Some stories have won awards; some have been included in various 'Year's Best' anthologies; some have been well reviewed by critics and readers; and some are simply Ken's personal favorites. Many of the authors collected here (with the obvious exception of Liu Cixin) belong to the younger generation of 'rising stars'.In addition, three essays at the end of the book explore Chinese science fiction. Liu Cixin's essay, The Worst of All Possible Universes and The Best of All Possible Earths, gives a historical overview of SF in China and situates his own rise to prominence as the premier Chinese author within that context. Chen Qiufan's The Torn Generation gives the view of a younger generation of authors trying to come to terms with the tumultuous transformations around them. Finally, Xia Jia, who holds the first Ph.D. issued for the study of Chinese SF, asks What Makes Chinese Science Fiction Chinese?.

    Twenty-one year old Fenfang Wang has traveled one thousand eight hundred miles to seek her fortune in contemporary urban Beijing, and has no desire to return to the drudgery of the sweet potato fields back home. However, Fenfang is ill-prepared for what greets her: a Communist regime that has outworn its welcome, a city under rampant destruction and slap-dash development, and a sexist attitude seemingly more in keeping with her peasant upbringing than the country’s progressive capital. Yet Fenfang is determined to live a modern life. With courage and purpose, she forges ahead, and soon lands a job as a film extra. While playing roles like woman-walking-over-the bridge and waitress-wiping-a-table help her eke out a meager living, Fenfang comes under the spell of two unsuitable young men, keeps her cupboard stocked with UFO noodles, and after mastering the fever and tumult of the city, ultimately finds her true independence in the one place she never expected.At once wry and moving, Twenty Fragments of a Ravenous Youth gives us a clear-eyed glimpse into the precarious and fragile state of China’s new identity and asserts Xiaolu Guo as her generation’s voice of modern China.

    These flawlessly crafted stories—unflinching in their honesty, yet balanced with humor and compassion—take us into the small towns and dirt roads that are home to the people who make China run. In the title story, a shopkeeper confronts a child thief and punishes him without mercy. “Victory” shows a young couple shaken by the husband’s infidelity, scrambling to stake claims to the components of their shared life. “Sweltering Summer” centers on an awkward young man who shrewdly uses the perks of his government position to court two women at once. Other tales show, by turns, two poor factory workers who spoil their only son, a gang of peasants who bully the village orphan, and a spectacular fistfight outside a refinery bathhouse. With sharp language and a keen eye, Yu Hua explores the line between cruelty and warmth on which modern China is—precariously, joyfully—balanced. Taken together, these stories form a timely snapshot of a nation lit with the deep feeling and ready humor that characterize its people. Already a sensation in Asia, certain to win recognition around the world, Yu Hua, in Boy in the Twilight, showcases the peerless gifts of a writer at the top of his form.

    Set during the period of Kim Il-sung and Kim Jong-il’s leadership, the seven stories that make up The Accusation give voice to people living under this most bizarre and horrifying of dictatorships. The characters of these compelling stories come from a wide variety of backgrounds, from a young mother living among the elite in Pyongyang whose son misbehaves during a political rally, to a former Communist war hero who is deeply disillusioned with the intrusion of the Party into everything he holds dear, to a husband and father who is denied a travel permit and sneaks onto a train in order to visit his critically ill mother. Written with deep emotion and writing talent, The Accusation is a vivid depiction of life in a closed-off one-party state, and also a hopeful testament to the humanity and rich internal life that persists even in such inhumane conditions.

     Mariana Enriquez has been critically lauded for her unconventional and sociopolitical stories of the macabre: populated by unruly teenagers, crooked witches, homeless ghosts, and hungry women, they walk the uneasy line between urban realism and horror. The stories in her next collection are as terrifying as they are socially conscious, and press into being the unspoken -- fetish, illness, the female body, the darkness of human history -- with unsettling urgency. A woman is sexually obsessed with the human heart; a lost, rotting baby crawls out of a backyard and into a bedroom; a pair of teenage girls can't let go of their idol; an entire neighborhood is cursed to death by a question of morality they fail to answer correctly.Written against the backdrop of contemporary Argentina, and with resounding tenderness towards those in pain, in fear, and in limbo, this new collection from one of Argentina's most exciting writers finds Enriquez at her most sophisticated, and most chilling.

    The eight masterful stories in this new collection are all told in the first person by a classic Murakami narrator: a lonely man. Some of them (like With the Beatles, Cream and On a Stone Pillow ) are nostalgic looks back at youth. Others are set in adulthood--Charlie Parker Plays Bossa Nova, Carnaval, Confessions of a Shinagawa Monkey and the stunning title story. Occasionally, a narrator who may or may not be Haruki himself is present, as in The Yakult Swallows Poetry Collection. Is it memoir or fiction? The reader decides. The stories all touch beautifully on love and loss, childhood and death . . . all with a signature Murakami twist.'

    Concerns about society, gender and imperialism dovetail irresistibly with flights of speculative wonder. And with a kitchen sink in the corner of even her wildest stories, Suzuki reminds us that while society may be limitless, relationships remain impossible

    Henry-prize winner Swamy's debut collection of stories, dreams collide with reality, modernity collides with antiquity, myth with true identity, and women grapple with desire, with ego, with motherhood and mortality. In "Earthly Pleasures," Radika, a young painter living alone in San Francisco, begins a secret romance with one of India's biggest celebrities. In "A Simple Composition," a husband's moment of crisis leads to his wife's discovery of a dark, ecstatic joy and the sense of a new beginning. In the title story, an exhausted mother watches, distracted and paralyzed, as a California wildfire approaches her home. With a knife blade's edge and precision, the stories of A House Is a Body travel from India to America and back again to reveal the small moments of beauty, pain, and power that contain the world.

    Next to him a piece of paper unfolds like the wings of a butterfly, and on it is an image that Jia Jia can't forget.Profoundly troubled by what she has seen, even while she is abruptly released from a marriage that had constrained her, Jia Jia embarks on a journey to discover the truth of the sketch. Starting at her neighbourhood bar, with its brandy and vinyl, and fuelled by anger, bewilderment, curiosity and love, Jia Jia travels deep into her past in order to arrive at her future.Braised Pork is a cinematic, often dreamlike evocation of nocturnal Beijing and the high plains of Tibet, and an exploration of myth-making, loss, and a world beyond words, which ultimately sees a young woman find a new and deeper sense of herself.

    Ma’s talent for probing the country’s darkest corners and exposing what he regards as the Communist Party’s moral failings” (Mike Ives, The New York Times).Called “Red Guards meet Kurt Vonnegut . . . powerful!" by Margaret Atwood on Twitter, China Dream is an unflinching satire of totalitarianism. Ma Daode, a corrupt and lecherous party official, is feeling pleased with himself. He has an impressive office, three properties, and multiple mistresses who text him day and night. After decades of loyal service, he has been appointed director of the China Dream Bureau, charged with replacing people's private dreams with President Xi Jinping's great China Dream of national rejuvenation. But just as he is about to present his plan for a mass golden wedding anniversary celebration, his sanity begins to unravel. Suddenly plagued by flashbacks of the Cultural Revolution, Ma Daode's nightmare visions from the past threaten to destroy his dream of a glorious future.Exposing the damage inflicted on a nation's soul when authoritarian regimes, driven by an insatiable hunger for power, seek to erase memory, rewrite history, and falsify the truth, China Dream is a dystopian vision of repression, violence, and state-imposed amnesia that is set not in the future, but in China today.

    A woman spends a night with her fiancé and his friends, and overhears a terrible secret that has bound them together since high school. A man grows increasingly agitated by the apartment noise made by a young family living upstairs and arouses the suspicion of his own wife when the neighbors meet a string of unlucky incidents. A couple moves into a picture-perfect country house, but when their new dog is stolen, they become obsessed with finding the thief, and in the process, neglect their child. Ha’s paranoia-inducing, heart-quickening stories will have you reconsidering your own neighbors.

    Blurring the lines between magical realism, horror, and science-fiction, Chung uses elements of the fantastic and surreal to address the very real horrors and cruelties of patriarchy and capitalism in modern society.Anton Hur’s translation skilfully captures the way Chung’s prose effortlessly glides from being terrifying to wryly humorous. Winner of a PEN/Heim Grant.

    Xinran made the trip and met the woman, called Shu Wen, who recounted the story of her thirty-year odyssey in the vast landscape of Tibet.Shu Wen and her husband had been married for only a few months in the 1950s when he joined the Chinese army and was sent to Tibet for the purpose of unification of the two countries. Shortly after he left she was notified that he had been killed, although no details were given. Determined to find the truth, Shu Wen joined a militia unit going to the Tibetan north, where she soon was separated from the regiment. Without supplies and knowledge of the language, she wandered, trying to find her way until, on the brink of death, she was rescued by a family of nomads under whose protection she moved from place to place with the seasons and eventually came to discover the details of her husband's death.In the haunting Sky Burial, Xinran has recreated Shu Wen's journey, writing beautifully and simply of the silence and the emptiness in which Shu Wen was enveloped. The book is an extraordinary portrait of a woman and a land, each at the mercy of fate and politics. It is an unforgettable, ultimately uplifting tale of love, loss, loyalty, and survival.

    A man travels to his son’s school to deal with the fallout of a violent attack and to make sure his son will not lose his college place. But what exactly has his son done? And who is to blame? A young woman trying to make it in LA, working in a clothes shop while taking acting classes, turns to a riskier way of making money but will be forced to confront the danger of the game she’s playing. And a family coming together for Christmas struggle to skate over the lingering darkness caused by the very ordinary brutality of a troubled husband and father.These outstanding stories examine masculinity, male power and broken relationships, while revealing – with astonishing insight and clarity – those moments of misunderstanding that can have life-changing consequences. And there is an unexpected violence, ever-present but unseen, in the depiction of the complicated interactions between men and women, and families. Subtle, sophisticated and displaying an extraordinary understanding of human behaviour, these stories are unforgettable.

    At the heart of Chang's achievement is her short fiction—tales of love, longing, and the shifting and endlessly treacherous shoals of family life. Written when Chang was still in her twenties, these extraordinary stories combine an unsettled, probing, utterly contemporary sensibility, keenly alert to sexual politics and psychological ambiguity, with an intense lyricism that echoes the classics of Chinese literature. Love in a Fallen City, the first collection in English of this dazzling body of work, introduces American readers to the stark and glamorous vision of a modern master.