But when a letter arrives from the prison cell of Lillian Grimes, one half of a notorious husband-and-wife serial-killer team, it contains a revelation that will tear her life apart.Responsible for a string of heinous killings decades ago, Lillian is pure evil. A psychopathic murderer. And Amy’s biological mother. Now, she is ready to reveal the location of three of her victims—but only if Amy plays along with her twisted game.While her fellow detectives frantically search for a young girl taken from her mother’s doorstep, Amy must confront her own dark past. Haunted by blurred memories of a sister who sacrificed herself to save her, Amy faces a race against time to uncover the missing bodies.But what if, from behind bars, Grimes has been pulling the strings even tighter than Amy thought? And can she overcome her demons to prevent another murder?

    To that moment when the masked man appeared from the doorway of the church and looked into his eyes.‘Is there anything distinctive, Sarge?’ asks Nielsen.‘Yes’, he says, with the sudden sense that memory is important.‘There were tears in his eyes.’DS Aector McAvoy is a man with a troubled past. His unwavering belief in justice has made him an outsider in the police force he serves.When three seemingly unconnected people are brutally murdered in the weeks before Christmas, the police must work quickly to stop more deaths. It is only McAvoy who can see the connection between the victims. A killer is playing God – and McAvoy must find a way to stop the deadly game.

    Detective Sergeant Manon Bradshaw tries to sleep after yet another soul-destroying Internet date – the low murmuring of her police radio her only solace.Over the airwaves come reports of a missing woman – door ajar, keys and phone left behind, a spatter of blood on the kitchen floor. Manon knows the first 72 hours are critical: you find her, or you look for a body. And as soon as she sees a picture of Edith Hind, a Cambridge post-graduate from a well-connected family, she knows this case will be big.Is Edith alive or dead? Was her ‘complex love life’ at the heart of her disappearance, as a senior officer tells the increasingly hungry press? And when a body is found, is it the end or only the beginning?

    A day of dark impulses. A day to snatch a child from the streets ...The abduction of five-year-old Matthew Farraday provokes a national outcry and a desperate police hunt. And when a picture of his face is splashed over the newspapers, psychotherapist Frieda Klein is left troubled: one of her patients has been relating dreams in which he has a hunger for a child. A child he can describe in perfect detail, a child the spitting image of Matthew.Detective Chief Inspector Karlsson doesn't take Frieda's concerns seriously until a link emerges with an unsolved child abduction twenty years ago and he summons Frieda to interview the victim's sister, hoping she can stir hidden memories. Before long, Frieda is at the center of the race to track the kidnapper.But her race isn't physical. She must chase down the darkest paths of a psychopath's mind to find the answers to Matthew Farraday's whereabouts.And sometimes the mind is the deadliest place to lose yourself.

    Not a word, actually. A name… Everyone in the small American town of Denton is searching for Isabelle Coleman, a missing seventeen-year-old girl. All they’ve found so far is her phone and another girl they didn’t even know was missing. Mute and completely unresponsive to the world around her, it’s clear this mysterious girl has been damaged beyond repair. All Detective Josie Quinn can get from her is a name: Ramona. Currently suspended from the force for misconduct, Josie takes matters into her own hands as the name leads her to evidence linking the two girls. She knows the race is on to find Isabelle alive, and she fears there may be others… The trail leads Josie to another victim, a girl who escaped but whose case was labelled a hoax by authorities. To catch this monster, Josie must confront her own nightmares and follow her instinct to the darkest of places. But can she make it out alive? Fans of Angela Marsons, Helen Fields and Robert Dugoni will be utterly gripped and sleeping with the lights on once they discover the first in this unputdownable new crime thriller series.

    Still under psychological evaluation, Fawkes returns to the force eager for a big case. When his former partner and friend, Detective Emily Baxter, calls him to a crime scene, he's sure this is it: the body is made of the dismembered parts of six victims, sewn together like a puppet--a corpse that becomes known as "The Ragdoll."Fawkes is tasked with identifying the six victims, but that gets dicey when his reporter ex-wife anonymously receives photographs from the crime scene, along with a list of six names, and the dates on which the Ragdoll Killer plans to murder them.The final name on the list is Fawkes.Baxter and her trainee partner, Alex Edmunds, hone in on figuring out what links the victims together before the killer strikes again. But for Fawkes, seeing his name on the list sparks a dark memory, and he fears that the catalyst for these killings has more to do with him--and his past--than anyone realizes.With a breakneck pace, a twisty plot, and a wicked sense of humor, Ragdoll announces the arrival of the hottest new brand in crime fiction.

    When a body is found in a locked house, Detective Sergeant Jessica Daniel is left to not only find the killer but discover how they got in and out.With little in the way of leads and a journalist that seems to know more about the case than she does, Jessica is already feeling the pressure—and that’s before a second body shows up in identical circumstances to the first.How can a murderer get to victims in seemingly impossible situations and what, if anything, links the bodies?

    Caitlin Hendrix has been a Narcotics detective for six months when the killer at the heart of all her childhood nightmares reemerges: the Prophet. An UNSUB—what the FBI calls an unknown subject—the Prophet terrorized the Bay Area in the 1990s and nearly destroyed her father, the lead investigator on the case.The Prophet’s cryptic messages and mind games drove Detective Mack Hendrix to the brink of madness, and Mack’s failure to solve the series of ritualized murders—eleven seemingly unconnected victims left with the ancient sign for Mercury etched into their flesh—was the final nail in the coffin for a once promising career.Twenty years later, two bodies are found bearing the haunting signature of the Prophet. Caitlin Hendrix has never escaped the shadow of her father’s failure to protect their city. But now the ruthless madman is killing again and has set his sights on her, threatening to undermine the fragile barrier she rigidly maintains for her own protection, between relentless pursuit and dangerous obsession.Determined to decipher his twisted messages and stop the carnage, Caitlin ignores her father’s warnings as she draws closer to the killer with each new gruesome murder. Is it a copycat, or can this really be the same Prophet who haunted her childhood? Will Caitlin avoid repeating her father’s mistakes and redeem her family name, or will chasing the Prophet drag her and everyone she loves into the depths of the abyss?

    Once John Rebus served in Britain's elite SAS. Now he's an Edinburgh cop who hides from his memories, misses promotions and ignores a series of crank letters. But as the ghoulish killings mount and the tabloid headlines scream, Rebus cannot stop the feverish shrieks from within his own mind. Because he isn't just one cop trying to catch a killer, he's the man who's got all the pieces to the puzzle... Knots and Crosses introduces a gifted mystery novelist, a fascinating locale and the most compellingly complex detective hero at work today.

    Three hundred years ago, as legend goes, the frightened Yorkshire villagers smothered a crying babe in Keldale Abbey, where they'd hidden to escape the ravages of Cromwell's raiders.Now into Keldale's pastoral web of old houses and older secrets comes Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton. Along with the redoubtable Detective Sergeant Barbara Havers, Lynley has been sent to solve a savage murder that has stunned the peaceful countryside. For fat, unlovely Roberta Teys has been found in her best dress, an axe in her lap, seated in the old stone barn beside her father's headless corpse. Her first and last words were "I did it. And I'm not sorry."Yet as Lynley and Havers wind their way through Keldale's dark labyrinth of secret scandals and appalling crimes, they uncover a shattering series of revelations that will reverberate through this tranquil English valley—and in their own lives as well.

    Her murder shocked the nation. Her husband never pressed charges and moved abroad under a cloud of suspicion. Her son, just four years old, grew up in a loveless boarding school. And Detective Inspector Darnell, vowing to leave no stone unturned in the search for her killer, began to lose his only daughter. The young Stella Darnell grew to resent the dead Kate Rokesmith for capturing her father's attention in a way she never could.Thirty years later, Stella is dutifully sorting through her father's attic after his sudden death. The Rokesmith case papers are in a corner gathering dust: the case was never solved. Stella knows she should destroy them. Instead, she opens the box, and starts to read...

    When a series of bizarre deaths rock San Francisco—as seemingly random women suffer violent psychotic breaks—Frost looks for a connection that leads him to psychiatrist Francesca Stein. Frankie’s controversial therapy helps people erase their most terrifying memories…and all the victims were her patients.As Frost and Frankie carry out their own investigations, the case becomes increasingly personal—and dangerous. Long-submerged secrets surface as someone called the Night Bird taunts the pair with cryptic messages pertaining to the deaths. Soon Frankie is forced to confront strange gaps in her own memory, and Frost faces a killer who knows the detective’s worst fears.As the body count rises and the Night Bird circles ever closer, a dedicated cop and a brilliant doctor race to solve the puzzle before a cunning killer claims another victim.

    Calladine and D.S. Ruth Bayliss race against time to track down a killer before the whole area erupts in violence. Their boss thinks it’s all down to drug lord Ray Fallon, but Calladine’s instincts say something far nastier is happening on the Hobfield housing estate. Can this duo track down the murderer before anyone else dies and before the press publicize the gruesome crimes? Detectives Calladine and Bayliss are led on a trail which gets dangerously close to home. In a thrilling finale they race against time to rescue someone very close to Calladine’s heart. If you like Angela Marsons, Rachel Abbott, Mel Sherratt, Ruth Rendell, or Mark Billingham you will be gripped by this exciting new crime fiction writer. DEAD WRONG is the first in a new series of detective thrillers featuring D.S. Ruth Bayliss and D.I. Tom Calladine. Tom Calladine is a single, fifty-one-year-old detective inspector who is devoted to his job. His personal life, however, is not so successful. Having been married and divorced before the age of twenty-one has set a pattern that he finds difficult to escape. Ruth Bayliss is in her mid-thirties, plain-speaking but loyal. She wishes she had more time for the gym and a love life. She uses her demanding workload as an excuse not to try too hard with the men she meets. The series is set in the fictional village of Leesdon on the outskirts of an industrial northern English city. There is little work and a lot of crime. The bane of Calladine’s life is the Hobfield housing estate, breeding ground to all that is wrong with the area that he calls home.

    . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy--and long dead--steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer.But D.C. Griffiths is no ordinary cop. She's earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there's that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open.Ignoring orders and protocol, Fiona begins to explore far beyond the rich man's credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she's only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks--not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time.

    As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so. The latest trainee detective to work with him is the son of a member of his former team, and together they begin to unravel the truth about what happened to Wayne Fletcher. As the investigation proceeds, it becomes clear that others are involved - some seem determined to prevent it, some seem to be taking too much interest. In the end Smith operates alone, having stepped too far outside standard procedures to ask for support. He knows that his own life might be at risk but he has not calculated on the life of his young assistant also being put in danger. He might still get his man but at what cost?