Or she was.Or perhaps she just imagines she was.Whatever the truth is, following a debilitating bout of PTSD, self-medication with drink and drugs, and a psychotic breakdown, Alice is now a long-term patient in an acute psychiatric ward.When one of her fellow patients is murdered, Alice becomes convinced that she has identified the killer and that she can catch them. Ignored by the police, she begins her own investigation. But when her prime suspect becomes the second victim, Alice's life begins to unravel still further as she realizes that she cannot trust anyone, least of all herself.Praise for Mark Billingham and the Tom Thorne novels"Morse, Rebus, and now Thorne. The next superstar detective is already with us―don't miss him." --Lee Child, author of the Jack Reacher series"Billingham is a world-class writer and Tom Thorne is a wonderful creation. Rush to read these books." --Karin Slaughter, international bestselling author"With each of his books, Mark Billingham gets better and better. These are stories and characters you don't want to leave." --Michael Connelly, author of the Harry Bosch series"Mark Billingham has brought a rare and welcome blend of humanity, dimension, and excitement to the genre." --George Pelecanos, writer and producer of The Wire"Tom Thorne is one of the most credible and engaging heroes in contemporary crime fiction." --Ian Rankin, author of the Inspector Rebus novels and The Travelling Companion

    Bright and brilliant, they are destined for great things, and the youngest of the group—Aurora Jackson—is delighted to be allowed to tag along. The evening starts like any other—they drink, they dance, they fight, they kiss. Some of them slip off into the woods in pairs, others are left jealous and heartbroken. But by morning, Aurora has disappeared. Her friends claim that she was safe the last time they saw her, right before she went to sleep. An exhaustive investigation is launched, but no trace of the teenager is ever found.Thirty years later, Aurora’s body is unearthed in a hideaway that only the six friends knew about, and Jonah Sheens is put in charge of solving the long-cold case. Back in 1983, as a young cop in their small town, he had known the teenagers—including Aurora—personally, even before taking part in the search. Now he’s determined to finally get to the truth of what happened that night. Sheens’s investigation brings the members of the camping party back to the forest, where they will be confronted once again with the events that left one of them dead, and all of them profoundly changed forever.

    Twenty-five years ago, The Major emerged a hero from the bombing of the Pegasus Hotel in downtown Dallas when he was photographed leading a handful of survivors out of the collapsing building. The iconic picture transformed him into a beloved national icon, in constant demand for speeches and interviews--until he suddenly dropped out of the public eye, shunning all members of the media. However, Kerra is willing to use any means necessary to get to The Major--even if she has to wrangle an introduction from his estranged son, former ATF agent John Trapper. Still seething over his break with both the ATF and his father, John Trapper wants no association with the hotel bombing or his hero father, and spurns the meddling reporters determined to drag them back into the limelight. Yet Kerra's sheer audacity and tantalizing hints that there's more to the story rouse Trapper's interest despite himself. And when her interview of a lifetime goes catastrophically awry--with unknown assailants targeting not only The Major, but also Kerra--Trapper realizes he needs her under wraps if he's going to track down the gunmen before they strike again . . . as well as discover, finally, who was responsible for the Pegasus bombing. Kerra is wary of a man so charming one moment and dangerous the next, and she knows Trapper is withholding evidence collected during his ATF investigation into the bombing. But having no one else to trust and enemies lurking closer than they know, Kerra and Trapper join forces and risk their very lives to expose a sinuous network of lies and conspiracy running deep through Texas--and uncover who would want a national hero dead.

    But this is not a detective story, this is a story about the making of a detective . . .William Warwick has always wanted to be a detective, and decides, much to his father’s dismay, that rather than become a lawyer like his father, Sir Julian Warwick QC, and his sister Grace, he will join London’s Metropolitan Police Force.After graduating from university, William begins a career that will define his life: from his early months on the beat under the watchful eye of his first mentor, Constable Fred Yates, to his first high-stakes case as a fledgling detective in Scotland Yard’s arts and antiquities squad. Investigating the theft of a priceless Rembrandt painting from the Fitzmolean Museum, he meets Beth Rainsford, a research assistant at the gallery who he falls hopelessly in love with, even as Beth guards a secret of her own that she’s terrified will come to light.While William follows the trail of the missing masterpiece, he comes up against suave art collector Miles Faulkner and his brilliant lawyer, Booth Watson QC, who are willing to bend the law to breaking point to stay one step ahead of William. Meanwhile, Miles Faulkner’s wife, Christina, befriends William, but whose side is she really on?This new series introduces William Warwick, a family man and a detective who will battle throughout his career against a powerful criminal nemesis. Through twists, triumph and tragedy, this series will show that William Warwick is destined to become one of Jeffrey Archer’s most enduring legacies.

    Kidnapped. Alone. Terrified.Now forget her ...Picture instead a pregnant, 16-year-old, manipulative prodigy. She is shoved into a dirty van and, from the first moment of her kidnapping, feels a calm desire for two things: to save her unborn son and to exact merciless revenge.She is methodical, calculating, scientific in her plotting. A clinical sociopath? Leaving nothing to chance, secure in her timing and practice, she waits for the perfect moment to strike. Method 15/33 is what happens when the victim is just as cold as the captors.The agents trying to find a kidnapped girl have their own frustrations and desires wrapped into this chilling drama. In the twists of intersecting stories, one is left to ponder. Who is the victim? Who is the aggressor?

    A deaf reporter terrified of nature. A dense spruce forest overdue for harvest. A pair of eyeless hunters found murdered in the woods.It’s week one of the Swedish elk hunt and the sound of gunfire is everywhere. When Tuva Moodyson investigates the story that could make her career she stumbles on a web of secrets that knit Gavrik town together. Are the latest murders connected to the Medusa killings twenty years ago? Is someone following her? Why take the eyes? Tuva must face her demons and venture deep into the woods to stop the killer and write the story. And then get the hell out of Gavrik.

    Everyone thinks she’s a nasty piece of work. The schoolchildren call her a thief. But Lorna’s hair is matted, her shoes pinch her feet and school teacher Claire Penny can’t help herself; some kids just need a bit more support, a bit more love, than the rest.As the bond between teacher and pupil grows stronger, Claire sees Lorna’s bruises, and digs to uncover the disturbing tale behind them. Heartbroken, Claire knows she has to act. She must make Lorna safe. Just when Claire thinks she has protected Lorna, a chance encounter brings enigmatic stranger Marianne Cairns into their lives. Marianne seems generous and kind but there is something about her story that doesn’t quite add up. Why does she feel so at home, and why is Lorna suddenly so unsettled?Claire has risked everything to save Lorna. But what can save Claire from the shocking truth?An utterly unputdownable and darkly compelling read that will have fans of The Girl on the Train, The Sister, and Gone Girl absolutely hooked.

    Although she is reluctant to track down a woman who may not want to be found, Gray's search for Isabel Lincoln becomes more complicated and dangerous with every new revelation about the woman's secrets and the truth she's hidden from her friends and family.Featuring two complicated women in a dangerous cat and mouse game, And Now She's Gone explores the nature of secrets -- and how violence and fear can lead you to abandon everything in order to survive.

    A few days before Christmas, his peace is shattered and he is thrust back into the murky world of murder when a young woman is found dead amongst the ancient ruins of the nearby Priory.When former local girl Dr Anna Taylor arrives back on the island as a police consultant, old memories swim to the surface making her confront her difficult past. She and Ryan struggle to work together to hunt a killer who hides in plain sight, while pagan ritual and small-town politics muddy the waters of their investigation.

    She's a binge drinker, her job with the airline making it easy to find adventure, and the occasional blackouts seem to be inevitable. She lives with them, and the accompanying self-loathing. When she awakes in a Dubai hotel room, she tries to piece the previous night back together, already counting the minutes until she has to catch her crew shuttle to the airport. She quietly slides out of bed, careful not to aggravate her already pounding head, and looks at the man she spent the night with. She sees his dark hair. His utter stillness. And blood, a slick, still wet pool on the crisp white sheets. Afraid to call the police—she's a single woman alone in a hotel room far from home—Cassie begins to lie. She lies as she joins the other flight attendants and pilots in the van. She lies on the way to Paris as she works the first class cabin. She lies to the FBI agents in New York who meet her at the gate. Soon it's too late to come clean—or face the truth about what really happened back in Dubai. Could she have killed him? If not, who did?

    Nicole Cutty and Megan McDonald are both high school seniors in the small town of Emerson Bay, North Carolina. When they disappear from a beach party one warm summer night, police launch a massive search. No clues are found, and hope is almost lost until Megan miraculously surfaces after escaping from a bunker deep in the woods. A year later, the bestselling account of her ordeal has turned Megan from local hero to national celebrity. It s a triumphant, inspiring story, except for one inconvenient detail: Nicole is still missing. Nicole's older sister Livia, a fellow in forensic pathology, expects that one day soon Nicole's body will be found, and it will be up to someone like Livia to analyze the evidence and finally determine her sister's fate. Instead, the first clue to Nicole's disappearance comes from another body that shows up in Livia's morgue that of a young man connected to Nicole's past. Livia reaches out to Megan for help, hoping to learn more about the night the two were taken. Other girls have gone missing too, and Livia is increasingly certain the cases are connected. But Megan knows more than she revealed in her blockbuster book. Flashes of memory are coming together, pointing to something darker and more monstrous than her chilling memoir describes. And the deeper she and Livia dig, the more they realize that sometimes true terror lies in finding exactly what you've been looking for.

    It's the name the media has given a brutal murderer who has beaten four young women to death before setting their bodies ablaze in secluded areas of London's parks. And now there's a fifth. Maeve Kerrigan is an ambitious detective constable, keen to make her mark on the murder task force. Her male colleagues believe Maeve's empathy makes her weak, but the more she learns about the latest victim, Rebecca Haworth, from her grieving friends and family, the more determined Maeve becomes to bring her murderer to justice. But how do you catch a killer no one has seen when so much of the evidence has gone up in smoke? Maeve's frenetic hunt for a killer in Jane Casey's gripping series debut will entrance even the most jaded suspense readers.

    But the truth can’t stay hidden for long.Emma is a loving wife, a devoted mother…and an involuntary killer. For years she’s been hiding the dead body of the teacher who seduced her as a teen.It’s a secret that might have stayed buried if only her life had been less perfect. A promotion for Emma’s husband, Alex, means they can finally move to a bigger home with their young son. But with a buyer lined up for their old house, Emma can’t leave without destroying every last trace of her final revenge…Returning to the shallow grave in the garden, she finds it empty. The body is gone.Panicked, Emma confesses to her husband. But this is only the beginning. Soon, Alex will discover things about her he’ll wish he’d learned sooner. And others he’ll long to forget.

    Edvardsson's A Nearly Normal Family and lauds it as a "page-turner" that forces the reader to confront "the compromises we make with ourselves to be the people we believe our beloveds expect." (NYTimes Book Review Summer Reading Issue)When the teenage daughter of responsible, upstanding parents is accused of murder, a family realizes that it isn't love that will keep them together: it's lies.Eighteen-year-old Stella Sandell stands accused of the brutal murder of a man almost fifteen years her senior. She is an ordinary teenager from a respectable local family. What reason could she have to know a shady businessman, let alone to kill him?Told in an unusual three-part structure, this gripping, domestic drama pushes a family to its limits. The father, a pastor, believes his daughter can only be innocent, despite mounting evidence. The mother, a defense attorney, believes no one is telling the truth. And the daughter, desperate for her dreams of the future, believes no one understands how far she is willing to go.In this complex, multi-layered novel, every character's loyalty and morality is tested. Are we duty-bound to defend our family, even with the evidence against them? Is anyone who they seem on the surface? And what are we willing to compromise to keep our lives, as we know them, intact?

    But the residents of the domestic violence shelter where Katie worked disagree. These women have spent weeks or even years waiting for the men they're running from to catch up with them. They know immediately: This was murder.Still, Detective Dan Whitworth and his team expect an open-and-shut case--until they discover evidence that suggests Katie wasn't who she appeared. Weaving together the investigation with Katie's final months as it barrels toward the truth, The Keeper is a riveting mystery and a searing examination of violence against women and the structures that allow it to continue, marking the debut of an incredible new voice in crime fiction.