The Gilded Age. A fantastic time to be alive for lots of people . . . but not thirteen-year-old Lizzie Kennedy, stuck at Miss Barstow’s snobby school for girls. Lizzie’s secret passion is science, an unsuitable subject for finishing-school girls. Lizzie lives to go on house calls with her physician father. On those visits to his patients, she discovers a hidden dark side of the city—a side that’s full of secrets, rats, and rumors of the plague.   The newspapers, her powerful uncle, and her beloved papa all deny that the plague has reached San Francisco. So why is the heart of the city under quarantine? Why are angry mobs trying to burn Chinatown to the ground? Why is Noah, the Chinese cook’s son, suddenly making Lizzie question everything she has known to be true? Ignoring the rules of race and class, Lizzie and Noah must put the pieces together in a heart-stopping race to save the people they love.

    Inspired by actual events in the author's life.

    And then everything -- absolutely everything -- changed. Now she's counting down the days until she returns to school with her fake arm, where she knows kids will whisper, "That's her -- that's Shark Girl," as she passes. In the meantime there are only questions: Why did this happen? Why her? What about her art? What about her life? In this striking first novel, Kelly Bingham uses poems, letters, telephone conversations, and newspaper clippings to look unflinchingly at what it's like to lose part of yourself - and to summon the courage it takes to find yourself again.age range: 12 yrs and upgrade range: Grade 7 and up

    Twelve-year-old Olympia is an artist—and in her neighborhood, that's normal. Her dad and his business partner Apollo bring antique paintings back to life, while her mother makes intricate sculptures in a corner of their loft, leaving Ollie to roam the streets of New York with her best friends Richard and Alex, drawing everything that catches her eye.Then everything falls apart. Ollie's dad disappears in the middle of the night, leaving her only a cryptic note and instructions to destroy it. Her mom has gone to bed, and she's not getting up. Apollo is hiding something, Alex is acting strange, and Richard has questions about the mysterious stranger he saw outside. And someone keeps calling, looking for a missing piece of art. . . .Olympia knows her dad is the key--but first, she has to find him, and time is running out.

    Soldiers pour into the room. They're shouting and waving rifles. I shield my head with my arms. It was a lie! I think, my mind racing.Girls and boys alike are screaming. The soldiers prod and herd some of us together and push the rest apart as if we're cows or goats. Their leader is a middle—aged man. He's moving slowly, intently, not dashing around like the others." Take the boys only, Win Min," I overhear him telling a tall, gangly soldier. "Make them obey."

    A jury eventually found the rapist guilty on all counts–a remarkable verdict that Em felt more than a little responsible for, since she was her sister’s strongest advocate on social media during the trial. Her passion and outspokenness helped dissuade the DA from settling for a plea deal. Em’s family would have real justice. But the victory is short-lived. In a matter of minutes, justice vanishes as the judge turns the Morales family’s world upside down again by sentencing the rapist to no prison time. While her family is stunned, Em is literally sick with rage and guilt. To make matters worse, a news clip of her saying that the sentence “makes me want to use a fucking sword” goes viral.From this low point, Em must find a new reason to go on and help her family heal, and she finds it in the unlikely form of the story of a 15th-century French noblewoman, Marguerite de Bressieux, who is legendary as an avenging knight for rape victims.We Are the Ashes, We Are the Fire is a searing and nuanced portrait of a young woman torn between a persistent desire for revenge and a burning need for hope.

    Mia was adopted from South Korea as a baby, and the trip raises tough questions about where she really belongs. Then her dad is arrested for spying, just as forbidden photographs of North Korean slave-labor camps fall into Mia's hands. The only way to save Dad: get the pictures out of the country. Thus Mia and Simon set off on a harrowing journey to the border, without food, money, or shelter, in a land where anyone who sees them might turn them in, and getting caught could mean prison -- or worse.An exciting adventure that offers a rare glimpse into a compelling, complicated nation, In the Shadow of the Sun is an unforgettable novel of courage and survival.

    Last year, Jett and his mother had moved to a new town for a fresh start after his father went to jail. But Jett soon learned that fresh starts aren't all they're cracked up to be. When he befriended a boy with a difficult home life, Jett found himself in a cycle of bad decisions that culminated in the betrayal of a friend - a shameful secret he still hasn't forgiven himself for. Will a summer spent with his unconventional grandmother help Jett find his way to redemption?Writing in artfully crafted free-verse vignettes, Heather T. Smith uses a deceptively simple style to tell a powerful and emotionally charged story. The engaging narrative and the mystery of Jett's secret keep the pages turning and will appeal to both reluctant and avid readers. This captivating book offers a terrific opportunity for classroom discussions about the many ways to tell a story and how a small number of carefully chosen words can have a huge impact. It also showcases the positive character traits of empathy resilience, courage, and responsibility.

    African. Girl. Boy. Short. Tall. But when Ugandan President Idi Amin announces that Indians have ninety days to leave the country, suddenly those differences are the only things that people in Entebbe can see—not the shared after-school samosas or Asha cheering for Yesofu at every cricket game.Determined for her life to stay the same, Asha clings to her world tighter than ever before. But Yesofu is torn, pulled between his friends, his family, and a promise that could bring his dreams of university within reach. Now, as neighbors leave and soldiers line the streets, the two friends find that nothing seems sure—not even their friendship. And with only days before the deadline, Asha and Yesofu must decide if the bravest thing of all might be to let each other go.

    They say a person’s life flashes by before dying. But it’s not his whole life. Just the events that led to this. The important ones, and the ones Santiago would rather forget. The coins in Santiago’s hand are meant for the bus fare back to his abusive abuela’s house. Except he refuses to return; he won’t be missed. His future is uncertain until he meets the kind, maternal María Dolores and her young daughter, Alegría, who help Santiago decide what comes next: He will accompany them to el otro lado, the United States of America. They embark with little, just backpacks with water and a bit of food. To travel together will require trust from all parties, and Santiago is used to going it alone. None of the three travelers realizes that the journey through Mexico to the border is just the beginning of their story.

    All her life, Edie has known that her mom was adopted by a white couple. So, no matter how curious she might be about her Native American heritage, Edie is sure her family doesn’t have any answers.Until the day when she and her friends discover a box hidden in the attic—a box full of letters signed “Love, Edith,” and photos of a woman who looks just like her.Suddenly, Edie has a flurry of new questions about this woman who shares her name. Could she belong to the Native family that Edie never knew about? But if her mom and dad have kept this secret from her all her life, how can she trust them to tell her the truth now?

    This book is about me.It tells the deeply hideous storyof what happens when my mother diesand I'm dragged three thousand miles awayfrom my gorgeous boyfriend, Ray,to live in L.A. with my father,who I've never even metbecause he's such a scumbag that hedivorced my mom before I was born.The only way I've ever even "seen" himis in the movies,since he's this megafamous actorwho's been way too busytrying to win Oscarsto even visit me once in fifteen years.Everyone loves my father.Everyone but me.

    But when two inmates break out of the town's maximum security prison, everything changes. Doors are locked, helicopters fly over the woods, and police patrol the school grounds. Worst of all, everyone is on edge, and fear brings out the worst in some people Nora has known her whole life. Even if the inmates are caught, she worries that home might never feel the same. Told in letters, poems, text messages, news stories, and comics--a series of documents Nora collects for the Wolf Creek Community Time Capsule Project.

    Families change and new friendships form as these terrific kids grow up and move on in this whimsical novel-in-verse about finding your voice and making sure others hear it. Eighteen kids,one year of poems,one school set to close.Two yellow bulldozerscrouched outside,ready to eat the buildingin one greedy gulp. But look out, bulldozers.Ms. Hill’s fifth-grade classhas plans for you.They’re going to speak up and work togetherto save their school. Awards:Arnold Adoff Poetry Award for New Voices Honor BookCybils Award in PoetryAn NCTE Notable Verse NovelBank Street Best Children's Book of the YearILA-CBC Choices Reading Lists, Children’s ChoicesSCBWI Crystal Kite Finalist, Midatlantic RegionLectio Book Award FinalistNominated for:Massachusetts Children's Book AwardNew Hampshire Great Stone Face Book AwardPennsylvania Young Reader’s Choice AwardsRhode Island Children’s Book AwardWisconsin State Reading Association Children's Book Awards

    . . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko, this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.