The mistress of many senior Allied officers and government officials, even the French minister of war, she had a sharp intellect and a golden tongue fluent in several languages; she also traveled widely throughout wartorn Europe, with seeming disregard for the political and strategic alliances and borders. But was she actually a spy? In this persuasive new biography, Pat Shipman explores the life and times of the mythic and deeply misunderstood dark-eyed siren to find the truth.Her blissful Dutch childhood as Margaretha Zelle ended abruptly with her parents' emotionally scarring divorce and, shortly after, her mother's death. Shuttled off to reluctant relations, Margaretha impulsively married a much older man, who gave her syphilis (then incurable) and took her to the Dutch East Indies, where the unhappy marriage exploded into vicious hatred following the death of their oldest child. Fleeing her tragic marriage, she reinvented herself as Mata Hari, a scandalously sensual dancer with an Indies name and an Indies aura about her novel "artistic" dances.Mata Hari's life reads like both an action-packed adventure tale and passionate, poignant romance. Shipman reveals new information about this beautiful, brilliant, and dangerous woman, tracing the web of connections between her professional and personal lives. Once called "an orchid in a field of dandelions," Mata Hari was one of a kind, a rich and multifaceted personality whose ambitions and talents propelled her breathtaking rise—and her tragic fall.

    R. R. Palmer's fascinating narrative follows the Committee's deputies individually and collectively, recounting and assessing their tumultuous struggles in Paris and their repressive missions in the provinces. A foreword by Isser Woloch explains why this book remains an enduring classic in French revolutionary studies.

    How did one family turn a war-ruined principality into the world’s greatest empire? And how did they lose it all? This is the intimate story of twenty tsars and tsarinas, some touched by genius, some by madness, but all inspired by holy autocracy and imperial ambition. Simon Sebag Montefiore’s gripping chronicle reveals their secret world of unlimited power and ruthless empire-building, overshadowed by palace conspiracy, family rivalries, sexual decadence and wild extravagance, with a global cast of adventurers, courtesans, revolutionaries and poets, from Ivan the Terrible to Tolstoy and Pushkin, to Bismarck, Lincoln, Queen Victoria and Lenin.

    'The Other Tudors' examines the extraordinary untold tales of the women who Henry loved but never married, the mistresses who became queens and of his many children, both acknowledged and unacknowledged.

    In this sumptuous group portrait of the six daughters of "Mad" King George III, acclaimed biographer Flora Fraser takes us into the heart of the British royal family during the tumultuous period of the American and French revolutions.Drawing on their extraordinary private correspondence, Fraser gives voice to these handsome, accomplished, extremely well-educated women: Princess Royal, the eldest, constantly at odds with her mother; home-loving, family-minded Augusta; plump Elizabeth, a gifted amateur artist; Mary, the bland beauty of the family; Sophia, emotional and prone to take refuge in illness; and Amelia, "the most turbulent and tempestuous of all the Princesses." Never before has the historical searchlight been turned with such sympathy and acuity on George III and his family.

    Filled with vivid personalities, gossipy anecdotes, grand houses, and a wealth of period details--plus photographs, illustrations, quotes, and the finer points of Victorian and Edwardian etiquette--To Marry An English Lord is social history at its liveliest and most accessible.

    Charles I of England was a Protestant, the fifteen-year-old French princess a Catholic. The marriage was arranged for political purposes, and it seemed a mismatch of personalities. But against the odds, the reserved king and his naively vivacious bride fell passionately in love, and for ten years England enjoyed an era of peace and prosperity. When Charles became involved in war with Puritan Scotland, popular hatred of Henrietta's Catholicism roused Parliament to fury. As the opposition party embraced new values of liberty and republicanism”the blueprint for the American War of Independence and the French Revolution”Charles's fears for his wifes safety drove him into a civil war that would cost him his crown and his head. Rejecting centuries of hostile historical tradition, prize-winning biographer Katie Whitaker uses a host of original sources”including many unpublished manuscripts and letters ”to create an intimate portrait of a remarkable marriage. 16 pages of illustrations

    Margaret was born into the Scottish aristocracy, into a now almost vanished world of privilege. Royalty often came to stay and her house was run in the style of Downton Abbey. In the Second World War years she ‘lodged' at Buckingham Palace while she worked for MI5. She was a bridesmaid at the wedding of her cousin, Princess Elizabeth to Prince Philip. Three years later the King and Queen attended her own wedding; Princess Margaret was a bridesmaid. In 1990 she was appointed as a Lady-in-Waiting to the Queen Mother, acting also as her companion, which she describes in touching detail. In the early months of 2002, she spent as much time as possible with her ailing aunt, and was at her bedside when she died at Easter that year. The next morning she went to Queen Elizabeth's bedroom to pray, and in farewell dropped her a final curtsey.This is an enthralling account of a special life, and a unique insight into the intimate moments of the British Royal family. The Queen Mother regarded Margaret Rhodes as her “third daughter”, and she has been extremely close to her cousins the Queen and Princess Margaret throughout their lives. The book is full of charming anecdotes, fascinating characters, and personal photographs and is an unparalleled insight into the private life of the British monarchy.

    Graham’s epic work paints a unique picture of this controversial woman, showing her to be neither a Catholic martyr nor murdering adulteress but a passive young woman caught up in the ruthless sea of sixteenth-century politics who lacked the shrewdness and empowerment of her contemporaries - Catherine de Medici, Diane de Poitiers and Elizabeth Tudor. Instead, she relied on her beauty and charm and allowed herself to be a victim of circumstance. When she did finally attempt to control her future, she set in motion the events that would lead her to the executioner’s block.

    John Baxter enchants readers with his literary tour of Paris in The Most Beautiful Walk in the World. Now, this expat who has lived in the City of Light for more than twenty years introduces you to the city's streets after dark, revealing hidden treasures and unexpected delights.

    His wife, Marguerite, has accused squire Jacques Le Gris of rape. A deadlocked court decrees a “trial by combat” between the two men that also leaves Marguerite’s fate in the balance. For if her husband loses the duel, she will be put to death as a false accuser. While enemy troops pillage the land, and rebellion and plague threaten the lives of all, Carrouges and Le Gris meet in full armor on a walled field in Paris. What follows is a fierce duel, the final one sanctioned by governing powers, before a massive crowd that includes the teenage King Charles VI, during which both combatants are wounded—but only one fatally.Based on extensive research in Normandy and Paris, THE LAST DUEL brings to life a colorful, turbulent age and three unforgettable characters caught in a fatal triangle of crime, scandal, and revenge. THE LAST DUEL is at once a moving human drama, a captivating true crime story, and an engrossing work of historical intrigue with themes that echo powerfully centuries later.

    Filled with chilling tales of looted palaces and burning estates, of desperate flights in the night from marauding peasants and Red Army soldiers, of imprisonment, exile, and execution, it is the story of how a centuries’-old elite, famous for its glittering wealth, its service to the Tsar and Empire, and its promotion of the arts and culture, was dispossessed and destroyed along with the rest of old Russia.Yet Former People is also a story of survival and accommodation, of how many of the tsarist ruling class—so-called “former people” and “class enemies”—overcame the psychological wounds inflicted by the loss of their world and decades of repression as they struggled to find a place for themselves and their families in the new, hostile order of the Soviet Union. Chronicling the fate of two great aristocratic families—the Sheremetevs and the Golitsyns—the book reveals how even in the darkest depths of the terror, daily life went on. Told with sensitivity and nuance by acclaimed historian Douglas Smith, Former People is the dramatic portrait of two of Russia’s most powerful aristocratic families, and a sweeping account of their homeland in violent transition.

    But few books have brought to life more vividly the exquisite texture of two women's rivalry, spurred on by the ambitions and machinations of the forceful men who surrounded them. The drama has terrific resonance even now as women continue to struggle in their bid for executive power.Against the backdrop of sixteenth-century England, Scotland, and France, Dunn paints portraits of a pair of protagonists whose formidable strengths were placed in relentless opposition. Protestant Elizabeth, the bastard daughter of Anne Boleyn, whose legitimacy had to be vouchsafed by legal means, glowed with executive ability and a visionary energy as bright as her red hair. Mary, the Catholic successor whom England's rivals wished to see on the throne, was charming, feminine, and deeply persuasive. That two such women, queens in their own right, should have been contemporaries and neighbours sets in motion a joint biography of rare spark and page-turning power.

    Unger's book exceptionally well done. It's an admirable account of the marquis's two revolutions-one might even say his two lives-the French and the American. It also captures the private Lafayette and his remarkable wife, Adrienne, in often moving detail." -Thomas Fleming, author, Liberty!: The American Revolution"Harlow Unger's Lafayette is a remarkable and dramatic account of a life as fully lived as it is possible to imagine, that of Gilbert de Motier, marquis de Lafayette. To American readers Unger's biography will provide a stark reminder of just how near run a thing was our War of Independence and the degree to which our forefathers' victory hinged on the help of our French allies, marshalled for George Washington by his 'adopted' son, Lafayette. But even more absorbing and much less well known to the general reader will be Unger's account of Lafayette's idealistic but naive efforts to plant the fruits of the American democracy he so admired in the unreceptive soil of his homeland. His inspired oratory produced not the constitutional democracy he sought but the bloody Jacobin excesses of the French Revolution."-Larry Collins, coauthor, Is Paris Burning? and O Jerusalem!"A lively and entertaining portrait of one of the most important supporting actors in the two revolutions that transformed the modern world."-Susan Dunn, author, Sister Revolutions: French Lightning, American Light"Harlow Unger has cornered the market on muses to emerge as America's most readable historian. His new biography of the marquis de Lafayette combines a thoroughgoing account of the age of revolution, a probing psychological study of a complex man, and a literary style that goes down like cream. A worthy successor to his splendid biography of Noah Webster."-Florence King, Contributing Editor, National Review"Enlightening! The picture of Lafayette's life is a window to eighteenth- and nineteenth-century history."-Michel Aubert La Fayette

    Becoming gentleman of the royal bedchamber in 1615, the young gallant enraptured James, Britain’s first Stuart king, royal adoration reaching such an intensity that the king declared he wanted the courtier to become his ‘wife’. For a decade, Villiers was at the king’s side – at court, on state occasions and in bed, right up to James’s death in March 1625. Almost immediately, Villiers’ many enemies accused him of poisoning the king. A parliamentary investigation was launched, and scurrilous pamphlets and ballads circulated London’s streets. But the charges came to nothing, and were relegated to a historical footnote. Now, new historical scholarship suggests that a deadly combination of hubris and vulnerability did indeed drive Villiers to kill the man who made him. It may have been by accident – the application of a quack remedy while the king was weakened by a malarial attack. But there is compelling evidence that Villiers, overcome by ambition and frustrated by James’s passive approach to government, poisoned him. In The King’s Assassin, acclaimed author Benjamin Woolley examines this remarkable, even tragic story. Combining vivid characterization and a strong narrative with historical scholarship and forensic investigation, Woolley tells the story of King James’s death, and of the captivating figure at its centre. What emerges is a compelling portrait of a royal favourite whose charisma overwhelmed those around him and, ultimately, himself.