But when his partner becomes victim number two, it looks like open-and-shut grudge killings. That is, until a third detective buys it.ED MCBAIN'S FIRST 87th PRECINCT NOVEL

    A Patterson-style thriller with a dash of Hannibal...A city paralyzed by a serial killer stalking the night, taking a most gruesome trophy.The only standing in the murderer's way is an FBI profiler...recently released from a mental institution.Plain Jane combines the swift action of Patterson with the macabre of Harris.Just remember to keep the lights on when reading this one!

    The murders couldn't be more gruesome. The method of killing is identical, the backgrounds of the girls very similar -- all are prostitutes. As the book opens, a seventh body is found, same modus operandi but the victim this time is a sweet young student. Anna stumbles on a vital piece of information that links one man to the killings, a well-known, much-loved actor. His protestation of innocence is convincing, and Anna might be succumbing to his flattering attention. What if he is arrested, the media erupts, and he is the wrong man?

    Small and blond, from a distance she looked vulnerable and slight. . . the perfect bait to catch a killer. But as Quinn got older, she realised she needed to find a protegee, a younger field agent to take her place. So Quinn trains a twenty-two year old and lets her loose in the field. The plan works. Until the Route 66 killer not only takes the bait, but kills the bait too.Years on, Quinn is trying to move past the fact that she has a young woman's death on her conscience. She's now the perfect Stepford Wife - until she gets a knock on her door. The girl's body has finally been discovered. Quinn is pulled back into the case and the more she learns about the killer the more she comes to believe, despite the overwhelming forensic evidence to hand, that they have the wrong man.

    The terrifying truth about her parents and a long-ago murder is only the first in a series of shocking betrayals. Philippa quickly learns that those who delve into the secrets of the past must be on guard when long-buried horrors begin to stir.

    But one night, against their best instincts, they accept a cab ride with grave, everlasting consequences. For the next three years, they are held captive with two other girls in a dungeon-like cellar by a connoisseur of sadism.Ten years later, at thirty-one, Sarah is still struggling to resume a normal life, living as a virtual recluse under a new name, unable to come to grips with the fact that Jennifer didn’t make it out of that cellar. Now, her abductor is up for parole and Sarah can no longer ignore the twisted letters he sends from jail.Finally, Sarah decides to confront her phobias and the other survivors—who hold their own deep grudges against her. When she goes on a cross-country chase that takes her into the perverse world of BDSM, secret cults, and the arcane study of torture, she begins unraveling a mystery more horrifying than even she could have imagined.A shocking, blazingly fast read, Koethi Zan’s debut is a must for fans of Karin Slaughter, Laura Lippman, and S.J. Watson.

    The ultimate cover-up. How do you solve a murder with no useable evidence?Private detective Nils Shapiro is focused on forgetting his ex-wife and keeping warm during another Minneapolis winter when a former colleague, neighboring Edina Police Detective Anders Ellegaard, calls with the impossible.Suburban divorcee Maggie Somerville was found murdered in her bedroom, her body covered with the dust from hundreds of emptied vacuum cleaner bags, all potential DNA evidence obscured by the calculating killer.Digging into Maggie’s cell phone records, Nils finds that the most frequently called number belongs to a mysterious young woman whose true identity could shatter the Somerville family--but could she be guilty of murder?After the FBI demands that Nils drop the case, Nils and Ellegaard are forced to take their investigation underground, where the case grows as murky as the contents of the vacuum cleaner bags. Is this a strange case of domestic violence or something with far reaching, sinister implications?

    Now thirty years old, she is a reclusive bestselling true crime writer and investigative consultant whose intuitions never lie. The latest case to capture her attention is the disappearance of three adults, each the kind of loner whose sudden absence isn't missed-they have no family, few friends. The Santa Fe Police don't see a pattern, just three people who left their empty lives behind. But when another woman turns up missing, her apartment streaked with blood, even the police have to admit that something is wrong in their usually quiet town. Lydia and P.I. Jeffrey Mark, the ex-FBI agent who solved her mother's murder, begin a relentless investigation. But it is only when the killer ups the ante and goes after Lydia herself that, just like fifteen years ago when she put the FBI on the trail of her mother's killer, the real hunt begins...

    The case rocked the small farm town of Penny Gate, Iowa, where Jack was raised, and for years Jack avoided returning home. But when his beloved aunt Julia is in an accident, hospitalized in a coma, Jack and Sarah are forced to confront the past that they have long evaded. Upon arriving in Penny Gate, Sarah and Jack are welcomed by the family Jack left behind all those years ago—barely a trace of the wounds that had once devastated them all. But as facts about Julia's accident begin to surface, Sarah realizes that nothing about the Quinlans is what it seems. Caught in a flurry of unanswered questions, Sarah dives deep into the puzzling rabbit hole of Jack's past. But the farther in she climbs, the harder it is for her to get out. And soon she is faced with a deadly truth she may not be prepared for.

    A few days before Christmas, his peace is shattered and he is thrust back into the murky world of murder when a young woman is found dead amongst the ancient ruins of the nearby Priory.When former local girl Dr Anna Taylor arrives back on the island as a police consultant, old memories swim to the surface making her confront her difficult past. She and Ryan struggle to work together to hunt a killer who hides in plain sight, while pagan ritual and small-town politics muddy the waters of their investigation.

    A methodical, diligent, and exceptionally bright detective, South is an avid birdwatcher and trusted figure in his small town on the rugged Kentish coast. He also lives with the deeply buried secret that, as a child in Northern Ireland, he may have killed a man. When a fellow birdwatcher is found murdered in his remote home, South's world flips. The culprit seems to be a drifter from South's childhood; the victim was the only person connecting South to his early crime; and a troubled, vivacious new female sergeant has been relocated from London and assigned to work with South. As our hero investigates, he must work ever-harder to keep his own connections to the victim, and his past, a secret. The Birdwatcher is British crime fiction at its finest; a stirring portrait of flawed, vulnerable investigators; a meticulously constructed mystery; and a primal story of fear, loyalty and vengeance. **Longlisted for the Theakston Old Peculier Crime Novel of the Year

    That’s what Sarah thinks as she settles into life with her new husband, Dr. Johnny McDonald. But all too soon she discovers an undercurrent of deception. And one October evening when Johnny is away, sudden tragedy destroys Sarah’s happiness.Dazed and stricken with grief, she and Johnny begin to rebuild their shattered lives. As she picks up the pieces of her broken home, Sarah discovers a shocking secret that forces her to doubt everything she thought was true—about her neighbors, her friends, and even her marriage. With each stunning revelation, Sarah must ask herself, Can we ever really know the ones we love?

    Very unusual cops . . .Homicide detective Frank Bennett has an intriguing new partner. Dark, beautiful, coldly efficient, Eden Archer is one of the most enigmatic colleagues Frank has ever worked with—that includes her brother Eric, who’s also on the Sydney Metro police force. All of them are tested to the core when a local man discovers a graveyard of large steel toolboxes lying at the bottom of the harbor. Each box contains a grisly trove of human body parts.For Frank, the madman’s clues are a tantalizing puzzle. For Eden and Eric, the case holds chilling links to a scarred childhood—and a murderous mentor named Hades. But the true evil goes beyond the bloody handiwork of a serial killer…

    Safe from the crime and congestion of city life, it is the perfect place to raise a family . . . or so they thought.Life as the town medical examiner is relatively unhurried for Dr. Ben Stevenson. With only a smattering of cases here and there-car accident victims, death by natural causes-he has plenty of time to spend with his loving wife and two sons. That is until a teenager's body is discovered in the woods and Ben, as the only coroner in the area, is assigned to the case. But as the increasingly animalistic attacks continue, the case challenges Ben in ways he never suspects.With its eerie portrait of suburban life and nerve-fraying plot twists, this is psychological suspense at its best-an extraordinary debut that challenges as much as it thrills.

    She's the town's most beloved surf idol, and it was believed that she could be the next Kelly Slater.As another child, the son of a well-known senator is kidnapped, and the parents receive a disturbing video, FBI profiler Eva Rae Thomas — who has just returned to her hometown, divorced and out of a job — plunges into the investigation, breaking her promise to her children not to do police work again.Local law enforcement, with her old flame Matt Miller in charge, are the ones who ask for her help in a case so unsettling that only she can solve it. But the deeper they dig, the deadlier it becomes for Matt and Eva Rae. Soon, everyone she holds dear is in grave danger as this case hits a little too close to home. DON’T LIE TO ME is the first book in the Eva Rae Thomas Mystery Series and can be read as a standalone.