Two years ago, Gretchen kidnapped Archie and tortured him for ten days, but instead of killing him, she mysteriously decided to let him go. She turned herself in, and now Gretchen has been locked away for the rest of her life, while Archie is in a prison of another kind---addicted to pain pills, unable to return to his old life, powerless to get those ten horrific days off his mind. Archie's a different person, his estranged wife says, and he knows she's right. He continues to visit Gretchen in prison once a week, saying that only he can get her to confess as to the whereabouts of more of her victims, but even he knows the truth---he can't stay away. When another killer begins snatching teenage girls off the streets of Portland, Archie has to pull himself together enough to lead the new task force investigating the murders. A hungry young newspaper reporter, Susan Ward, begins profiling Archie and the investigation, which sparks a deadly game between Archie, Susan, the new killer, and even Gretchen. They need to catch a killer, and maybe somehow then Archie can free himself from Gretchen, once and for all. Either way, Heartsick makes for one of the most extraordinary suspense debuts in recent memory.

    She looks in the mirror and sees an unfamiliar, middle-aged face. And every morning, the man she has woken up with must explain that he is Ben, he is her husband, she is forty-seven years old, and a terrible accident two decades earlier decimated her ability to form new memories.Every day, Christine must begin again the reconstruction of her past. And the closer she gets to the truth, the more unbelievable it seems.

    He's intense. He's obsessional. He's dangerous.DCI John Luther has an extraordinary clearance rate. He commands outstanding loyalty from friends and colleagues. Nobody who ever stood at his side has a bad word to say about him. But Luther seethes with a hidden fury that at times he can barely control. Sometimes it sends him to the brink of madness, making him do things he shouldn't; things way beyond the limits of the law.The Calling, the first in a new series of novels featuring DCI John Luther, takes us into Luther's past and into his mind. It is the story of the case that tore his personal and professional relationships apart and propelled him over the precipice. Beyond fury, beyond vengeance. All the way to murder…

    He won’t leave her alone, and he refuses to take no for an answer. He is always there.Being selected for jury service is a relief. The courtroom is a safe haven, a place where Rafe can’t be. But as a violent tale of kidnap and abuse unfolds, Clarissa begins to see parallels between her own situation and that of the young woman on the witness stand.Realizing that she bears the burden of proof, Clarissa unravels the twisted, macabre fairytale that Rafe has spun around them – and discovers that the ending he envisions is more terrifying than she could have imagined.

    As DS Morrow tries to uncover one family's secrets, she must protect her own.

    Literally. With Serial Killer Detective out in limited release, the real-life murders of a jogger and a young woman have already mimicked the first two scenarios in the game. But Grace McBride and her eccentric Monkeewrench partners are caught in a vise. If they tell the Minneapolis police of the link between their game and the murders, they'll shine a spotlight on the past they thought they had erased-and the horror they thought they'd left behind. If they don't, eighteen more people will die...

    His trusted partner, Ruth Lake, is alone with him. Yet instead of calling for help, she’s rearranged the crime scene and wiped the room clean of prints.But Carver isn’t dead.Awakening in the hospital, Carver has no memory of being shot, but is certain that his assailant is the Thorn Killer. Though there’s no evidence to support his claim, Carver insists the attack is retaliation, an attempt to scare the detective off the psychopath’s scent, because he’s getting too close. Trapped in a hospital bed and still very weak, Carver’s obsession grows. He’s desperate to get back to work and finally nail the bastard, before more innocent blood is spilled.One person knows the truth and she’s not telling. She’s also now leading the Thorn Killer investigation while Carver recuperates. It doesn’t matter that Carver and the rest of the force are counting on her, and that more victims’ lives at stake. Ruth is keeping a deadly secret, and she’ll cross every line—sacrificing her colleagues, her career, and maybe even her own life—to keep it from surfacing.Utterly engrossing and filled with masterfully crafted surprises, Splinter in the Blood is a propulsive roller-coaster ride, filled with deception, nerve-jangling tension, perplexing mystery, and cold-blooded murder.

    But then something from his own past, a past he doesn’t even remember, comes back to visit terror upon him and his family.Shady characters begin threatening Mike and, when he reports them, the police seem more interested in Mike’s murky past than in protecting him. Now, with Mike, his wife Annabel and daughter Kat suddenly under attack from all sides, Mike turns to Shep, a dangerous man — and Mike’s only true friend — from his childhood days in foster care. Together they will do whatever it takes to protect Mike’s family against the hidden men behind the terrifying warning, “You’re Next.”

    Guy Haines and Charles Anthony Bruno are passengers on the same train. Haines is a successful architect in the midst of a divorce, Bruno a mysterious smooth-talker with a sadistic proposal: he’ll murder Haines’s wife if Haines will murder Bruno’s father. As Bruno carries out his twisted plan, Guy finds himself trapped in Highsmith’s perilous world, where, under the right circumstances, ordinary people are capable of extraordinary crimes. The inspiration for Alfred Hitchcock’s classic 1951 film, Strangers on a Train launched Highsmith’s prolific career, proving her a master at depicting the unsettling forces that tremble beneath the surface of everyday life.

    . .The brutal murders of three young boys paralyze the citizens of Platte City, Nebraska. What's worse is the grim realization that the man recently executed for the crimes was a copycat. When Sheriff Nick Morrelli is called to the scene of another grisly murder, it becomes clear that the real predator is still at large, waiting to kill again.Morreli understands the urgency of the case terrorizing his community, but it's the experienced eye of FBI criminal profiler Maggie O'Dell that pinpoints the true nature of the evil behind the killings -- a revelation made all the more horrific when Morrelli's own nephew goes missing.Maggie understands something else: the killer is enjoying himself, relishing his ability to stay one step ahead of her, making this case more personal by the hour. Because out there, watching, is a killer with a heart of pure and perfect evil.

    . . OR THE PERFECT LIE?Cassie had it all - the fairytale wedding, the stunning home, the perfect husband. But when she arrives on the intensive care ward at St Catherine's hospital in a coma, it soon becomes clear that she has a secret; a secret that changes everything.Alice, the chief nurse on the ward begins to feel a connection with Cassie and can't help but wonder if things are not quite as they seem.Frank, another patient, can hear and see everything around him but cannot communicate. He understands that Cassie's life is in danger and only he holds the truth, which no one can know and he cannot tell . . .

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?