Cleaver writes in Soul on Ice, "I'm perfectly aware that I'm in prison, that I'm a Negro, that I've been a rapist, and that I have a Higher Uneducation." What Cleaver shows us, on the pages of this now classic autobiography, is how much he was a man.

    The debut collection from the vibrant voice of Roxane Gay is a unique blend of fiction, nonfiction, and poetry, all interwoven to represent the Haitian diaspora experience.

    Frado becomes the servant of the Bellmonts, a lower-middle-class white family in the free North, while slavery is still legal in the South, and suffers numerous abuses in their household. Frado's story is a tragic one; having left the Bellmonts, she eventually marries a black fugitive slave, who later abandons her.

    It is as fresh and outrageous today as when it was first published in 1974.Born of a Jewish father and black mother, Oreo grows up in Philadelphia with her grandparents while her mother tours with a theatrical group. Soon after puberty Oreo heads for New York to search for her father, but in the big city she discovers that there are dozens of Sam Schwartzes. Oreo's mission turns into a wickedly humorous picaresque quest, reminiscent of the ancient Greek myth of Theseus. This is an ambitious and playful narrative that challenges not only the accepted notions of race, ethnicity, and identity, but also those of the novelistic form itself.

    The long poem was the beginning of Cesaire's quest for negritude, and it became an anthem of Blacks around the world. With its emphasis on unusual juxtapositions of object and metaphor, manipulation of language into puns and neologisms, and rhythm, Cesaire considered his style a "beneficial madness" that could "break into the forbidden" and reach the powerful and overlooked aspects of black culture. Clayton Eshleman and Annette Smith achieve a laudable adaptation of Cesaire's work to English by clarifying double meanings, stretching syntax, and finding equivalent English puns, all while remaining remarkably true to the French text. Their treatment of the poetry is marked with imagination, vigor, and accuracy that will clarify difficulties for those already familiar with French, and make the work accessible to those who are not. Andre Breton's introduction, A Great Black Poet, situates the text and provides a moving tribute to C saire. Notebook of a Return to the Native Land is recommended for readers in comparative literature, post-colonial literature, African American studies, poetry, modernism, and French.

    Now, she presents a stunning collection of love poems that includes more than twenty new works.From the revolutionary "Seduction" to the tender new poem, "Just a Simple Declaration of Love," from the whimsical "I Wrote a Good Omelet" to the elegiac "All Eyez on U," written for Tupac Shakur, these poems embody the fearless passion and spirited wit for which Nikki Giovanni is beloved and revered.Romantic, bold, and erotic, Love Poems expresses notions of love in ways that are delightfully unexpected. Articulating in sensuous verse what we know only instinctively, Nikki Giovanni once again confirms her place as one of our nations's most distinguished poets and powerful truth-tellers.In a career that has spanned more than a quarter century, starting with her explosive early years in the Black Rights Movement, Nikki Giovanni has earned a reputation as one of America's most celebrated and controversial writers. Her mind-speaking work has made her a universal favorite and a number-one best-seller.The love poems-the revolutionary "Seduction," the whimsical "I Wrote a Good Omelet," and the tender "My House" to name just a few-are among the most beloved of all Nikki Giovanni's works. Now, Love Poems brings together these and other favorites with over twenty new poems. Romantic, bold, and erotic, Love Poems will once again confirm Nikki Giovanni's place among the country's most renowned poets and truth tellers.

    It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they and she will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age and reveals the extent of her power, they see her as the key to their plans. But when she begins to understand her own feelings and desires and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman in Jamaica, and risks becoming the conspiracy's weak link. Lilith's story overflows with high drama and heartbreak, and life on the plantation is rife with dangerous secrets, unspoken jealousies, inhuman violence, and very human emotion between slave and master, between slave and overseer, and among the slaves themselves. Lilith finds herself at the heart of it all. And all of it told in one of the boldest literary voices to grace the page recently--and the secret of that voice is one of the book's most intriguing mysteries.

    This combination of slave memoir, fantasy, and historical fiction is a novel of rich literary complexity. Having just celebrated her 26th birthday in 1976 California, Dana, an African-American woman, is suddenly and inexplicably wrenched through time into antebellum Maryland. After saving a drowning white boy there, she finds herself staring into the barrel of a shotgun and is transported back to the present just in time to save her life. During numerous such time-defying episodes with the same young man, she realizes the challenge she’s been given...

    Here, the poet holds his world in full focus but at an astonishing angle: from the violence of the seventeenth-century English Civil War as refracted through a mythic sea wanderer, right down to the dark interior of love.These poems arrange the contemporary continuum of home and abroad into a wonderment of cracked narrative sequences and tumultuous personae. With ears tuned to the vernacular, the collection vividly binds us to what is terrifying about happiness, loss, and the lure of the sea. House of Lords and Commons testifies to the particular courage it takes to wade unsettled, uncertain, and unfettered in the wake of our shared human experience.

    Jones to national attention. Winner of the Pulitzer Prize, the National Book Critics Circle Award, and numerous other honors for his novel The Known World, Jones made his literary debut with these powerful tales of ordinary people who live in the shadows in this metropolis of great monuments and rich history. Lost in the City received the Pen/Hemingway Award for Best First Fiction and was a National Book Award Finalist. This beautiful 20th Anniversary Edition features a new introduction by the author, and is a wonderful companion piece to Jones’s masterful novel and his second acclaimed collection of stories, All Aunt Hagar’s Children.

    The protagonist of Apex Hides the Hurt is a nomenclature consultant. If you want just the right name for your new product, whether it be automobile or antidepressant, sneaker or spoon, he’s the man to get the job done. Wardrobe lack pizzazz? Come to the Outfit Outlet. Always the wallflower at social gatherings? Try Loquacia. And of course, whenever you take a fall, reach for Apex, because Apex Hides the Hurt. Apex is his crowning achievement, the multicultural bandage that has revolutionized the adhesive bandage industry. “Flesh-colored” be damned—no matter what your skin tone is—Apex will match it, or your money back.After leaving his job (following a mysterious misfortune), his expertise is called upon by the town of Winthrop. Once there, he meets the town council, who will try to sway his opinion over the coming days. Lucky Aberdeen, the millionaire software pioneer and hometown-boy-made-good, wants the name changed to something that will reflect the town’s capitalist aspirations, attracting new businesses and revitalizing the community. Who could argue with that? Albie Winthrop, beloved son of the town’s aristocracy, thinks Winthrop is a perfectly good name, and can’t imagine what the fuss is about. Regina Goode, the mayor, is a descendent of the black settlers who founded the town, and has her own secret agenda for what the name should be. Our expert must decide the outcome, with all its implications for the town’s future. Which name will he choose? Or perhaps he will devise his own? And what’s with his limp, anyway?Apex Hides the Hurt brilliantly and wryly satirizes our contemporary culture, where memory and history are subsumed by the tides of marketing.

    A way of desensitizing the reader from his own defenses each time this long, Black Movie repeats.”– Marcus Wicker, author of Silencer

    Carl Van Vechten's novel generated a storm of controversy because of its scandalous title and fed an insatiable hunger on the part of the reading public for material relating to the black culture of Harlem's jazz clubs, cabarets, and social events."The book and not the title is the thing," James Weldon Johnson insisted with regard to Nigger Heaven, and the book is indeed a nuanced and vibrant portrait of "the great black walled city" of Harlem. Opening on a scene of tawdry sensationalism, Nigger Heaven shifts decisively to a world of black middle-class respectability, defined by intellectual values, professional ambition, and an acute consciousness of class and racial identity.Here is a Harlem where upper-class elites discuss art in well-appointed drawing rooms; rowdy and lascivious drunks spend long nights in jazz clubs and speakeasies; and politically conscious young intellectuals drink coffee and debate "the race problem" in walk-up apartments. At the center of the story, two young people--a quiet, serious librarian and a volatile aspiring writer--struggle to love each other as their dreams are slowly suffocated by racism.This reissue is based on the seventh printing, which included poetry composed by Langston Hughes especially for the book. Kathleen Pfeiffer's astute introduction investigates the controversy surrounding the shocking title and shows how the novel functioned in its time as a site to contest racial violence. She also signals questions of racial authenticity and racial identity raised by a novel about black culture written by a white admirer of that culture.Carl Van Vechten was a photographer and the author of numerous works of fiction and non-fiction. Kathleen Pfeiffer is an assistant professor of English at Oakland University, Rochester, Michigan.

    A poem in five books, of circular narrative design, titled with the Greek name for Homer, which simultaneously charts two currents of history: the visible history charted in events—the tribal losses of the American Indian, the tragedy of African enslavement—and the interior, unwritten epic fashioned from the suffering of the individual in exile.

     Bone. Visceral. Close to. Stark. The poems in Yrsa Daley-Ward's collection bone are exactly that: reflections on a particular life honed to their essence--so clear and pared-down, they become universal. From navigating the oft competing worlds of religion and desire, to balancing society's expectations with the raw experience of being a woman in the world; from detailing the experiences of growing up as a first generation black British woman, to working through situations of dependence and abuse; from finding solace in the echoing caverns of depression and loss, to exploring the vulnerability and redemption in falling in love, each of the raw and immediate poems in Daley-Ward's bone resonate to the core of what it means to be human. "You will come away bruised. You will come away bruisedbut this will give you poetry."