As far as she knows, she’s alonein the world – till a mysterious letter arrives from India.Suddenly, Diya has a chance at being part of a family again.But moving from Boston to India also brings Diya closer tothe place where the horror of the Chakwa – the MasterTrickster – first started. As bodies and tragedies pile uparound her, Diya’s belief in the urban legend of the Chakwaincreases. Will the monster that ruined her parents’ life nowdestroy Diya’s happiness? Or will she manage to defeat it atits own game? With the help of her newly discovered friendsand family, Diya must fight not just the monster from hernightmares, but also make sense of a fast-unravelling web oflies that makes up her life.VINAYA BHAGAT is an IT professional and author. Her shortstories have been published in anthologies and have beenshort-listed in national and international writing competitions.Trickster is her debut novel.Vinaya lives in Bangalore, India with her husband, who isa radiologist and her eight-year-old son. Weekends find herinventing stories and games with her son.

    In the pages of pulp magazines that were still flourishing in the 1950s—Argosy, Dime Western Magazine, Zane Grey’s Western, and others—he perfected his trademark style, a blend of wiry tautness, sharp characterizations, and jolts of unexpected humor. Now, writer and film critic Terrence Rafferty has gathered the best of Leonard’s Westerns in a single volume, four classic novels and eight outstanding short stories, including the tales that inspired such powerful films as Hombre, Valdez Is Coming, and 3:10 to Yuma.In Last Stand at Saber River (1959), Leonard spins a tight narrative in which a homecoming Confederate veteran must fight to regain the ranch that has been stolen from him. Set, like most of Leonard’s Westerns, against a stark Arizona landscape, the novel is a masterpiece of unbroken tension, as the hero confronts a violent new war for all he holds dear.Chosen as one of the twenty-five greatest Western novels by the Western Writers of America, and the basis for a classic film starring Paul Newman, Hombre (1961) is a stagecoach drama whose hero, a man raised by Apaches, is treated with contempt by the white settlers who will ultimately depend on him for their survival.Valdez Is Coming (1970), Leonard’s favorite among his Westerns, pits Mexican American town constable Bob Valdez against the entrenched power of frontier oligarch Frank Tanner. When Valdez is maneuvered by Tanner into shooting an innocent man, he launches a one-man war for justice for the man’s widow that culminates with a surprising twist.With Forty Lashes Less One (1972) Leonard explores the comic tone that would mark his later books. Set within the harsh confines of Yuma Territorial Prison, the novel recounts the unlikely friendship of two prisoners—one part Apache, the other African American—planning a near-impossible escape.Like the novels, the eight stories included here, are tough, suspenseful, convincing, and beautifully spare in style. They range from Leonard’s first published pulp story, “Trail of the Apache” (1951), to one of his last, the fascinating character study “The Tonto Woman” (1982). Among the others are the twice-filmed “Three-Ten to Yuma” (1953) and “The Captives” (1955), the novella that inspired the acclaimed film The Tall T.

    This story helped to put Bret Harte to international prominence as a writer, and contains a veritable cornucopia of descriptive words- a great tool for learning and expanding your literary horizons.

    

    In a letter to Yvonne Davet, Orwell described Animal Farm as a satirical tale against Stalin ("un conte satirique contre Staline"),[7] and in his essay "Why I Write" (1946), wrote that Animal Farm was the first book in which he tried, with full consciousness of what he was doing, "to fuse political purpose and artistic purpose into one whole".[8]

    The Sound of Gravity is a harrowing, dramatic and powerful tale of love, loss and redemption as that haunting split-second memory changes the course of a lifetime. Trapped high on a stormbound mountain face in the icy depths of winter, the stricken young man is forced to fight for his life. Half a lifetime later, haunted by grief and guilt, Patrick is freed from his self-imposed vigil when at last the mountain releases his heart-rending secret.

    As a rank amateur who just thinks he can help, this Ames alter ego quickly becomes embroiled in the search for a missing NYU coed. He moves from one scrape to the next, all while trying to escape a life of periodic alcoholism, dead-end relationships, writer’s block, and hours of Internet backgammon. Bored to Death was originally published in McSweeney’s Issue 24 and is the centerpiece of Ames’s collection of essays and fiction, The Double Life Is Twice as Good. Bored to Death Artwork © 2009 Home Box Office, Inc. All rights reserved. HBO® and related channels and service marks are the property of Home Box Office, Inc.

    Who! This Mad Libs is 48 pages with 21 original stories.

    Exquisite writings on love, marriage, and the spiritual union of souls add a fresh dimension to our understanding of the philosophy of love and the transformation of one's life through its all-encompassing power.

    His five novels–collected here in one volume–are a monument to his inspired lunacy and gleefully demented genius. O’Brien’s masterpiece, At Swim-Two-Birds, is an exuberant literary send-up and one of the funniest novels of the twentieth century. The novel’s narrator is writing a novel about another man writing a novel, in a Celtic knot of interlocking stories. The riotous cast of characters includes figures “stolen” from Gaelic legends, along with assorted students, fairies, ordinary Dubliners, and cowboys, some of whom try to break free of their author’s control and destroy him. The narrator of The Third Policeman, who has forgotten his name, is a student of philosophy who has committed murder and wanders into a surreal hell where he encounters such oddities as the ghost of his victim, three policeman who experiment with space and time, and his own soul (who is named “Joe”). The Poor Mouth, a bleakly hilarious portrait of peasants in a village dominated by pigs, potatoes, and endless rain, is a giddy parody aimed at those who would romanticize Gaelic culture. A naïve young orphan narrates the deadpan farce The Hard Life, and The Dalkey Archive is an outrageous satiric fantasy featuring a mad scientist who uses relativity to age his whiskey, a policeman who believes men can turn into bicycles, and an elderly, bar-tending James Joyce. With a new Introduction by Keith Donohue

    Bethesda Barnet is an artist and a teacher. Her village life with an invalid mother is ordered and calm until the sudden vision of a man's face imprints itself on her mind's eye -- and she becomes a woman obsessed. She paints fragmented images of Mathew Pearson, secretly and relentlessly. And then, on the stillest day, in an extreme moment, she performs an act so bold that it shatters lives. Daring to play God, she falls from grace and is sacrificed on the twin altars of convention and vengeance. "The Stillest Day" draws the reader into the darkest corner of a passionate psyche.

    But when his creature first stirs, he realizes he has constructed a monster. Abandoned by its maker and shunned by everyone who sees it, the monster turns on its creator and haunts Dr. Frankenstein with murder and horrors to the very ends of the earth. Artist Frazer Irving's cinematic and moving portrayal of the doctor and his creation is sympathetic and powerful.

    This volume encapsulates the finest work from Seeing Things (1991) with its lines of loss and revelation; The Spirit Level (1996) where we experience "the poem as ploughshare that turns time / Up and over."; the landmark translation of Beowulf (1999); Electric Light (2001), a book of origins and oracles; and his final collections, District and Circle (2006) and Human Chain (2010), which limn the interconnectedness of being, our lifelines to our inherited past.

    And it happened -- as such things often so happen -- that this man went back into his days that were gone. Again and again and again he went back. Even as every man, even as you and I, so this man went back into his Yesterdays. Then -- why then there was a woman. And it happened -- as such things sometimes so happen -- that this woman also went back into her days that were gone. Again and again and again she went back. Even as every woman, even as you and I, so this woman went back into her Yesterdays.From the introduction: Behold the child, by Nature's kindly law, Pleased with a rattle, tickled with a straw; Some livelier plaything gives his youth delight, A little louder, but as empty quite; Scarfs, garters, gold, amuse his riper stage, And beads and prayer-books are the toys of age; Pleased with this bauble still, as that before; Till tired he sleeps, and life's poor play is o'er."AN ESSAY ON MAN"--Pope.

    A refreshing alternative to voluminous literature anthologies, this compact, inexpensive, and diverse collection of fiction, poetry, and drama provides a concise yet complete introduction to the study of literature.