Reclaimed from the sea, these would become the modern city of Bombay. A marriage of affluence and abject poverty, where a grey concrete jungle is the backdrop to a heady potpourri of ethnic, linguistic and religious subcultures, Bombay, renamed Mumbai after the goddess Mumbadevi, defies definition. Bombay, Meri Jaan, comprising poems and prose pieces by some of the biggest names in literature, in addition to cartoons, photographs, a song and a Bombay Duck recipe, tries to capture the spirit of this great metropolis. Salman Rushdie, Pico Iyer, Dilip Chitre, Saadat Hasan Manto, V.S. Naipaul, Khushwant Singh and Busybee, among others, write about aspects of the city: the high-rise apartments and the slums; camaraderie and isolation in the crowded chawls; bhelpuri on the beach and cricket in the gully; the women's compartment of a local train; encounter cops who battle the underworld; the jazz culture of the sixties; the monsoon floods; the Shiv Sena; the cinema halls; the sea. Vibrant, engaging and provocative, this is an anthology as rich and varied as the city it celebrates.

    

    In The Lightning Should Have Fallen on Ghalib: Selected Poems of Ghalib, poet Robert Bly and Urdu scholar Sunil Dutta collaborate to bring the delicacy and intensity of Ghalib's poetry to readers of English. This collection of thirty ghazals by Ghalib also serves as an introduction to the ghazal, the elegant and amazing poetic form revered for centuries in the Muslim world.

    As the reader is hurtled from monologue to short story to anecdote, disparate lives collide in tantalizing ways. A family flees religious persecution in their village to take refuge in an urban slum; women walk the tightrope of free will and dormant violence; a father and son grant each other the relief of estrangement; and young men and women struggle to comprehend the consequences of sexual attraction. At the heart of the action is the city itself: a teeming, breathing, suffering Bombay that demands subservience and total surrender before it will sanction survival. Insightful, ironic, and scathingly honest, No God in Sight is a brilliant debut by a talented young writer.

    The young and dashing Sultan Kowaishi has just returned from London to Bombay after passing his barrister exam. Among the first persons he meets is Mohammed Ali Jinnah, already an advocate of note, and is quickly drawn to him. It is also the time when Jinnah decides to join the Indian National Congress, soon to become its brightest star. The stir against the British rule holds no interest for Sultan but it attracts his wife Rehana, and, inexorably, weaves its way into their lives.In this brilliant saga of love and betrayal, pain and redemption, set amidst the long struggle for freedom and its terrible twin, the call for Pakistan, we confront questions that are as relevant today as they were a hundred years ago. Questions of identity, of purpose, of the shackles of a thousand memories . . .

    Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism.Even as Arundhati Roy began to ask what lay between these two calls for Freedom—a chasm or a bridge?—the streets fell silent. Not only in India, but all over the world. The coronavirus brought with it another, more terrible understanding of Azadi, making a nonsense of international borders, incarcerating whole populations, and bringing the modern world to a halt like nothing else ever could.In this series of electrifying essays, Arundhati Roy challenges us to reflect on the meaning of freedom in a world of growing authoritarianism.The essays include meditations on language, public as well as private, and on the role of fiction and alternative imaginations in these disturbing times.The pandemic, she says, is a portal between one world and another. For all the illness and devastation it has left in its wake, it is an invitation to the human race, an opportunity, to imagine another world.

    Trains that once provoked awe and fear-they were viewed as fire chariots, smoke-spewing demons-have today become a nations lifeblood.Taking a walk along Indias first rail lines, the author stumbles upon fragments of the past-a clock at Victoria Terminus that offers a rare view of a city, a cannon near Masjid Bunder Station that is worshipped as a god, a watchtower overlooking Sion Station, believed to have housed a witch. Each pit-stop comes with stories of desire and war, ambition and death-by Dockyard Road Station, for instance, author Laurence Sternes beloved, Eliza Draper, followed a sailor into the sea or close to Parel Station, the wife of Indias governor general, Lord Canning found a garden rich in tropical vegetation this, she replicated at Barrackpore.Drawing from journals, biographies, newspapers and railway archives-and with nostalgic, first-time accounts of those who travelled by Indias earliest trains-the book captures the economic and social revolutions spurred by the countrys first train line. In this, Halt Station India is not just about the railways-it is the story of the growth of Indias business capital and a rare study of a nation.

    The name indicates that this is a set of stories having it's own fragrance.

    Soon after, Gurubari, her rival in love, gave her an illness that was like the alakjari vine which engulfs the tallest, greenest trees of the forest and sucks their hearts out. Now Rupi, once the strongest woman in her village, lives out her days on a cot in the backyard, and her life dissolves into incomprehensible ruin around her.The Mysterious Ailment of Rupi Baskey is the story of the Baskeys—the patriarch Somai; his alcoholic, irrepressible daughter Putki; Khorda, Putki’s devout, upright husband, and their sons Sido and Doso; and Sido’s wife Rupi. Equally, the novel is about Kadamdihi, the Santhal village in Jharkhand in which the Baskeys live. For it is in full view of the village that the various large and small dramas of the Baskeys’s lives play out, even as the village cheers them on, finds fault with them, prays for them, and most of all, enjoys the spectacle they provide.An astonishingly assured and original debut, The Mysterious Ailment of Rupi Baskey brings to vivid life a village, its people, and the gods—good and bad—who influence them. Through their intersecting lives, it explores the age-old notions of good and evil and the murky ways in which the heart and the mind works.WINNER OF THE SAHITYA AKADEMI YUVA PURASKAR 2015 IN THE ENGLISH LANGUAGEJOINT WINNER OF MUSE INDIA-SATISH VERMA YOUNG WRITER AWARD 2015, CATEGORY: FICTIONSHORTLISTED FOR THE HINDU PRIZE 2014SHORTLISTED FOR THE CROSSWORD BOOK AWARD 2014 FOR BEST INDIAN FICTIONLONGLISTED FOR THE INTERNATIONAL DUBLIN LITERARY AWARD 2016

    It is the story of the avaricious rich merchant Dhona, the poor lad Dukhey, and his mother; it is also the story of Dokkhin Rai, a mighty spirit who appears to humans as a tiger, of Bon Bibi, the benign goddess of the forest, and her warrior brother Shah Jongoli.The original print version of this legend, dating back to the nineteenth century, is composed in a Bengali verse meter known as dwipodi poyar. Jungle Nama is a free adaptation of the legend, told entirely in a poyar-like meter of twenty-four syllable couplets that replicate the cadence of the original.The first-ever book in verse by Amitav Ghosh, Jungle Nama evokes the wonder of the Sundarban through its poetry, accompanied by stunning artwork by the renowned artist Salman Toor. This is an illuminated edition of a fabulous folk tale that every book lover will want to possess.

    It is not just a big city but also a soaring vision of modern urban life. Millions from India and beyond, of different ethnicities, languages, and religions, have washed up on its shores, bringing with them their desires and ambitions. Mumbai Fables explores the mythic inner life of this legendary city as seen by its inhabitants, journalists, planners, writers, artists, filmmakers, and political activists. In this remarkable cultural history of one of the world's most important urban centers, Gyan Prakash unearths the stories behind its fabulous history, viewing Mumbai through its turning points and kaleidoscopic ideas, comic book heroes, and famous scandals--the history behind Mumbai's stories of opportunity and oppression, of fabulous wealth and grinding poverty, of cosmopolitan desires and nativist energies.Starting from the catastrophic floods and terrorist attacks of recent years, Prakash reaches back to the sixteenth-century Portuguese conquest to reveal the stories behind Mumbai's historic journey. Examining Mumbai's role as a symbol of opportunity and reinvention, he looks at its nineteenth-century development under British rule and its twentieth-century emergence as a fabled city on the sea. Different layers of urban experience come to light as he recounts the narratives of the Nanavati murder trial and the rise and fall of the tabloid Blitz, and Mumbai's transformation from the red city of trade unions and communists into the saffron city of Hindu nationalist Shiv Sena. Starry-eyed planners and elite visionaries, cynical leaders and violent politicians of the street, land sharks and underworld dons jostle with ordinary citizens and poor immigrants as the city copes with the dashed dreams of postcolonial urban life and lurches into the seductions of globalization.Shedding light on the city's past and present, Mumbai Fables offers an unparalleled look at this extraordinary metropolis.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    Gulzar's songs, Gulzar's dialogues, Gulzar's films, all have one quality-they carry the "rasa" of poetry because basically he remains a poet.

    This work includes poems written, while the author was working with Michael Mansfield QC on the Stephen Lawrence case and other high profile political trails. It is hard hitting and blackly funny.

    Series of letters that address a wide range of concerns. Compassionate, loving, witty, and as always, provocative. By a leading best-selling novelist. South Asia Books carries several of De's novels.