On a July afternoon, a young woman's body is dredged from Sweden's beautiful Lake Vattern. With no clues Beck begins an investigation not only to uncover a murderer but also to discover who the victim was. Three months later, all Beck knows is that her name was Roseanna and that she could have been strangled by any one of eighty-five people on a cruise. As the melancholic Beck narrows the list of suspects, he is drawn increasingly to the enigma of the victim, a free-spirited traveler with a penchant for casual sex, and to the psychopathology of a murderer with a distinctive--indeed, terrifying--sense of propriety..

    And she has just seen something she shouldn’t: something people will kill to keep hidden. On the other side of the world, an old spy hides from his past. Once, he was a man of action: so dedicated to the cause that he abandoned his baby daughter to keep his cover. Now the only thing he lives for is swimming in the local pool. Then, on Christmas eve, Klara is thrown into a terrifying chase through Europe. Only the Swimmer can save her. But time is running out...

    But no one expects to find the mysterious child-sized handprint in the childless home. Public prosecutor Jana Berzelius steps in to lead the investigation. Young and brilliant but emotionally cold, Berzelius, like her famous prosecutor father, won't be swayed by the hysterical widow or intimidated by the threatening letters the victim had tried to hide. Jana is steely, aloof, impenetrable. That is, until the boy… A few days later on a nearby deserted shoreline, the body of a preteen boy is discovered, and with him, the murder weapon that killed him and the original victim. Berzelius is drawn more deeply into the case for as she attends his autopsy, she recognizes something strangely familiar in his small, scarred, heroin-riddled body. Cut deep into his flesh are initials that scream child trafficking and trigger in her a flash of memory of her own dark, fear-ridden past. Her connection to this boy has been carved with deliberation and malice that penetrate to her very core. Now, to protect her own hidden past, she must find the suspect behind these murders, before the police do. International bestselling author Emelie Schepp introduces us to the enigmatic, unforgettable Jana Berzelius in this first novel of a chilling trilogy.

    Before long, he has identified the deceased as Krister Berggren, a bachelor from the mainland who has been missing for months. All signs point to an accident—until another brutalized corpse is found at the local bed-and-breakfast. But this time it is Berggren’s cousin, whom Thomas interviewed in Stockholm just days before.As the island’s residents reel from the news, Thomas turns to his childhood friend, local lawyer Nora Linde. Together, they attempt to unravel the riddles left behind by these two mysterious outsiders—while trying to make sense of the difficult twists their own lives have taken since the shared summer days of their youth.

    From a young age, 28-year-old Embla Nyström has been plagued by chronic nightmares and racing thoughts. Though she still develops unhealthy fixations and makes rash decisions from time to time, she has learned to channel most of her anxious energy into her position as Detective Inspector in the mobile unit in Gothenburg, Sweden, and into sports. A talented hunter and prize-winning Nordic welterweight, she is glad to be taking a vacation from her high-stress job to attend the annual moose hunt with her family and friends.But when Embla arrives at her uncle’s cabin in rural Dalsland, she sees an unfamiliar face has joined the group: Peter, an enigmatic young divorcé. And she isn’t the only one to take notice. One longtime member of the hunt doesn’t welcome the presence of an outsider and is quick to point out that with Peter, the group’s number reaches thirteen, a bad omen for the week.Sure enough, a string of unsettling incidents follow, culminating in the disappearance of two men from a neighboring group of hunters. Embla takes charge of the search, and they soon find one of the missing men floating facedown in the nearby lake, his arm tightly wedged between two rocks. Just what she needs on her vacation. With the help of local reinforcements, Embla delves into the dark pasts of her fellow hunters in search of a killer.

    It seems to be a mundane suicide—at least that’s what the police choose to think. But the young man is American, not Swedish, and there are a couple of odd things about his room when they search it. . . . From these tiny beginnings, Leif GW Persson slowly begins to unravel a puzzle that gets larger and larger as it becomes more and more complex, until it sweeps us into a web of international espionage, backroom politics, greed, sheer incompetence, and the shoddy work of Sweden’s intelligence force that leads to the murder of the prime minister. The first novel in a dark and dazzling trilogy that has become the defining fictional account of the unsolved 1986 assassination of Swedish Prime Minister Olof Palme—an event that triggered the biggest criminal investigation in recorded history—Between Summer’s Longing and Winter’s End is a riveting insider’s combination of black satire, thriller, psychological drama, and police procedural by a writer universally acknowledged as Sweden’s leading criminologist.

    A sixteen-year-old boy, Roger Eriksson, has gone missing in the town of Västerås. A search is organized and a group of young scouts makes an awful discovery in a marsh: Roger is dead.Meanwhile, Sebastian Bergman, psychologist, criminal profiler and one of Sweden's top experts on serial killers, is in Västerås to settle his mother's estate following her death. Sebastian has withdrawn from police work after the death of his wife and daughter in the 2004 tsunami.When the Crime Investigation Department asks Sebastian for his help in Roger's case, his arrogant manner at first alienates the rest of the team. Pushing forward, though, they begin to make disturbing discoveries about the private school Roger attended....

    Four years after the storming of the Bastille in France and more than a year after the death of King Gustav III of Sweden, paranoia and whispered conspiracies are Stockholm’s daily bread. A promise of violence crackles in the air as ordinary citizens feel increasingly vulnerable to the whims of those in power.When Mickel Cardell, a crippled ex-solider and former night watchman, finds a mutilated body floating in the city’s lake, he feels compelled to give the unidentifiable man a proper burial. For Cecil Winge, a brilliant lawyer turned consulting detective to the Stockholm police, a body with no arms, legs, or eyes is a formidable puzzle and one last chance to set things right before he loses his battle to consumption. Together, Winge and Cardell scour Stockholm to discover the body’s identity, encountering the sordid underbelly of the city’s elite. Meanwhile, Kristofer Blix leaves rural life for the alluring charms of the capital and ambitions of becoming a doctor. His letters to his sister chronicle his wild good times and terrible misfortunes, which lead him down a treacherous path.In another corner of the city, a young woman—Anna-Stina—is consigned to the workhouse after she upsets her parish priest. Her unlikely escape plan takes on new urgency when a sadistic guard marks her as his next victim.Over the course of the novel, these extraordinary characters cross paths and collide in shocking and unforgettable ways.

    She is dressed in strange doll's clothes. Around her neck is an airline tag that says "I'm traveling alone." A special homicide unit in Oslo re-opens with veteran police investigator Holger Munch at the helm. Holger's first step is to persuade the brilliant but haunted investigator Mia Krüger to come back to the squad--she's been living on an isolated island, overcome by memories of her past. When Mia views a photograph of the crime scene and spots the number "1" carved into the dead girl's fingernail, she knows this is only the beginning. She'll soon discover that six years earlier, an infant girl was abducted from a nearby maternity ward. The baby was never found. Could this new killer have something to do with the missing child, or with the reclusive Christian sect hidden in the nearby woods?Mia returns to duty to track down a revenge-driven and ruthlessly intelligent killer. But when Munch's own six-year-old granddaughter goes missing, Mia realizes that the killer's sinister game is personal, and I'm Traveling Alone races to an explosive--and shocking--conclusion.

    In short order, they establish a link between the victim, Julie Stender, and her landlady, Esther de Laurenti, who’s a bit too fond of drink and the host of raucous dinner parties with her artist friends. Esther also turns out to be a budding novelist—and when Julie turns up as a murder victim in the still-unfinished mystery she’s writing, the link between fiction and real life grows both more urgent and more dangerous. But Esther’s role in this twisted scenario is not quite as clear as it first seems. Is she the culprit—or just another victim, trapped in a twisted game of vengeance? Anette and Jeppe must dig more deeply into the two women’s pasts to discover the identity of the brutal puppet-master pulling the strings in this electrifying literary thriller.

    After a cursory investigation, the death is declared a suicide and the case is quietly closed.Over a year later Detective Inspector Hulda Hermannsdóttir of the Reykjavík police is forced into early retirement at 64. She dreads the loneliness, and the memories of her dark past that threaten to come back to haunt her. But before she leaves she is given two weeks to solve a single cold case of her choice. She knows which one: the Russian woman whose hope for asylum ended on the dark, cold shore of an unfamiliar country. Soon Hulda discovers that another young woman vanished at the same time, and that no one is telling her the whole story. Even her colleagues in the police seem determined to put the brakes on her investigation. Meanwhile the clock is ticking.Hulda will find the killer, even if it means putting her own life in danger.

    On her journey through the deep forest, she sumbles upon the site of a grisly double murder--a crime that will remain unsolved for nearly twenty years, until the day Annie sees her grown daughter in the arms of one man she glimpsed in the forest that eerie midsummer night.Like Gorky Park and Smilla's Sense of Snow, Blackwater is a unique trhiller in which the hearts and minds of the characters are as strikingly compelling as the exotic northern landscape that envelops them.

    An Icelandic detective and a member of the American military police are on the trail of a brutal killer.THE PRESENTA 90-year-old man is discovered dead on his bed, smothered with his own pillow. Konrad, a former detective now bored with retirement, finds newspaper cuttings reporting the WWII shadow district murder the dead man’s home. It’s a crime that Konrad remembers, having grown up in the same neighborhood.A MISSING LINKWhy, after all this time, would an old crime resurface? Did the police arrest the wrong man? Will Konrad's link to the past help him solve the case and finally lay the ghosts of WWII Reykjavik to rest?

    When criminal investigator Conny Sjöberg and the Hammarby police begin to suspect that there’s a link between the murders, Sjöberg goes completely cold. There is a killer out there whose motives are very personal, and who will not be deterred.The Gingerbread House by Carin Gerhardsen is the first in the Hammarby series, thrillers with taut, suspenseful plots and unexpected twists and turns. This haunting novel explores schoolyard bullying among young children and the effect it has on them when people look the other way. Many of the scenes in this book are self-experienced and based on Gerhardsen’s own childhood. Urban settings and strong portraits of authentic characters are crafted in depth and detail, insuring the books will linger in the reader’s mind long after the finish.The Gingerbread House is written in the same tradition as the Sjöwall / Wahlöö crime novels, and has been described as a book version of the tv series The Wire. It is not only published by the same publisher as Stieg Larsson’s The Millennium Trilogy, but by the same editorial team.

    A young Dutchman, walking aimlessly in central Oslo covered in blood, is taken into custody but refuses to talk. When he is informed that the woman who discovered the body, Karen Borg, is a lawyer, he demands her as his defender, although her specialty is civil, not criminal, law. A couple of days later, Hansa Larsen, a lawyer of the shadiest kind, is found shot to death. Soon police officers Håkon Sand and Hanne Wilhelmsen establish a link between the two killings. They also find a coded message hidden in the murdered lawyer’s apartment. Their maverick colleague in the drugs squad, Billy T., reports that a recent rumor in the drug underworld involves drug-dealing lawyers. Now the reason why the young Dutchman insisted on having Karen Borg as a defender slowly dawns on them: since she was the one to find and report the body, she is the only Oslo lawyer that cannot be implicated in the crime. As the officers investigate, they uncover a massive network of corruption leading to the highest levels of government. As their lives are threatened, Hanne and her colleagues must find the killer and, in the process, bring the lies and deception out into the open.