Alan has no desire to move to Spain, but his sister Cathy and brother-in-law Bernie are going regardless, so he decides to tag along. Despite his initial pessimism, he soon sees that life in their new home has more to offer than he first suspected, and by befriending a pair of local oldies he finds surprising new opportunities opening up to him. A coin dealer by trade and an idler by nature, his new, dynamic attitude surprises Cathy, Bernie and, most of all, himself, as he gets to grips with the language, tries out new activities and embraces the outdoor life. When the bar in the nearby village is reopened by two enterprising ladies, he also begins to realise that bachelorhood may not be his destiny after all. Part Two is now also available.

    Anthony Cronin’s account of life in post-war literary Dublin is as funny and colourful as one would expect from an intimate of Brendan Behan, Patrick Kavanagh and Myles na Gopaleen; but it is also a clear-eyed and bracing antidote to the kitsch that passes for literary history and memory in the Dublin of today. Cronin writes with remarkable subtlety of the frustrations and pathologies of this generation: the excess of drink, the shortage of sex, the insecurity and begrudgery, the painful limitations of cultural life, and the bittersweet pull of exile. We read of a comical sojourn in France with Behan, and of Cronin’s years in London as a literary editor and a friend of the writer Julian Maclaren-Ross and the painters Robert MacBryde and Robert Colquhoun. The generation chronicled by Cronin was one of wasted promise. That waste is redressed through the shimmering prose of Dead as Doornails, earning its place in Irish literary history alongside the best works of Behan, Kavanagh and Myles.

    The book also includes some of her best fiction pieces.

    She and her husban, Carlen, feel as though they've been shoved out of a plane 10,000 feet up, with nothing to grab but themselves. But A Path Revealed is not about the fallout from an insidious disease that extended nearly seventeen years. It is in Carlen's words, "The story of a path emerging during our darkest hours, a path that we neither planned, nor foresaw." Carlen traveled with Martha to the backwoods of Kentucky, where the quiet presence of a Catholic nun revealed a hidden path. He was forced to slow down as he traced this path halfway around the world to Australia, retreated weekends to a monastery, embraced meditation, and landed all alone in Thomas Merton's cabin. A Path Revealed echoes accents heard in Anne Lamott's Traveling Mercies, Richard Rohr's Falling Upward, and John Bunyan's 17th-century classic, The Pilgrim's Progress.

    This is incidental as it is about neither of those industries in particular. It is about the magic and wonderment of those days as seen through the eyes of a child – my eyes! It is about the days when imagination was the biggest plaything that we possessed. The days when a plastic football provided a whole summer's play. It is about the scrapes that I found myself in and the things that I observed around me, and how they made me feel. All the stories are true and I personally experienced every one of them. The names of the characters have been changed. The reason being that I have no idea of the whereabouts of many of the characters contained within my stories, so I have no way of asking them for their permission to include them in this book. Some have possibly passed away, and it would be unfair of me to mention them without their blessing. Anyone who knows me will know who they are though.

    But just as this was no ordinary home, theirs was no ordinary family. Lynn Knight tells the remarkable story of the three adoptions within it: of her great-grandfather, a fairground boy given away when his parents left for America in 1865; of her great-aunt, rescued from an Industrial School in 1909; and of her mother, adopted as a baby in 1930 and brought to Chesterfield from London."--Front flyleaf of book jacket.

    But to one family who bought it as an attempt to renew themselves it was home, a place they desperately tried to hold on to and yet, after seventeen years of living there, the very place from which they wanted to escape. Growing up under its leaking roof, Brandon R. Schrand watched a cast of broken characters pass through the hotel doors—an alcoholic artist, a forgotten boxing champ, an ex-con, a homeless family—and tried to find his own identity among those revolving faces. Haunted by a father he had never seen, he tested the faces of those drifters for familiarity. Winner of the River Teeth Literary Nonfiction Prize, The Enders Hotel reveals the promises and warnings of western boomtown life—stories of alcoholism, murder, betrayal, hope, and finally, redemption.

    I hated working for him and I hated being around him. I hated it when he walked through the front door at home. And we feared him from the moment he pulled up in front of the house in his car.” So writes conservative firebrand and popular radio host Larry Elder. For ten years Elder and his father did not talk to each other. When they finally did, the conversation went on for eight hours—eight hours that took Elder on his father’s journey from the Jim Crow South, to service in the Marine Corps, to starting a business in Southern California. Elder emerged not just reconciled with his dad, but admiring him, and realizing that he had never fully known him or understood him.  Heartfelt, beautifully written, compulsively readable, A Lot Like Me—originally published as Dear Father, Dear Son—is both a powerfully affecting memoir and a personal, provocative slice of American history.

    It tells the story of William Stoner, who attends the state university to study agronomy, but instead falls in love with English literature and becomes an academic. The novel narrates the many disappointments and struggles in Stoner's academic and personal life, including his estrangement from his wife and daughter, set against the backdrop of the first half of the twentieth century.In his entry in the Bookmarked series, author Steve Almond writes about why Stoner has endured, and the manner in which it speaks to the impoverishment of the inner life in America. Almond will also use the book as a launching pad for an investigation of America’s soul, in the process, writing about his own struggles as a student of writing, as a father and husband, and as a man grappling with his own mortality.

    A Paramedic's Diary is his gripping, blow-by-blow account of a year on the streets - 12 roller-coaster months of enormous highs and tragic lows. One day he'll save a young mother's life as she gives birth, the next he might watch a young girl die on the tarmac in front of him after a hit-and-run. His is a world of hoax calls, drunks and druggies, terrorist bombings and gangland shootings. A gripping, entertaining and often amusing read. About the author:Stuart Gray has been a guest on Saturday Live on Radio 4 and the Simon Mayo Show and the Donal MacIntyre Show on Radio Five Live.He has also appeared on TV in Bizarre ER. The Times named him one of the 40 Bloggers who really count and said that he 'encounters more blood-curdling drama on a single shift than most people would in a year' and that his writing is 'compelling and plainly written.'

    The final train was canceled September 1 when Hitler invaded Poland. The 250 children scheduled for that train were left on the platform and later transported to concentration camps and presumably perished.Detailed in this page-turning true story is Backer’s dangerous escape, his boyhood in England, his perilous 1944 voyage to America, and his mantra today. Now he is an eighty-six-year-old who remains an activist for peace and justice. He has been influenced by his Jewish heritage, his Christian boarding school education in England, and the always present question, “For what purpose was I spared the Holocaust?”My Train to Freedom was thoroughly researched and shaped by Backer’s own memories. It includes interviews he conducted in 1980 in Czech with his mother and her sister, later translated into English; a collection of conversations he had with his older brother and cousin; insights gained from the Czech film, Nicky’s Family, about the Kindertransport; and concludes with never-before-published death march accounts by two family members.

    The world of Sylvia's Farm is a rich landscape of natural beauty and simple pleasures. Sylvia Jorrín never expected to become the first woman in the New York City Watershed to solely own and operate a large livestock farm. But first the farm, and then farm life, captured her heart as it has captured the hearts of all those who have read her book. Through unexpected surprises and unanticipated hardships, Sylvia Jorrín has grown into the epitome of the one thing she never expected to be: a farmer.With a devoted following of readers inspired by her underlying appreciation of the world around her, Sylvia's Farm is the sort of ageless story that any reader can pick up and enjoy. Sylvia's Farm is, to quote Kirkus Reviews, "The delight-filled education of an out-of-the-clue shepherdess...." consisting of "....fine-grained, honest rural sketches, on a par with Noel Perrin and Don Mitchell." Sylvia's Farm is a contemporary account of rural farm life and all of the sometimes beautiful, always meaningful lessons that it continues to teach. Told in short vignettes that span over more than a decade, it is a journal of growth, persistence, and the unexpected joys that a new day can bring.

    Life certainly isn't. The sole inevitability of existence, the only sure consequence of being alive, is death. In these eloquent and surprising essays, twenty writers face this fact, among them Geoff Dyer, who describes the ghost bikes memorializing those who die in biking accidents; Jonathan Safran Foer, proposing a new way of punctuating dialogue in the face of a family history of heart attacks and decimation by the Holocaust; Mark Doty, whose reflections on the art-porn movie Bijou lead to a meditation on the intersection of sex and death epitomized by the AIDS epidemic; and Joyce Carol Oates, who writes about the loss of her husband and faces her own mortality. Other contributors include Annie Dillard, Diane Ackerman, Peter Straub, and Brenda Hillman.

    Ron Hubbard—begins in Brooklyn's working-class Bensonhurst neighborhood, where she was introduced to the religion by her mom. More than three decades later, Leah summoned the courage to leave the church—something few celebrities at her level of fame have ever done before and almost none have ever talked about. This People Spotlight Story explores Leah Remini and her escape from Scientology.

    Vale: Four leading figures in social movements discuss the state of Western culture and what led to its demise, with firsthand accounts of their own experiences, including subjects that concern every creative artist and thinker: The Internet and social change; why every one must paint( ); mind control, marketing, branding and consumerism; corporate chain stores and the problem of Amazon; punk rock history; the rise of Do-It-Yourself (D-I-Y) culture production; fame and its downside; sex and relationships.