There weren’t many. And too often there was a negative narrative around Indigenous lives, and Aboriginal women especially. Now an award-winning actor, she decided to change things herself. Combining her love of romantic comedies with her love of Darwin, the Tiwi Islands and the Top End, Miranda wrote, produced and starred in the box office hit Top End Wedding.In this engaging and thought-provoking memoir, Miranda shares the path she took to create a moving film about reconnection to family and culture. And, like all good storytellers, she holds a mirror up to the society we live in to show the prejudice that too often surfaces.MIRANDA TAPSELL was born in Darwin and her people are the Larrakia. She grew up in Kakadu National Park and began performing at the age of seven. At 16, she won the Bell Shakespeare Company regional performance scholarship. She has her own podcast on BuzzFeed, Pretty for an Aboriginal, with Nakkiah Lui, which rocks the traditional perceptions of Indigenous Australia and challenges rigid mindsets of what women of colour can and cannot do. Top End Girl is her literary debut.

    The Batavia expedition: Australian divers uncover a grim tale of shipwreck, mutiny and massacre.

    In The Anatomy of Violence, Raine dissects the criminal mind with a fascinating, readable, and far-reaching scientific journey into the body of evidence that reveals the brain to be a key culprit in crime causation.  Raine documents from genetic research that the seeds of sin are sown early in life, giving rise to abnormal physiological functioning that cultivates crime. Drawing on classical case studies of well-known killers in history—including Richard Speck, Ted Kaczynski, and Henry Lee Lucas—Raine illustrates how impairments to brain areas controlling our ability to experience fear, make good decisions, and feel guilt predispose us to violence. He contends that killers can actually be coldhearted: something as simple as a low resting heart rate can give rise to violence. But arguing that biology is not destiny, he also sketches out provocative new biosocial treatment approaches that can change the brain and prevent violence.  Finally, Raine tackles the thorny legal and ethical dilemmas posed by his research, visualizing a futuristic brave new world where our increasing ability to identify violent offenders early in life might shape crime-prevention policies, for good and bad. Will we sacrifice our notions of privacy and civil rights to identify children as potential killers in the hopes of helping both offenders and victims? How should we punish individuals with little to no control over their violent behavior? And should parenting require a license? The Anatomy of Violence offers a revolutionary appraisal of our understanding of criminal offending, while also raising provocative questions that challenge our core human values of free will, responsibility, and punishment.From the Hardcover edition.

    

    "You couldn't get much further away from international politics than to be a child in Brisbane in 1951 but, although I was only nine years old, I knew enough to know that you just don't get Russians called James".And so it is that Hugh Lunn, already instilled with fear and loathing of the Black and Yellow Terrors, finds himself face to face with the Red Terror, in the form of nine-year-old Russian Jim Egoroff.What follows is the humorous account of growing up in a working-class family in 1950s Australia - a story of boyhood friendship and adventure.

    More than a hundred years later the British convict settlements on the east coast were still marked by misery: the harshness of a prison society, where “excessive tyranny each day prevails”. Material growth was bought slowly and painfully by the forced labour of prisoners whose defiance might be punished by a thousand lashes. What lies between these beginnings and the wellfed Australian surfriders who gaze proudly into the 1970s? Manning Clark sees in the story of Australia not only the surface of progress, but also the debates and struggles which lie behind the smiling compromises of Australian society today. He discusses the decision to send Australian troops to Vietnam, and the British government’s intended withdrawal from SouthEast Asia. Andhe celebrates the recent achievement of Australian artists such as Sidney Nolan, Judith Wright and Patrick White.

    People fighting the good fight against homophobia, disablism, transphobia and, particularly, racism. People, possibly, like you.It is the comedian and writer David Baddiel’s contention that one type of racism has been left out of this fight. In his unique combination of reasoning, polemic, personal experience and jokes, Baddiel argues that those who think of themselves as on the right side of history have often ignored the history of anti-Semitism. He outlines why and how, in a time of intensely heightened awareness of minorities, Jews don’t count as a real minority.

    A national bestseller in hardcover for more than a year after its initial publication, it has sold almost four million copies and has been translated into seventeen languages. For this elegant thirtieth-anniversary edition—published in both hardcover and paperback—Brown has contributed an incisive new preface.Using council records, autobiographies, and firsthand descriptions, Brown allows the great chiefs and warriors of the Dakota, Ute, Sioux, Cheyenne, and other tribes to tell us in their own words of the battles, massacres, and broken treaties that finally left them demoralized and defeated. A unique and disturbing narrative told with force and clarity, Bury My Heart at Wounded Knee changed forever our vision of how the West was really won.

    Their time at the top has ranged from eight days for Frank Forde to eighteen years for Bob Menzies. But whatever the length of their term, each Prime Minister has a story worth sharing. Edmund Barton united the bickering states in a federation; Billy Hughes forced US President Woodrow Wilson to take notice of Australia. The unlucky Jimmy Scullin took office days before Wall Street crashed into the Great Depression, while John Curtin faced the ultimate challenge of wartime leadership. John Gorton, Gough Whitlam and Paul Keating each shook up their parties’ policies so vigorously that none lasted much longer than a single term in office. With characteristic wit and expert knowledge, Mungo MacCallum brings the nation’s leaders to vivid life. The Good, the Bad and the Unlikely tells the tale of the many men and one woman who’ve had a crack at running the country. It is a wonderfully entertaining education.

    He made the run every fortnight and was a lifeline to the isolated settlements and stations along the way, delivering everything from letters to essential supplies.

    Blending key theoretical and practical questions, Land argues that the predominant impulses which drive middle-class settler activists to support Indigenous people cannot lead to successful alliances and meaningful social change unless they are significantly transformed through a process of both public political action and critical self-reflection.Based on a wealth of in-depth, original research, and focussing in particular on Australia, where – despite strident challenges – the vestiges of British law and cultural power have restrained the nation's emergence out of colonizing dynamics, Decolonizing Solidarity provides a vital resource for those involved in Indigenous activism and scholarship.

    Wise-cracking Kerry Salter is part of an Aboriginal family living on the mid-north coast of New South Wales. She has spent a lifetime avoiding two things - her hometown and prison. But now her Pop is dying and she's an inch away from the lockup, so she heads south on a stolen Harley. Kerry plans to spend 24 hours, tops, over the border.She quickly discovers, though, that Bundjalung country has a funny way of grabbing on to people. Old family wounds open as the Salters fight to stop the development of their beloved river. And the unexpected arrival on the scene of a good-looking dugai fella intent on loving her up only adds more trouble - but then trouble is Kerry's middle name. Gritty and darkly hilarious, Too Much Lip offers redemption and forgiveness where none seemed possible.

    Not the British overall, not the Scots, not the Irish or Welsh, but the English. Why do they seem so unsure of who they are? Jeremy Paxman is to many the embodiment of Englishness yet even he is sometimes forced to ask: who or what exactly are the English? And in setting about addressing this most vexing of questions, Paxman discovers answers to a few others. Like: Why do the English actually enjoy feeling persecuted? What is behind the English obsession with games? How did they acquire their odd attitudes to sex and to food? Where did they get their extraordinary capacity for hypocrisy? Covering history, attitudes to foreigners, sport, stereotypyes, language and much, much more, The English brims over with stories and anecdotes that provide a fascinating portrait of a nation and its people. 'Intelligent, well-written, informative and funny...A book to chew on, dip into, quote from and exploit in arguments' Andrew Marr, Observer 'Bursting with good things' Daily Telegraph Jeremy Paxman is a journalist, best known for his work presenting Newsnight and University Challenge. His books include Empire, On Royalty, The English and The Political Animal. He lives in Oxfordshire.

    The poems are haunting, the evocation of emotional life vivid. But her analysis also reveals how deeply implicated poetry and sentiment are in the play of power and the maintenance of a system of social hierarchy. What begins as a puzzle about a single poetic genre becomes a reflection on the politics of sentiment and the relationship between ideology and human experience.

    As gang fought gang, the streets echoed with the sound of violence and ran with blood. Razor chronicles in compelling detail the nether world ruled by fabled vice queens Tilly Devine and Kate Leigh, and financed by the spoils of illegal drugs and alcohol, prostitution, gambling and extortion. Gangsters such as Guido Calletti, Big Jim Devine and Frank 'the Little Gunman' Green killed, robbed and slashed with impunity. Facing them were the police - some corrupt, some honest, and a few as tough and feared as the razor gangs they fought. Razor is the fascinating true story of the people who lived and died in this world of violence and vice. Razor brings a city's dark past back to life, and ensures that you will never look at inner Sydney in quite the same way again.