If the history of the world had turned out differently from what we know today, men would live according to different sets of values and different aesthetics It would be a civilization completely alien to ours." This first U.S. book on Yokoyama's work combines two of the artist's central themes: fighting and building. One set of graphic stories, "Public Works," details massive structures being erected across a landscape. Plot is pushed aside in favor of sheer formal verve as we watch buildings, about which we know nothing, come into being. The other set of stories, "Combats," is one sequence after another of elegantly choreographed battles. Manga comics have never seen a talent that combines this level of formal ambition with such exquisitely drawn depictions of fashion, art and architecture.

    A tiger whose idea of adventure is to lie on his back by the fire and have his stomach rubbed. In six short years this unlikely duo has captured the hearts, the minds, and, most of all, the funny bones of America. They are the most phenomenal success story in syndication - and publishing - history. In only six years, they appear in more than 2,100 newspapers worldwide, and Calvin and Hobbes wins as many readership polls as Calvin has excesses. All seven of Bill Watterson's collections have sold a million copies within a year of publication.This treasury collection contains a never-before-published full-color section, as well as the cartoons appearing in The Revenge of the Baby-Sat and Scientific Progress Goes "Boink." All Sunday cartoons are presented full-page and full-color.

    With an ever increasing fan base, an expanding number of publications who regularly feature his work, one of the most popular and most visited web-logs (www.thismodernworld.com), the time is now for The Great Big Book of Tomorrow. This massive collection of Tomorrow's greatest hits, unseen gems and obscurities, new material and color section is the so far definitive collection of one of the most popular 'underground' cartoonists ever--a delight to long-time fans and new readers alike.

    Despite her extensive pre-baby research, nothing prepared her for the momentous task of caring for this new little person. Featuring dozens of funny moments like baby's first lunch out to a forensic view of the living room, this charming doodle collection includes 120 two-color illustrations and is the perfect gift for Mother's Day, baby showers, or year-round fun. Also included are a few doodling prompts in the back of the book so moms can doodle their own first-year memories.

    And yet he was powerless to protect her, being crushed by the hero. But fate has more in store for him as he gets another chance to protect his master once more and try to change his destiny despite all odds.

    As they get to know modern Warsaw, Regina is forced to recall difficult things about her past, and Mica begins to wonder if maybe their reasons for coming aren’t a little different than what her grandmother led her to believe.

    Sometimes it takes Europeans to make gold of tuckered-out American tropes.Add to those instances of inspired global cross-pollination the Spanish cartoonist Martí’s eye-popping The Cabbie, which spins off Martin Scorsese’s sordid urban-justice drama Taxi Driver with a graphic style that unapologetically appropriates and even refines the brutal slabs of black, squashed perspectives, and grotesque approach to human physiognomy (and its ability to withstand punishment) that define Chester Gould’s Dick Tracy.And as Art Spiegelman (who was the first to publish Martí’s work in English, in RAW magazine) notes in his introduction, while “Gould’s graphic black and white precision and his diagrammatic clarity live on in Martí’s work,” he points out that “more interestingly, perhaps, so does Gould’s depravity.” Indeed, if anything, The Cabbie is even more savage than the legendarily brutal Dick Tracy, with its pimps, whores, petty thieves, corrupt businessmen, all swirling around the ingenuously violent “Cabbie” whose self-administered “upstanding citizen” status entitles him — in his view — to even more shocking acts of violence — especially on his quest for the stolen coffin of his father, which he’s told includes his entire inheritance!

    Venturing first to the Great Socialist People's Libyan Arab State and then joining the family tribe in Homs, Syria, they hold fast to the vision of the paradise that always lies just around the corner. And hold they do, though food is scarce, children kill dogs for sport, and with locks banned, the Sattoufs come home one day to discover another family occupying their apartment. The ultimate outsider, Riad, with his flowing blond hair, is called the ultimate insult… Jewish. And in no time at all, his father has come up with yet another grand plan, moving from building a new people to building his own great palace.Brimming with life and dark humor, The Arab of the Future reveals the truth and texture of one eccentric family in an absurd Middle East, and also introduces a master cartoonist in a work destined to stand alongside Maus and Persepolis.

    Phonomancer David Kohl hadn't spared his old patron a thought for almost as long... at which point his mind starts to unravel. Can he discover what's happened to the Mod-Goddess of Britpop while there's still something of himself left? Dark modern-fantasy in a world where music is magic, where a song can save your life or end it.Collects Phonogram: Rue Britannia #1-6.

    Dread & Superficiality: Woody Allen as Comic Strip is a compilation of 220 of the best of the comic's comics, all reproduced from the original art, along with sketches, photographs, and development work.   An all-new preface by Hample provides a rare glimpse into the creation of this material, revealing a long-overlooked facet of Allen's career that is smart and funny and as timeless as the man who has inspired a generation with his unique vision.“Dread & Superficiality is a must for Woody Allen fans, both for its reminder of how iconic he used to be, and for Hample’s frank introduction, in which he writes about working with Allen in the early days of the strip.”–The Onion A/V Club “…this thorough collection is an unexpected delight. As a primer for would-be cartoonists, the text provides great insights into the development of this sadly dying art form.” –Miami Herald

    Plastic surgery, a different wardrobe, a smouldering look, have given her confidence and a new and thrilling power to attract, which she uses recklessly. Often just for the fun of it.People are drawn to Tamara Drewe, male and female. In the remote village where her late mother lived Tamara arrives to clear up the house. Here she becomes an object of lust, of envy, the focus of unrequited love, a seductress. To the village teenagers she is 'plastic-fantastic', a role model. Ultimately, when her hot and indiscriminate glances lead to tragedy, she is seen as a man-eater, a heartless marriage wrecker, a slut.First appearing as a serial in the Guardian, in book form Tamara Drewe has been enlarged, embellished and lovingly improved by the author.

    Featured in McSweeney's and on NPR's This American Life, and praised by comic luminaries Chris Ware and Daniel Clowes, Brown's work has always paid tribute to felines as they curl up on couches and purr on the peripheries of his autobiographical stories. Cat Getting Out of a Bag follows his cat Misty -really, any cat- as she goes about her everyday activities and adventures. In a series of drawings, Brown perfectly captures the universal charm of cats in a lovely book sure to please fans and cat lovers of any stripe.

    A man of few scruples, nerves of steel, and a steady trigger finger, but also, a man on the verge of cracking. After misadventures in Central and South America and having earned enough money to retire comfortably, the Killer retires to Mexico, but his colleagues are still in need of his irreplaceable skills . . . and before long he’s drawn back into the great geopolitical game between Cuba, Venezuela, and the United States. Artist Luc Jacamon and writer Matz (The Black Dahlia) deliver the definitive collection of the Eisner Award-nominated crime saga, The Killer, a hardboiled, noir series that New York Times bestselling writer Brian Michael Bendis calls “one of the best graphic novel series of the last ten years.”

    Dense with exclamation marks and lurid colors, R. Sikoryak's parodies remind us of the sensational excesses of the canon, or, if you prefer, of the economical expressiveness of classic comics from Batman to Garfield. In "Blond Eve," Dagwood and Blondie are ejected from the Garden of Eden into their archetypal suburban home; Oscar Wilde's Dorian Gray is reimagined as a foppish Little Nemo; and Camus's Stranger becomes a brooding, chain-smoking Golden Age Superman. Other source material includes Dante, Shakespeare, Dostoyevsky, bubblegum wrappers, superhero comics, kid cartoons, and more.Sikoryak's classics have appeared in landmark anthologies such as RAW and Drawn & Quarterly, all of which are collected in Masterpiece Comics, along with brilliant new graphic literary satires. His drawings have appeared on The Daily Show with Jon Stewart, as well as in The New Yorker, The Onion, Mad, and Nickelodeon Magazine.

    Their lives and stories intertwine and relate inevitably to each other in ways that point to the mystery of life.