Afraid they will be made to work in the labour camp, they decide to escape to the other side of the island. The perilous journey to Last Man Peak, with only their wits and courage to help them, was to change their lives forever. This tale traces their difficult and dangerous journey to reach Last Man Peak.

    Stuck in grief over her mother’s recent death. Stuck in the African jungle for sixty-four days without phone reception. Stuck with her father, a doctor who seems able to heal everyone but Clare.Clare feels like a fish out of water at Mzanga Full Primary School. Soon, though, she becomes immersed in her new surroundings and impressed with her fellow students, who are crowded into a tiny space, working on the floor among roosters and centipedes.When Clare’s new friends take her on an outing to a lake, the trip goes horribly wrong, and Clare must face another heartbreak head-on. Only an orphan named Memory, who knows about love and loss, can teach Clare how to laugh with the moon.

    Magona decided to write this novel when she discovered that Fulbright Scholar Amy Biehl, who had been killed while working to organize the nation's first ever democratic elections in 1993, died just a few yards away from her own permanent residence in Guguletu, Capetown. She then learned that one of the boys held responsible for the killing was in fact her neighbor's son. Magona began to imagine how easily it might have been her own son caught up in the wave of violence that day. The book is based on this real-life incident, and takes the form of an epistle to Amy Biehl's mother. The murderer's mother, Mandisi, writes about her life, the life of her child, and the colonized society that not only allowed, but perpetuated violence against women and impoverished black South Africans under the reign of apartheid. The result is not an apology for the murder, but a beautifully written exploration of the society that bred such violence.

    Society's retribution for her act of defiance - death - she welcomes as the only way she can finally be free.

    A poignant story of a resourceful Nigerian woman who overcomes strict tribal domination of women and countless setbacks to achieve an independent life for herself and her children.

    After the courtship, she took the money and left. When we meet again, he is a big business emperor, and she is a small manager at a five-star hotel. With a single command, she was forced to become his personal housekeeper, managing his meals, drinking, drinking, scattering, sleeping … "Butler Luo, the CEO's appetite is not good. Go and accompany him to eat something." "The assistant informed her." "Butler Luo, the CEO is not in a good mood. Go and play with him." Butler Luo, the CEO doesn't sleep well, go accompany him … " Luo Qingyun could not bear it any longer, "I am just a housekeeper, not a companion!" The assistant had an innocent look, "The CEO said that if Butler Luo is unwilling, then let her see a little bit more powerful. Does Butler Luo want to test the CEO's power?" I'll give it a try, who's afraid of who!

    

    Faced with an alluring, new religion and 'magical' customs, the Gikuyu people are torn between those who fear the unknown and those who see beyond it. Some follow Joshua and his fiery brand of Christianity while others proudly pursue tribal independence. In the midst of this disunity stands Waiyaki, a dedicated visionary born to a line of prophets. He struggles to educate the tribe - a task he sees as the only unifying link between the two factions - but his plans for the future raise issues which will determine both his own and the Gikuyu's survival.

    A gritty, deeply moving story that shows how the human spirit can triumph in the harshest of worlds.

    Since then, they have become embroiled in allegations of state capture, of dishing out cabinet posts to officials who would do their bidding, and of benefiting from lucrative state contracts and dubious loans. The Republic of Gupta investigates what the Gupta brothers were up to during Thabo Mbeki’s presidency and how they got into the inner circle of President Jacob Zuma. It shines new light on their controversial ventures in computers, cricket, newspapers and TV news, and coal and uranium mining. And it explores their exposure by public protector Thuli Madonsela, their conflict with finance minister Pravin Gordhan, and the real reasons behind the cabinet reshuffle of March 2017.Pieter-Louis Myburgh delves deeper than ever before into the Guptas’ business dealings and their links to prominent South African politicians, and explains how one family managed to transform an entire country into the Republic of Gupta.

    Written as fiction to protect the innocent, the book exposes the explosive dark truths of the Winelands' elite. All is revealed through the eyes of stay at home mom, 49-year-old Jen, who is the wife of John, a renowned wine farmer and businessman. Jen, like many of her privileged friends, lives a charmed life provided by her husband, in exchange for conjugal sex and obligatory wifely gratitude. When Jen stumbles upon her playboy husband in a compromising position with his sexy employee, things fall apart. Jen is forced to choose between leaving her marriage, jeopardising her standing and stability in the community or turning a blind eye to his infidelity. The book follows Jen's passage to self-discovery and self-fulfillment, while other characters' perspectives move the story forward as each is privy to (and eventually reveals) at least one 'truth' or 'lie' which Jen must face. Jen's exposition of her husband's infidelity inadvertently mirrors the underbelly of the patriarchal and often duplicitous community of the seemingly perfect Stellenbosch. Led by prominent wine farmers, international businessmen and renowned academics, business and private interests, even if ethically compromised, are staunchly guarded. The unfolding chapters irreverently explore both the emotional growth of the protagonist, Jen, as well as the moral ambiguities of the other players in the book. Characters like Lee, John's childhood friend and unknown ally to Jen, and marriage wrecker, Patty, blur lines between right and wrong and what is decent and moral. The alluring opulence of the rich and privileged setting of the famed Cape Winelands is complemented by the very real, often funny and indeed relatable crises that Jen is forced to confront. Sex,Lies & Stellenbosch is a page turner - sexy, fast-paced and entertaining.

    She analyses African women's struggle to find their rightful place in society. Her stories raise issues of choice and conflict, teasing about the issues with disarming frankness. How do people behave in cross-cultural relationships? In the modern world, where a plastic label identifies us, what is our identity? Will African women be in the driving seat in the twenty-first century? With the zest and humour, Aidoo raises these questions and provides some challenging answers.In this collection of short stories, Aidoo elevates the mundane in women's lives to an intellectual level in an attempt at challenging patriarchal structures and dominance in African society. Written from a child's perspective, Aidoo subverts the traditional beliefs and assumptions about the child's voice. Her inimitable sense of style and eloquence, explores love, marriage and relationships with all the issues they throw up for the contemporary African woman. In doing so, she manages to capture the very essence of womanhood.

    Elvis Oke, a teenage Elvis impersonator spurred on by the triumphs of heroes in the American movies and books he devours, pursues his chosen vocation with ardent single-mindedness. He suffers through hours of practice set to the tinny tunes emanating from the radio in the filthy shack he shares with his alcoholic father, his stepmother and his stepsiblings. He applies thick makeup that turns his black skin white, to make his performances more convincing for American tourists and hopefully net him dollars. But still he finds himself constantly broke. Beset by hopelessness and daunted by the squalor and violence of his daily life, he must finally abandon his dream.With job prospects few and far between. Elvis is tempted to a life of crime by the easy money his friend Redemption tells him is to be had in Lago's underworld. But the King of the Beggars, Elvis's enigmatic yet faithful adviser, intercedes. And so, torn by the frustration of unrealizable dreams and accompanied by an eclectic chorus of voices, Elvis must find a way to a Graceland of his own making.Graceland is the story of a son and his father, and an examination of postcolonial Nigeria, where the trappings of American culture reign supreme.

    He has gone on to become one of the most powerful voices for cultural freedom on the whole of the African continent today. Ndebele evokes township life with humor and subtlety, rejecting the image of black South Africans as victims and focusing on the complexity and fierce energy of their lives. "Our literature," says Ndebele, "ought to seek to move away from an easy preoccupation with demonstrating the obvious existence of oppression. It exists. The task is to explore how and why people can survive under such harsh conditions." About Njabulo Ndebele: now Chancellor of Witwatersrand University in South Africa. Ndebele began publishing these stories from exile in Lesotho during the 1980s. Ndebele is now recognised as a major voice in South Africa's cultural life. This is his only fiction collection available in Europe or North America. Ndebele's stories first began appearing in Staffrider magazine, an innovative publishing venture linked to the Soweto branch of South African PEN. Founded after the bloody Soweto riots of the mid-1970s, the magazine took as its symbol the staffriders, un-ticketed commuters from the black townships who every day clung onto or balanced on top of buses and trains to get into the cities to work. Staffrider magazine, and in particular Ndebele's stories, helped define a new tone in black South African literature that went beyond and finally overcame apartheid.

    It is the winner of the Noma Award.