Also included are fascinating primary sources and background materials, an annotated bibliography, and discussions of the work by leading scholars Robert Louis Jackson, Richard Tempest, and Dariusz Tolczyk. Combining scholarship with accessibility, this critical companion--part of the acclaimed AATSEEL series--illuminates a great work of literature and will enhance its appreciation by students and teachers.

    

    It chronicles their experiences in parallel over the course of six years, unfolding the independent challenges they face while struggling to survive worlds apart from each other. This book club pick inspires readers to see that love, friendship, and faith can survive in spite of the most terrible circumstances.Dani and Keely imagined that life was more magical than others believed. If they had to be summed up, their one plus one would equal three. Together, they became something greater. It was twin sisters against the world. But the world had different plans. The man followed them to their secret tree house that unusually warm day in September. He only came for one, there and gone in the blink of an eye. Satan’s Garden takes you on the six-year journey of two sisters who learn what it means to survive. It’s a story of resiliency, hope, and above all, a bond that cannot be taken away. It teaches us how quickly life can change and yet how much of it we can change ourselves.

    From My Mother's Garden, the parable of an old woman who refuses to accept the consequences of the Chernobyl disaster, to The Young People of Moscow, which describes an extraordinary day in the life of an aging couple selling antiquated Soviet poetry in an underground bazaar, these intricately woven narratives provide unforgettable slices of a Russia that is at once both exotic and disconcertingly familiar.

     Additionally, as a lady-in-waiting, Countess Buxhoeveden attended on the Empress for much of the reign of Tsar Nicholas II, only leaving her side when the Imperial Family was removed to Tobolsk after the Tsar’s abdication in 1917. Thereafter, she followed the Empress to Tobolsk, and then to Ekaterinburg, where the entire Imperial Family, some of the Court suite and some of their servants met their deaths on July 17, 1918. The portrait the Countess paints of the Empress is of a warm, shy, kind and generous woman, devoted to Russia, her husband and her children, deeply charitable in word and deed, and a committed friend and mistress, but ill-starred, physically sick, maligned, misunderstood and much plotted against. The character descriptions in this book also include those for Tsar Nicholas, each of the children – OTMA and the Tsarevitch – Grand Duchess Ella (the Empress’ sister), Ania Vyrubova (the Empress’ most intimate friend), Rasputin and Kerensky (the Head of the Provisional Government that took power after the abdication of the Tsar and before the ascendancy of the Bolsheviks). The narrative also describes in detail the daily domestic life of the Imperial Family, and each of their trips to other parts of Russia and abroad in peace and war. It is rare for the author of any authorized biography to know her subject so familiarly and for so long, and to have been a first-hand witness to almost everything that happened for much of her life, and it is this that makes ‘The Tragic Empress’ such an intriguing and compelling book.

    Written in the summer of 1917, the cycle of poems focuses on personal journeys and loves but is permeated by the tension and promise of the impending October Revolution. Osip Mandelstam wrote: "To read the poems of Pasternak is to get one's throat clear, to fortify one's breathing. . . . I see Pasternak's My Sister—Life as a collection of magnificent exercises in breathing . . . a cure for tuberculosis." This English translation, rendered with verve and intelligence by Mark Rudman, is a heady gust that matches the intensity and power of the original Russian text.

    Lewinter" is the novel that established Robert Littell as a master of the Cold War thriller and immediately elevated him to the ranks of John le Carr?, Len Deighton, and Graham Greene. A.J. Lewinter is an American scientist, for years an insignificant cog in America's complex defense machinery. Now he is playing both sides against the middle-telling the Russians he wants to defect and tantalizing them with U.S. military secrets he claims to posses. But is his defection genuine? Neither the Russians nor the Americans are sure, and as each side struggles to anticipate its opponent's next move, Lewinter is swept up in a terrifying chess match of deceit and treachery.

    The first section of this collection pays homage to the poet's roots in a place where the world hands you nothing and promises less, so you are left to invent yourself or disappear. From there these poems both recount and embody repeated acts of defiant self-creation in the face of despair, loss, and shame, and always in the shadow of annihilation.With darkly raucous humor and wrenching pathos, Seuss burrows furiously into liminal places of no dimension—state lines, lakes' edges, the space "between the m and the e in the word amen." From what she calls "this place inbetween" come profane prayers in which "the sound of hope and the sound of suffering" are revealed to be "the same music played on the same instrument."Midway through this book, a man tells the speaker that beauty is that which has not been touched. This collection is a righteous and fierce counterargument: in the world of this imagination, beauty spills from that which has been crushed, torn, and harrowed. "We receive beauty," Seuss writes, "as a nail receives / the hammer blow." This is the poetry that comes only after the white dress has been blown open—the poetry of necessity, where a wild imagination is the only hope.

    From a conflicted and unhappy childhood, Parker rose to acclaim, both for her literary output in such venues as The New Yorker and as a founding member of the Algonquin Round Table. Following the breakup of the circle, Parker traveled to Hollywood to pursue screenwriting. Her successes there, including two Academy Award nominations, were curtailed as her involvement in left-wing politics led to a place on the infamous Hollywood blacklist. Parker went through three marriages (two to the same man) and survived several suicide attempts, but grew increasingly dependent on alcohol. Dismissive of her own talents, she deplored her reputation as a "wisecracker". Nevertheless, her literary output and reputation for her sharp wit have endured.

    This is the story of the generation of spies who came of age in the shadow of the Cuban missile crisis and rose through the ranks to run the CIA and KGB in the last days of the Cold War. The clandestine operations they masterminded took them from the sewers of Moscow to the back streets of Baghdad, from Cairo and Havana to Prague and Berlin, but the action centers on Washington, starting in the infamous "Year of the Spy"--when, one by one, the CIA’s agents in Moscow began to be killed, up through to the very last man.Behind the scenes with the CIA's covert operations in Afghanistan, Milt Bearden led America to victory in the secret war against the Soviets, and for the first time he reveals here what he did and whom America backed, and why. Bearden was called back to Washington after the Soviets withdrew from Afghanistan and was made chief of the Soviet/East Euro-pean Division—just in time to witness the fall of the Berlin Wall, the revolutions that swept across Eastern Europe, and the implosion of the Soviet Union.Laced with startling revelations--about fail-safe top-secret back channels between the CIA and KGB, double and triple agents, covert operations in Berlin and Prague, and the fateful autumn of 1989--The Main Enemy is history at its action-packed best.From the Hardcover edition.

    After the Revolution, and the persecution of intellectuals which followed, she was forced to flee to Paris, where she was to remain for 25 years. There she formed part of a group of literary Russian emigres that included Gorky, Bunin, Svetaeva, Nabokov and Akhmatova, and earned a precarious living as a journalist, barely surviving the hardship and poverty of exile. In 1950 she left France for the United States to begin a new life with no money and no knowledge of English. She is now a retired Professor of Russian Literature at Princeton, and has belatedly been acclaimed for the short novels she wrote in the 1930s and '40s.

    Now, to mark the centenary of this epochal event, historian Steve Smith presents a panoramic account of the history of the Russian empire, from the last years of the nineteenth century, through the First World War and the revolutions of 1917 and the establishment of the Bolshevik regime, to the end of the 1920s, when Stalin simultaneously unleashed violent collectivization of agriculture and crash industrialization upon Russian society. Drawing on recent archivally-based scholarship, Russia in Revolution pays particular attention to the varying impact of the Revolution on the various groups that made up society: peasants, workers, non-Russian nationalities, the army, women and the family, young people, and the Church. In doing so, it provides a fresh way into the big, perennial questions about the Revolution and its consequences: why did the attempt by the tsarist government to implement political reform after the 1905 Revolution fail; why did the First World War bring about the collapse of the tsarist system; why did the attempt to create a democratic system after the February Revolution of 1917 not get off the ground; why did the Bolsheviks succeed in seizing and holding on to power; why did they come out victorious from a punishing civil war; why did the New Economic Policy they introduced in 1921 fail; and why did Stalin come out on top in the power struggle inside the Bolshevik party after Lenin's death in 1924. A final chapter then reflects on the larger significance of 1917 for the history of the twentieth century - and, for all its terrible flaws, what the promise of the Revolution might mean for us today.

    This universally acclaimed memoir gives us an extraordinary picture of Russia during the tumultuous first two decades of the twentieth century. Here are startlingly vivid vignettes of country life, poignant remembrances of the disintegration of the writer’s family, and anecdotes from his student days. Here too are devastating eyewitness reports of the horrors of pogroms, searing visions of towns ravaged by disease, hunger, and violence, and what will stand as the definitive account of the chaos and passion of a nation in the throes of revolution.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    In his inaugural address, Nixon held out a hand in friendship to Republicans and Democrats alike. But by the fall of 1969, massive demonstrations in Washington and around the country had been mounted to break his presidency.In a brilliant appeal to what he called the "Great Silent Majority," Nixon sent his enemies reeling. Vice President Agnew followed by attacking the blatant bias of the media in a fiery speech authored and advocated by Buchanan. And by 1970, Nixon's approval rating soared to 68 percent, and he was labeled "The Most Admired Man in America".Then one by one, the crises came, from the invasion of Cambodia, to the protests that killed four students at Kent State, to race riots and court ordered school busing.Buchanan chronicles Nixon's historic trip to China, and describes the White House strategy that brought about Nixon's 49-state landslide victory over George McGovern in 1972.When the Watergate scandal broke, Buchanan urged the president to destroy the Nixon tapes before they were subpoenaed, and fire Special Prosecutor Archibald Cox, as Nixon ultimately did in the "Saturday Night Massacre." After testifying before the Watergate Committee himself, Buchanan describes the grim scene at Camp David in August 1974, when Nixon's staff concluded he could not survive.In a riveting memoir from behind the scenes of the most controversial presidency of the last century, Nixon's White House Wars reveals both the failings and achievements of the 37th President, recorded by one of those closest to Nixon from before his political comeback, through to his final days in office.Includes a bonus PDF of the Appendix, which includes handwritten notations on presidential memos