Provides new insights and observations from Vogler's pioneering work in mythic structure for writers.

    . . But I think it is sometimes done—or very, very nearly done—in stories.”C.S. Lewis is widely known for his fiction, especially his stories of science fiction and fantasy, for which he was a pioneering author in an age of realistic fiction. In On Stories, he lays out his theories and philosophy on fiction over the course of nine essays, including “On Stories,” “The Death of Words,” and “On Three Ways of Writing for Children.” In addition to these essays, On Stories collects eleven pieces of Lewis’s writing that were unpublished during his lifetime. Along with discussing his own fiction, Lewis reviewed and critiqued works by many of his famous peers, including George Orwell, Charles Williams, Rider Haggard, and his good friend J.R.R. Tolkien, providing a wide-ranging look at what fiction means and how to craft it from one of the masters of his day.

    Film geeks, cinema snobs, VHS collectors, and anyone else who likes their entertainment a little on the weird side will appreciate author Danny Peary’s in-depth approach to their favorite sci-fi films ranging from Barbarella to Liquid Sky.

     Much has been written about the storied New Hollywood of the 1970s, but at the same time as Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film-aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, The New York Times's critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age. By the late 1960s, horror was stuck in the past, confined mostly to drive-in theaters and exploitation houses, and shunned by critics. Shock Value tells the unlikely story of how the much-disparaged horror film became an ambitious art form while also conquering the multiplex. Directors such as Wes Craven, Roman Polanski, John Carpenter, and Brian De Palma- counterculture types operating largely outside the confines of Hollywood-revolutionized the genre, exploding taboos and bringing a gritty aesthetic, confrontational style, and political edge to horror. Zinoman recounts how these directors produced such classics as Rosemary's Baby, Carrie, The Texas Chainsaw Massacre, and Halloween, creating a template for horror that has been imitated relentlessly but whose originality has rarely been matched. This new kind of film dispensed with the old vampires and werewolves and instead assaulted audiences with portraits of serial killers, the dark side of suburbia, and a brand of nihilistic violence that had never been seen before. Shock Value tells the improbable stories behind the making of these movies, which were often directed by obsessive and insecure young men working on shoestring budgets, were funded by sketchy investors, and starred porn stars. But once The Exorcist became the highest grossing film in America, Hollywood took notice. The classic horror films of the 1970s have now spawned a billion-dollar industry, but they have also penetrated deep into the American consciousness. Quite literally, Zinoman reveals, these movies have taught us what to be afraid of. Drawing on interviews with hundreds of the most important artists in horror, Shock Value is an enthralling and personality-driven account of an overlooked but hugely influential golden age in American film.

    Travel with him as he chaperones three out-of-control child actors as they barnstorm Japan, almost drowns actress Catherine Keener in her first film role, and transforms a short story about Elvis Presley battling a four thousand year-old Egyptian mummy into a beloved cult classic film.Witness the incredible cast of characters he meets along the way from heavy metal god Ronnie James Dio to first-time filmmakers Quentin Tarantino and Roger Avary. Learn how breaking bread with genre icons Tobe Hooper, John Carpenter and Guillermo Del Toro leads to a major cable series and watch as he and zombie king George A. Romero together take over an unprepared national network television show with their tales of blood and horror.This memoir fits an entire film school education into a single book. It's loaded with behind-the-scenes stories: like setting his face on fire during the making of Phantasm, hearing Bruce Campbell's most important question before agreeing to star in Bubba Ho-tep, and crafting a horror thriller into a franchise phenomenon spanning four decades. Find out how Coscarelli managed to retain creative and financial control of his artistic works in an industry ruled by power-hungry predators, and all without going insane or bankrupt.True Indie will prove indispensable for fans of Coscarelli's movies, aspiring filmmakers, and anyone who loves a story of an underdog who prevails while not betraying what he believes.

    In 25 years, Kaufman, along with partner Michael Herz, has built Troma Studios up from a company struggling to find its voice in a field crowded with competitors to its current--and legendary--status as a lone survivor, a bastion of true cinematic independence, and the world's greatest collection of camp on film.As entertaining and funny as it is informative and insightful, Make Your Own Damn Movie! places Kaufman's radically low-budget, independent-studio style of filmaking directly in the reader's hands. Thus we learn how to: develop and write a knock-out screenplay; raise funding; find locations and cast actors; hire a crew; obtain equipment, permits, and music rights (all for little or no money); make incredible special effects for $0.79 each; charm, schmooze, and network while on the film-festival circuit; and, finally, make a bad actor act so bad it's actually good.From scriptwriting and directing to financing and marketing, this book is brimming with utterly off-the-wall, decidedly maverick, yet consistently proven advice on how to fully develop one's idea for an independent film.

    This book explores the film's cross-cultural and historical contexts, and its groundbreaking use of ancient myths and folklore. It also includes an interview with del Toro about the genesis and production of the film.

    Contents: 1 • In a Season of Calm Weather • (1957) • short story by Ray Bradbury 7 • A Medicine for Melancholy • (1959) • short story by Ray Bradbury 16 • The Wonderful Ice Cream Suit • non-genre • (1958) • short story by Ray Bradbury 39 • Fever Dream • (1948) • short story by Ray Bradbury 46 • The Marriage Mender • (1954) • short story by Ray Bradbury 51 • The Town Where No One Got Off • (1958) • short story by Ray Bradbury 59 • A Scent of Sarsaparilla • (1953) • short story by Ray Bradbury 66 • The Headpiece • (1958) • short story by Ray Bradbury 74 • The First Night of Lent • [The Irish Stories] • (1956) • short story by Ray Bradbury 81 • The Time of Going Away • (1956) • short story by Ray Bradbury 88 • All Summer in a Day • (1954) • short story by Ray Bradbury 94 • The Gift • (1952) • short story by Ray Bradbury 97 • The Great Collision of Monday Last • [The Irish Stories] • (1958) • short story by Ray Bradbury 104 • The Little Mice • (1955) • short story by Ray Bradbury 109 • The Shore Line at Sunset • (1959) • short story by Ray Bradbury (variant of The Shoreline at Sunset) 118 • The Day It Rained Forever • (1957) • short story by Ray Bradbury 129 • Chrysalis • (1946) • short story by Ray Bradbury 150 • Pillar of Fire • (1948) • novelette by Ray Bradbury 188 • Zero Hour • (1947) • short story by Ray Bradbury 198 • The Man • (1949) • short story by Ray Bradbury 210 • Time in Thy Flight • (1953) • short story by Ray Bradbury 215 • The Pedestrian • (1951) • short story by Ray Bradbury 220 • Hail and Farewell • (1953) • short story by Ray Bradbury 228 • Invisible Boy • (1945) • short story by Ray Bradbury 237 • Come Into My Cellar • (1962) • short story by Ray Bradbury (variant of Boys! Raise Giant Mushrooms in Your Cellar!) 254 • The Million-Year Picnic • [The Martian Chronicles] • (1946) • short story by Ray Bradbury (variant of The Million Year Picnic) 264 • The Screaming Woman • [Green Town] • (1951) • short story by Ray Bradbury 278 • The Smile • (1952) • short story by Ray Bradbury 284 • Dark They Were, and Golden-Eyed • (1949) • short story by Ray Bradbury 299 • The Trolley • [Dandelion Wine] • (1955) • short story by Ray Bradbury 303 • Icarus Montgolfier Wright • (1956) • short story by Ray Bradbury

    Officially licensed with Warner Bros., this collectible edition features accessible text, a host of never-before-seen ephemera, and nine removable features.Written by the foremost authorities on the subject—Jay Scarfone and William Stillman—and designed in close collaboration with Warner Bros., The Wizard of Oz: The Official 75th Anniversary Companion delivers an entertaining and interactive experience, transporting readers over the rainbow and into the wonderful Land of Oz. The authors detail filmmaking secrets—the inspiration behind the film's realistic tornado; why Dorothy's shoes were ruby-colored; and how the filmmakers got a fleet of monkeys to fly—and reveal never-before-seen artwork from their personal collection, including, but not limited to, rare stills, Technicolor test frames, and costume and set illustrations.Additionally, the book will contain nine removable features as well as several innovative graphic components. More than your average anniversary edition, this book promises to be the most definitive look at The Wizard of Oz yet. It is comprehensive in its scope yet accessibly written and beautifully designed—perfect for The Wizard of Oz fans, film buffs of all ages, and collectors.

    Featuring a pitch-perfect screenplay, a classic soundtrack, and unforgettable performances by Humphrey Bogart, Ingrid Bergman, and a deep supporting cast, Casablanca was hailed in the New York Times as “a picture that makes the spine tingle and the heart take a leap.” The film won Oscars for best picture, best director, and best screenplay, and would go on to enjoy more revival screenings than any other movie in history. It became so firmly ensconced in the cultural imagination that, as Umberto Eco once said, Casablanca is “not one movie; it is ‘movies.’ ”We’ll Always Have Casablanca is celebrated film historian Noah Isenberg’s rich account of this most beloved movie’s origins. Through extensive research and interviews with filmmakers, film critics, family members of the cast and crew, and diehard fans, Isenberg reveals the myths and realities behind Casablanca’s production, exploring the transformation of the unproduced stage play into the classic screenplay, the controversial casting decisions, the battles with Production Code censors, and the effect of the war’s progress on the movie’s reception. Isenberg particularly focuses on the central role refugees from Hitler’s Europe played in the production (nearly all of the actors and actresses cast in Casablanca were immigrants).Filled with fresh insights into Casablanca’s creation, production, and legacy, We’ll Always Have Casablanca is a magnificent account of what made the movie so popular and why it continues to dazzle audiences seventy-five years after its release.

    The book traces his immense impact on the portrayal of the leading stars year by year, from his arrival in California in 1925 until his departure in 1943. During that time he photographed all of the greatest personalities, at Metro-Goldwyn-Mayer, Warner Brothers, and Columbia as well as independently. The prints come from the Chapman Collection, one of the most extensive archives of original Hurrell photographs in the world, and they include a number of rarities and surprises. Although some photos by Hurrell are familiar and frequently reproduced, most of the images in this book will come as a revelation, since they have not been published in over half a century. The genesis of the pictures is examined in a remarkable text by Mark A. Vieira, himself a highly regarded portrait photographer, who came to know Hurrell well during the photographer's later years. Vieira explains in detail Hurrell's technical feats of lighting and retouching. And drawing on firsthand accounts, he vividly re-creates the lively interplay between the photographer and his subjects at the shooting sessions in which these portraits were taken.

    "Christmas films" come in many shapes and sizes and exist across many genres. Some, like It's a Wonderful Life and A Christmas Story, are perennials, while others, such as Die Hard, have only gradually become yuletide favorites. But they all have one thing in common: they use themes evoked by the holiday period - nostalgia, joy, togetherness, dysfunction, commercialism, or cynicism - as a force in their storytelling.Turner Classic Movies: Christmas in the Movies showcases the very best among this uniquely spirited strain of cinema. Each film is profiled on what makes it a "Christmas movie," along with behind-the-scenes stories of its production, reception, and legacy. Complemented by a trove of color and black-and-white photos, Turner Classic Movies: Christmas in the Movies is a glorious salute to a collection of the most treasured films of all time.Among the 30 films included: The Shop Around the Corner, Holiday Inn, Meet Me in St. Louis, It's a Wonderful Life, Miracle on 34th Street, White Christmas, A Christmas Story, National Lampoon's Christmas Vacation, Home Alone, Little Women,and The Nightmare Before Christmas.

    He arrives at a terrifying, grey, ash world. Ed rushes home and tells his wife, Ruth, who goes back to the office with him. When they return, everything is normal. But he soon realizes people and objects have subtly changed. Panic-stricken, he runs to a public phone to warn the police, only to have the phone booth ascend heavenward with Fletcher inside...(The Adjustment Bureau is a major motion picture based on Philip K. Dick's classic paranoid story, The Adjustment Team. )

    Sontag develops further the concept of 'transparency'. When anything can be photographed and photography has destroyed the boundaries and definitions of art, a viewer can approach a photograph freely with no expectations of discovering what it means. This collection of six lucid and invigorating essays, the most famous being "In Plato's Cave", make up a deep exploration of how the image has affected society.