Assembling an array of talent, this collection includes contributions from visionaries Michael Moorcock and China Miéville, modern icon Clive Barker, and audacious new talents Hal Duncan, Jeffrey Ford, and Sarah Monette. An essential snapshot of a vibrant movement in popular fiction, this anthology also features critical writings from authors, theorists, and international editors as well as witty selections from online debates.ContentsIntroduction: The New Weird: “It’s Alice?” by Jeff VanderMeer“The Gutter Sees the Light That Never Shines” by Alistair Rennie“Watson’s Boy” by Brian Evenson“Cornflowers Beside the Unuttered” by Cat Rambo“Jack” by China Miéville“In the Hills, the Cities” by Clive Barker“Forfend the Heaven’s Rending” by Conrad Williams“Locust-Mind” by Daniel Abraham“Tracking Phantoms” by Darja Malcolm-Clarke“Constable Chalch and the Ten Thousand Heroes” by Felix Gilman“The Lizard of Ooze” by Jay Lake“Festival Lives: Preamble: An Essay” by Jeff VanderMeer and Ann VanderMeer“At Reparata” by Jeffrey Ford“Immolation” by Jeffrey Thomas“The Art of Dying” by Darja Malcolm-Clarke“Whose Words You Wear” by K. J. Bishop“The Neglected Garden” by Kathy Koja“Letters from Tainaron” by Leena Krohn“The Luck in the Head” by M. John Harrison“Crossing Cambodia” by Michael Moorcock“Death in a Dirty Dhorti” by Paul Di Filippo“All God’s Chillun Got Wings” by Sarah Monette“The Braining of Mother Lamprey” by Simon D. Ings“The Ride of the Gabbleratchet” by Steph Swainston“A Soft Voice Whispers Nothing” by Thomas Ligotti“European Editor Perspectives on the New Weird: An Essay” by Martin Šust, Michael Haulica, Hannes Riffel, Jukka Halme, Konrad Walewski“The New Weird: I Think We’re the Scene” by Michael Cisco“New Weird Discussions: The Creation of a Term” by various authors

    . . a book that enriches our understanding of how the struggle to think new thoughts is shared across time and space and people.”—The Sunday Telegraph (London)Christmas, 1859. Just one month after the publication of On the Origin of Species, Charles Darwin received an unsettling letter. He had expected criticism; in fact, letters were arriving daily, most expressing outrage and accusations of heresy. But this letter was different. It accused him of failing to acknowledge his predecessors, of taking credit for a theory that had already been discovered by others. Darwin realized that he had made an error in omitting from Origin of Species any mention of his intellectual forebears. Yet when he tried to trace all of the natural philosophers who had laid the groundwork for his theory, he found that history had already forgotten many of them.Darwin’s Ghosts tells the story of the collective discovery of evolution, from Aristotle, walking the shores of Lesbos with his pupils, to Al-Jahiz, an Arab writer in the first century, from Leonardo da Vinci, searching for fossils in the mine shafts of the Tuscan hills, to Denis Diderot in Paris, exploring the origins of species while under the surveillance of the secret police, and the brilliant naturalists of the Jardin de Plantes, finding evidence for evolutionary change in the natural history collections stolen during the Napoleonic wars. Evolution was not discovered single-handedly, Rebecca Stott argues, contrary to what has become standard lore, but is an idea that emerged over many centuries, advanced by daring individuals across the globe who had the imagination to speculate on nature’s extraordinary ways, and who had the courage to articulate such speculations at a time when to do so was often considered heresy.With each chapter focusing on an early evolutionary thinker, Darwin’s Ghosts is a fascinating account of a diverse group of individuals who, despite the very real dangers of challenging a system in which everything was presumed to have been created perfectly by God, felt compelled to understand where we came from. Ultimately, Stott demonstrates, ideas—including evolution itself—evolve just as animals and plants do, by intermingling, toppling weaker notions, and developing over stretches of time. Darwin’s Ghosts presents a groundbreaking new theory of an idea that has changed our very understanding of who we are.

    There's Janie, who moves things without touching them, and there are the teleporting twins, who can travel ten feet or ten miles. There's Baby, who invented an antigravity engine while still in the cradle, and Gerry, who has everything it takes to run the world except for a conscience. Separately, they are talented freaks. Together, they compose a single organism that may represent the next step in evolution, and the final chapter in the history of the human race.In this genre-bending novel - among the first to have launched scifi into the arena of literature - one of the great imaginers of the twentieth century tells a story as mind-blowing as any controlled substance and as affecting as a glimpse into a stranger's soul. For as the protagonists of More Than Human struggle to find who they are and whether they are meant to help humanity or destroy it. Theodore Sturgeon explores questions of power and morality, individuality and belonging, with suspense, pathos, and a lyricism rarely seen in science fiction.

    The Wersgorix, whose scouting ship it is, are quite expert at taking over planets, and having determined from orbit that this one was suitable, they initiate standard world-conquering procedure. Ah, but this time it's no mere primitives the Wersgorix seek to enslave; they've launched their invasion against free Englishmen! In the end, only one alien is left alive; and Sir Roger's grand vision is born. He intends for the creature to fly the ship first to France to aid his King, then on to the Holy Land to vanquish the infidel. Unfortunately, he has not allowed for the treachery of the alien pilot, who instead takes the craft to his home planet, where, he thinks, these upstart barbarians will have no choice but to surrender. But that knavish alien little understands the indomitable will and clever resourcefulness of Englishmen, no matter how great the odds against them. . .

    Alone in this knowledge, he comes of age in rural Maine grappling with the question: Does anything I do matter? While the voice that has accompanied him since conception appraises his choices, Junior's loved ones emerge with parallel stories-his anxious mother; his brother, a cocaine addict turned pro-baseball phenomenon; his exalted father, whose own mortality summons Junior's best and worst instincts; and Amy, the love of Junior's life and a North Star to his journey through romance and heartbreak, drug-addled despair, and superheroic feats that could save humanity. While our recognizable world is transformed into a bizarre nation at endgame, where government agents conspire in subterranean bunkers, preparing citizens for emigration from a doomed planet, Junior's final triumph confounds all expectation, building to an astonishing and deeply moving resolution. Ron Currie, Jr., gets to the heart of character, and the voices who narrate this uniquely American tour de force leave an indelible, exhilarating impression.