Brown. Perfect for fans of Adam Silvera and Alex London.When Andrew stumbles upon Jamie's house, he's injured, starved, and has nothing left to lose. A deadly pathogen has killed off most of the world's population, including everyone both boys have ever loved. And if this new world has taught them anything, it's to be scared of what other desperate people will do . . . so why does it seem so easy for them to trust each other?After danger breaches their shelter, they flee south in search of civilization. But something isn't adding up about Andrew's story, and it could cost them everything. And Jamie has a secret, too. He's starting to feel something more than friendship for Andrew, adding another layer of fear and confusion to an already tumultuous journey.The road ahead of them is long, and to survive, they'll have to shed their secrets, face the consequences of their actions, and find the courage to fight for the future they desire, together. Only one thing feels certain: all that's left in their world is the undeniable pull they have toward each other.

    Security guards take charge immediately, instructing everyone inside to stay put until the threat is identified and contained. While they wait for the all-clear, four strangers, who'd happened to sit at the same table, pass the time in conversation and friendships are struck. Each has his or her own reasons for being in the reading room that morning―it just happens that one is a murderer.Award-winning author Sulari Gentill delivers a sharply thrilling read with THE WOMAN IN THE LIBRARY, an unexpectedly twisty literary adventure that examines the complicated nature of friendship and shows us that words can be the most treacherous weapons of all.

    "A poetic story for anyone who has longed to leave home, only to find that home resides within you."--Sandra CisnerosWe live in the dregs of Queens, New York, where airplanes fly so low that we are certain they will crush us...This remarkable story brings you deep into the lives of a group of friends--young women of color growing up in Queens, New York City's most vibrant and eclectic borough. Here, streets echo with languages from all over the globe, subways rumble above dollar stores, trees bloom and topple across sidewalks, and the briny scent of the ocean wafts from Rockaway Beach. Here, girls like Nadira, Gabby, Naz, Trish, Angelique, and many others, attempt to reconcile their immigrant backgrounds with the American culture they come of age in. Here, they become friends for life--or so they vow.Exuberant and wild, they sing Mariah Carey at the tops of their lungs and roam the streets of The City That Never Sleeps, pine for crushes who pay them no mind--and break the hearts of those who do--all the while trying to heed their mothers' commands to be dutiful daughters, obedient young women. As they age, however, their paths diverge and rifts form between them, as some choose to remain on familiar streets, while others find themselves ascending in the world, drawn to the allure of other skylines, careers, and lovers, beckoned by existences foreign and seemingly at odds with their humble roots.In musical, evocative prose, Brown Girls illustrates a collective portrait of childhood, motherhood, and beyond, and is an unflinching exploration of race, class, and marginalization in America. It is an account of the forces that bind friends to one another, their families, and communities, and is a powerful depiction of women of color attempting to forge their place in the world. For even as the dueling forces of ambition and loyalty, freedom and marriage, reinvention and stability threaten to divide them, it is to each other--and to Queens--that the girls ultimately return.

    The day before the ceremony, a group of young friends, including the bride and groom, are involved in an accident. Three survive. Three are killed.The lives of the families are shattered and the rifts between them ripple throughout the small town. Connor survived, but living among the angry and the mourning is almost as hard as carrying the shame of having been the driver. He leaves the only place he knows for another life, taking his secrets with him. Travelling first to Liverpool, then London, he eventually makes a home—of sorts—for himself in New York, where he finds shelter and the possibility of forging a new life.But the secrets—the unspoken longings and regrets that have come to haunt those left behind—will not be silenced. Before long, Connor will have to confront his past.A powerful and timely novel of emigration and return, Home Stretch demonstrates Norton’s keen understanding of the power of stigma and secrecy—and their devastating effect on ordinary lives.

    Bettie Hughes once knew the comfort of luxury, flaunting a ridiculous collection of designer shoes and a stealthy addiction to CBD oils. That is, until her parents snipped her purse strings. Long obsessed with her public image, Bettie boasts an extravagant lifestyle on social media. But the reality is: Bettie is broke and squatting in Colorado, and her family has no idea. Christmas, with its pressure to meet familial expectations, is looming when a drunk Bettie plays a vinyl record of “All I Want for Christmas Is You” backwards and accidentally conjures Hall, an unexpectedly charming Holiday Spirit in the form of a man. Once the shock wears off, Bettie knows she’s stumbled upon the greatest gift: a chance to make all her holiday wishes come true, plus a ready-made fiancé. But as the wiles of magic lose their charm, Bettie finds herself set off-kilter by Hall’s sweet gestures. Suddenly, Bettie is finding her heart merry and light. But the happier she gets, the shorter Hall’s time on earth grows. Can Bettie channel the Christmas spirit and learn to live with goodwill toward all men? Or will her selfish ways come back as soon as the holidays are over?

    When Mina sets out to persuade Emmitt to join her cause, he offers her a deal instead: he'll be in her short film…if she acts as a tour guide to help him with a photography contest. As Mina ventures across the five boroughs with Emmitt by her side, the city she grew up in starts to look different and more like home than it ever has before. With the competition deadline looming, Mina's dreams—which once seemed impenetrable—begin to crumble, and she’s forced to ask herself: Is winning worth losing everything?

    Katherine Rothschild explores the pain and power of forgiveness in a stunning debut novel that will shatter your heart and piece it back together, one truth at a time.Sixteen-year-old Sabine Braxton doesn’t have much in common with her identical twin, Blythe. When their father dies from an unexpected illness, each copes with the loss in her own way—Sabine by “poeting” (an uncontrollable quirk of bursting into poetry at inappropriate moments) and Blythe by obsessing over getting into MIT, their father’s alma mater. Neither can offer each other much support . . . at least not until their emotionally detached mother moves them into a ramshackle Bay Area mansion owned by a stranger named Charlie.Soon, the sisters unite in a mission to figure out who Charlie is and why he seems to know everything about them. They make a life-changing discovery: their parents were hiding secrets about their sexual identities. The revelation unravels Sabine’s world, while practical Blythe seems to take everything in stride. Once again at odds with her sister, Sabine chooses to learn all she can about the father she never knew. Ultimately, she must decide if she can embrace his last wish for a family legacy--even if it means accepting a new idea of what it means to be a family.

    There, she gives birth to twins, and plans to raise them far from the influence of the outside world.But even in the forest, Vern is a hunted woman. Forced to fight back against the community that refuses to let her go, she unleashes incredible brutality far beyond what a person should be capable of, her body wracked by inexplicable and uncanny changes.To understand her metamorphosis and to protect her small family, Vern has to face the past, and more troublingly, the future - outside the woods. Finding the truth will mean uncovering the secrets of the compound she fled but also the violent history in America that produced it.

    Too soon, with winter coming, he calls it quits. Helped by Rudy—her government-questioning, wisdom-spouting, seasonal-affective-disordered boss—and a neighbor couple, Helen makes it to spring. Those neighbors, Karen and Lily, are awaiting the arrival of their first child, a boy, which means their time at the Women’s Land Trust must end.So Helen invites the new family to throw in with her—they’ll split the work and the food, build a house, and make a life that sustains them, if barely, for years. Then young Perley decides he wants to go to school. And Rudy sets up a fruit-tree nursery on the pipeline easement edging their land. The outside world is brought clamoring into their makeshift family.Set in a region known for its independent spirit, Stay and Fight shakes up what it means to be a family, to live well, to make peace with nature and make deals with the system. It is a protest novel that challenges our notions of effective action. It is a family novel that refuses to limit the term. And it is a marvel of storytelling that both breaks with tradition and celebrates it. Best of all, it is full of flawed, cantankerous, flesh-and-blood characters who remind us that conflict isn't the end of love, but the real beginning.Absorbingly spun, perfectly voiced, and disruptively political, Madeline ffitch's Stay and Fight forces us to reimagine an Appalachia—and an America—we think we know. And it takes us, laughing and fighting, into a new understanding of what it means to love and to be free.

    Two rivals. A plot twist they didn’t see coming…Nora Stephens’ life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby.Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute.If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.

    But Lily is nothing if not resourceful, and now uses Duke’s coveted hand-drawn maps to guide tourists on fake treasure hunts through the red rock canyons of Utah. It pays the bills but doesn’t leave enough to fulfill her dream of buying back the beloved ranch her father sold years ago, and definitely not enough to deal with the sight of the man she once loved walking back into her life with a motley crew of friends ready to hit the trails. Frankly, Lily would like to take him out into the wilderness—and leave him there.Leo Grady knew mirages were a thing in the desert, but they’d barely left civilization when the silhouette of his greatest regret comes into focus in the flickering light of the campfire. Ready to leave the past behind him, Leo wants nothing more than to reconnect with his first and only love. Unfortunately, Lily Wilder is all business, drawing a clear line in the sand: it’s never going to happen. But when the trip goes horribly and hilariously wrong, the group wonders if maybe the legend of the hidden treasure wasn’t a gimmick after all. There’s a chance to right the wrongs—of Duke’s past and their own—but only if Leo and Lily can confront their history and work together. Alone under the stars in the isolated and dangerous mazes of the Canyonlands, Leo and Lily must decide whether they’ll risk their lives and hearts on the adventure of a lifetime.

    Sent away to safety, she meets another displaced child and they, star-crossed, fall in love. They are from different ethnic communities. They are also both girls. When their love is discovered, Ijeoma learns that she will have to hide this part of herself. But there is a cost to living inside a lie. As Edwidge Danticat has made personal the legacy of Haiti's political coming of age, Okparanta's Under the Udala Trees uses one woman's lifetime to examine the ways in which Nigerians continue to struggle toward selfhood. Even as their nation contends with and recovers from the effects of war and division, Nigerian lives are also wrecked and lost from taboo and prejudice. This story offers a glimmer of hope — a future where a woman might just be able to shape her life around truth and love.

    Connie is bold and alluring, a successful writer whose novel is being turned into a major Hollywood film. Elise follows Connie to LA, a city of strange dreams and swimming pools and late-night gatherings of glamorous people. But whilst Connie thrives on the heat and electricity of this new world where everyone is reaching for the stars and no one is telling the truth, Elise finds herself floundering. When she overhears a conversation at a party that turns everything on its head, Elise makes an impulsive decision that will change her life forever.Three decades later, Rose Simmons is seeking answers about her mother, who disappeared when she was a baby. Having learned that the last person to see her was Constance Holden, a reclusive novelist who withdrew from public life at the peak of her fame, Rose is drawn to the door of Connie's imposing house in search of a confession . . .From the million-copy bestselling author of The Miniaturist and The Muse, this is a luminous, powerful and deeply moving novel about secrets and storytelling, motherhood and friendship, and how we lose and find ourselves.

    Morris Finalist Nafiza Azad comes a thrilling, feminist fantasy about a group of teenage girls endowed with special powers who must band together to save the life of the boy whose magic saved them all.Meet the Wild Ones: girls who have been hurt, abandoned, and betrayed all their lives. It all began with Paheli, who was once betrayed by her mother and sold to a man in exchange for a favor. When Paheli escapes, she runs headlong into a boy with stars in his eyes. This boy, as battered as she is, tosses Paheli a box of stars before disappearing. With the stars, Paheli gains access to the Between, a place of pure magic and mystery. Now, Paheli collects girls like herself and these Wild Ones use their magic to travel the world, helping the hopeless and saving others from the fates they suffered. Then Paheli and the Wild Ones learn that the boy who gave them the stars, Taraana, is in danger. He’s on the run from powerful forces within the world of magic. But if Taraana is no longer safe and free, neither are the Wild Ones. And that…is a fate the Wild Ones refuse to accept. Ever again.

    Duh. But the mother of modern physics never had to co-lead with Levi Ward. Sure, Levi is attractive in a tall, dark, and piercing-eyes kind of way. And sure, he caught her in his powerfully corded arms like a romance novel hero when she accidentally damseled in distress on her first day in the lab. But Levi made his feelings toward Bee very clear in grad school—archenemies work best employed in their own galaxies far, far away. Now, her equipment is missing, the staff is ignoring her, and Bee finds her floundering career in somewhat of a pickle. Perhaps it’s her occipital cortex playing tricks on her, but Bee could swear she can see Levi softening into an ally, backing her plays, seconding her ideas…devouring her with those eyes. And the possibilities have all her neurons firing. But when it comes time to actually make a move and put her heart on the line, there’s only one question that matters: What will Bee Königswasser do?