You thought you knew the story of the “The Three Little Pigs”… You thought wrong. In this hysterical and clever fracture fairy tale picture book that twists point of view and perspective, young readers will finally hear the other side of the story of “The Three Little Pigs.”

    . .Readers will be enchanted by this Latino twist on the classic story, and captivated by the vibrant art inspired by the culture of Peru.

    But will the prince find Cinderella after her ball gown turns back into rags? This classic tale is retold by Ruth Sanderson with the very youngest of readers in mind.

    When an old monk attempts to teach young Daozi about the ancient art of calligraphy, his brush doesn't want to cooperate. Instead of characters, Daozi's brush drips dancing peonies and flying Buddhas! Soon others are admiring his unbelievable creations on walls around the city, and one day his art comes to life! Little has been written about Daozi, but Look and So masterfully introduce the artist to children.

    He's also the silliest, most lovable, most muddleheaded possum south of the Mason-Dixon line!Better choose your words wisely when he's around, 'cause otherwise you never know what you'll get. Epossumondas just might bring you a fist full of crumbs, or a soaking wet puppy, or a scruffy wad of bread--oh, you just wouldn't believe it!Renowned storyteller Coleen Salley and Caldecott Honor illustrator Janet Stevens team up for this outrageous twist on the Southern story of the noodlehead who takes everything way too literally. (Or is that Epossumondas just pulling his mama's leg?)

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    Hansel and Gretel's plight feels all the more threatening as they're plunged into the thick, dark jungle of Isadora's rich collages.

    Because she is so tiny, adventure and mishap easily befall her — a giant frog leaves her stranded on a lily pad, she is freed by curious fish, then pestered by crazy bugs. Lina lives by herself in the depths of a forest until the cold of winter approaches and she begins to feel lonely. She encounters a mouse, who is happy to have someone to dust and sweep for him, but one day in the back room of his house Lina comes across the body of a swallow. The mouse is convinced the bird is dead but Lina, thinking she sees a wing tremble, brings it food and water. Amazingly, the swallow revives and the two of them fly together to the garden of wishes…Iranian-born illustrator Nasrin Khosravi won the Grand Prize at the Noma Concours in Japan (2000) and was selected as best illustrator at the Tehran International Biennial of Illustration (1999) when these paintings were first published in a Farsi version of Andersen’s tale. They now grace this new Thumbelina story, giving young readers in North America an opportunity to delight in her work. Uma Krishnaswami’s text perfectly captures the spirit of the luminous illustrations, creating a book that is beautiful, magical and mysterious.

    JEREMY FISHERThe Tale of Mr. Jeremy Fisher, like Peter Rabbit, began life as an illustrated letter to a young child. It was written when Beatrix Potter was on holiday in Scotland where her father and his friends enjoyed fishing expeditions. Mr. Jeremy has a day full of the worst fisherman's mishaps when he sets out to catch minnows for his dinner.

    One day, the rabbi asks his children a powerful question: "How much do you love me?" His older daughters profess their love in gold and diamonds, but his youngest daughter, Mireleh, declares she loves her father the way meat loves salt. For this remark, she is banished from her father's home. In this flavorful Jewish Cinderella tale, Mireleh's courageous journey is peppered with a perfect blend of magic and romance, leading to a reconciliation with her beloved father. Lavishly illustrated in Louise August's bold linocuts, The Way Meat Loves Salt will make a wonderful gift for the Jewish holidays.

    But cunning Mr. Dog tricks Salma, and before she knows it, he’s wearing her stripy ntama, her pretty white beads, and her yellow sandals. And he’s on his way to Granny’s house! African culture and flavor infuse this inventive retelling of a favorite fairy tale, and the vibrant lively illustrations bring it to life. The result is a story that combines new and old and spans cultures as successfully as it has spanned the centuries.

    Papa Rabbit traveled north two years ago to find work in the great carrot and lettuce fields to earn money for his family. When Papa does not return, Pancho sets out to find him. He packs Papa’s favorite meal—mole, rice and beans, a heap of warm tortillas, and a jug of aguamiel—and heads north. He meets a coyote, who offers to help Pancho in exchange for some of Papa’s food. They travel together until the food is gone and the coyote decides he is still hungry . . . for Pancho!Duncan Tonatiuh brings to light the hardship and struggles faced by thousands of families who seek to make better lives for themselves and their children by illegally crossing the border. Praise for Pancho Rabbit and the Coyote STARRED REVIEWS"Tonatiuh’s great strength is in the text. No word is wasted, as each emotion is clearly and poignantly expressed. The rabbits’ future is unknown, but their love and faith in each other sustains them through it all. Accessible for young readers, who may be drawn to it as they would a classic fable; perfect for mature readers and the classroom, where its layers of truth and meaning can be peeled back to be examined and discussed. An incandescent, humane and terribly necessary addition to the immigrant-story shelf."—Kirkus Reviews, starred review"In both prose and art, Tonatiuh expertly balances folkloric elements with stark, modern realities; Pancho Rabbit’s trip has the feel of a classic fable or fairy tale, with the untrustworthy coyote demanding more and more of him."—Publishers Weekly, starred review"The book shows the fragility of making a living, the desperation that many migrants experience, and the deep family ties that bind the characters. Classrooms studying the migrant experience will find plenty to discuss here."—School Library Journal“This will spark strong responses and needed discussion.”—Booklist"Tonatiuh is so careful in weaving his allegory that his empathetic contemporary tale feels like age-old folklore, with simple but compelling text and a step-by-step escalation of the story through gripping, kid-understandable challenges."—The Bulletin of the Center for Children's Books AwardsPura Belpré Author and Illustrator Honor book 2014New York Public Library’s annual Children’s Books list: 100 Titles for Reading and Sharing 2013Kirkus Best Books of 2013Best Multicultural Children's Books 2013 (Center for the Study of Multicultural Children's Literature)Notable Children's Books from ALSC 2014Notable Books for a Global Society Book Award 2014

    A wild stallion becomes her friend and she decides to ride free with the herd even after she is found.

    She loves her neighbors–she lets the children use her flowers for trumpets, and the families use her leftover tortillas for rafts. So when a huge puma is terrifying the village, of course Flor is the one to investigate. Featuring Spanish words and phrases throughout, as well as a glossary, Pat Mora’s story, along with Raúl Colón’s glorious artwork, makes this a treat for any reader, tall or small. Award-winning author Pat Mora’s previous book with Raúl Colón, Tomás and the Library Lady, received the Tomás Rivera Mexican American Children’s Book Award, an IRA Teacher’s Choice Award, a Skipping Stones Award, and was also named a Texas Bluebonnet Award Master List title and an Americas Award for Children’s and Young Adult Literature commended title. She lives in Santa Fe, New Mexico.

    With its great feasts, its white stone churches, its merchant visitors from many lands, Sadko felt there was no better place to be. Yet he was lonely too, for the rich young ladies who danced to his music would never favor anyone so poor. One night he takes his twelve-string gusli and goes alone to play by the River Volkhov. Suddenly from the water rises the Sea King, who invites the astonished musician to play at his underwater palace. But how will Sadko get there? And how will he get back? And will he want to return at all, when he meets the Sea King's lovely daughter? One of the most popular legends of Russia, Sadko's story is found in medieval epic ballads, as well as in a popular opera by Rimsky-Korsakov. It is retold here in elegant prose, complemented by the entrancing illustrations of a modern Russian master. TEACHERS AND LIBRARIANS -- A READER'S THEATER SCRIPT OF THIS BOOK IS AVAILABLE IN AARON'S BOOK "FOLKTALES ON STAGE," OR FREE ON AARON'S WEB SITE. ///////////////////////////////////////////////// Aaron Shepard is the award-winning author of "The Baker's Dozen," "The Sea King's Daughter," "The Monkey King," and many more children's books. His stories have appeared often in Cricket magazine, while his Web site is known internationally as a prime resource for folktales, storytelling, and reader's theater. Once a professional storyteller, Aaron specializes in lively retellings of folktales and other traditional literature, which have won him honors from the American Library Association, the New York Public Library, the Bank Street College of Education, the National Council for the Social Studies, and the American Folklore Society. Gennady Spirin, with a style he describes as "fairy-tale realism," is one of the world’s most esteemed children’s illustrators. His honors include five gold medals from the Society of Illustrators, the Golden Apple from the Bratislava International Biennial, First Prize at the Bologna and Barcelona international book fairs, and four appearances on the New York Times list of Ten Best Illustrated Books of the Year. Born and trained in Russia before moving to the United States, Gennady already knew well the legend of Sadko and welcomed the chance to contribute his sumptuous art to this retelling.  ///////////////////////////////////////////////// HONORS 1997 New York Times Ten Best Illustrated Books of the Year  1998 American Library Association Notable Children's Books  1998 NCSS/CBC Notable Trade Books in the Field of Social Studies  1997 Aesop Accolade, American Folklore Society  1998 Honor Title, Storytelling World Awards  1997 Cincinnati Enquirer Best Illustrated Children's Books  American Bookseller Pick of the Lists  Starred review, Publishers Weekly  Featured on "CBS This Morning" ///////////////////////////////////////////////// "Emotionally authentic prose and jewel-like illustrations make this an exquisite volume. . . . [A] mood of eloquent enchantment." -- Publishers Weekly, Aug. 25, 1997, starred review "Exquisite." -- The New York Times Book Review, Oct. 26, 1997 "Knock-your-socks-off beautiful. . . . Will stay in a family's library forever." -- Valerie Lewis, "CBS This Morning," Dec. 11, 1997 "Retains the flavor of Old Russia. . . . A fascinating spin on mermaid/human interaction." -- Denise Anton Wright, School Library Journal, Dec. 1997 "The telling is descriptive yet very accessible. . . . The pictures are gorgeous and resplendent with extraordinary details." -- Stephanie Zvirin, American Library Association Booklist, Nov. 15, 1997