[Mohr] has a generous understanding of his characters, whom he describes with an intelligence and sensitivity that pulls you in. This is no small achievement."-The New York Times Book Review (Editor's Choice)“Similar to Dostoyevsky's Crime and Punishment: the most crucial action serves as a portal to and wellspring for the various psychologies of its characters. But Mohr's storytelling is so absorbing that Termite Parade does not read like an analytical rumination; if he is examining the very nature of these characters under a microscope, he at least lets the specimens speak for themselves.”—San Francisco Chronicle"Termite Parade is a sucker punch to literary complacency, without a hint of authorial self-absorption. Mohr is a post-millennial Bukowski with a dash of Hubert Selby, Jr. thrown in for good measure, and with only two published novels under his belt, he is rapidly becoming one of my favorite American novelists."-Powell's Review-A-DayTermite Parade is the follow-up to Joshua Mohr's San Francisco Chronicle bestselling first novel - and one of O, The Oprah Magazine's '10 Terrific Reads of 2009' - Some Things That Meant the World to Me.Termite Parade tells the story of Mired, the self-described "bastard daughter of a menage a trois between Fyodor Dostoyevsky, Sylvia Plath, and Eeyore." Mired catalogs her "museum of emotional failures," the latest entry to which is her boyfriend Derek, an auto mechanic (whose body may or may not be infested with termites), who loses his cool carrying her up the stairs to their apartment.As Derek's termites wreak havoc on his nervous system, Mired pieces together the puzzle, each character revealing aspects of their savage natures, culminating in a climax of pure animal chaos.

    It combines a thorough argument text on critical thinking, reading, writing, and research with an extensive reader on both current and timeless controversial issues. Elements of Argument presents everything students need to analyze, research, and write arguments.The clearest writing and research coverage of any argument textbook has been re-invigorated to make it even more accessible. And it now has an array of provocative new topics — all to help students stake their claim in argument.

    This book has a very specific purpose: to help songwriters find better rhymes and use them more effectively. Rhyme is one of the most crucial areas of lyrics writing, and this guide will provide all of the technical information necessary to develop your skills completely. The exercises and worksheets help experienced writers take a fresh look at their techniques, and prevent novices from developing bad habits. Use this book to start writing better than ever before!

    Considered at the time to be immature, it was a failure. Since that time it has come to be considered one of the earliest American realistic novels. Maggie is the story of a pretty child of the Bowery which is written with the same intensity and vivid scenes of his masterpiece -- The Red Badge of Courage. In her short life, Maggie "blossomed in a mud puddle", was driven to prostitution, and died by her own hand while still a teenager.Crane, who worked as a free lance reporter, was in many ways addicted to the low life of the cities. He died at the age of 29.

    In The Road Show we meet Zachary Edge, a Confederate soldier, on his way home at the war's close. He stumbles upon a traveling troupe, a chance encounter that is the start of an unforgettable odyssey. Edge hits the road with bawdy showgirls, roguish tricksters, and a host of colorful characters. He soon finds himself in the arms of Autumn Auburn, the lithesome artiste known for her breathtaking sensuality.

    Southworth was one of the most popular and prolific writers of the nineteenth century and her Capitola Black, or Black Cap - a cross-dressing, adventure-seeking girl-woman - was so well-loved that the book was serialized three times between 1859 and 1888 and was dramatized in forty different versions. When we first meet sharp and witty Capitola she is living among beggars and street urchins, and dressed as a boy because a boy can get work and be safe, whereas a girl is left to starve for want of "proper" employment. Unknown to her, Capitola has a very rich elderly guardian who finds her at a providential moment and takes her back to his palatial mansion where she finds herself "decomposing above ground for want of having my blood stirred." But not to fear. There are bandits, true-loves, evil men, long-lost mothers, and sweet women friends in Capitola's future - not to mention thunder storms, kidnap attempts, and duels. The pace is fast, the action wonderfully unbelievable. This is escape literature at its nineteenth-century best, with a woman at its center who makes you feel strong, daring, and reckless.

    In this follow-up collection, the editors once again tackle the question: “How short can a story be and truly be a story?” Determined to find the best flashes from America in the twenty-first century, James Thomas and Robert Shapard searched everywhere for stories that were not merely good but memorable. Moving, and certainly unforgettable, this collection includes stories from the best and most popular fiction writers of our time, including Ron Carlson, Robert Coover, Steve Almond, Amy Hempel, A. M. Homes, Grace Paley, and Paul Theroux. In addition, Rick Moody properly defines armoire, Lydia Davis delves into a world of cats, and Dave Eggers explores narrow escapes. Over and over, these stories prove that often less is more.

    Offering both a critique of the conventional historiography and an alternate history of the war informed by Cuban sources, Perez explores the assumptions that have shaped our understanding of the "Spanish-American War--a construct, he argues, that denies the Cubans' participation in their own struggle for liberation from Spanish rule. Perez examines historical accounts of the destruction of the battleship Maine, the representation of public opinion as a precipitant of war, and the treatment of the military campaign in Cuba. Equally important, he shows how historical narratives have helped sustain notions of America's national purpose and policy, many of which were first articulated in 1898. Cuba insinuated itself into one of the most important chapters of U.S. history, and what happened on the island in the final decade of the nineteenth century--and the way in which what happened was subsequently represented--has had far-reaching implications, many of which continue to resonate today.

    Each time a life is lost in the carnage of the local drug wars, a boldly drawn chalk outline of a body appears on the street leading up to City hall: a teenaged dealer, a priest, a little girl with a jump rope. Ofelia Santoro rides her bicycle through the dark, decaying streets, looking for her fourteen-year-old-son, Gabriel. She's afraid of what she might find. Gabriel has fallen in with the most savage of the drug dealers, but now wants to get out--if he can. In this gritty, fast-moving novel, acclaimed Philadelphia Inquirer columnist Steve Lopez brings home the violence that is scarring America's vast urban wastelands, and the humanity that might save them.

    Written as a series of short vignettes and snatches of overheard conversations, it is as unconventional in style as in substance and strikingly modern in its impact.

    Considering Indian art within a chronological framework, Vidya Dehejia analyses the great cities of the Indus civilization, the serene Buddha image, the intriguing art of cave sites, the sophisticated temple-building traditions, the luxurious art of the Mughal court, the palaces and pavilions of Rajasthan, the churches of Portuguese Goa, the various forms of art in the British Raj and the issues related to taking Indian art into the twenty-first century.

    She helps when the guys drink too much before a game. She tapes them up when they're injured. And in return, they watch her back. While most students spend their time partying, Lily spends her free time working. But her job as the assistant athletic trainer for the PSU football team comes with the benefit of being friends with every player on the team. Except the entirely too cocky, reckless, and charming golden boy of the team: Vincent Bradshaw. When they aren't spouting insults at one another, Vincent and Lily are doing everything in their power to avoid each other. That is, until Vincent gets injured.

    The leading narrative history that students love to read, now made more relevant and accessible.

    It is an inspired study in moral uncertainty with the compellingly certain structure of an old-fashioned detective drama. Even as Doubt holds your conscious attention as an intelligently measured debate play, it sends off stealth charges that go deeper emotionally. One of the year’s ten best.”—Ben Brantley, The New York Times“[The] #1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. Blunt yet subtle, manipulative but full of empathy for all sides, the play is set in 1964 but could not be more timely. Doubt is a lean, potent drama . . . passionate, exquisite, important, and engrossing.”—Linda Winer, NewsdayChosen as the best play of the year by over 10 newspapers and magazines, Doubt is set in a Bronx Catholic school in 1964, where a strong-minded woman wrestles with conscience and uncertainty as she is faced with concerns about one of her male colleagues. This play by John Patrick Shanley—the Bronx-born-and-bred playwright and Academy Award-winning author of Moonstruck—dramatizes issues straight from today’s headlines within a world re-created with knowing detail and a judicious eye. After a stunning, sold-out production at Manhattan Theatre Club, the play has transferred to Broadway.John Patrick Shanley is the author of numerous plays, including Danny and the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia Sexualis, Sailor’s Song, Savage in Limbo, and Where’s My Money?. He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo, Alive, Five Corners, Joe Versus the Volcano (which he also directed), and Moonstruck, for which he won an Academy Award for original screenplay.

    First published by Yale University Press in 1956, it won the Pulitzer Prize in 1957 and has since sold more than one million copies. This edition includes a new foreword by Harold Bloom.The action covers a fateful, heart-rending day from around 8:30 am to midnight, in August 1912 at the seaside Connecticut home of the Tyrones - the semi-autobiographical representations of O'Neill himself, his older brother, and their parents at their home, Monte Cristo Cottage.One theme of the play is addiction and the resulting dysfunction of the family. All three males are alcoholics and Mary is addicted to morphine. They all constantly conceal, blame, resent, regret, accuse and deny in an escalating cycle of conflict with occasional desperate and half-sincere attempts at affection, encouragement and consolation.