other. Meanwhile, readers will take in each Ferguson’s pleasures and ache from each Ferguson’s pains, as the mortal plot of each Ferguson’s life rushes on.As inventive and dexterously constructed as anything Paul Auster has ever written, yet with a passion for realism and a great tenderness and fierce attachment to history and to life itself that readers have never seen from Auster before. 4 3 2 1 is a marvelous and unforgettably affecting tour de force.

    Expelled from three Jewish day-schools for acts of violence and messianic tendencies, Gurion ends up in the Cage, a special lockdown program for the most hopeless cases of Aptakisic Junior High. Separated from his scholarly followers, Gurion becomes a leader of a very different sort, with righteous aims building to a revolution of troubling intensity.The Instructions is an absolutely singular work of fiction by an important new talent. Combining the crackling voice of Philip Roth with the encyclopedic mind of David Foster Wallace, Adam Levin has shaped a world driven equally by moral fervor and slapstick comedy—a novel that is muscular and exuberant, troubling and empathetic, monumental, breakneck, romantic, and unforgettable.

    Until the day James Carlson Sweatt--the "over tall" eleven-year-old boy who's the talk of the town--walks into her library and changes her life forever. Two misfits whose lonely paths cross at the circulation desk, Peggy and James are odd candidates for friendship, but nevertheless they soon find their lives entwined in ways that neither one could have predicted. In James, Peggy discovers the one person who's ever really understood her, and as he grows--six foot five at age twelve, then seven feet, then eight--so does her heart and their most singular romance. The Giant's House is an unforgettably tender and quirky novel about learning to welcome the unexpected miracle, and about the strength of choosing to love in a world that gives no promises, and no guarantees.

    An unforgettable story of coming of age in America, it is also an essential milestone in the movement of American fiction, from a novelist who has become one of the most important and enduring voices of this generation.

    So when Mal and his wife, Stephanie, ask Nova to be a surrogate mother, she agrees—despite her reservations about what it might mean for their friendship. Then Nova’s fears are realized. Halfway through the pregnancy, Stephanie finds a text from her husband to Nova that reads “Goodnight, beautiful.” Already suspicious of their deep connection, Stephanie demands that Mal cut all ties to Nova and their unborn baby, leaving Nova to raise the child alone. Eight years later, Nova is anxiously waiting for her son, Leo, to wake up from a coma, while childless Stephanie is desperately trying to save her failing marriage. Despite her anger and hurt, Nova wants Mal to have the chance to know his son before it’s too late. Will it take a tragedy to remind them all how much they mean to one another?

    This wry tale follows bumbling bureaucrat Walter F. Starbuck from Harvard to the Nixon White House to the penitentiary as Watergate’s least known co-conspirator. But the humor turns dark when Vonnegut shines his spotlight on the cold hearts and calculated greed of the mighty, giving a razor-sharp edge to an unforgettable portrait of power and politics in our times.

    Upstairs, 14-year-old Mae had fallen into one of her trances, often a result of feeling too closely attuned to her mother’s dark moods. After Marianne is unwillingly admitted to a mental hospital, Edie and Mae are forced to move from their childhood home in Louisiana to New York to live with their estranged father, Dennis, a former civil rights activist and literary figure on the other side of success.The girls, grieving and homesick, are at first wary of their father’s affection, but soon Mae and Edie’s close relationship begins to fall apart—Edie remains fiercely loyal to Marianne, convinced that Dennis is responsible for her mother’s downfall, while Mae, suffocated by her striking resemblances to her mother, feels pulled toward their father. The girls move in increasingly opposing and destructive directions as they struggle to cope with outsized pain, and as the history of Dennis and Marianne’s romantic past clicks into focus, the family fractures further.Moving through a selection of first-person accounts and written with a sinister sense of humor, The Deeper the Water the Uglier the Fish powerfully captures the quiet torment of two sisters craving the attention of a parent they can’t, and shouldn’t, have to themselves. In this captivating debut, Katya Apekina disquietingly crooks the lines between fact and fantasy, between escape and freedom, and between love and obsession.

    They called themselves "The Five" and spent their childhoods trading dreams in the branches of the Castle Tree. They were convinced that they were special — and they were, even though their dreams did not work out quite as they had hoped they would. Once they enter high school, the ties that bind them together begin to dissolve. And what happens to them through twenty years of growing up is just about everything they had and had not dreamed of. In Original Sins, Alther brings to life not only the passions of her characters, but the fantasies and follies of an entire generation.

    From his own birth and childhood on the streets of Dublin to his role as soldier (and lover) in the Irish Rebellion, Henry recounts his early years of reckless heroism and adventure. At once an epic, a love story, and a portrait of Irish history, A Star Called Henry is a grand picaresque novel brimming with both poignant moments and comic ones, and told in a voice that is both quintessentially Irish and inimitably Roddy Doyle's.

    Living with her single mother in a small apartment, Evelyn Bucknow is a young girl wincing her way through adolescence. With a voice that is as charming as it is recognizable, Evelyn immerses the reader in the dramas of an entire community. The people of Kerrville stuck at once in the middle of nowhere but also at the center of everything, are the source from which Moriarty draws on universal dilemmas of love and belief to render a story that grows in emotional intensity until it lifts the reader to heights achieved only by the finest of fiction.

    In outward form, number9dream is a Dickensian coming-of-age journey: Young dreamer Eiji Miyake, from remote rural Japan, thrust out on his own by his sister’s death and his mother’s breakdown, comes to Tokyo in pursuit of the father who abandoned him. Stumbling around this strange, awesome city, he trips over and crosses—through a hidden destiny or just monstrously bad luck—a number of its secret power centers. Suddenly, the riddle of his father’s identity becomes just one of the increasingly urgent questions Eiji must answer. Why is the line between the world of his experiences and the world of his dreams so blurry? Why do so many horrible things keep happening to him? What is it about the number 9? To answer these questions, and ultimately to come to terms with his inheritance, Eiji must somehow acquire an insight into the workings of history and fate that would be rare in anyone, much less in a boy from out of town with a price on his head and less than the cost of a Beatles disc to his name.

    But what if they were? And so he writes--in a plain, green journal--the truth about his own life and leaves it in his local café. It's run by the incredibly tidy and efficient Monica, who furtively adds her own entry and leaves the book in the wine bar across the street. Before long, the others who find the green notebook add the truths about their own deepest selves--and soon find each other in real life at Monica's café.The Authenticity Project's cast of characters--including Hazard, the charming addict who makes a vow to get sober; Alice, the fabulous mommy Instagrammer whose real life is a lot less perfect than it looks online; and their other new friends--is by turns quirky and funny, heartbreakingly sad and painfully true-to-life. It's a story about being brave and putting your real self forward--and finding out that it's not as scary as it seems. In fact, it looks a lot like happiness.The Authenticity Project is just the tonic for our times that readers are clamoring for--and one they will take to their hearts and read with unabashed pleasure.

    Haunting, troubling, and mesmerizing, it shines a brilliant, unwavering light into the darkest recesses of a man’s psyche.To all appearances, John Wilder has all the trappings of success, circa 1960: a promising career in advertising, a loving family, a beautiful apartment, even a country home. John’s evenings are spent with associates at quiet Manhattan lounges and his weekends with friends at glittering cocktail parties. But something deep within this seemingly perfect life has long since gone wrong. Something has disturbed John’s fragile peace, and he can no longer find solace in fleeting affairs or alcohol. The anger, the drinking, and the recklessness are building to a crescendo—and they’re about to take down John’s family and his career. What happens next will send John on a long, strange journey—at once tragic and inevitable.

    Roach, caught in the same turmoil as everyone believing half-truths in order to blame other people. (p. 141)These are the forlorn thoughts of Alex Chapman, the tragic anti-hero of David Adams Richards’ masterful novel The Lost Highway. An exploration of the philosophical contortions of which man is capable, the novel tracks the desperate journey of an eternally lost and orphaned child/man who has nearly squandered his frail birthright but might yet earn some degree of redemption.Alex spent a stunted childhood watching his gentle mother defiled by rough-handed men including Roach, his biological father. Upon his mother’s death Alex is passed into the care of his hard-nosed great-uncle Jim Chapman, nicknamed “The Tyrant” by their Miramichi community. Alex’s uncle becomes a symbol of all that he loathes. Alex distinguishes himself from this brutal masculinity that stole his mother from himby becoming a self-imposed ascetic, entering the local seminary and rehearsing his own version of piousness. But when he is tempted by the Monsignor’s request to deliver charitable funds to the bank, Alex pockets the money and flees to the home of Minnie, whom he worships and who he has learned is now pregnant by Sam Patch, a good man, but too rough in Alex’s eyes. He attempts to talk Minnie into using the money for an abortion, and it is only her refusal that sends him back to the seminary to return the money. “Do you remember if the phone rang in the booth along the highway that night?” (p. 87) asks MacIlvoy, a fellow seminarian who had gotten wind of the theft and tried to detour Alex from this path. But of course Alex had ignored the rings, as he would ignore many warnings in his tragic life.Caught red-handed and forced to return as a prodigal son-that-never-was to his uncle’s house, Alex again flees to yet another refuge, this time to the safe moral relativism of academia, where he becomes an expert at reducing meaning to ethical dust. However, he finds himself unable to navigate the easy duplicity in which his peers are fluent, and takes an isolated and idealistic stand which causes him to be drummed out of the facultyas a figure of ridicule. A bitter and alienated Alex once again returns defeated to a shack on his uncle’s property, spending his days in the family scrapyard forging dreadful humanoid creatures out of junked metal, a modern-day Prometheus. One day he is asked by MacIlvoy, now the local priest, to create a Virgin for the church grotto. Some part of him still influenced by divinity guides his hand to create a beautiful Madonna, her face inspired by a lovely young girl he spots one day in the market. Two days later he finds out that the girl is Amy Patch, the child he urged his childhood sweetheart to abort fifteen years earlier. He will also find out that it is once again the fate of this innocent girl, at his own hands, that will determine whether he will ever experience the grace he so dearly craves.Trudging the lost highway while mulling over his grievances as usual, Alex runs into Burton Tucker, whose own mind and body have been stunted by the brutality of his birth mother. The generally pliant Burton runs the local garage, offering lotto tickets as a bonus for oil changes. He is on his way to deliver some good news: Jim Chapman is a winner, to the tune of $13 million. Alex realizes that he could have been the one to bring Jim’s truck to Burton and receive the winning ticket, but he had refused because of the grudge he held against Jim. Once again, Alex has been thwarted by an ironic twist of fate and it is too much to bear. He decides at that moment that his uncle must never see the money, and begins a treacherous intrigue, which he justifies through the tortured ethical logic with which he has become so skilled. He unwittingly aligns himself with a very dangerous partner, Leo Bourque, the childhood bully who made his schooldays such hell, and whose days of playing cat-and-mouse with the weak Alex are not over. Their twinned descent will become deadly, marked by murder both actual and intended. How far would any of us go to avenge a terrible wrong done to us at birth? To whom shall we assign blame? And can we achieve redemption, no matter how grievous our sins? David Adams Richards’ The Lost Highway is a taut psychological thriller that goes far beyond the genre into the worlds of Leo Tolstoy, and Emily Brontë’s Wuthering Heights, as well as classical Greek mythology, testing the very limits of humankind’s all too tenuous grasp on morality.

    Suddenly, however, the past which Isabel had thought safely behind her becomes the source of actual physical danger. With frightening ease, the worlds of political intrigue and murderous conspiracy intrude into the cosiness of her domestic life. Whom can she trust? Man? When she reveals to her husband that she long ago had an affair with a young American senator, a man who is now challenging for the Presidential nomination itself, and that her son is the love-child of that affair, even she cannot foresee the consequences. Love got her into the predicament in which she finds herself; but can love now get her out of it?