Caitlin Hendrix has been a Narcotics detective for six months when the killer at the heart of all her childhood nightmares reemerges: the Prophet. An UNSUB—what the FBI calls an unknown subject—the Prophet terrorized the Bay Area in the 1990s and nearly destroyed her father, the lead investigator on the case.The Prophet’s cryptic messages and mind games drove Detective Mack Hendrix to the brink of madness, and Mack’s failure to solve the series of ritualized murders—eleven seemingly unconnected victims left with the ancient sign for Mercury etched into their flesh—was the final nail in the coffin for a once promising career.Twenty years later, two bodies are found bearing the haunting signature of the Prophet. Caitlin Hendrix has never escaped the shadow of her father’s failure to protect their city. But now the ruthless madman is killing again and has set his sights on her, threatening to undermine the fragile barrier she rigidly maintains for her own protection, between relentless pursuit and dangerous obsession.Determined to decipher his twisted messages and stop the carnage, Caitlin ignores her father’s warnings as she draws closer to the killer with each new gruesome murder. Is it a copycat, or can this really be the same Prophet who haunted her childhood? Will Caitlin avoid repeating her father’s mistakes and redeem her family name, or will chasing the Prophet drag her and everyone she loves into the depths of the abyss?

    He's also a knight errant who's wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out and his rule is simple: he'll help you find whatever was taken from you, as long as he can keep half.

    He must be a complete man and a common man and yet an unusual man. This is the Code of the Private Eye as defined by Raymond Chandler in his 1944 essay 'The Simple Act of Murder.' Such a man was Philip Marlowe, private eye, an educated, heroic, streetwise, rugged individualist and the hero of Chandler's first novel, The Big Sleep. This work established Chandler as the master of the 'hard-boiled' detective novel, and his articulate and literary style of writing won him a large audience, which ranged from the man in the street to the most sophisticated intellectual.

    Caleb Maddox is a San Francisco toxicologist studying the chemical effects of pain. After a bruising breakup with his girlfriend, he’s out drinking whiskey when a hauntingly seductive woman appears by his side. Emmeline whispers to Caleb over absinthe, gets his blood on her fingers and then brushes his ear with her lips as she says goodbye. He must find her.As his search begins, Caleb becomes entangled in a serial-murder investigation. The police have been fishing men from the bay, and the postmortems are inconclusive. One of the victims vanished from the bar the night Caleb met Emmeline. When questioned, Caleb can’t offer any information, nor does he tell them he’s been secretly helping the city’s medical examiner, an old friend, study the chemical evidence on the victims’ remains. The search for the killer soon entwines with Caleb’s hunt for Emmeline, and the closer he gets to each, the more dangerous his world becomes.From the first pages up to the haunting, unforgettable denouement, The Poison Artist is a gripping thriller about obsession and damage, about a man unmoored by an unspeakable past and an irresistible woman who offers the ultimate escape.

    But the house has a mystery it has never revealed: It's where Arden Arrowood's younger twin sisters vanished on her watch twenty years ago--never to be seen again. After the twins' disappearance, Arden's parents divorced and the Arrowoods left the big house that had been in their family for generations. And Arden's own life has fallen apart: She can't finish her master's thesis, and a misguided love affair has ended badly. She has held on to the hope that her sisters are still alive, and it seems she can't move forward until she finds them. When her father dies and she inherits Arrowood, Arden returns to her childhood home determined to discover what really happened to her sisters that traumatic summer.Arden's return to the town of Keokuk--and the now infamous house that bears her name--is greeted with curiosity. But she is welcomed back by her old neighbor and first love, Ben Ferris, whose family, she slowly learns, knows more about the Arrowoods' secrets and their small, closed community than she ever realized. With the help of a young amateur investigator, Arden tracks down the man who was the prime suspect in the kidnapping. But the house and the surrounding town hold their secrets close--and the truth, when Arden finds it, is more devastating than she ever could have imagined.Arrowood is a powerful and resonant novel that examines the ways in which our lives are shaped by memory. As with her award-winning debut novel, The Weight of Blood, Laura McHugh has written a thrilling novel in which nothing is as it seems, and in which our longing for the past can take hold of the present in insidious and haunting ways.

    Socially awkward and perpetually ill at ease, he spends his evenings quietly drinking and surreptitiously observing Adele Bedeau, the sullen but alluring waitress at a drab bistro in the unremarkable small French town of Saint-Louis. One day, she simply vanishes into thin air and Georges Gorski, a detective haunted by his failure to solve one of his first murder cases, is called in to investigate the girl's disappearance. He sets his sights on Manfred. As Manfred cowers beneath Gorski's watchful eye, the dark secrets of his past begin to catch up with him and his carefully crafted veneer of normalcy begins to crack. Graeme Macrae Burnet's masterful play on literary form featuring an unreliable narrator makes for a grimly entertaining psychological thriller that questions if it is possible--or even desirable--to know another man's mind.

    A woman is murdered. Four people all have something to hide. Jim is a retired police officer, and worried father. His beloved daughter has disappeared and he knows something is wrong.Tom has woken up to the news that his wife was on the plane and must break the news to their only son.Cecilia had packed up and left her family. Now she has survived a tragedy, and sees no way out.Freya is struggling to cope with the loss of her father. But as she delves into his past, she may not like what she finds.'Before the plane crash, after the plane crash, such a short amount of time for the world to turn on its head. '

    . . and his eleven-year-old neighbor is accused of the crime. Leading the defense is London solicitor Daniel Hunter, a champion of lost causes.A damaged boy from a troubled home, Daniel's young client, Sebastian, reminds Daniel of his own turbulent childhood--and of Minnie, the devoted woman whose love saved him. But one terrible act of betrayal irrevocably shattered their bond.As past and present collide, Daniel is faced with disturbing questions. Will his sympathy for Sebastian and his own memories blind him to the truth? What happened in the park--and who, ultimately, is to blame for a little boy's death? Rethinking everything he's ever believed, Daniel begins to understand what it means to be wrong . . . and to be the guilty one.

    Since he first started breaking into houses when he was fourteen years old, he’s never once been caught. But now, after twenty-two years of an exemplary career, Junior has been blackmailed by Trey Annunziato, one of the most powerful crime bosses in LA, into acting as a private investigator on the set of Trey’s porn movie venture, which someone keeps sabotaging.The star Trey has lined up to do all that’s unwholesome on camera is Thistle Downing, America’s beloved child star, who now lives alone in a drug-induced stupor, destitute and uninsurable. Her starring role will be the scandalous fall-from-grace gossip of rubber-neckers across the country. No wonder Trey needs help keeping the production on track.Junior knows what that he should do — get Thistle out and find her help — but doing the right thing will land him on the wrong side of LA’s scariest mob boss. With the help of his precocious twelve-year-old daughter, Rina, and his criminal sidekick, Louie the Lost (an ex-getaway driver), Junior has to figure out a miracle solution.

    A famous bestselling author who appears a modest everyman. A loving, devoted husband even though he could have any woman he desires. A generous friend and coworker. But Henry Hayden is a construction, a mask. His past is a secret, his methods more so. No one besides him and his wife know that she is the actual writer of the novels that made him famous.For most of Henry’s life, it hasn’t been a problem. But when his hidden-in-plain-sight mistress becomes pregnant and his carefully constructed facade is about to crumble, he tries to find a permanent solution, only to make a terrible mistake.Now not only are the police after Henry, but his past—which he has painstakingly kept hidden—threatens to catch up with him as well. Henry is an ingenious man and he works out an ingenious plan. He weaves lies, truths, and half-truths into a story that might help him survive. But bit by bit the noose still tightens.Smart, sardonic, and compulsively readable, here is the story of a man whose cunning allows him to evade the consequences of his every action, even when he’s standing on the edge of the abyss.

    . . OR THE PERFECT LIE?Cassie had it all - the fairytale wedding, the stunning home, the perfect husband. But when she arrives on the intensive care ward at St Catherine's hospital in a coma, it soon becomes clear that she has a secret; a secret that changes everything.Alice, the chief nurse on the ward begins to feel a connection with Cassie and can't help but wonder if things are not quite as they seem.Frank, another patient, can hear and see everything around him but cannot communicate. He understands that Cassie's life is in danger and only he holds the truth, which no one can know and he cannot tell . . .

    One catch: he’ll only do it if FBI profiler Reni Fisher, his estranged daughter, accompanies them. As hard as it is to exhume her traumatic childhood, Reni can’t say no. She still feels complicit in her father’s crimes.Perfect to play a lost little girl, Reni was the bait to lure unsuspecting women to their deaths. It’s time for closure. For her. For the families. And for Daniel. He shares Reni’s obsession with the past. Ever since he was a boy, he’s been convinced that his mother was one of Fisher’s victims.A five-hundred-mile road trip lies ahead. Thirty years of bad memories are flooding back. A master manipulator has gained their trust. For Reni and Daniel, this isn’t the end of a nightmare. It’s only the beginning.

    It was the tragic story of the year - a little boy, Aiden, wandered away from school during a terrible flood, fell into the river, and drowned.  His body was never recovered.  Ten years later, Emma has finally rediscovered the joy in life. She's married, pregnant, and in control again...... until Aiden returns. Too traumatized to speak, he raises endless questions and answers none. Only his body tells the story of his decade-long disappearance. The historic broken bones and injuries cast a mere glimpse into the horrors Aiden has experienced. Aiden never drowned. Aiden was taken. As Emma attempts to reconnect with her now teenage son, she must unmask the monster who took him away from her. But who, in their tiny village, could be capable of such a crime?It's Aiden who has the answers, but he cannot tell the unspeakable.This dark and disturbing psychological novel will appeal to fans of The Widow and The Butterfly Garden.

    Ruthless and riddled with vices, Czarcik always gets his man. And fast. Until now…A double slaying isn’t the open-and-shut case of urban crime he’s used to. Connecting it to a high-profile Texas judge, Czarcik realizes something bigger is going on. It’s the work of a serial killer for whom Chicago is just the beginning. Now he’s inviting Czarcik to play catch-me-if-you-can on a cross-country murder spree.Going rogue, Czarcik accepts the challenge. But as the bodies pile up, he must come to grips with the fact that nothing—not the killer, the victims, or the rules—is what it seems in this bloody game of cat and mouse.

    Nakamura’s Japanese debut is a noir-spun tale that probes the violence inherent to aesthetics.On a nighttime walk along a Tokyo riverbank, a young man named Nishikawa stumbles on a dead body, beside which lies a gun. From the moment Nishikawa decides to take the gun, the world around him blurs. Knowing he possesses the weapon brings an intoxicating sense of purpose to his dull university life.But soon Nishikawa’s personal entanglements become unexpectedly complicated: he finds himself romantically involved with two women while his biological father, whom he’s never met, lies dying in a hospital. Through it all, he can’t stop thinking about the gun—and the four bullets loaded in its chamber. As he spirals into obsession, his focus is consumed by one idea: that possessing the gun is no longer enough—he must fire it.