The art explodes with a succulent, indulgent blend of design, illustration, typography, and hilarious copywriting. Written and curated by Tom “The Dude Designs” Hodge, poster artist extraordinaire and VHS obsessive, with a foreword by Mondo’s Justin Ishmael, this collection contains over 240 full-scale, complete video sleeves in the genres of action, comedy, horror, kids, sci-fi, and thriller films. It’s a world of mustached, muscled men, buxom beauties, big explosions, phallic guns, and nightmare-inducing monsters. From the sublime to the ridiculous, some are incredible works of art, some are insane, and some capture the tone of the films better than the films themselves. All are amazing and inspiring works of art that captivate the imagination. It’s like stepping back in time into your local video store!

    Nick Crandall, the lead guitarist and the one most likely to cause a band breakup, is the only one who can begin to put the pieces back together after the most catastrophic night of his life. And that includes making a stand to win back the woman he needs.His only choice is to fight hard for what—and who—he loves. And oh so dirty. **GIFTED, an Oblivion Christmas novella, is included for a limited time.**

    Viewers of the program saw the Local Shop attacked by a mob from Royston Vasey and burnt to the ground. Local Shopkeepers Tubbs and Edward were last seen engulfed by flames and falling masonry. But unbeknown to Edward, Tubbs had been keeping a scrapbook of things she had found on the moors, which she called "a local book for local people." Recovered from the smoking ruins of the building, 4th Estate now presents an exact facsimile of that scrapbook. It contains fold-out maps, photographs, brochures, guides to sites of local interest, Herr Lipp's pink pomplet, Val and Harvey Denton's toad-themed wallpaper, and much, much more.

    Hebdige [...] is concerned with the UK's postwar, music-centred, white working-class subcultures, from teddy boys to mods and rockers to skinheads and punks.' - Rolling StoneWith enviable precision and wit Hebdige has addressed himself to a complex topic - the meanings behind the fashionable exteriors of working-class youth subcultures - approaching them with a sophisticated theoretical apparatus that combines semiotics, the sociology of devience and Marxism and come up with a very stimulating short book - Time OutThis book is an attempt to subject the various youth-protest movements of Britain in the last 15 years to the sort of Marxist, structuralist, semiotic analytical techniques propagated by, above all, Roland Barthes. The book is recommended whole-heartedly to anyone who would like fresh ideas about some of the most stimulating music of the rock era - The New York Times

    Limited time price. LORD OF THE RINGS meets PIRATES OF THE CARIBBEAN Against impossible odds, fierce women wield their unique magic to battle the evil growing in the empire. Waters of Salt and Sin A reckless sailor armed with salt magic fights to save her sister and the man she isn't allowed to love Fever A young woman makes a desperate ride to a foreign city to keep her family from being torn apart  Plains of Sand and Steel A ruler blessed with fire magic is the only shield against a hoard of berserk invaders set on destroying her city Forest of Silver and Secrets (previously unreleased!)A legendary captain and a mercenary skilled in chanting magic rise up against a bloodthirsty forest god who has ruled for one thousand years Join the adventure to experience the intrigue, war, romance, and medieval mythology of the Uncommon World series today!

    When Brautigan took his own life in September of 1984 his close friends and network of artists and writers were devastated though not entirely surprised. To many, Brautigan was shrouded in enigma, erratic and unpredictable in his habits and presentation. But his career was formidable, an inspiration to young writers like Hjortsberg trying to get their start. Brautigan’s career wove its way through both the Beat-influenced San Francisco Renaissance in the 1950s and the “Flower Power” hippie movement of the 1960s; while he never claimed direct artistic involvement with either period, Jubilee Hitchhiker also delves deeply into the spirited times in which he lived.As Hjortsberg guides us through his search to uncover Brautigan as a man the reader is pulled deeply into the writer’s world. Ultimately this is a work that seeks to connect the Brautigan known to his fans with the man who ended his life so abruptly in 1984 while revealing the close ties between his writing and the actual events of his life. Part history, part biography, and part memoir this etches the portrait of a man destroyed by his genius.

    With searing honesty he describes his conflicting experiences of growing up in a world where innocence was always surrounded by violence. From an early age he found in storytelling the means of reconciling the stark contrasts - between religion and play-acting, between the breathless discovery of a girl called Maureen and the merciless beating of a black boy, between a meeting with a dwarf who lived in a hole in the ground and an encounter with a magician who threatened to teach him what he hadn't bargained for.While living in Paris in the sixties his discovery of a wider artistic life, allied to the exhilaration of the student uprising of 1968, confirmed in him the desire to become a writer. At the same time the tragedy of Sharpeville crystallised his growing political awareness and sparked the decision to return home and oppose the apartheid establishment with all his strength. This resulted in years of harassment by the South African secret police, in censorship, and in fractured relationships with many people close to him. Equally it led to extraordinary friendships sealed by meetings with leaders of the ANC in exile in both Africa and Europe.André Brink tells the story of a life lived in tumultuous times. His long love affair with music, art, the theatre, literature and sport illuminate this memoir as do relationships with remarkable women, among them the poet Ingrid Jonker, who have shared and shaped his life, and encounters with people like Ariel Dorfman, Anna Netrebko, Nadine Gordimer, Günter Grass, Beyers Naudé, Desmond Tutu and Nelson Mandela. Above all, A Fork in the Road is a love song to the country where he was born, and where, despite its recent troubles and tragedies, he still lives.

    The dicephalous Tocci brothers and Lazarus Colloredo (from whose belly grew his malformed conjoined twin), the Swedish giant, and the king of Poland's dwarf--Bondeson considers these individuals not as freaks but as human beings born with sometimes appalling congenital deformities.He makes full use of original French, German, Dutch, Polish, and Scandinavian sources and explores elements of ethnology, literature, and cultural history in his diagnoses. Heavily illustrated with woodcuts, engravings, oil paintings, and photographs, The Two-Headed Boy and Other Medical Marvels combines a scientist's scrutiny with a humanist's wonder at the endurance of the human spirit. Contents:The Two Inseparable Brothers, and a PrefaceThe Hairy Maid at the HarpsichordThe Stone-childThe Woman Who Laid an EggThe Strangest Miracle in the WorldSome Words about Hog-faced GentlewomenHorned HumansThe Biddenden MaidsThe Tocci Brothers, and Other DicephaliThe King of Poland's CourtDwarf Daniel Cajanus, the Swedish GiantDaniel Lambert, the Human ColossusCat-eating Englishmen and French Frog-swallowers

    Men of the most confined knowledge are able to remark a difference of taste in the narrow circle of their acquaintance, even where the persons have been educated under the same government, and have early imbibed the same prejudices. But those, who can enlarge their view to contemplate distance nations and remote ages, are still more surprised at the great inconsistence and contrariety. We are apt to call barbarous whatever departs widely from our own taste and apprehension: But soon find the epithet of reproach retorted on us. And the highest arrogance and self-conceit is at last startled, on observing an equal assurance on all sides, and scruples, amidst such a contest of sentiment, to pronounce positively in its own favour.

    

    In 1985 Andrew Collins and a psychic colleague uncovered an inscribed spearhead, buried as part of an occult ritual. Claiming to have forged a telepathic link with its maker - a lone figure practising a dangerous form of black magic - the pair were directed to other desecrated holy places, unaware that their adversary was now hunting them, resulting in a confrontation leading to what have been described as disturbing displays of psychic powers. Then, in the early hours of 16th October 1987, as southern England was being hit by its first hurricane for more than two-and-a-half centuries, individuals across the country are said to have reported the same nightmare, revealing the hidden secrets of the hurricane and the power of "the black alchemist".

    In this biography, David Bates describes he full scope of William's achievements in both Normandy and England, setting them firmly in the context of Europe in an age of change and turmoil. He portrays a duke and king who sought to mold and control a wave of military expansion which had originated in the decades before his birth. He analyses the logistical and administrative problems which William has to deal with in his dual role as Duke of Normandy and King of England, and gives a clear account of such events as the Battle of Hastings, William's campaigns in England, and the making of the Domesday Book.William showed himself an outstanding soldier and an extremely effective ruler who combined great fortitude with an unbending insistence on his own authority. By the standards of his age, he was a religious man and a loyal husband. But, as this biography vividly illustrates, he was also cruel, greedy, and intolerant ⁠— a man who pitilessly stamped out opposition and shamelessly manipulated facts to justify dubious enterprises.In writing this book, David Bates has drawn on discoveries he has made during many years of research into William's life and career, as well as the work of other scholars. The result is not only an account of the personality and achievements of William the Conqueror, but also a dispassionate assessment of the Norman contribution to the history of England.

    But the question of how we understand the British Empire - its origins, nature, purpose, and effect on the world it ruled - is far from settled. In this incisive work, David Cannadine looks at the British Empire from a new perspective - through the eyes of those who created and ruled it - and offers fresh insight into the driving forces behind the Empire.Arguing against the views of Edward Said and others, Cannadine suggests that the British were motivated not only by race, but also by class. The British wanted to domesticate the exotic world of their colonies and to reorder the societies they ruled according to an idealized image of their own class hierarchies.

    It contains Nashtaneer (The Broken Nest), Malancha (The Garden) and Dui Bon (Two Sisters).

    In this "tour de force" of alternate history and military science fiction, Stirling imagines a world where only the United States stands between the Draka and their dream of an enslaved humanity.Compilation of Stirling's four Draka novels.