He's longed for adventure, so when the opportunity arises, he escapes from his bowl, clears the balcony railing and finds himself airborne. Plummeting toward the street below, Ian witnesses the lives of the Seville on Roxy residents.There's the handsome grad student, his girlfriend, and the other woman; the construction worker who feels trapped by a secret; the building's super who feels invisible and alone; the pregnant woman on bed rest who craves a forbidden ice cream sandwich; the shut-in for whom dirty talk, and quiche, are a way of life; and home-schooled Herman, a boy who thinks he can travel through time. Though they share time and space, they have something even more important in common: each faces a decision that will affect the course of their lives. Within the walls of the Seville are stories of love, new life, and death, of facing the ugly truth of who one has been and the beautiful truth of who one can become.Sometimes taking a risk is the only way to move forward with our lives. As Ian the goldfish knows, "An entire life devoted to a fishbowl will make one die an old fish with not one adventure had."

    G. Wodehouse, the second full-length novel featuring the popular characters Jeeves and Bertie Wooster, after Thank You, Jeeves. It also features a host of other recurring Wodehouse characters, and is mostly set at Brinkley Court, the home of Bertie's Aunt Dahlia. It was first published in the United Kingdom on October 5, 1934 by Herbert Jenkins, London, and in the United States on October 15, 1934 by Little, Brown and Company, Boston, under the title Brinkley Manor. Before being published as a book, it had been sold to the Saturday Evening Post, in which it appeared in serial form from December 23, 1933 to January 27, 1934, and in England in the Grand Magazine from April to September 1934. Wodehouse had already started planning this sequel while working on Thank You, Jeeves.Carry on, Jeeves is a collection of ten short stories by P. G. Wodehouse. It was first published in the United Kingdom on 9 October 1925 by Herbert Jenkins, London, and in the United States on October 7, 1927 by George H. Doran, New York. Many of the stories had previously appeared in the Saturday Evening Post, and some were rewritten versions of stories in the collection My Man Jeeves (1919). The book is considered part of the Jeeves canon.The first story in the book, "Jeeves Takes Charge", describes Jeeves' arrival in his master's life, as a replacement for Wooster's previous, thieving valet, and features Lady Florence Craye, as well as a passing mention of Lord Emsworth and Blandings Castle.Several of the other stories are set in New York, and the book includes appearances by regular characters Bingo Little, Aunt Dahlia, Anatole, and Sir Roderick Glossop.

    At first, he thinks it's just the stress of his job, but the hallucinations continue until they culminate at the three-day concert in Chicago, Lollapalloza, which he is covering for work. There he is approached by an older man who tells him that he's going to die on his fortieth birthday.The man claims to be an angel named Matthew, and even though he gives Tyler enough evidence to convince him he's telling the truth, he doesn't know what to do with the information.Tyler's underlying doubt and confusion about Matthew's prediction turn to anger, both at God and those around him. As he begins to exhibit destructive behavior, he befriends Ellis, an internationally known DJ. Tyler is scared that he really is about to die. He's scared for his sanity. He's scared that if he does die, he's not going to Heaven. He also soon becomes scared of Ellis, who is wild and opens up a door of temptation to Tyler.As Tyler begins falling in a downward spiral of fear and confusion, he reaches out to a pastor he met, Will, and tries to right his wrongs with some of the important people in his life in a desperate attempt to find peace before his 40th birthday.

    But now Jen's life seems to be crumbling around her. Her husband Adam is suddenly without a job, her sister is moving far away, and people increasingly describe her two-year-old daughter as a difficult child. This is not the way Jen dreamed parenthood would be, especially with her youngest daughter.In the middle of each night, Kaye wakes up screaming. Human interactions and parental guidance have little meaning for her. Jen makes jokes about Kaye's public behavior to push away the pain. Marie, her four-year-old daughter, wants to know, "Why won't Kaye play with me?" Then Jen's new visiting teacher asks if Kaye is autistic. In Faraway Child, Amy Maida Wadsworth shares her most personal novel to date with a story about a family who faces shattered expectations, and then learns to reach out to family, ward members, and to God.

    When she was eight, the spirit of her deceased grandfather helped her escape from a would-be kidnapper. This captivating, powerful memoir is filled with unforgettable scenes: spot-on predictions, countless spirit visits at home and school, menacing paranormal activity, and Kristy's first meeting with two spirit guides who became her constant allies. Born into a strict religious family, Kristy believed she was cursed and hid her psychic abilities for many years. Over time, she learned to use her talent to do good in the world, and now she has decided to share her incredible story. Follow Kristy's emotional journey through a difficult childhood, stormy marriages, conflict with faith, job loss, and illness--and the hard-won lessons that opened her heart to true love and acceptance of her unique gift.

    Doughty’s poems are at once absurdist and matter-of-fact; the images he conjures are thrown into high relief through cutting wordplay. In a series of prose poems about showbiz, he reimagines Cookie Monster as a burned-out suicide, and cheesy talk-show host Joe Franklin as a cross-dressing witness to the apocalypse. And in “For Charlotte, Unlisted,” he wrenchingly tracks the elusive memory of a faded romance.

    I am Daniel Handler, the author of this book. Did you know that authors often write the summaries that appear on their book's dust jacket? You might want to think about that the next time you read something like, "A dazzling page-turner, this novel shows an internationally acclaimed storyteller at the height of his astonishing powers.""Adverbs" is a novel about love -- a bunch of different people, in and out of different kinds of love. At the start of the novel, Andrea is in love with David -- or maybe it's Joe -- who instead falls in love with Peter in a taxi. At the end of the novel, it's Joe who's in the taxi, falling in love with Andrea, although it might not be Andrea, or in any case it might not be the same Andrea, as Andrea is a very common name. So is Allison, who is married to Adrian in the middle of the novel, although in the middle of the ocean she considers a fling with Keith and also with Steve, whom she meets in an automobile, unless it's not the same Allison who meets the Snow Queen in a casino, or the same Steve who meets Eddie in the middle of the forest. . . .It might sound confusing, but that's love, and as the author -- me -- says, "It is not the nouns. The miracle is the adverbs, the way things are done." This novel is about people trying to find love in the ways it is done before the volcano erupts and the miracle ends. Yes, there's a volcano in the novel. In my opinion a volcano automatically makes a story more interesting.

    His innocent letter requesting an autographed picture begins a bizarre turn of events that eventually costs him his job, foils his romantic intentions toward a coworker, drains his finances, and generally ruins his life. Sid, a Don Quixote character with large blind spots regarding the fate of his one-sided correspondence with the movie star and his own behavior, cannot escape the wrath of lawyers, public relations bulldogs, angry bosses, and ex-girlfriends that drags his life down the tubes. Until he fights back.

    Unfortunately, her agent is hiding her healthy financial position.

    While she loves the odd little town, there is one thing she didn’t anticipate: just how heartbreaking it would be leaving her friends behind. And when you’re a childless thirtysomething freelance writer who works at home, making new friends can be quite a challenge.After a series of false starts nearly gets her exiled from town, Maye decides that her last chance to connect with her new neighbors is to enter the annual Sewer Pipe Queen Pageant, a kooky but dead-serious local tradition open to contestants of all ages and genders. Aided by a deranged former pageant queen with one eyebrow, Maye doesn’t just make a splash, she uncovers a sinister mystery that has haunted the town for decades.“[Laurie Notaro] may be the funniest writer in this solar system.”–The Miami Herald

    She imagined every detail, from the Vivienne Westwood bustiers hanging next to satin gowns, to sequinned cupcake dresses adorning the walls.At the launch of Village Vintage, Phoebe feels the tingle of excitement as customers snap up the fairytale dresses. Her dream has come true, but a secret from her past is casting a shadow over her new venture.Then one day she meets Therese, an elderly Frenchwoman with a collection to sell, apart from one piece that she won't part with …As Therese tells the story of the little blue coat, Phoebe feels a profound connection with her own life, one that will help her heal the pain of her past and allow her to love again.

    With the recent death of their father, the girls must marry quickly in order to inherit their late father?s fortune.Even when Tristan finds out the three women are Mormons, a religious group he knows nothing about, he is positive he can lure Rachel into marriage?if he can convince her he?s a member of her church. Tristan soon finds himself fascinated by much more than just Rachel?s money. After a life of doing whatever?s necessary to close the deal, Tristan wonders if a fledgling testimony of the gospel can give him the strength to come clean to the woman he loves, even though it could mean losing her forever.This fresh, romantic tale is anything but your typical boy-meets-girl love story. Told with equal parts wit and heart, The Counterfeit Convert will keep you laughing while reminding you that facing consequences is the best way to conquer them.

    Safe from the crime and congestion of city life, it is the perfect place to raise a family . . . or so they thought.Life as the town medical examiner is relatively unhurried for Dr. Ben Stevenson. With only a smattering of cases here and there-car accident victims, death by natural causes-he has plenty of time to spend with his loving wife and two sons. That is until a teenager's body is discovered in the woods and Ben, as the only coroner in the area, is assigned to the case. But as the increasingly animalistic attacks continue, the case challenges Ben in ways he never suspects.With its eerie portrait of suburban life and nerve-fraying plot twists, this is psychological suspense at its best-an extraordinary debut that challenges as much as it thrills.

    At fifteen, he took a job washing dishes in a local comedy club—just so he could watch endless stand-up for free. At sixteen, he was hosting a show for his local high school radio station in Syosset, Long Island—a show that consisted of Q&As with his comedy heroes, from Garry Shandling to Jerry Seinfeld. They talked about their careers, the science of a good joke, and their dreams of future glory (turns out, Shandling was interested in having his own TV show one day and Steve Allen had already invented everything).Thirty years later, Apatow is still that same comedy nerd—and he’s still interviewing funny people about why they do what they do.Sick in the Head gathers Apatow’s most memorable and revealing conversations into one hilarious, wide-ranging, and incredibly candid collection that spans not only his career but his entire adult life. Here are the comedy legends who inspired and shaped him, from Mel Brooks to Steve Martin. Here are the contemporaries he grew up with in Hollywood, from Spike Jonze to Sarah Silverman. And here, finally, are the brightest stars in comedy today, many of whom Apatow has been fortunate to work with, from Seth Rogen to Amy Schumer. And along the way, something kind of magical happens: What started as a lifetime’s worth of conversations about comedy becomes something else entirely. It becomes an exploration of creativity, ambition, neediness, generosity, spirituality, and the joy that comes from making people laugh.Loaded with the kind of back-of-the-club stories that comics tell one another when no one else is watching, this fascinating, personal (and borderline-obsessive) book is Judd Apatow’s gift to comedy nerds everywhere.Praise for Sick in the Head“I can’t stop reading it. . . . I don’t want this book to end.”—Jimmy Fallon “An essential for any comedy geek.”—Entertainment Weekly “Fascinating . . . a collection of interviews with many of the great figures of comedy in the latter half of the twentieth century.” —The Washington Post “Open this book anywhere, and you’re bound to find some interesting nugget from someone who has had you in stitches many, many times.”—Janet Maslin, The New York Times “An amazing read, full of insights and connections both creative and interpersonal.”—The New Yorker “Fascinating and revelatory.” —Chicago Tribune “For fans of stand-up, Sick in the Head is a Bible of sorts.”—Newsweek“These are wonderful, expansive interviews—at times brutal, at times breathtaking—with artists whose wit, intelligence, gaze, and insights are all sharp enough to draw blood.”—Michael Chabon “Anyone even remotely interested in comedy or humanity should own this book. It is hilarious and informative and it contains insightful interviews with the greatest comics, comedians, and comediennes of our time. My representatives assure me I will appear in a future edition.”—Will FerrellFrom the Hardcover edition.

    Years after Patrick’s death, ninety-year-old Emma still has the painting hanging over her bed at their country home as a testament to their love.To Emma’s granddaughter, Laura, the portrait is also a symbol of so much to come. The masterpiece is serving as collateral to pay Laura’s tuition at a prestigious music school. Then the impossible happens when an appraiser claims the painting is a fraud. For Laura, the accusation jeopardizes her future. For Emma, it casts doubt on everything she believed about her relationship with Patrick. Laura is determined to prove that Patrick did indeed paint the portrait. Both her grandmother’s and Patrick’s legacies are worth fighting for.As the stories of two women entwine, it’s time for Emma to summon up the past—even at the risk of revealing its unspoken secrets.