There's Will, a curious five-year-old who listens to the heartbeat of a plant through his toy stethoscope; Jody, his mother, a photographer poised on the threshold of celebrity; Mel, Jody's perfect -- perhaps too perfect -- lover; and Wayne, the rather who left Will without warning and now sees his infrequent visits as a crimp in his bedhopping. Beattie shows us how these lives intersect, attract, and repel one another with dazzling shifts and moments of heartbreaking directness.From the Trade Paperback edition.

    As their lives become more intertwined, all are forced to confront the uncomfortable truths of the past and seek out the courage to forgive.In 1945, Elsie Schmidt is a naive teenager, as eager for her first sip of champagne as she is for her first kiss. She and her family have been protected from the worst of the terror and desperation overtaking her country by a high-ranking Nazi who wishes to marry her. So when an escaped Jewish boy arrives on Elsie's doorstep in the dead of night on Christmas Eve, Elsie understands that opening the door would put all she loves in danger. Sixty years later, in El Paso, Texas, Reba Adams is trying to file a feel-good Christmas piece for the local magazine. Reba is perpetually on the run from memories of a turbulent childhood, but she's been in El Paso long enough to get a full-time job and a fiancé, Riki Chavez. Riki, an agent with the U.S. Border Patrol, finds comfort in strict rules and regulations, whereas Reba feels that lines are often blurred. Reba's latest assignment has brought her to the shop of an elderly baker across town. The interview should take a few hours at most, but the owner of Elsie's German Bakery is no easy subject. Reba finds herself returning to the bakery again and again, anxious to find the heart of the story. For Elsie, Reba's questions are a stinging reminder of darker times: her life in Germany during that last bleak year of WWII. And as Elsie, Reba, and Riki's lives become more intertwined, all are forced to confront the uncomfortable truths of the past and seek out the courage to forgive.

    As a freak winter storm bears down on an exclusive, affluent suburb in Connecticut, cars skid out of control, men and women swap partners, and their children experiment with sex, drugs, and even suicide. Here two families, the Hoods and the Williamses, come face-to-face with the seething emotions behind the well-clipped lawns of their lives - in a novel widely hailed as a funny, acerbic, and moving hymn to a dazed and confused era of American life.

    Ruth Plank is an artist and a romantic with a rich, passionate, imaginative life. The last of five girls born to a gentle, caring farmer and his stolid wife, she yearns to soar beyond the confines of the land that has been her family's birthright for generations. Dana Dickerson is a scientist and realist whose faith is firmly planted in the natural world. Raised by a pair of capricious drifters who waste their lives on failed dreams, she longs for stability and rootedness. Different in nearly every way, Ruth and Dana share a need to make sense of who they are and to find their places in a world in which neither has ever truly felt she belonged. They also share a love for Dana's wild and beautiful older brother, Ray, who will leave an indelible mark on both their hearts. Told in the alternating voices of Ruth and Dana, The Good Daughters follows these "birthday sisters" as they make their way from the 1950s to the present. Master storyteller Joyce Maynard chronicles the unlikely ways the two women's lives parallel and intersect—from childhood and adolescence to first loves, first sex, marriage, and parenthood; from the deaths of parents to divorce, the loss of home, and the loss of a beloved partner—until past secrets and forgotten memories unexpectedly come to light, forcing them to reevaluate themselves and each other. Moving from rural New Hampshire to a remote island in British Columbia to the '70s Boston art-school scene, The Good Daughters is an unforgettable story about the ties of home and family, the devastating force of love, the healing power of forgiveness, and the desire to know who we are.

    Peanut, is not like other Ivy League grads. He shares an apartment with Goldberg, his beloved battery-operated fish, sleeps on a bed littered with yellow legal pads penned with what he hopes will be the next great American novel, and spends the waning malaise-filled days of the Carter administration at Yankee Stadium, waxing poetic while slinging peanuts to pay the rent.When Ted hears the news that his estranged father, Marty, is dying of lung cancer, he immediately moves back into his childhood home, where a whirlwind of revelations ensues. The browbeating absentee father of his youth is living to make up for lost time, but his health dips drastically whenever his beloved Red Sox lose. And so, with help from a crew of neighborhood old-timers and the lovely Mariana--Marty's Nuyorican grief counselor--Ted orchestrates the illusion of a Sox winning streak, enabling Marty and the Red Sox to reverse the Curse of the Bambino and cruise their way to World Series victory. Well, sort of.David Duchovny's richly drawn Bucky F*cking Dent is a story of the bond between fathers and sons, Yankee fans and the Fenway faithful, and grapples with the urgent need to find our story in an age of irony and artifice. Culminating in that fateful moment in October of '78 when the meek Bucky Dent hit his way into baseball history with the unlikeliest of home runs, this tragicomic novel demonstrates that life truly belongs to the losers--that the long shots are the ones worth betting on.Bucky F*cking Dent is a singular tale that brims with the hilarity, poignancy, and profound solitude of modern life.

    Nat Cartwright goes home with his parents, a schoolteacher and an insurance salesman. But his twin brother is to begin his days as Fletcher Andrew Davenport, the only son of a multi-millionaire and his society wife. During the years that follow, the two brothers grow up unaware of each other's existence. Nat leaves college at the University of Connecticut to serve in Vietnam. He returns a war hero, finishes school and becomes a successful banker. Fletcher, meanwhile, has graduated from Yale University and distinguishes himself as a criminal defense lawyer before he is elected to the Senate. Even when Nat and Fletcher fall in love with the same girl they still don't meet. They continue on their separate paths until one has to defend the other for a murder he did not commit. But the final confrontation comes when Nat and Fletcher are selected to stand against each other for governor of the state.In the tradition of Jeffrey Archer's most popular books, Sons of Fortune is as much a chronicle of a nation in transition as it is the story of two remarkable men and how, eventually, they come to discover the truth - and its extraordinary consequences...

    Twenty years on, their enigmatic personalities are embalmed in the memories of the boys who worshipped them and who now recall their shared adolescence: the brassiere draped over a crucifix belonging to the promiscuous Lux; the sisters' breathtaking appearance on the night of the dance; and the sultry, sleepy street across which they watched a family disintegrate and fragile lives disappear.

    The landscape pulses with the force of the upcoming revolution, an atmosphere rich in opportunity for a criminal such as Rawbone. His fortune arrives across the haze of the Sierra Blanca in the form of a truck loaded with weapons, an easy sell to those financing a bloodletting.But Rawbone’s plan spins against him, and he soon finds himself at the Mexican-American border and in the hands of the Bureau of Investigation. He is offered a chance for immunity, but only if he agrees to proceed with his scheme to deliver the truck and its goods to the Mexican oil fields while under the command of Agent John Lourdes. Rawbone sees no other option and agrees to the deal—but he fails to recognize the true identity of Agent Lourdes, a man from deep within his past.As they work to expose the criminal network at the core of the revolution, it is clear their journey into the tarred desert is a push toward a certain ruin, and the history lurking between the criminal and agent may seal their fates.Set against a backdrop of intrigue and corruption, The Creed of Violence is a saga about the scars of abandonment, the greed of war, and America’s history of foreign intervention for the sake of oil.

    Disco is over, but punk never happened. They don't have cable. They don't really have pop culture, unless you count grain prices and alcoholism. People work hard and then they die. They hate the government and impregnate teenage girls. But that's not nearly as awful as it sounds; in fact, sometimes it's perfect.Mitch Hrlicka lives in Owl. He plays high school football and worries about his weirdness, or lack thereof. Julia Rabia just moved to Owl. She gets free booze and falls in love with a self-loathing bison farmer who listens to Goats Head Soup. Horace Jones has resided in Owl for seventy-three years. He consumes a lot of coffee, thinks about his dead wife, and understands the truth. They all know each other completely, except that they've never met.Like a colder, Reagan-era version of The Last Picture Show fused with Friday Night Lights, Chuck Klosterman's Downtown Owl is the unpretentious, darkly comedic story of how it feels to exist in a community where rural mythology and violent reality are pretty much the same thing. Loaded with detail and unified by a (very real) blizzard, it's technically about certain people in a certain place at a certain time...but it's really about a problem. And the problem is this: What does it mean to be a normal person? And there is no answer. But in Downtown Owl, what matters more is how you ask the question.

    For as long as they have lived on the frontier, the Bemis and Webber families have relied on each other. With no other settlers for miles, it is a matter of survival. But when Ernest Bemis finds his wife, Cora, in a compromising situation with their neighbor, he doesn’t think of survival. In one impulsive moment, a man is dead, Ernest is off to prison, and the women left behind are divided by rage and remorse.Losing her husband to Cora’s indiscretion is another hardship for stoic Nettie Mae. But as a brutal Wyoming winter bears down, Cora and Nettie Mae have no choice but to come together as one family—to share the duties of working the land and raising their children. There’s Nettie Mae’s son, Clyde—no longer a boy, but not yet a man—who must navigate the road to adulthood without a father to guide him, and Cora’s daughter, Beulah, who is as wild and untamable as her prairie home.Bound by the uncommon threads in their lives and the challenges that lie ahead, Cora and Nettie Mae begin to forge an unexpected sisterhood. But when a love blossoms between Clyde and Beulah, bonds are once again tested, and these two resilient women must finally decide whether they can learn to trust each other—or else risk losing everything they hold dear.

    Alan Sherwood, a quiet English solicitor, remembers back to a time when he stepped briefly out of character to indulge in a liaison with Sarah Miller, an intriguing but heartless distant relative--only to find himself in a series of absurd situations that culminated in his marriage to Sarah's clinging, childlike friend Angela.With her compassionate portrait of a man who has paid a terrible price for his folly, Anita Brookner gives us a novel that it at once harrowing and humane. In the traditions of Henry James and Thomas Mann, Altered States is a beautifully rendered tale of loneliness, guilt, and erotic obsession.

    Evie Teale had finally accepted that her husband wouldn’t be coming home. Now she and the children were alone in an untamed country where the elements, Indians, and thieves made it far easier to die than to live.Miles away, another solitary soul battled for survival. Conagher was a lean, dark-eyed drifter who wasn’t about to let a gang of rustlers push him around. While searching the isolated canyons for missing cattle, he found notes tied to tumbleweeds rolling with the wind. The bleak, spare words echoed Conagher’s own whispered prayers for companionship. Who was this mysterious woman on the other side of the wind? For Conagher, staying alive long enough to find her wasn’t going to be easy.

    Nora is an unflinching frontierswoman awaiting the return of the men in her life--her husband, who has gone in search of water for the parched household, and her elder sons, who have vanished after an explosive argument. Nora is biding her time with her youngest son, who is convinced that a mysterious beast is stalking the land around their home.Meanwhile, Lurie is a former outlaw and a man haunted by ghosts. He sees lost souls who want something from him, and he finds reprieve from their longing in an unexpected relationship that inspires a momentous expedition across the West. The way in which Lurie's death-defying trek at last intersects with Nora's plight is the surprise and suspense of this brilliant novel.Mythical, lyrical, and sweeping in scope, Inland is grounded in true but little-known history. It showcases all of Téa Obreht's talents as a writer, as she subverts and reimagines the myths of the American West, making them entirely--and unforgettably--her own.

    Since she left home, Sonya has lived on the run, free of any ties, while her soft-spoken sister, Trisha, has created a perfect suburban life, and her ambitious sister, Marin, has built her own successful career. But as these women come together, their various methods of coping with a terrifying history can no longer hold their memories at bay.Buried secrets rise to the surface as their father—the victim of humiliating racism and perpetrator of horrible violence—remains unconscious. As his condition worsens, the daughters and their mother wrestle with private hopes for his survival or death, as well as their own demons and buried secrets. Told with forceful honesty, Trail of Broken Wings reveals the burden of shame and secrets, the toxicity of cruelty and aggression, and the exquisite, liberating power of speaking and owning truth.

    On a balmy July night in New Hampshire a shot rings out in a garden, and a man falls to the ground, terribly wounded. The wounded man is Spencer McCullough, the shot that hit him was fired–accidentally?–by his adolescent daughter Charlotte. With this shattering moment of violence, Chris Bohjalian launches the best kind of literate page-turner: suspenseful, wryly funny, and humane.