Over the course of one Saturday night, a man and his half-sister meet at her request to spend the evening preparing for her assisted death. They drink and reminisce fondly, sadly, amusingly about their lives and especially her children, both of whom have led dramatic and profoundly different lives. Extraordinary is a powerful consideration of assisted suicide, but it is also a story about family—about how brothers and sisters turn out so differently; about how little, in fact, turns out the way we expect. In the end, this is a novel about the extraordinary business of being alive, and it may well be David Gilmour’s very best work of fiction to date.

    Overrun with paranoia, teenage angst, and religious zeal in the massacre's wake, this sleepy suburban neighborhood declares its saints, brands its demons, and moves on. But for a handful of people still reeling from that horrific day, life remains permanently derailed. Four dramatically different characters tell their stories: Cheryl, who calmly narrates her own death; Jason, the boy no one knew was her husband, still marooned ten years later by his loss; Heather, the woman trying to love the shattered Jason; and Jason's father, Reg, whose rigid religiosity has separated him from nearly everyone he loves. Hey Nostradamus! is an unforgettable portrait of people wrestling with spirituality and with sorrow and its acceptance.

     For Zelda, a twenty-one-year-old Viking enthusiast who lives with her older brother, Gert, life is best lived with some basic rules: 1. A smile means “thank you for doing something small that I liked.” 2. Fist bumps and dabs = respect. 3. Strange people are not appreciated in her home. 4. Tomatoes must go in the middle of the sandwich and not get the bread wet. 5. Sometimes the most important things don’t fit on lists. But when Zelda finds out that Gert has resorted to some questionable—and dangerous—methods to make enough money to keep them afloat, Zelda decides to launch her own quest. Her mission: to be legendary. It isn’t long before Zelda finds herself in a battle that tests the reach of her heroism, her love for her brother, and the depth of her Viking strength. When We Were Vikings is an uplifting debut about an unlikely heroine whose journey will leave you wanting to embark on a quest of your own, because after all... We are all legends of our own making.

    They’ve come home to Malagash, on the north shore of Nova Scotia, so he can die where he grew up. Her mother and her brother are both devastated. But devastated isn’t good enough. Devastated doesn’t fix anything. Sunday has a plan.She’s started recording everything her father says. His boring stories. His stupid jokes. Everything. She’s recording every single “I love you” right alongside every “Could we turn the heat up in here?” It’s all important.Because Sunday is writing a computer virus. A computer virus that will live secretly on the hard drives of millions of people all over the world. A computer virus that will think her father’s thoughts and say her father’s words. She has thousands of lines of code to write. Cryptography to understand. Exploits to test. She doesn’t have time to be sad. Her father is going to live forever.

    A brother and sister are orphaned in an isolated cove on Newfoundland's northern coastline. Their home is a stretch of rocky shore governed by the feral ocean, by a relentless pendulum of abundance and murderous scarcity. Still children with only the barest notion of the outside world, they have nothing but the family's boat and the little knowledge passed on haphazardly by their mother and father to keep them. Muddling though the severe round of the seasons, through years of meagre catches and storms and ravaging illness, it is their fierce loyalty to each other that motivates and sustains them. But as seasons pass and they wade deeper into the mystery of their own natures, even that loyalty will be tested. The Innocents is richly imagined and compulsively readable, a riveting story of hardship and survival, and an unflinching exploration of the bond between brother and sister. By turns electrifying and heartbreaking, it is a testament to the bounty and barbarity of the world, to the wonders and strangeness of our individual selves.

    In the 1970s in Northern California a father and his teenage daughters, Anna and Claire, work their farm with the help of Coop, an enigmatic young man who makes his home with them. Theirs is a makeshift family, until it is shattered by an incident of violence that sets fire to the rest of their lives. Divisadero takes us from San Francisco to the raucous backrooms of Nevada's casinos and eventually to the landscape of southern France. As the narrative moves back and forth through time and place, we find each of the characters trying to find some foothold in a present shadowed by the past.

    Mouse’s world is constrained by a number of factors: her mother is dead, her father – the admired country doctor – is emotionally distant, her housekeeper Sal is prejudiced and narrow, and her grandmother and aunt, Big Louie and Little Louie, the only life-affirming presences in her life, live in another city. Enter Gentleman John Pilkie, the former NHL star who’s transferred to the mental hospital in Madoc's Landing, where he is to serve out his life-sentence for the murder of his wife and daughter. John becomes a point of fascination for young Mary, who looks to him for the attention she does not receive from her father. He, in turn, is kind to her – but the kindness is misunderstood. When Mary figures out that the attention she receives from the Hockey Killer is different in kind and intent from the attention her Aunt Little Louie receives, her world collapses. Set against the beautiful and dramatic shore of Georgian Bay, the climax will have readers turning pages with concern for characters they can’t help but love.Praise"Mouse Bradford is a unique and luminous creation... Gentleman John Pilkie, the hockey killer with a heart of gold, is dressed and ready to become a legend." — Paul Gross

    But when Vivian returns home the night after the supposed "Rapture," all that’s left of her parents are two holes in the roof. Suddenly, she doesn't know who or what to believe. With her best friend Harp and a mysterious ally, Peter, Vivian embarks on a desperate cross-country roadtrip through a paranoid and panic-stricken America to find answers. Because at the end of the world, Vivan Apple isn't looking for a savior. She's looking for the truth.

    They've been best friends almost as long—at least, up until last November, when Josh did something that changed everything. Things have been weird between them ever since, but when Josh's family gets a free AOL CD in the mail, his mom makes him bring it over so that Emma can install it on her new computer. When they sign on, they're automatically logged onto their Facebook pages. But Facebook hasn't been invented yet. And they're looking at themselves fifteen years in the future.By refreshing their pages, they learn that making different decisions now will affect the outcome of their lives later. And as they grapple with the ups and downs of what their futures hold, they're forced to confront what they're doing right—and wrong—in the present.

    After all, one does not simply walk into Washingcon.But in spite of Zak's devil-may-care attitude, he has his own reasons for being as lost as Ana-and Ana may have more in common with him than she thinks. Ana and Zak certainly don’t expect the long crazy night, which begins as a nerdfighter manhunt, to transform into so much more…

    Around her revolves a vividly drawn cast of characters: her mother Adele; Misha, a Polish Jew; the willful, bitter Mother Superior; and her powerfully intelligent twin brothers, who sleep beside a map of the world they long to explore. Brilliantly imagined and buoyed by the clear-eyed perceptions of youth, it is an eloquent and profound story from a gifted writer.

    Love, nurtured and destroyed. Friendships, marriages, and the wild beauty of Cape Breton Island. And above all, kin, in all its convoluted forms.In Lesley Crewe’s sixth novel, we trace the tangled lines of loyalty, tragedy, joy, and love through three generations of families. Beginning in Glace Bay in the 1930s and ending in Round Island in 2011, Crewe weaves her most complex and engaging novel yet. The cast of characters is vast and varied–some with the island’s deliciously cutting wit, some dour and uptight, some frail, some resilient, and all inextricably bound together by their shared histories.Brimming with humour, poignancy, and the maddening joy that is family, Kin is bound to be every Crewe fan’s favourite book.

    For the farming Pye family, life is a Greek tragedy where the sins of the fathers are visited on the sons, and terrible events occur—offstage. Centerstage are the Morrisons, whose tragedy looks more immediate if less brutal, but is, in reality, insidious and divisive. Orphaned young, Kate Morrison was her older brother Matt’s protegee, her fascination for pond life fed by his passionate interest in the natural world. Now a zoologist, she can identify organisms under a microscope but seems blind to the state of her own emotional life. And she thinks she’s outgrown her siblings—Luke, Matt, and Bo—who were once her entire world. In this universal drama of family love and misunderstandings, of resentments harbored and driven underground, Lawson ratchets up the tension with heartbreaking humor and consummate control, continually overturning one’s expectations right to the very end. Tragic, funny, unforgettable, this deceptively simple masterpiece about the perils of hero worship leapt to the top of the bestseller lists only days after being released in Canada and earned glowing reviews in The New York Times and The Globe and Mail, to name a few.

    When a series of dramatic events brings a strange man to her door, Mary emerges from the comfortable isolation that she knows to follow her dreams in Boston. Those desires do not come without sacrifice and hard choices. When her past comes back to haunt her, Mary must decide whether there is room for both her aspirations and her heart—or if she must surrender one to have the other.

    It is the end of the summer, 1974. Since her brother’s death, her Mama curls inside a whiskey bottle and her Papa shuts himself in the barn. Big sister Kathy — in love with her best friend, Stacey — reinvents the bedtime stories she reads to Egg so that they end in a happily ever after.Confronted by bullies and the perplexing quirks of the adults around her, Egg watches, a quiet witness to her unraveling family as she trys to find her place in a bewildering world.The sisters increasingly depend on one another for protection and support but the girls’ relationship is threatened when Kathy’s stories clash with the realities of their small town of Bittercreek­. How can Egg trust someone who has lied to her about everything?