The sickness is related to a mysterious man who claims he is the resurrected Savior of the world. His intent is to hide the light of the truth as he stands in its stead. His words are hypnotic. His message is deadly. Corrynne Rogers is an Intensive Care nurse who cares for the dying. Through her hospital association she uncovers a destructive plan to implant computer chips under the skin in any who worship the false Christ in an effort to control the followers. Some followers are killed by a flesh eating bacteria as they turn away from the religious leader. Eventually, Corrynne exposes the deadly plan but not in time to protect one of her own from the lethal chip. The Zulu countdown has begun. Fire is prophesied to rain from heaven to punish those who refuse to accept the false Christ. But will it? Time will only tell.

    A bootlegger and labor racketeer, he corrupted politicians, promoted crooked stock sales, and imported narcotics. And, perhaps most importantly, he transformed organized crime from a thuggish activity practiced by hoodlums into a big business, run like a corporation, with himself at the top. For twenty years, the name of Arnold Rothstein symbolized money—big-time money, gambling money, racket money, illegal money, millions upon millions of dollars. His share was ninety percent of any deal; he was never indicted for a single crime; he always won at cards and horses. And, despite his involvement in dozens of murders and hundreds of other crimes, his luck never ran out. At least not until 1928, the year in which he was fatally shot. The perpetrators—and Rothstein's millions—were never found. The Big Bankroll is the definitive biography of the man known simply as Mr. Big. In it, Leo Katcher reveals not only sordid details of the life of America's most powerful gambler, but illuminates the whole era in which crime became king.

    While the series has surreal elements, he believes it provides the answers to all the questions which have confounded viewers: who is Number 6? Who runs The Village? Who—or what—is Number 1? According to Cox, the key is to view the series in the order in which the episodes were made, not in the order of the UK or US television screenings. In this book he does exactly that, and provides an entirely original and controversial “explanation” for what is perhaps the best, and certainly the most perplexing, TV series of all time.

    And what's going on is plotting the revolution, pure and simple.There's lots more. Events in England, shown in "Letters of Trade," happenings in the Caribbean—with pirates, not less. Russia and Czar Mikhail are having their own problems, while certain folks in Grantville are just ticked off. The USE capitol in Magdeburg is a hopping town and we'll be happy to share the news with you. Gustav Adolph may have won the Baltic War, but what happened to the individual soldiers They didn't all come out on top, did they Just how hard is it to navigate the troubled waters of the 1632 Universe No picnic, for sure.Chocolate, steam, railroads and tennis. Revolution, mayhem, ships and planes. What have they got in common It's all happening in seventeenth century Europe.

    Much of Dick's work, currently being celebrated in college courses and prestigious anthologies like The Library of America, consists of a kind of surreal autobiography and Anne's memoir helps us connect his fictional characters to his life. Philip K Dick was quite a character himself, both on and off the page, and Anne's memoir bravely explores her tumultuous relationship with this mercurial man in an attempt to better understand him and his writing. A touching aspect of this memoir is that it represents Anne's search as well.Anne witnessed first-hand the most prolific period in Dick's career, a five year period year stretch from 1958 - 1964 during which time Philip wrote many of his most celebrated novels including: The Man in the High Castle, The Three Stigmata of Palmer Eldritch, Martian Time-Slip, Confessions of a Crap Artist, Dr Bloodmoney, We Can Build You, Now Wait For Last Year, and The Simulacra. Anne, a fifty four year resident of Point Reyes Station, still lives in the modern Campbell and Wong house she shared with Philip, a house that was featured in many of Dick's books. Reading Anne's memoir will open up many of Philip's works, revealing the autobiographical material often buried deep in his texts. Biography lovers will enjoy the intensity of detail Anne brings to Dick's complex and intense struggles. Anne spent several years conducting interviews with Dick's friends, family, and colleagues, assembling perhaps the most thoroughly researched biography of Philip K Dick currently available. --- Editor's description:Brilliant, talented, and charismatic, Philip K. Dick had it all. Already a successful young writer with a highly promising career, in 1958 he met his intellectual and romantic soulmate, his soon-to-be third wife Anne Rubenstein.To his new family and friends, Dick appeared cheerful and loving. But behind the facade of an untroubled life was a man struggling with inner demons. Slowly and always in denial, Anne watched his disconnect from reality and witnessed his increasing paranoia. Philip K. Dick had begun his descent into madness.In this riveting memoir and biography, Anne Dick creates an extraordinary portrait of one of the twentieth century's most important writers. Through this no-holds-barred account, she reveals the compelling genius and private hell of Philip K. Dick, for better and for worse.

    They extend from a region where the audience is pumped for tweets to a future of "neurocurating," in which paintings surveil their audience via facial recognition and eye tracking to assess their popularity and to scan for suspicious activity.In Duty Free Art, filmmaker and writer Hito Steyerl wonders how we can appreciate, or even make art, in the present age.What can we do when arms manufacturers sponsor museums, and some of the world's most valuable artworks are used as currency in a global futures market detached from productive work? Can we distinguish between information, fake news, and the digital white noise that bombards our everyday lives? Exploring subjects as diverse as video games, WikiLeaks files, the proliferation of freeports, and political actions, she exposes the paradoxes within globalization, political economies, visual culture, and the status of art production.

    The insights contained in the book originate from ancient indigenous cultures. According to what the author learned from his elders, human beings always have a choice between the path of competition and the path of cooperation. The healing of the earth depends on the healing of humanity and will only become possible as we return to a relationship of cooperation with all of life. In order to do this we first need to return to ourselves, remembering our original, inherent wisdom. Indigenous people believe that we humans have all the necessary talents to be caretakers of Mother Earth. This book reveals our true capacities in a strong and clear way, offering the reader not only information, but a real opportunity to participate in the work that needs to be done to save our planet.

    Her husband having died of heart disease, Martha Weinman Lear articulates her feelings toward the medical treatment, her personal strengths and weaknesses, and how she survived her own fears.

    His earlier visits allow him to compare his "chosen homeland" to a past time and a fundamentally unchanged zone, neglected by Franco and Spain itself. At once, then, "Nijar Country" doubles time and space, the first of its many such doublings.Walls graffitied FRANCO, FRANCO, FRANCO preside over destitution, hopeless hopes, and labored lives ended before death, so inhabitants dream of escaping, some having returned only to recall cities regretfully. One boy, pointedly named Juan, implores the narrator (our Juan?) to take him away. The boy may embody a past Juan of whom the present man is avatar--and what about the other Juans in the book?Readers of Goytisolo's later books, such as "Juan the Landless," may be surprised by "Nijar Country"'s precociously complex counterpoint, so deftly manipulated as to possibly escape detection.Goytisolo has written other "travelogs," each accomplishing multiple purposes. Here his vocabulary and grammar sound Nijar's soulful culture. Peter Bush's flexible translation admirably hurdles such potential obstacles of diction and expression.

    Bringing to life stories like that of Eunice Cole, tried for attacking a teenage girl with a rock and buried with a stake through her heart; Jane Jacobs, a Bostonian so often accused of witchcraft that she took her tormentors to court on charges of slander; and Increase Mather, an exorcism-performing minister famed for his knowledge of witches, this volume provides a unique tour through the darkest history of English and North American witchcraft, never failing to horrify, intrigue, and delight.

    Engaging, thoughtful and candid' Telegraph Waterlog celebrates the magic of water and the beauty and eccentricity of Britain.In 1996 Roger Deakin, the late, great nature writer, set out to swim through the British Isles. From the sea, from rock pools, from rivers and streams, tarns, lakes, lochs, ponds, lidos, swimming pools and spas, from fens, dykes, moats, aqueducts, waterfalls, flooded quarries, even canals, Deakin gains a fascinating perspective on modern Britain.Detained by water bailiffs in Winchester, intercepted in the Fowey estuary by coastguards, mistaken for a suicide on Camber sands, confronting the Corryvreckan whirlpool in the Hebrides, he discovers just how much of an outsider the native swimmer is to his landlocked, fully-dressed fellow citizens.This is a personal journey, a bold assertion of the native swimmer's right to roam, and an unforgettable celebration of the magic of water.

    In a post-civil rights era defined by deindustrialization and globalization, hip-hop crystallized a multiracial, polycultural generation's worldview, and transformed American politics and culture. But that epic story has never been told with this kind of breadth, insight, and style.Based on original interviews with DJs, b-boys, rappers, graffiti writers, activists, and gang members, with unforgettable portraits of many of hip-hop's forebears, founders, and mavericks, including DJ Kool Herc, Afrika Bambaataa, Chuck D, and Ice Cube, Can't Stop Won't Stop chronicles the events, the ideas, the music, and the art that marked the hip-hop generation's rise from the ashes of the 60's into the new millennium.

    This book, the first-ever illustrated guide to Robert E. Howard's most beloved character, is a genuine treasure chest of Conan lore, following Conan through the ages, through his different careers, as he meets friends and foes and travels across the Hyborian continent. Includes a foreword by Todd McFarlane. Created in full cooperation with Conan Properties International, LLC. Features character profiles, maps, art from original paperbacks, comic books, video games, and more.

    (In fact, he says, in certain situations reading the book is the worst thing you could do). Using examples from such writers as Graham Greene, Oscar Wilde, Montaigne, and Umberto Eco, he describes the varieties of "non-reading"—from books that you've never heard of to books that you've read and forgotten—and offers advice on how to turn a sticky social situation into an occasion for creative brilliance. Practical, funny, and thought-provoking, How to Talk About Books You Haven't Read is in the end a love letter to books, offering a whole new perspective on how we read and absorb them. It's a book for book lovers everywhere to enjoy, ponder, and argue about—and perhaps even read.Pierre Bayard is a professor of French literature at the University of Paris VIII and a psychoanalyst. He is the author of Who Killed Roger Ackroyd? and of many other books. Jeffrey Mehlman is a professor of French at Boston University and the author of a number of books, including Emigré New York. He has translated works by Derrida, Lacan, Blanchot, and other authors.

    "Bold and unhesitating".--Times Literary Supplement (London). 16 pages of photos.