Phillip Rochester is controlling, abusive, and determined to make things as difficult as possible. When he shows up without warning demanding that Imogen move out of their house by the end of the month or he'll sue for sole custody of their young son, Imogen is ready to snap.In a moment of madness, Imogen does something unthinkable--something that puts her in control for the first time in years. She's desperate to protect her son and to claim authority over her own life.But she wasn't expecting both Phillip's ex-wife and new girlfriend to get tangled up in her plans. These three very different women--and unlikely allies--reluctantly team up to take revenge against a man who has wronged them all.

    Or, it turns out, a life where Annie spends most of her time alone while Sam, her therapist husband, works long hours in his downstairs office, tending to the egos of his (mostly female) clientele.Little does Sam know that through a vent in his ceiling, every word of his sessions can be heard from the room upstairs. The pharmacist's wife, contemplating a divorce. The well-known painter whose boyfriend doesn’t satisfy her in bed. Who could resist listening? Everything is fine until the French girl in the green mini Cooper shows up, and Sam decides to go to work and not come home, throwing a wrench into Sam and Annie's happily ever after.

    She mouths one word: 'Daddy.' It's his five-year-old daughter, Izzy.He never sees her again.Three years later, Gabe spends his days and nights travelling up and down the motorway, searching for the car that took his daughter, refusing to give up hope, even though most people believe that Izzy is dead.Fran and her daughter, Alice, also put in a lot of miles on the motorway. Not searching. But running. Trying to keep one step ahead of the people who want to hurt them. Because Fran knows the truth. She knows what really happened to Gabe's daughter.Then, the car that Gabe saw driving away that night is found, in a lake, with a body inside and Gabe is forced to confront events, not just from the night his daughter disappeared, but from far deeper in his past.His search leads him to a group called The Other People.If you have lost a loved one, The Other People want to help. Because they know what loss is like. They know what pain is like. They know what death is like.There's just one problem . . . they want other people to know it too.

    Since Julie doesn’t know anyone in her new town, when she meets her neighbor John Dunbar, their instant connection brings measured hope for a new beginning. But she never imagines that a simple, benign conversation with him could set her life spinning so far off course.After a series of misunderstandings, Julie and her family become the target of increasingly unsettling harassment. Has Julie’s stalker found her, or are her neighbors out to get her, too? As tension in the neighborhood rises, new friends turn into enemies, and the results are deadly.

    “We are always telling a story to ourselves, about ourselves,” Dustin Tillman likes to say. It’s one of the little mantras he shares with his patients, and it’s meant to be reassuring. But what if that story is a lie?A psychologist in suburban Cleveland, Dustin is drifting through his forties when he hears the news: His adopted brother, Rusty, is being released from prison. Thirty years ago, Rusty received a life sentence for the massacre of Dustin’s parents, aunt, and uncle. The trial came to symbolize the 1980s hysteria over Satanic cults; despite the lack of physical evidence, the jury believed the outlandish accusations Dustin and his cousin made against Rusty. Now, after DNA analysis has overturned the conviction, Dustin braces for a reckoning.Meanwhile, one of Dustin’s patients gets him deeply engaged in a string of drowning deaths involving drunk college boys. At first Dustin dismisses talk of a serial killer as paranoid thinking, but as he gets wrapped up in their amateur investigation, Dustin starts to believe that there’s more to the deaths than coincidence. Soon he becomes obsessed, crossing all professional boundaries—and putting his own family in harm’s way.From one of today’s most renowned practitioners of literary suspense, Ill Will is an intimate thriller about the failures of memory and the perils of self-deception. In Dan Chaon’s nimble, chilling prose, the past looms over the present, turning each into a haunted place.

    Struggling to recover from his injuries, beginning to understand that he might never be the same man again, he takes refuge at his family's ancestral home to care for his dying uncle Hugo. Then a skull is found in the trunk of an elm tree in the garden - and as detectives close in, Toby is forced to face the possibility that his past may not be what he has always believed.The Witch Elm asks what we become, and what we're capable of, when we no longer know who we are.

    A dark imagination, a sinister smile--always on the outside of the group. Some part of you suspected he might be capable of doing something awful. Twenty-five years ago, Crabtree did just that, committing a murder so shocking that it’s attracted that strange kind of infamy that only exists on the darkest corners of the internet--and inspired more than one copycat.Paul Adams remembers the case all too well: Crabtree--and his victim--were Paul’s friends. Paul has slowly put his life back together. But now his mother, old and senile, has taken a turn for the worse. Though every inch of him resists, it is time to come home.It's not long before things start to go wrong. Reading the news, Paul learns another copycat has struck. His mother is distressed, insistent that there's something in the house. And someone is following him. Which reminds him of the most unsettling thing about that awful day twenty-five years ago.It wasn't just the murder.It was the fact that afterward, Charlie Crabtree was never seen again...

    Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances surrounding Ashley's life and death, McGrath comes face-to-face with the legacy of her father: the legendary, reclusive cult-horror film director Stanislaus Cordova--a man who hasn't been seen in public for more than thirty years. For McGrath, another death connected to this seemingly cursed family dynasty seems more than just a coincidence. Though much has been written about Cordova's dark and unsettling films, very little is known about the man himself. Driven by revenge, curiosity, and a need for the truth, McGrath, with the aid of two strangers, is drawn deeper and deeper into Cordova's eerie, hypnotic world. The last time he got close to exposing the director, McGrath lost his marriage and his career. This time he might lose even more.

    They’re a happy little family of three.So what if Simon drinks a bit too much sometimes—Daisy’s used to it. She knows he’s just letting off steam. Until one night at a party things spiral horribly out of control. And their happy little family of three will never be the same again.In Lies, Lies, Lies, #1 Sunday Times bestselling author Adele Parks explores the darkest corners of a relationship in free fall in a mesmerizing tale of marriage and secrets.Don't miss Woman Last Seen from #1 Sunday Times bestselling author Adele Parks!  Looking for more? Check out these other thrilling reads from Adele Parks:I Invited Her InJust My Luck

    Maybe Tess is overprotective, but passing her daughter off to her ex and his new young wife fills her with a sense of dread. It's not that Jason is a bad father--it just hurts to see him enjoying married life with someone else. Still, she owes it to her daughter Poppy to make this arrangement work.But Poppy returns from the weekend tired and withdrawn. And when she shows Tess a crayon drawing--an image so simple and violent that Tess can hardly make sense of it----Poppy can only explain with the words, "He did kill her."Something is horribly wrong. Tess is certain Poppy saw something--or something happened to her--that she's too young to understand. Jason insists the weekend went off without a hitch. Doctors advise that Poppy may be reacting to her parents' separation. And as the days go on, even Poppy's disturbing memory seems to fade. But a mother knows her daughter, and Tess is determined to discover the truth. Her search will set off an explosive tempest of dark secrets and buried crimes--and more than one life may be at stake.

    And she had dreams back then—but it didn’t take long for her to learn that things don’t always turn out the way you want them to.Now, at thirty-three, Edie is working as a waitress, pregnant and alone. And when she becomes overwhelmed by the needs of her new baby and sinks into a bleak despair, she thinks that there’s no one to turn to…But someone’s been watching Edie, waiting for the chance to prove once again what a perfect friend she can be. It’s no coincidence that Heather shows up on Edie’s doorstep, just when Edie needs her the most. So much has passed between them—so much envy, longing, and betrayal. And Edie’s about to learn a new lesson: those who have hurt us deeply—or who we have hurt—never let us go, not entirely…

    Her husband works hard, too... but why does it seem like she is always working so much harder?When the Spanglers go house hunting in Dynasty Ranch, an exclusive suburban neighborhood, Nora meets a group of high-powered women--a tech CEO, a neurosurgeon, an award-winning therapist, a bestselling author--with enviably supportive husbands. When she agrees to help with a resident's wrongful death case, she is pulled into the lives of the women there. She finds the air is different in Dynasty Ranch. The women aren't hanging on by a thread.But as the case unravels, Nora uncovers a plot that may explain the secret to having-it-all. One that's worth killing for. Calling to mind a Stepford Wives gender-swap, The Husbands imagines a world where the burden of the "second shift" is equally shared--and what it may take to get there.

    The murder rocks their tiny coastal island, but no one is more shaken than Sadie, who is terrified by the thought of a killer in her very own backyard.But it’s not just Morgan’s death that has Sadie on edge. It’s their eerie old home, with its decrepit decor and creepy attic, which they inherited from Will’s sister after she died unexpectedly. It’s Will’s disturbed teenage niece Imogen, with her dark and threatening presence. And it’s the troubling past that continues to wear at the seams of their family.As the eyes of suspicion turn toward the new family in town, Sadie is drawn deeper into the mystery of Morgan’s death. But Sadie must be careful, for the more she discovers about Mrs. Baines, the more she begins to realize just how much she has to lose if the truth ever comes to light.

    That's all it takes.She stabbed little Robbie Harris. To change a life -She's living under a new name.For ever.She's reformed. So they say . . . Joanna is going to regret the day she ever said a word.

    March. As a character, she is fascinating, complex, and deeply human and I can’t wait to sink my teeth into her.” ―Elisabeth MossWho is Mrs. March?A twenty-first-century Highsmith, Virginia Feito conjures the unforgettable Mrs. March, an Upper East Side housewife whose life is shattered by her husband’s latest novel.In this astonishing debut, the venerable but gossipy New York literary scene is twisted into a claustrophobic fun house of paranoia, horror, and wickedly dark humor. George March’s latest novel is a smash. No one is prouder than Mrs. March, his doting wife. But one morning, the shopkeeper of her favorite patisserie suggests that his protagonist is based on Mrs. March herself: “But . . . ―isn't she . . .’ Mrs. March leaned in and in almost a whisper said, ‘a whore?” Clutching her ostrich-leather pocketbook, she flees, that one casual remark destroying her belief that she knew everything about her husband―as well as herself. Suddenly, Mrs. March is hurled into a harrowing journey that builds to near psychosis, one that begins merely within the pages of a book but may uncover both a killer and the long-buried secrets of her past.